Category: Art

Practical Graining, with Description of Colors Employed and Tools Used

Chestnut; colors for graining chestnut; wiping the hearts and blending; chestnut in water color; bird's-eye maple; putting in lights and shades; putting in the eyes; curly or rock maple; silver maple 21

Chapters

32. CHAPTER XVIII.

In imitating carved work, mouldings, etc. in graining color, more than ordinary ability is required in order to succeed in deceiving people; and this kind of work should not be...

20. CHAPTER VI.

This wood is not frequently used as an interior finish, but sixteen years ago it was almost the only hardwood used for interior finish in the New England States; and any grainer...

15. CHAPTER I.

The following remarks, while not claiming to be anything new or startling, will perhaps be of interest to those who seek to improve themselves in the modern style of imitating t...

31. CHAPTER XVII.

Various devices other than those usually employed--brushes, combs, etc.--have been invented for representing the grains of wood, and some of these machines are excellent, and ar...

28. CHAPTER XIV.

When a job of graining is finished; if it is deemed necessary to varnish it, the question arises, "What kind of varnish shall be used?" and this is a subject on which widely dif...

22. CHAPTER VIII.

This wood is a great favorite with British grainers, and is often splendidly imitated by them. The wood itself is from old gnarled trees or stumps and has a variety of grain alm...

16. CHAPTER II.

In mixing the graining-color for any wood just as much difference of opinion exists among grainers as to the proper way of mixing the color as there is among painters as to the...

17. CHAPTER III.

In imitating quartered oak, or any other wood, it should always be borne in mind that it is the _wood_ that we wish to imitate, and not somebody's idea of what it should be--for...

18. CHAPTER IV.

Oak may be grained in distemper--that is, using beer or alcohol for a vehicle with the color, instead of oil. Good work can be done in this way, but not so quickly as in oil. A...

26. CHAPTER XII.

This wood is seldom imitated in this country except on piano-legs and caskets or coffins, and then it is done in stain on the wood without first being painted. Whitewood is give...

30. CHAPTER XVI.

Steel combs (Fig. 1) are four or five inches wide, with teeth of three regular sizes--course, medium and fine. They may be used for all woods where the grain is strongly marked,...

24. CHAPTER X.

This variety of walnut comes from France, although fair burls come from Spain and Italy. A large portion of the alleged French walnut is merely the root of the American walnut,...

19. CHAPTER V.

This wood may be imitated in oil or water color, but the imitation is commonly done in oil. The colors used are raw sienna and raw and burnt umber; a little burnt sienna may be...

25. CHAPTER XI.

This wood was a great favorite with the grainers of the last generation, and it is at present coming back to old-time popularity. The old Honduras "feathered" mahogany is rarely...

29. CHAPTER XV.

Graining--that is painting in imitation of wood or of marble--is generally looked upon as a business branch of the house-painting which any competent painter is, or should be, a...

23. CHAPTER IX.

This wood was very fashionable as an interior finish not very long ago, but its place is now largely occupied by cherry, mahogany and oak, and I think the change is for the bett...

27. CHAPTER XIII.

This wood is seldom imitated, and, although its grains are simple, they cannot be matched without taking pains. The grain of hard pine is in some respects different from that of...

21. CHAPTER VII.

This is a very delicate wood, of the maple family; it probably derives its name from its resemblance to folds of satin. It is seldom represented in America, but is frequently im...

14. CHAPTER XVIII.

6. CHAPTER VI.

Chestnut; colors for graining chestnut; wiping the hearts and blending; chestnut in water color; bird's-eye maple; putting in lights and shades; putting in the eyes; curly or ro...

2. CHAPTER II.

4. CHAPTER IV.

13. CHAPTER XVII.

12. CHAPTER XVI.

1. CHAPTER I.

9. CHAPTER XII.

11. CHAPTER XV.

3. CHAPTER III.

7. CHAPTER VIII.

5. CHAPTER V.

10. CHAPTER XIV.

8. CHAPTER XI.