Public Domain

Vocal Mastery Talks With Master Singers And Teachers Comprising

It has long been a cherished desire to prepare a series of Talks with famous Singers, which should have an equal aim with Talks with Master Pianists, namely, to obtain from the artists their personal ideas concerning their art and its mastery, and, when possible, some inkling...

Chapters

1. Chapter 1

It has long been a cherished desire to prepare a series of Talks with famous Singers, which should have an equal aim with Talks with Master Pianists, namely, to obtain from the...

2. Chapter 2

"You ask me to explain the difference between the coloratura and the dramatic organ. I should say it is a difference of timbre. The coloratura voice is bright and brilliant in i...

3. Chapter 3

"The trouble with American girls is they are always in a hurry. They are not content to sit down quietly and study till they have developed themselves into something before they...

4. Chapter 4

"As early as I could, at about the age of fifteen, I began to study singing, with a most excellent teacher; who was none other than Signor Wenceslao Persischini, who is now no l...

5. Chapter 5

Mr. Scotti was in genial mood and spoke with enthusiasm of his activities with a favorite project--his own opera company. To the question as to whether he found young American s...

6. Chapter 6

"I memorize very easily, learning both words and music at the same time. In taking up a new rôle, my accompanist plays it for me and we go over it carefully noting all there is...

7. Chapter 7

"Frequently the trouble with the young singer is that her friends too often tell her how wonderful she is. This is a hindrance instead of a help. She should always have some one...

8. Chapter 8

"You speak of the responsibility of choosing a good and reliable vocal instructor. This is indeed a difficult task, because each teacher is fully persuaded that his method is th...

9. Chapter 9

On the subject of individuality in interpretation, Mr. Johnson was convincing. "I feel that if I have worked out a characterization, I must stick to my idea, in spite of what ot...

10. Chapter 10

"I said the singer should have a finished technic in order to express the musical idea aright, in order to be an artist. But technic is never finished; it goes on developing and...

11. Chapter 11

"At the present moment I am preparing several new rôles, three of them are of old men. It rests with me to externalize these three in such a way that they shall all be different...

12. Chapter 12

"Voice, to begin with; youth (unless the idea is to teach), good looks, musical intelligence, application. If the candidate possesses these requisites, we begin to work. In thre...

13. Chapter 13

"It is impossible," continued Mr. Duval, "to put the whole method of vocal training into a few sentences. The student advances gradually and naturally, but surely, from the begi...

14. Chapter 14

It may be helpful to know about how much time the artists devote to daily study, especially to technical practice. It is understood all great singers work on vocalizes and techn...