Category: History - Ancient

History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)

In 1857 Dr. Samuel Birch issued his well-known work on ancient pottery, at that time almost the first attempt at dealing with the whole subject in a comprehensive manner. Sixteen years later, in 1873, he brought out a second edition, in some respects condensed, in others enlar...

Chapters

37. CHAPTER XI

Origin and character of white-ground painting—Outline drawing and polychromy—Funeral lekythi—Subjects and types—Decadence of Greek vase-painting—Rise of new centres—Kertch, Cyre...

34. CHAPTER X

Origin of red-figure style—Date of introduction—Καλός-names and historical personages—Technical characteristics—Draughtsmanship—Shapes—Ornamentation—Subjects and types—Subdivisi...

30. CHAPTER VII

Geometrical decoration—Its origin—Distribution of pottery—Shapes and ornamentation of vases—Subjects—Dipylon vases—Boeotian Geometrical wares—Chronology—Proto-Attic fabrics—Phal...

20. CHAPTER II

Historical and geographical limits of subject—Description of Greek tombs—Tombs in Cyprus, Cyrenaica, Sicily, Italy—Condition of vases when found—Subsequent restorations—Imitatio...

28. CHAPTER VI

Introductory—Cypriote Bronze-Age pottery—Classification—Mycenaean pottery in Cyprus—Graeco-Phoenician fabrics—Shapes and decoration—Hellenic and later vases—Primitive pottery in...

26. Chapter XVII.) shows clearly that the ὀξύβαφον was a small measure,

less even than a κύαθος, or ladleful. Athenaeus (xi. 494 B) is very explicit on this point. He derives the name from ὀξός, vinegar, which liquid the vessel was used to contain,...

22. CHAPTER III

Technical terms—Sun-dried clay and unburnt bricks—Use of these in Greece—Methods of manufacture—Roof-tiles and architectural decorations in terracotta—Antefixal ornaments—Sicili...

33. CHAPTER IX

Definition of “black-figured”—The François vase—Technical and stylistic details—Shapes—Decorative patterns—Subjects and types—Artists' signatures—Exekias and Amasis—Minor Artist...

27. CHAPTER V

Nature of clay—Places whence obtained—Hand-made vases—Invention of potter’s wheel—Methods of modelling—Moulded vases and relief-decoration—Baking—Potteries and furnaces—Painted...

19. CHAPTER I

Importance of study of ancient monuments—Value of pottery as evidence of early civilisation—Invention of the art—Use of brick in Babylonia—The potter’s wheel—Enamel and glazes—E...

31. CHAPTER VIII

General characteristics—Classification—Mycenaean influence—Rhodian pottery—“Fikellura” ware—Asia Minor fabrics—Cyrenaic vases—Naukratis and its pottery—Daphnae ware—Caeretan hyd...

25. Chapter XVII.), where the words used seem to have no relation to the

vase itself. Thus in liquid measure the amphora (ἀμφορεύς) or κάδος, also known as μετρητής, was equivalent to about 7½ gallons, and was divided into 12 χόες, the χοῦς into 12 κ...

21. Chapter XI.

Among the sites in Lucania on which vases have been found,[266] the most important is _Anzi_, the ancient Anxia, which appears to have been the chief centre for the manufacture...

16. PART II

_Athens_ (National Museum). _Catalogue des Vases peints_, by M. COLLIGNON and L. COUVE. Paris, 1902. With atlas of photographic plates. The fragments from the Acropolis form the...

32. Chapter XVIII.). The animals are so characteristic as in themselves to

The favourite quadruped is a deer; Gryphons of a peculiar type and Sphinxes are frequently found, and on some specimens a subordinate frieze of quails.[1174] On the necks of the...

23. Chapter XVIII.) and may be dated by the accompanying scarabs of

But these are by no means the earliest examples. In the Bronze Age tombs of Cyprus occasional finds have been made of plates of blue porcelain or faïence, with Egyptian designs...

24. CHAPTER IV

Mention of painted vases in literature—Civil and domestic use of pottery—Measures of capacity—Use in daily life—Decorative use—Religious and votive uses—Use in funeral ceremonie...

36. Chapter XV.

See Hoppin’s monograph on this painter, _passim_. In addition to the five signed vases (for which see Klein, _Meistersig._ p. 194) he gives the following as probably Euthymides’...

2. VOLUME I

In 1857 Dr. Samuel Birch issued his well-known work on ancient pottery, at that time almost the first attempt at dealing with the whole subject in a comprehensive manner. Sixtee...

29. Chapter XVIII.

See Furtwaengler and Loeschcke, _Myken. Vasen_, pls. 13–4; _Ath. Mitth._ 1886, pl. 3 and pl. 4 (a large pithos with reliefs, for which compare p. 152 above); _Bull. de Corr. Hel...

18. PART IV

ARTIS (E. T.). _The Durobrivae of Antoninus_ identified and illustrated. London, 1828, fol. Plates only; for accompanying text (by C. Roach-Smith) see _Journ. of Brit. Arch. Ass...

14. VOLUME I

15. PART I

_Bonner Jahrbücher. Jahrbücher des Vereins von Alterthumsfreunden im Rheinlande._ Bonn, 1842, etc. In progress. Important for notices of pottery, etc., found in Germany, and for...

35. Chapter XVII. See also especially Klein, _Lieblingsinschriften_ (2nd

See Hartwig, _Meistersch._ p. 3, and _id._ in _Mélanges d’Arch._ 1894, p. 10. He also cites a vase in Berlin (1906) which bears the name Stesileos καλός. This may refer to the S...

17. PART III

13. CHAPTER XI

Origin and character of white-ground painting—Outline drawing and polychromy—Funeral lekythi—Subjects and types—Decadence of Greek vase-painting—Rise of new centres—Kertch, Cyre...

6. CHAPTER IV

Mention of painted vases in literature—Civil and domestic use of pottery—Measures of capacity—Use in daily life—Decorative use—Religious and votive uses—Use in funeral ceremonie...

3. CHAPTER I

Importance of study of ancient monuments—Value of pottery as evidence of early civilisation—Invention of the art—Use of brick in Babylonia—The potter’s wheel—Enamel and glazes—E...

5. CHAPTER III

Technical terms—Sun-dried clay and unburnt bricks—Use of these in Greece—Methods of manufacture—Roof-tiles and architectural decorations in terracotta—Antefixal ornaments—Sicili...

4. CHAPTER II

Historical and geographical limits of subject—Description of Greek tombs—Tombs in Cyprus, Cyrenaica, Sicily, Italy—Condition of vases when found—Subsequent restorations—Imitatio...

9. CHAPTER VII

Geometrical decoration—Its origin—Distribution of pottery—Shapes and ornamentation of vases—Subjects—Dipylon vases—Boeotian Geometrical wares—Chronology—Proto-Attic fabrics—Phal...

11. CHAPTER IX

Definition of “black-figured”—The François vase—Technical and stylistic details—Shapes—Decorative patterns—Subjects and types—Artists’ signatures—Exekias and Amasis—Minor Artist...

12. CHAPTER X

Origin of red-figure style—Date of introduction—Καλός-names and historical personages—Technical characteristics—Draughts manship—Shapes—Ornamentation—Subjects and types—Subdivis...

7. CHAPTER V

Nature of clay—Places whence obtained—Hand-made vases—Invention of potter’s wheel—Methods of modelling—Moulded vases and relief- decoration—Baking—Potteries and furnaces—Painted...

8. CHAPTER VI

Introductory—Cypriote Bronze-Age pottery—Classification—Mycenaean pottery in Cyprus—Graeco- Phoenician fabrics—Shapes and decoration—Hellenic and later vases—Primitive pottery i...

1. Volume II of this text is available separately from Project Gutenberg

10. CHAPTER VIII

General characteristics—Classification—Mycenaean influence—Rhodian pottery—“Fikellura” ware—Asia Minor fabrics—Cyrenaic vases—Naukratis and its pottery—Daphnae ware—Caeretan hyd...