Category: Essays, Letters & Speeches

Standard Selections A Collection and Adaptation of Superior Productions from Best Authors for Use in Class Room and on the Platform

The Roman Empire in the first century presents the most revolting picture of mankind to be found in the pages of history. Society founded on superior force, on the most barbarous cruelty, on crime and mad profligacy, was corrupt beyond the power of words to describe. Rome rule...

Chapters

8. mill. She seemed rather flying than walking, turning her head neither to

the right nor to the left, looking only now and then to Heaven, and folding her hands as if in prayer. Two hours later, the same young girl stood at the Mill Depot, watching the...

3. Scene 2 _Aldrich_. 478

The Roman Empire in the first century presents the most revolting picture of mankind to be found in the pages of history. Society founded on superior force, on the most barbarou...

7. PART IV

In the stormy east-wind straining, The pale yellow woods were waning, The broad stream in his banks complaining, Heavily the low sky raining Over tower'd Camelot; Down she came...

24. ACT III, SCENE I

MYR. Pygmalion's heard that he must lose his wife, And swears, by all the gods that reign above, He will not live if she deserts him now! What--what is to be done?

23. ACT I, SCENE I

PYG. It all but breathes--therefore it talks aloud! It all but moves--therefore it walks and runs! It all but lives, and therefore it is life! No, no, my love, the thing is cold...

22. ACT II, SCENE I

SCENE: Hardcastle's house. Young Marlow and Hastings have journeyed from London to the home of Mr. Hardcastle, an old family friend whom they have never seen. They are deceived...

20. ACT I, SCENE I

BEATRICE. Like an orange? yes, But not so red, Count. Then it has no stem. Now, as 'tis hidden by those drifts of cloud, With one thin edge just glimmering through the dark, 'Ti...

19. ACT II, SCENE III

SCENE: Brummell's lodgings in a miserable apartment house at Caen, France. Eight years have elapsed. With no means of livelihood and pursued by creditors, Brummell is now reduce...

11. ACT III, SCENE II

WIDOW. So, I think that looks very neat. He sent me a line, so blotted that I can scarcely read it, to say he would be here almost immediately. She must have loved him well inde...

18. ACT I, SCENE I

ISIDORE. Twenty shirts a week, twenty-four pocket-handkerchiefs, to say nothing of thirty cravats and twelve waistcoats--indeed, for people that cannot pay their servants! Well,...

9. ACT III, SCENE I

SCENE: Alsatia, in a hamlet at the foot of the mountains; Christmas, 1868; a room in an inn. Matthis, a prosperous burgomaster, recalls with friends the murder of a Polish Jew,...

15. ACT II, SCENE I

SIR A. Well, Jack, I am glad to see you, though I did not expect it; for I was going to write to you on a little matter of business. Jack, I have been considering that I grow ol...

16. ACT III, SCENE I

SCENE: The North Parade. Captain Absolute has discovered that the lady whom his father so peremptorily commanded him to marry is none other than Lydia Languish with whom he, und...

17. ACT IV, SCENE II

MRS M. Why, thou perverse one!--tell me what you can object to in him?--Isn't he a handsome man?--tell me that. A genteel man? a pretty figure of a man?

13. ACT II, SCENE I

SCENE: The dimly lighted kitchen of Rip's cottage. Shortly after his conversation with Von Beekman, Rip's wife catches him carousing and dancing upon the village green. She driv...

14. ACT I, SCENE II

MRS. M. You thought, miss! I don't know any business you have to think at all: thought does not become a young woman. But the point we would request of you is, that you will pro...

10. ACT II, SCENE I

Pauline aspires to an alliance with some prince or nobleman. Melnotte in the hope of winning her uses his small inheritance in educating himself and becomes an accomplished scho...

12. ACT I, SCENE I

CHARACTERS: Rip Van Winkle; Derrick Von Beekman, the villain of the play, who endeavors to get Rip drunk, in order to have him sign away his property; Nick Vedder, the village i...

21. ACT I, SCENE II

BEATRICE. Hist! that's his step. Miriam, place the lights Farther away; keep you behind the screen, Breathing no louder than a lily does; For if you stir or laugh 'twill ruin all.

5. PART II

There she weaves by night and day A magic web with colors gay. She has heard a whisper say, A curse is on her if she stay To look down to Camelot. She knows not what the curse m...

6. PART III

A bow-shot from her bower-eaves, He rode between the barley sheaves, The sun came dazzling thro' the leaves, And flamed upon the brazen greaves Of bold Sir Lancelot. A red-cross...

4. PART I

On either side the river lie Long fields of barley and of rye, That clothe the wold and meet the sky; And thro' the field the road runs by To many-tower'd Camelot; And up and do...

1. Scene I _Gilbert_. 493

2. Act III, Scene I; Act IV, Scene 2 _Sheridan_. 454