Category: Music

Descriptive Analyses of Piano Works For the Use of Teachers, Players, and Music Clubs

To no crag-crowning castle above the wild main, To no bower of fair lady or villa in Spain; To no deep, hidden vaults where the stored jewels shine, Or the South’s ruddy sunlight is prisoned in wine; To no gardens enchanted where nightingales sing, And the flowers of all clime...

Chapters

11. Part 11

Again it is evening and Chopin is alone, but this time it is in his own familiar, cozy room, where the perfect appointments and tasteful arrangement tell of loving feminine hand...

10. Part 10

The third represents an evening scene, with the setting sun kindling to crimson and gold the spires and picturesque whitewashed cottages of the village of Majorca, a mile away a...

6. Part 6

Kullak, in his instrumental transcription, while preserving with artistic fidelity the composer’s intention in all the original effects of the song, has broadened, enriched, and...

8. Part 8

The _finale_, in presto movement, an impetuous sweep of gloomy, exultant harmonies, suggests the mood of a brave but sorely tried spirit, dominating distress, rising superior to...

7. Part 7

Then the procession comes to a stand by the open grave. After a brief pause, the sweet, plaintive trio melody enters, pure and tender as a prayer, touched and thrilled to warmth...

3. Part 3

But if not with Beethoven himself, with whom did these so-called traditions originate? Was it with the first great public interpreters of his works, who introduced them to the w...

12. Part 12

But the horn dies away. Echo repeats the notes and drops them. All is still. They think he is merely passing, as he often does, and has no intention of landing here at present....

9. Part 9

The trio, in F minor, brings a touch of half-veiled sadness and irrepressible regret, as if called forth by the thought that their art work together is now to end. She has been...

15. Part 15

An almost infinite variety of effect is possible, however, within these seemingly narrow limits, dependent upon the differing ability and personality of the composer, the divers...

5. Part 5

They developed as a sect or order from Mohammedanism after it was well established in the world. The name “dervishes,” which they assumed, comes from a Russian word which means...

2. Part 2

She speaks, but they seem not to master her meaning, They catch but the “rhythmical ring of the phrase.” She sings, but they dream not a message is borne on The breath of the si...

14. Part 14

Rubinstein, who spent many years of his later life at St. Petersburg, was naturally a frequent visitor at Kamennoi-Ostrow. In fact, on several occasions he spent a number of wee...

13. Part 13

These compositions, then, according to Liszt’s own statement, are called “Hungarian” only by courtesy and a sort of national adoption. They are called “Rhapsodies” because of th...

1. Part 1

To no crag-crowning castle above the wild main, To no bower of fair lady or villa in Spain; To no deep, hidden vaults where the stored jewels shine, Or the South’s ruddy sunligh...

4. Part 4

In the second he faces storm and conflict, revels in the discovery and fullest exercise of his own strength and courage and in his successful wrestle with danger and difficulty....

16. Part 16

Bach and Milton seem to me to occupy corresponding niches in the temples of music and of verse, because of the strong religious element in the personality of both, of their seve...