Category: Plays/Films/Dramas

Representative English Comedies, v. 1. From the beginnings to Shakespeare

"'Dost thou think, because thou art virtuous, there shall be no more cakes and ale ... nor ginger hot i' the mouth?' Or knowest not that while man, casting the dice with Fate and Mistress Grundy, imagineth a new luck, there shall be new comedy? Why, then, reprint these old?"

Chapters

18. Part 18

=Life.=--Nicholas Udall was born in 1506, of a good family residing in Hampshire. As a lad of fourteen he entered Corpus Christi College, Oxford, and took his bachelor's degree...

30. Part 30

_Chat._ Comst behynd me, thou withered witch? and I get once on foote Thouse pay for all, thou old tarlether! ile teach the what longs to it! Take the this to make up thy mouth,...

61. Part 61

_Phi._ I have not been much private with that voice: Me thinke Franke Goursey talke and his doth tell me I am mistaken; especially by his bow; Franke had no bow. Well, I will le...

59. Part 59

_Fran._ I, you know; You found the way to sorrow long agoe. Father, God boye ye:[1737] you have sent your sonne To seeke on earth an earthly day of doome, 75 Where I shall be ad...

43. Part 43

It is observable, too, in the earlier period of his work, that in his treatment of his material so derived, he displays the qualities of the weaker, the less robust literary hab...

2. Part 2

I agree, therefore, with Dr. Ward that the burden of proof is with those who assert that the Latin comedy of the Middle Ages made no impression upon the earlier drama of England...

65. Part 65

=Relation to Predecessors and Contemporaries.=--From his predecessors and early contemporaries Shakespeare doubtless learnt whatever it was in their power to teach; at the same...

3. Part 3

Now, the contiguity of what is undoubtedly borrowed from the York with what is imitated from it and what is elaborated upon it, is strong proof of a conscious relation between t...

12. Part 12

In "_The playe called the foure PP._: a newe and a very mery enterlude of a palmer, a pardoner, a potycary, a pedler," the advance in dramatic form as compared with _The Play of...

31. Part 31

_Chat._ Yea, by my faith, master Bayly, there was a knave not farre Who caught one good philup on the brow with a dore barre, 35 And well was he worthy, as it semed to mee; But...

5. Part 5

The following is the outline of the Derbyshire play: Enter Prologue, who is apparently the same as "noble soldier," "Slasher," or "Jack," to clear a way for St. Gay.--Enter St....

4. Part 4

Professor ten Brink is by no means alone in his estimate of the technical quality of the English scriptural miracle, but I must say that the estimate seems to me to be hardly up...

63. Part 63

_M. Gour._ [_with show of continued impatience._] By that I sweare, Ile credit none of you, until I heere 205 Friendship concluded straight betweene them two: If I see that they...

7. Part 7

The concrete element so noteworthy in Mankynd is further developed in the "_Goodly Interlude of Nature_, compylyde by" Archbishop Morton's chaplain, Henry Medwall, between 1486...

55. Part 55

Most of the playwrights in Henslowe's pay lived in hand-to-mouth style; but in art of cozening groats from the manager who in turn squeezed angels from the dramatist, none excel...

36. Part 36

_Apel._ I will cudgell your bodie for it, and then will I say it was no bodie, because it was no honest bodie. Away, in! _Exit Psyllus._ Unfortunate Apelles, and therefore unfor...

10. Part 10

If it were not for the fact that _The Supposes_ (acted 1566) is a translation of Ariosto's play of the same title, I should be inclined to say that it was the first English come...

28. Part 28

P. 205 represents the title-page, but without the border to which I refer on p. 199. Mr. W. J. Lewis points out to me that this woodcut title page had been used previously by Wi...

60. Part 60

_Mi. Ba._ How, sir? your wife! wouldst thou my daughter have? Ile rather have her married to her grave.[1788] 180 Go to, be gone, and quickly, or I sweare Ile have my men beate...

39. Part 39

A second element of humour in this realistic treatment of romance is the use of an induction, or rather of a combination of the induction and the play within the play, as a mean...

14. Part 14

_Water Myller._ What the devyll shold skyl,[146] though all the world were dum, Syns in all our spekynge we never be harde? We crye out for rayne, the devyll sped drop wyll cum....

58. Part 58

_Mi. Bar._ Thou setst thy sonne to scoffe and mocke at me: Ist not sufficient I am wrongd of thee, But he must be an agent to abuse me? 270 Must I be subject to my cradle too? O...

17. Part 17

_Johan._ Mary, Syr, to tell you shortly, My wyfe and I pray you hartely, And eke desyre you wyth all our myght, 320 That ye wolde come and sup with us to nyght.

57. Part 57

_Boy._ Why, sir, the horse that I do meane Hath a leg both straight and cleane, That hath nor spaven, splint, nor flawe, But is the best that ever ye saw; A pretie rising knee,...

44. Part 44

In respect of his relations with Shakespeare, I cannot but feel that he has been harshly judged. We shall be justified in calling the _Shakescene_ remarks unduly rancorous when...

38. Part 38

[946] These lines illustrate well how the memory of Shakespeare caught and held the best in the lines of others. Here, scattered through several lines, is the first line of the...

40. Part 40

_Old wom._ Once uppon a time there was a King or a Lord, or a Duke, that had a faire daughter, the fairest that ever was; as 100 white as snowe, and as redd as bloud: and once u...

54. Part 54

=The Facts of Porter's Life.=--_The Two Angry Women of Abington_ is the only extant production of Henry Porter. In 1841 Mr. Collier, who was then editing Henslowe's _Diary_, sup...

27. Part 27

[637] Cf. _ib._, _cerei qui cum cruce et thuribulo de more ... portabantur accensi_; unto the holy candle commit we our souls at our last departing, Tindale, _Works_, 1, 225; _i...

32. Part 32

[718] In Colwell's edition this scene extends to the end of the act. There should probably be a division after line 63, and again after line 105 (as in Professor Manly's edition...

37. Part 37

_Diog._ I remember there was a thing that I repented mee of, and now thou hast tolde it. Indeed, it was too deare of nothing,[962] and thou deare to no bodie.

62. Part 62

_Rap._ Sownes, now I heere foure hollo at the least! One had a little voice; then thats the wench 40 My man hath lost: well, I will answer all. [_Aside._] So ho!

9. Part 9

In spite of Professor Schelling's[73] recent rejection of _King Johan_ from the list of chronicle plays, I cannot but agree with Dr. Ward that this moral is of considerable impo...

19. Part 19

Merygreeke has been characterized[320] as "the Artotrogos of Plautus, the standing figure of the parasite of the Greek new comedy and its Latin reproductions." But, though Meryg...

22. Part 22

_Tib. Talk._ Ah that I might but once in my life have a sight Of him that made us all so yll shent by this light, He should never escape if I had him by the eare, But even from...

15. Part 15

_Mery-reporte._ Oft tyme yt is sene, both in court and towne, Longe be women a bryngyng up & sone brought downe. 860 So fet[189] yt is, so nete yt is, so nyse yt is, So trycke[1...

64. Part 64

=The Essentials of Shakespearian Comedy.=--The Comedies of Shakespeare, which form more than a third part of his dramatic work, belong to every period of his career as a writer,...

56. Part 56

=Previous Editions and the Present Text.=--Two editions of this play were published in 1599: one for Joseph Hunt and William Ferbrand; the other for Ferbrand alone (in same plac...

45. Part 45

This consideration confirms the assignment of _Friar Bacon_ to some time within a year after the production of _Dr. Faustus_ (1588 _end_ or 1589 _beginning_). So, also, the rese...

16. Part 16

[175] The earliest reference to a dearth of corn in the reign of Henry VIII. which I can find in Holinshed is _sub anno_ 1523, when he states that the price in London was 20 _s....

33. Part 33

=Lyly's Development as a Dramatist.=--That Lyly worked, however, steadily toward more genuine drama becomes clear if one reads his plays in order. In all he shows classical infl...

20. Part 20

_M. Mery._ I wyll not heare him, but make as I had haste, Farewell all my good friendes, the tyme away dothe waste, 10 And the tide they say, tarieth for no man.

52. Part 52

_Mar._ Tis I, my lords, who humbly on my knee Must yeeld her horisons to mighty Jove For lifting up his handmaide to this state; Brought from her homely cottage to the court, 20...

11. Part 11

[15] V. XXVI., XXVIII., XXIX., XXX., XXXI., XXXIII.; probably XXXII. Perhaps this playwright (if we may use the singular) rewrote XXXIV. I think he remodelled XXXV. and XXXVI.,...

21. Part 21

_M. Mery._ He is ashamed the numbre of them to shewe. Een rounde about him, as many thousande sheepe goes, 55 As he and thou and I too, have fingers and toes.

23. Part 23

_M. Mery._ Yea and perchaunce that way ye shall much sooner speede, For one madde propretie these women have in fey, When ye will, they will not: Will not ye, then will they. Ah...

24. Part 24

_C. Custance._ So sirra, if I should not with hym take this way, I should not be ridde of him I thinke till doomes day, I will call forth my folkes, that without any mockes If h...

53. Part 53

[1521] So G. and W.--Qtos, Do., Dy. give the line to Bungay.--After 'hap,' Dy., and W. [_Knocking within_]; and after 'come in' [_Enter two Scholars_]. But I think with G. that...

29. Part 29

_Hodge._ Chyll runne, chyll ryde, chyll dygge, chyl delve, chill toyle, chill trudge, shalt see; 55 Chill hold, chil drawe, chil pull, chill pynche, chill kneele on my bare knee...

46. Part 46

The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _...

26. Part 26

[434] Here follows a farcical scene, doubtlessly inserted for the applause of the galleries. The musicians are supposed to kneel in mock reverence (v. 90), while M. indulges in...

6. Part 6

A general view of his history shows, then, that the Vice is neither an ethical nor dramatic derivative of the Devil; nor is he a pendant to that personage, as foil or ironical d...

41. Part 41

_Old w._ So with that, they kist, and spoiled the edge of as good a two hand sword, as ever God put life in; now goes Corebus in, spight of the conjurer.

50. Part 50

_Vander._ Cease, Hercules, untill I give thee charge.-- Mightie commander of this English Ile, Henrie, come from the stout Plantagenets, 105 Bungay is learned enough to be a fri...

1. Part 1

"'Dost thou think, because thou art virtuous, there shall be no more cakes and ale ... nor ginger hot i' the mouth?' Or knowest not that while man, casting the dice with Fate an...

51. Part 51

_Bacon._ 'Tis past indeed. A[h], villaine, time is past: 90 My life, my fame, my glorie, all[1502] are past!-- Bacon, the turrets of thy hope are ruind downe, Thy seven yeares s...

25. Part 25

_Sim Sure._ Sir, though I to you be a servant true and just. Yet doe not ye therfore your faithfull spouse mystrust. But examine the matter, and if ye shall it finde, H ii _b_ T...

48. Part 48

_Bacon._ Well, mistres, for I wil not have you mist, You shall to Henly to cheere up your guests Fore supper ginne.--Burden, bid her adew; Say farewell to your hostesse fore she...

8. Part 8

Of much greater value, however, in the history of the acted drama, and of closer bearing upon the English comedy, were the representations of Plautus and Terence, first in the L...

34. Part 34

_Gran._ Manes, it is pitie so proper a man should be cast away upon a philosopher; but that Diogenes, that dogge,[788] should have Manes, that dog-bolt,[789] it grieveth nature...

42. Part 42

[1023] Chappell gives the song in _Popular Music of the Olden Time_, p. 216. _Three Merry Men_ is quoted in _Westward Hoe_, and in Barry's _Ram Alley_ (sung by Smallshanks: see...

49. Part 49

_Edward._ Bacon, I see the lovers hand in hand, The frier readie with his portace there To wed them both: then am I quite undone. Bacon, helpe now, if e'er thy magicke servde!--...

13. Part 13

Phebus to this made no maner answerynge, 50 Whereuppon they both then Phebe defyed, Eche for his parte leyd in her reprovynge That by her showres superfluous they have tryed[103...

47. Part 47

[1250] "What publishing of frivolous and scurrilous prognostications, as if Will Summers were again revived," etc. "And yet _they_ shame not to subscribe 'By a graduate in Cambr...

66. Part 66

After the play of _Twelfth Night_ we become aware of the first ebb of summer. It has been suggested that the events shadowed forth in the _Sonnets_ took some of the joy out of S...

67. Part 67

_Comedy in England, Beginnings of_, by C. M. Gayley, xiii–xcii; liturgical fragments, early saints' plays and parodies, xiii; comedy of ridicule, xx; the miracle cycles in their...

35. Part 35

_Alex._ My case were light, Hephestion, and not worthy to be called love, if reason were a remedie, or sentences could salve that 80 sense cannot conceive. Little do you know an...

68. Part 68

Manners, of contemporary life as an element in drama, xvi, xvii, xx, xxi, xxviii, xxix, xxxv, xxxvi, xxxix, xli, xlvi, xlix–liv, lviii–lxii, lxiii, lxv, lxvii–lxix, lxxii, lxxvi...

69. Part 69

Stevenson, William, the author, according to Mr. Henry Bradley, of _Gammer Gurtons Nedle_; Critical Essay on his life and the play assigned to him, with an edition of _G.G.N._,...