Category: Plays/Films/Dramas

Eight Dramas of Calderon

_Juan._ Why, when I came this way before, I told you (do you not remember it?) How teased I was by relatives and friends To marry—little then disposed to love— Marriage perhaps the last thing in my thoughts— Liking to spend the spring time of my youth In lonely study.

Chapters

72. SCENE I.—_A Throne-room in the Palace. Music within.

_Lord._ At the very hour To which your Highness temper’d it. Yet not So wholly but some lingering mist still hung About his dawning senses—which to clear, We fill’d and handed h...

1. SCENE I.—_A Room in DON LUIS’ palace at Naples.

_Juan._ Why, when I came this way before, I told you (do you not remember it?) How teased I was by relatives and friends To marry—little then disposed to love— Marriage perhaps...

34. SCENE I.—_A Room in URREA’S House.

_Vic._ But some poor relic of our former life That yet will stick. Madam, permit me, If not to kiss your hand, nor ev’n your feet, At least the happy ground on which they walk.

64. SCENE I.—_A retired Grove near Antioch.

_Cipr._ This is the place, this the sequester’d spot Where, in the flower about and leaf above, I find the shade and quiet that I love, And oft resort to rest a wearied wing; An...

73. SCENE I.—_The Tower, etc., as in ACT I. SCENE I.

_Clotaldo._ Princes and princesses, and counsellors Fluster’d to right and left—my life made at— But that was nothing— Even the white-hair’d, venerable King Seized on—Indeed, yo...

69. SCENE III.—_The Hall of Justice in Antioch.

_Aur._ Among the rest this girl, Lisandro’s daughter, As you and I know, Fabio, to our cost: But now convicted and condemn’d is safe From troubling us or Antioch any more. Come,...

70. SCENE I.—_A pass of rocks, over which a storm is rolling away, and the

_Rosaura._ There, four-footed Fury, blast- -engender’d brute, without the wit Of brute, or mouth to match the bit Of man—art satisfied at last? Who, when thunder roll’d aloof, T...

28. SCENE I.—_On a Mountain by Salvatierra.

_Gil._ This mountain then, upon whose wrinkled edge The weary moon reclines, must be our fort; Where, in some green and shady spot of it, (Hung round with savage, inaccessible r...

19. SCENE I.—_A Room in the Palace.

_Prince._ Rather, Arias, Doubled it. Whithersoever Donna Anna moved, My eyes, that ever follow’d hers along, Saw them pursue Don Cesar through the crowd And only rest on him; I...

71. SCENE II.—_The Palace at Warsaw.

_Astolfo._ My royal cousin, if so near in blood, Till this auspicious meeting scarcely known, Till all that beauty promised in the bud Is now to its consummate blossom blown, We...

43. SCENE II.—_Zalamea, before CRESPO’S House.

_Men._ I tell you I would brain anybody who insinuated to me I had not dined—and on game too. But tell me, Nuño, haven’t the soldiers come into Zalamea this afternoon?

74. SCENE II.—_A wooded pass near the field of battle; drums, trumpets,

_Fife._ God save them both, and save them all! say I!— Oh—what hot work!—Whichever way one turns The whistling bullet at one’s ears—I’ve drifted Far from my mad young—master—who...

2. SCENE I.—_A room in DON JUAN’S house at Barcelona: he is discovered

_Juan._ Shall I tell you why? Painters, you know, (just turn your head a little,) Are nature’s apes, whose uglier semblances, Made up of disproportion and excess, Like apes, the...

68. SCENE II.—_Entrance to the mountain cavern.

What! do the powers of earth, and air, and hell, Against their upstart emperor rebel? Lo, in obedience to the rubric dark The dusky cheek of earth with mystic mark Of pentagram...

63. SCENE III.—_ALONSO sitting.

_Alon._ You will fairly drive me out of my senses! Go, sir, directly, and put it back where you took it from, and for Heaven’s sake, no more of such folly!

60. SCENE III.—_An Apartment in DON ALONSO’S House.

_Alon._ (_talking to himself as he enters_). How lucky he should have pitcht on the very one I wanted! (_Aloud._) Oh, Eugenia, I would speak with you. Nay, retire not, Clara, fo...

66. SCENE I.—_The sea-shore; a storm raging.

_Cipriano_ (_cavalierly drest_). Oh, mad, mad, mad ambition! to the skies Lifting to drop me deep as Hades down!— What! Cipriano—what the once so wise Cipriano—quit his wonted e...

56. SCENE II.—_A Room in DON FELIX’S House.

_Hern._ Oh, tip-top. Daughters of the rich old Indian has bought the house and gardens opposite, and who will give them all his wealth when they marry, which they say he has bro...

65. SCENE II.—_A room in LISANDRO’S house.

_Lisandro._ And in with it The impious acclamation that all day, Block up our doors and windows as we may, Insults our faith, and doubly threatens it. Is all made fast, Justina?

67. SCENE I.—_Before the mountain. CIPRIANO.

_Cipriano._ Now that at last in his eternal round Hyperion, after skirting either pole, Of his own race has set the flaming goal In heaven of my probation under-ground: Up from...

13. SCENE III.—_A Corridor in the Palace.

_Felix._ I only stay to thank your Highness, (both as subject and as servant,) for all the honour that you do us; may Heaven so prolong your life that even oblivion herself—

21. SCENE I.—_Outside GIL PEREZ’S House.

_Gil._ You say well your enemy, Who, if you do as you have done so long, Will one day bathe his sword in your heart’s blood, And after in his own, and so wipe out One scandal fr...

7. SCENE II.—_A room in DON LUIS’ castle in the hills.

_Alv._ Yes, from the hour when, fainting in my arms, She pass’d from raging flame to the wild seas, And opening those heavenly eyes again, Still with the hue of death upon her c...

57. SCENE III.—_An Apartment in DON ALONSO’S House.

_Eug._ No—to me it seems A sort of out-court and repository, Fit but for old Hidalgos and Duennas, Too stale and wither’d for the blooming world, To wear away in.

24. SCENE I.—_A Wood near San Lucar in Andalusia.

_Man._ Ah, my love! That you should wander thus about with me And find no home! Gallicia, that I thought Should be our port, unkindly storm’d us out To Salvatierra, whence befor...

12. SCENE II.—_A Room in DON CESAR’S House.

_Ces._ O Lazaro, half drunk with my success, I lose my wits when most I’ve need of them. She writes to me, my lady writes to me So sweetly, yea, so lovingly; Methinks I want to...

31. SCENE I.—_A Mountain Pass near Saragossa.

_Vic._ Oh, noble captain, We found this lady resting from the sun Under the trees, with a small retinue, Who of course fled. All but this ancient gentleman, who still Holds out...

11. SCENE I.—_A Room in the Palace.

_Prince._ I saw her from her carriage, Arias, As from her East, alight, another sun New ris’n, or doubling him whose envious ray Seem’d as I watch’d her down the corridor, To sw...

58. SCENE I.—_A Room in DON FELIX’S House.

_Juan._ Felix, the strangest thing But now we are alone I’ll tell you all. Last night—the very moment that I saw That angel at the window, as at Heaven’s gate— The fire that I m...

17. SCENE IV.—_An apartment in DON FELIX’S House.

_Anna._ I have written, Not finisht writing. That could never be; Each sentence, yea, each letter, as I write it, Suggesting others still. I had hoped, Elvira, To sum my story u...

40. SCENE VI.—_DONNA BLANCA’S Apartment: it is dark.

_Blan._ Who is this man, That in the gathering dusk enters our house, Enmaskt and muffled thus? what is ’t you want? To croak new evil in my ears? for none But ravens now come n...

32. SCENE II.—_An Audience Hall in the Palace of PEDRO, King of Arragon.

_Guil._ Such bosom friends, sir, as from infancy Your son and I have been, I were ashamed, You being in such trouble, not to offer My help and consolation. Tell me aught That I...

52. SCENE III.—_A room in Zalamea.

_Cres._ And now, sir, that I have used my authority to make you listen, I will lay it by, and talk to you as man to man. (_He lays down the wand._) We are alone, Don Alvaro, and...

5. SCENE IV.—_A garden leading down to the sea; on one side a Portico.

Tantara, tantara, come follow me all, Carnival, Carnival, Carnival. Follow me, follow me, nobody ask; Crazy is Carnival under the mask. Follow me, follow me, nobody knows; Under...

23. SCENE III.—_The Portuguese bank of the River.

_Adm._ It is indeed a noble imitation Of noblest war. As when a white-tuskt boar Holds out alone against the yelling pack, Gores one, o’erthrows another, all the while Bristling...

14. SCENE I.—_A Public Square in Parma. Night.

_Ces._ (_aside_). To think, alas! The first sweet vintage of my love thus lost, And, as my lady must too surely think, By my forgetfulness. (_Aloud._) My lord, indeed The night...

54. SCENE V.—_Before the Prison in Zalamea. A Street in the centre.

_Lope._ Soldiers, there is the prison where your captain lies. If he be not given up instantly at my last asking, set fire to the prison; and, if further resistance be made, to...

27. SCENE IV.—_An open Gallery in the Judge’s House at Salvatierra.

_Gil._ I marvel much They should have dragg’d your lordship from the city And from the court that you so much adorn, Into this beggarly place, to try a cause That happens almost...

44. SCENE III.—_ISABEL’S Garret. ISABEL and INES.

_Isab._ A moment, sir! This poor man has flown to our feet for protection; I appeal to you for it; and no man, and least of all an officer, will refuse that to any woman.

55. SCENE I.—_A Room in DON ALONSO’S House at Madrid.

_Alon._ You could not Long for ’t, Otañez, more than I myself. What wonder, when my daughters, who, you know, Are the two halves that make up my whole heart, Silently called me...

10. SCENE V.—_The garden under ALVARO’S castle. A large grated door in the

Here she mostly comes of an evening, poor lady, to soothe herself, walking and sitting here by the hour together. This is where you are to be. Go in; and mind you make no noise.

8. SCENE III.—_The PRINCE’S Villa.

_Juan._ Why, what a fate is mine! All of a sudden—but I dare not say it; Scarce could I of myself believe it, if I told it to myself; so with some things ’Tis easier to bear, th...

3. SCENE II.—_The garden of DON LUIS’ palace at Naples; a window with a

_Prince._ Ah, Celio, so strange a thing is love, The sighs you think are melancholy sighs, Yet are not so; I have indeed drunk poison, But love the taste of it.

42. SCENE I.—_Country near Zalamea.

_Reb._ And where will be the good of that if I’m dead before I get there? And if not, ’twill only be from bad to worse: for if we all reach the place alive, as sure as death up...

49. SCENE V.—_CRESPO’S Garden Porch.

_Lope._ I have much to thank you for, Crespo, but for nothing so much as for giving me your son for a soldier. I do thank you for that with all my heart.

62. SCENE II.—_A Room in FELIX’S House.

_Fel._ She who has enslaved Don Juan and Don Pedro has fetter’d me, at last! I should care little for their rivalry, had not each made me keeper of his love, so that—Hark!

46. SCENE II.—_A trellis of Vines in CRESPO’S garden.

_Cres._ Oh, a little strip my daughter amuses herself with; sit down, sir. In place of the fine voices and instruments you are used to, you must put up with only the breeze play...

59. SCENE II.—_Street between the Houses of ALONSO and FELIX.

_Alon._ If you really affect Eugenia, nephew——(_aside_) as I wished,—I will communicate with her after church, and if all be well (as I cannot doubt) get a dispensation forthwit...

33. SCENE III.—_A Room in URREA’S House.

_Blan._ How happy am I that so fair a guest Honours my house by making it her own, And me her servant! To welcome and to wait on Violante I have thus far intruded.

15. SCENE II.—_The Garden of DONNA ANNA’S House.

_Anna._ Oh Elvira, For the last time! now undeceived to know How much deceived I was! Alas, until I find myself despised, Methought I was desired, till hated, loved; Was ’t not...

6. SCENE I.—_A room in DON LUIS’ country-house near Naples.

_Luis._ ‘You bid me tell you why it is Don Juan Roca has not written to you so long: and though it be pain to do so, I dare no longer defer answering you. At a carnival dance he...

39. SCENE V.—_Same as SCENE III.

_Vicente_ (_talking as he enters_). In the devil’s name was there ever such a clutter made about a blow? People all up in arms, and running here and there, and up and down, and...

9. SCENE IV.—_A room in DON LUIS’ Villa.

_Alv._ Now, sir, that (thanks to Porcia) you have open’d Your arms to me once more, I cannot rest (So favour ever calls for favour) till You tell me what the inward trouble is T...

61. SCENE I.—_Room in ALONSO’S House.

_Clara._ Yes; to think of two cavaliers after her at once! I look upon it as my duty to set all to right; to do this I must once more speak to him who warned me of it; and I wan...

30. SCENE III.—_Same as SCENE I.

_Ped._ I might have guessed it! Let me be in the bilboes, on the very scaffold, he must be with me: he will die on purpose to lie in the same grave with me, I think!

53. SCENE IV.—_A Room in CRESPO’S House.

_Cres._ Ay, sir, my own father, if he transgressed the law I am made guardian of. Off with him! (_They carry off JUAN._) So I shall keep him out of harm’s way at least. And now...

45. SCENE I.—_In Zalamea.

_Nuñ._ So as he has as little of comfort in his quarters as we of eatable in ours—ever under her window, sending her messages and tokens by a nasty little soldier of his.

47. SCENE III.—_Outside CRESPO’S House.

There once was a certain Sampayo Of Andalusia the fair; A Major he was in the service, And a very fine coat did he wear. And one night, as to-night it might happen, That as he w...

51. SCENE II.—_Another place in the Wood. CRESPO tied to a tree.

_Isab._ Listen for the last time. You know how, sitting last night under the shelter of those white hairs in which my maiden youth had grown, those wretches, whose only law is f...

25. SCENE II.—_Outside GIL PEREZ’S House at Salvatierra; as in ACT I. SCENE

_Isab._ Against my brother too! O Casilda, is it not shameful that Juan Baptista should revenge with slanders behind my brother’s back whom he dares not meet face to face! Nay,...

20. SCENE II.—_A Room in FELIX’S House.

_Anna._ Beside the charge of my own love, Elvira, Whose crosses, I believe, will slay me soon, My brother has confided to me at last His passion for the Princess Nisida; And, fo...

16. SCENE III.—_A Room in the Palace.

_Prince._ Not sad, Don Felix: Oh would it were some certain shape of sorrow That I might grapple with, not a vague host Of undefined emotions! Oh how oft The patching up of but...

36. SCENE II.—_A Room in the Palace.

_King._ Don Mendo comes not back, and must not come, Till he have done his errand. I myself Can have no rest till justice have her due. A son to strike his father in my realm Un...

35. SCENE I.—_A Wild Place.

Oh, what a fate is mine, Having to seek what most I dread to find, Once thought the curse of jealousy alone! The iron King will see my face no more Unless I bring Don Lope to hi...

26. SCENE III.—_A Room in GIL PEREZ’S House.

_Isab._ Casilda, now the flaming sun has set, See to the doors; and you and Ines there Sing to me—’twill beguile my melancholy. No merry song, however; something sad As my own f...

41. SCENE VII.—_Same as SCENE III.

_Men._ I know not. Oh, ’tis false! I know too well, and you must know it too. My daughter, the poor prisoner who lies there Is my own son, not Blanca’s, not Urrea’s, But my own...

22. SCENE II.—_The River-side.

_Man._ O my Juana, The love such beauty as your own inspires, Surmounts impossibilities. However, I needed not go on to Salvatierra, Lighting on what I look’d for by the way, Am...

18. SCENE V.—_A Room in the Palace.

_Laz._ (_aside_). That my master should trust that babbler who let out about my wooden sword to the Prince! my life upon ’t, he’ll do the same to him; for he who sucks in gossip...

48. SCENE IV.—_Outside Zalamea.

_Reb._ Isabel’s brother. Don Lope and the lad took a fancy to each other and have persuaded the old father to let him go for a soldier; and I have only just met him as proud as...

38. SCENE IV.—_An inner Chamber in URREA’S House.

_Lope._ Whither then have they brought me? Ah, Violante, Your beauty costs me dear! And even now I count the little I have yet to live Minute by minute, like one last sweet drau...

29. SCENE II.—_Another Pass in the same Mountain.

_Isab._ That arquebuss! of which only the thunder Has reach’d us of perhaps some deadly bolt On one of those we love! Why tarry they so long? What think you, Juana?

50. SCENE I.—_A Wood near Zalamea. It is dark.

_Isab._ Oh never, never might the light of day arise and show me to myself in my shame! Oh, fleeting morning star, mightest thou never yield to the dawn that even now presses on...

4. SCENE III.—_A street before DON DIEGO’S house in Barcelona.

_Fab._ And no doubt, sir, you will find good opportunity of talking to her. ’Tis the old and acknowledged usage of this season, that any one may accost any one so long as both a...

37. SCENE III.—_A Corridor in URREA’S House, with three doors in front.

_Viol._ Yours will do, give it me. I am desperate, Elvira, and in his danger drown my maiden shame; see him I will at least. Do you rest here and give me a warning if a footstep...