Chapter XVII. See also especially Klein, _Lieblingsinschriften_ (2nd

edn. 1898); Hartwig, _Meisterschalen_; Wernicke, _Lieblingsnamen_; and _B.M. Cat. of Vases_, iii. p. 24.

Footnote 1276:

On the identity of these names in particular, see Klein, _Lieblingsinschr_.^2 p. 27 ff.; Murray, _Designs_, p. 6; _J.H.S._ xii. p. 380.

Footnote 1277:

Hartwig (p. 11) points out that vase-painters also bear well-known names, such as Hieron, Andokides, Aristophanes.

Footnote 1278:

The name of Leagros also occurs on late B.F. hydriae, _e.g._ B 325 in B.M. It is used by four R.F. painters in all.

Footnote 1279:

_E.g._ _Branteghem Cat._ 57.

Footnote 1280:

See Hartwig, _Meistersch._ p. 3, and _id._ in _Mélanges d’Arch._ 1894, p. 10. He also cites a vase in Berlin (1906) which bears the name Stesileos καλός. This may refer to the S. who fell at Marathon.

Footnote 1281:

On the instrument employed, see above, p. 227.

Footnote 1282:

C. Smith in _B.M. Cat. of Vases_, iii. p. 1.

Footnote 1283:

See also B.M. E 15, E 458.

Footnote 1284:

Cf. Pliny’s _In veste rugas et sinus inventit_, of Kimon.

Footnote 1285:

See _Ath. Mitth._ 1900, p. 40 ff., and above, p. 357.

Footnote 1286:

See below, p. 427, for fuller details of the early development.

Footnote 1287:

Cf. the Troilos kylix of Euphronios (below, p. 433).

Footnote 1288:

See _B.M. Cat. of Vases_, iii. p. 11.

Footnote 1289:

See _B.M. Cat. of Vases_, iii. p. 14; Urlichs, _Beiträge_, p. 37; and cf. p. 135 for a mention of a vase stamped with an owl and olive-branch, and supposed to be an official choinix measure.

Footnote 1290:

xi. 495 B.

Footnote 1291:

See Reisch in _Röm. Mitth._ v. (1890), p. 313 ff., and below, p. 493.

Footnote 1292:

Cf. B.M. E 471 ff.

Footnote 1293:

See _Jahrbuch_, 1894, p. 60.

Footnote 1294:

See what has been said above on the changes in the form of the amphora, hydria, and krater.

Footnote 1295:

_Jahrbuch_, 1892, p. 105 ff.

Footnote 1296:

_E.g._ Vienna 234, 339 (the latter given in Fig. 101).

Footnote 1297:

See also some valuable notes on the subject in Riegl’s _Stilfragen_, p. 191 ff.

Footnote 1298:

B.M. E 4–5; _Arch. Zeit._ 1885, pl. 16, fig. 3.

Footnote 1299:

B.M. E 17–19; Berlin 2263, 4220; Louvre G 18; Helbig 246 = _Mus. Greg._ ii. 70, 2. All these are cups with the name of Memnon καλός.

Footnote 1300:

Berlin 2262.

Footnote 1301:

B.M. E 22, 41; Berlin 2264–65; Louvre G 17.

Footnote 1302:

_E.g._ Munich 1160 (by Hischylos) B.M. E 37–8, 40.

Footnote 1303:

As on E 69, 78.

Footnote 1304:

See also Chapter XVI. § 3.]

Footnote 1305:

B.M. E 6, 78.

Footnote 1306:

B.M. E 818.

Footnote 1307:

See Hartwig, _Meistersch._ p. 321; and cf. B.M. E 68, 718.

Footnote 1308:

See Furtwaengler, _Eros in d. Vasenm._; Knapp, _Nike in d. Vasenm._

Footnote 1309:

B.M. E 772–73.

Footnote 1310:

Notably on the fine kylix by Peithinos in Berlin (Hartwig, _Meistersch._ pl. 24). Cf. B.M. E 462, 510, and Furtwaengler and Reichhold, _Gr. Vasenm._ pls. 44–5 = Munich 408.

Footnote 1311:

Cf. also, for varied treatment of the same subject by two artists, B.M. E 44 (ext.) with Louvre G 17.

Footnote 1312:

See Hartwig, _Meistersch._ p. 515 ff.; and for further details,