History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)

Chapter XV.

Chapter 361,298 wordsPublic domain

Footnote 1313:

See Chapter XV. § 1.

Footnote 1314:

_E.g._ B.M. E 406 (Lampadedromia); E 298, 460, 469, 270 (musical contests).

Footnote 1315:

General reference may be made to Klein’s _Meistersig._, 2nd edn., supplemented by Hartwig.

Footnote 1316:

Cf. also C. Smith in _B.M. Cat. of Vases_, iii. p. 21.

Footnote 1317:

_Euphronios_,^2 p. 14 ff., with list of cups in Appendix.

Footnote 1318:

B.M. E 18.

Footnote 1319:

The _type_, it should be noted, is purely B.F. in character.

Footnote 1320:

_Designs on Gk. Vases_, p. 8.

Footnote 1321:

The Louvre cup F 129, inscribed Ἐπίλυκος καλός, cannot be assigned to him, although Klein did so. See _Monuments Piot_, ix. pp. 157, 168 ff.

Footnote 1322:

_Él. Cér._ iii. 73; B.M. E 34; _Branteghem Cat._ 28; fragment acquired by B.M., 1896; _Boston Mus. Report_, 1903, No. 52.

Footnote 1323:

_Meisterschalen_, chap. iv.

Footnote 1324:

Nos. 8–11 in Klein’s list, according to Hartwig, p. 63.

Footnote 1325:

The earliest example seems to be Reinach, i. 223 = _Wiener Vorl._ D. 5 (a cup by Pamphaios).

Footnote 1326:

As in the Epidromos cup (B.M. E 25).

Footnote 1327:

_Euphronios_,^2 p. 26: cf. Plate XXXVII.

Footnote 1328:

_Designs on Gk. Vases_, p. 4.

Footnote 1329:

Reinach, i. 460, 1.

Footnote 1330:

See Cesnola, _Cyprus_, pl. 39, fig. 8, pl. 40, figs. 11–12; the Satyr and archer are among recent acquisitions of the British Museum.

Footnote 1331:

_Ann. dell’ Inst._ 1883, p. 213.

Footnote 1332:

_Euphronios_, p. 289 ff.

Footnote 1333:

See Hoppin’s monograph on this painter, _passim_. In addition to the five signed vases (for which see Klein, _Meistersig._ p. 194) he gives the following as probably Euthymides’ work: B.M. B 254–56, 767; Munich 410 = Furtwaengler and Reichhold, pl. 33; Berlin 2180; Reinach, ii. 133.

Footnote 1334:

Ἐφ. Ἀρχ. 1887, pl. 6.

Footnote 1335:

See also Hartwig, pl. 6.

Footnote 1341:

Gerhard, _A.V._ 103 = Reinach, ii. 57. The vase in _Ant. Denkm._ ii. pl. 8, is probably not his work, as has been suggested. The ornamentation of the hydria is not given accurately by Gerhard (see Klein, _Meistersig._ p. 198).

Footnote 1342:

Karlsruhe 242; _Arch. Anzeiger_, 1894, p. 180 (at Odessa).

Footnote 1343:

_Amer. Journ. of Arch._ 1895, p. 485.

Footnote 1344:

It is used by Andokides, Chelis, Euthymides, Pamphaios, and Nikosthenes.

Footnote 1345:

See Klein, _Euphronios_, _passim_; Hartwig, chaps. vii. xviii.; Murray, _Designs on Gk. Vases_, p. 11.

Footnote 1346:

_E.g._ the B.M. hydria B 325: see Klein, _Lieblingsinschr_^2. p. 70.

Footnote 1347:

Hartwig, p. 152, mentions another possible instance, an amphora in the Louvre. All the vases except (9) are published in Klein’s _Euphronios_, and all except (8) and (9) in the _Wiener Vorlegeblätter_, ser. 5, pls. 1–7. A few more recent publications are noted in the list.

Footnote 1348:

Paus. v. 19, 1.

Footnote 1349:

Hartwig, _op. cit._ p. 487; Furtwaengler in _Gr. Vasenm._ p. 110 (denies the B.M. kylix to Euphronios).

Footnote 1350:

Hartwig, pl. 53.

Footnote 1351:

As noted on p. 457, it has been attributed by Furtwaengler (with some probability) to Sotades. For other attributions of vases to Euphronios, see Hartwig, chaps. vii. and xviii.

Footnote 1352:

_Op. cit._ chaps. x. and xxi.

Footnote 1353:

A good instance of this is E 50 in the British Museum.

Footnote 1354:

_Wiener Vorl._ vi. pl. 7.

Footnote 1355:

Murray, p. 12.

Footnote 1356:

See his chap. xvii.: “Der Meister mit dem Kahlkopf.”

Footnote 1357:

Hartwig, p. 301.

Footnote 1358:

_Ibid._ p. 305.

Footnote 1359:

Murray, p. 15.

Footnote 1360:

See Murray, _Designs_, p. 16; Hartwig, p. 321.

Footnote 1361:

_Ant. Denkm._ i. pls. 9, 10.

Footnote 1362:

Except in one insignificant instance: see Rayet and Collignon, p. 187.

Footnote 1363:

Murray (_Designs_, p. 5) notes the same characteristic in the cups with genre subjects, as in the B.M. examples E 33, 39, 49, 51, 54, 55, 61, 68, 70, 71, 78.

Footnote 1364:

See _Monuments Piot_, ix. pls. 2–3, p. 15 ff·

Footnote 1365:

_Lieblingsinschr._^2 p. 126 = Reinach, i. 166.

Footnote 1366:

Quint. _Inst. Or._ xii. 15.

Footnote 1367:

This chronology is taken from Robert’s _Marathonschlacht_, p. 69.

Footnote 1368:

Cf. _Jahrbuch_, ii. (1887), p. 170 ff.

Footnote 1369:

_J.H.S._ x. p. 118. The reverse is illustrated in Fig. 103.

Footnote 1370:

See _J.H.S._ xviii. pl. 14, p. 276 ff.

Footnote 1371:

See his monographs on the _Nekyia_ and _Iliupersis_ = _Hallisches Festprogramm_, Nos. 16 and 17 (1892–93).

Footnote 1372:

_E.g._ B.M. E 492; Reinach, i. 217.

Footnote 1373:

See Robert in _Mon. Antichi_, ix. p. 24; _id._ _Marathonschlacht_, p. 55.

Footnote 1374:

The type of Orpheus on this vase is clearly derived from Polygnotos; the figure standing with one foot raised, like Antilochos in the _Nekyia_, is a well-known motive of his. See Furtwaengler, _op. cit._ p. 161.

Footnote 1375:

See Robert, _Nekyia_, p. 43; Dümmler in _Jahrbuch_, 1887, p. 170 ff.

Footnote 1376:

Stackelberg, pl. 25.

Footnote 1377:

_Branteghem Cat._ 84 = _Ant. Denkm_, i. 59: see also _ibid._ 85.

Footnote 1378:

_Report for 1900_, Nos. 17–8.

Footnote 1379:

In Madrid (_Ant. Denkm._ ii. pl. 1). The vase E 84 in the British Museum is very similar, and the style also has affinities with that of Aristophanes.

Footnote 1380:

_Cat._ 167.

Footnote 1381:

_Mon. Antichi_, ix. pls. 2–3, p. 5 ff.

Footnote 1382:

_Op. cit._ pl. 2.

Footnote 1383:

_Ibid._ pl. 3.

Footnote 1384:

E 284 = Reinach, ii. 123.

Footnote 1385:

Naples 3089 = Millingen-Reinach, 33 is probably also by Polygnotos.

Footnote 1386:

The British Museum pelike with the Birth of Athena (E 410) and the Tricase vase (_J.H.S._ xviii. p. 279) may perhaps be his work.

Footnote 1387:

Froehner, _Tyszkiewicz Coll._ pl. 35.

Footnote 1388:

For facsimile see Chapter XVII.

Footnote 1389:

The following vases are in the style of Meidias, though not necessarily from his hand: Athens 1287 = Reinach, i. 342; Naples, S.A. 311 = Reinach, i. 474, 7; _Jahrbuch_, 1894, p. 252; Karlsruhe 259 = Furtwaengler and Reichhold, pl. 30; Reinach, i. 472, 1; 476, 2; 477, 2; 493, 3; Dumont-Pottier, i. pl. 8; Furtwaengler and Reichhold, pl. 59.

Footnote 1390:

Paus. i. 18, 1.

Footnote 1391:

See Robert, _Marathonschlacht_, p. 97; _Nekyia_, p. 42. On late R.F. vases with double friezes see Winter, _Jüngere attische Vasen_, p. 69, and _Röm. Mitth._ 1897, p. 102. The principle is frequently adopted in the vases of Apulia (_e.g._ Plate XLV.); for early Apulian examples see p. 485.

Footnote 1392:

See _J.H.S._ xiii. p. 119.

Footnote 1393:

_Cat._ 1790 = _Ant. du Bosph. Cimm._ pl. 46 (in colours) = Reinach, i. 23. For a curious imitation of this vase, see Naples 2992.

Footnote 1394:

_Jahrbuch_, 1894, p. 57 ff.

Footnote 1395:

Naples 3135, according to him, is contemporaneous with the B.M. Aphrodite cup (D 2), about 460 B.C.

Footnote 1396:

_Vasen mit Goldschmuck_ (1865).

Footnote 1397:

_Gr. Vasenbilder_, p. 2, pl. 1, fig. 3, pl. 9, fig. 1; _Rev. Arch._ xxx. (1875), pp. 1, 73, pls. 17–20. See also Berlin 2661 = Rayet and Collignon, p. 257, and 2705 = Reinach, i. 426, 2.

Footnote 1398:

Of similar style are the fragment Naples 2664 = Reinach, i. 181, and Athens 1259 = Reinach, i. 506.

Footnote 1399:

_Mon. Grecs_, 1875, pls. 1, 2.

Footnote 1400:

_Marathonschlacht_, p. 74.

Footnote 1401:

Cf. Quint. xii. 10, 3, and Pliny, _H.N._ xxxv. 67.

Footnote 1402:

See Robert, _Iliupersis_, p. 35.

Footnote 1403:

Cf. Michaelis, _Parthenon_, pl. 4, 25, with a vase in the Vatican (Baumeister, i. p. 746); and see _Jahrbuch_, 1887, p. 177, and Roscher, i. p. 1355.

Footnote 1404:

E 716 = _J.H.S._ xv. pl. 5.

Footnote 1405:

See _Jahrbuch_, 1894, p. 69.

Footnote 1406:

Nos. 1119–20, and one uncatalogued.

Footnote 1407:

Cf. _B.M. Cat. of Terracottas_, B 57–8.

Footnote 1408:

_Ath. Mitth._ 1901, p. 143 ff., with pl. 8.