Category: Essays, Letters & Speeches

History of English Literature Volume 3 (of 3)

Section I.--The Domination of the Classical Spirit Section II.--Alexander Pope.--His Education and Mode of Life Section III.--Eloisa to Abelard.--The Rape of the Lock.--The Dunciad Section IV.--Pope's Descriptive Talent.--His Didactic Poems Section V.--The Poets Prior, Gay, an...

Chapters

5. BOOK IV--MODERN LIFE

On the eve of the nineteenth century the great modern revolution began in Europe. The thinking public and the human mind changed, and whilst these changes took place a new liter...

14. Part II.--The Artist

In literature as well as in politics, we cannot have everything. Talents, like happiness, do not always follow suit. Whatever constitution it selects, a people is always half un...

20. Part II.--Abstraction

An abyss of chance and an abyss of ignorance. The prospect is gloomy: no matter, if it be true. At all events, this theory of science is a theory of English science. Rarely, I g...

4. BOOK III.--THE CLASSIC AGE

When we take in at one view the vast literary region in England, extending from the restoration of the Stuarts to the French Revolution, we perceive that all the productions, in...

6. dim. The victors arrive--he does not deign to answer them; the priest

brings near the absolving cross, "but he look'd upon it with an eye profane." What remains to him of life is for his poor page, the only being who loved him, who has followed hi...

13. Part I.--The Satirist

No wonder if in England a novelist writes satires. A gloomy and reflective man is impelled to it by his character; he is still further impelled by the surrounding manners. He is...

19. Part I.--Experience

Let us begin, then, at the beginning, like logicians. Mill has written on logic. What is logic? It is a science. What is its object? The sciences; for, suppose that you have tra...

8. Part II.--The Present

I began to perceive these ideas when I first landed in England, and I was singularly struck how they were corroborated by observation and history; it seemed to me that the prese...

15. Part I.--Style and Mind

We are at first put out. All is new here--ideas, style, tone, the shape of the phrases, and the very vocabulary. He takes everything in a contrary meaning, does violence to ever...

10. Part I.--The Author

The first question which should be asked in connection with an artist is this: How does he regard objects? With what clearness, what energy, what force? The reply defines his wh...

18. Part IV.--Conception of History

"Universal History, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here. They were the leaders of men, these g...

12. Part III.--The Characters

Take away the grotesque characters, who are only introduced to fill up and to excite laughter, and you will find that all Dickens's characters, belong to two classes--people who...

17. Part III.--Philosophy, Morality, and Criticism

"However it may be with Metaphysics, and other abstract Science originating in the Head (_Verstand_) alone, no Life-Philosophy (_Lebens-philosophie_), such as this of Clothes pr...

16. Part II--Vocation

It is from Germany that Carlyle has drawn his greatest ideas. He studied there, he knows perfectly its literature and language, he sets this literature in the highest rank: he t...

7. Part I.--The Past

Having reached the limits of this long review, we can now survey as a whole the aggregate of English civilization: everything is connected there: a few primitive powers and circ...

11. Part II.--The Public

Plant this talent on English soil; the literary opinion of the country will direct its growth and explain its fruits. For this public opinion is its private opinion; it does not...

9. BOOK V--MODERN AUTHORS

The translator thinks it due to M. Taine to state that the fifth book, on the Modern Authors, was written whilst Dickens, Thackeray, Macaulay, and Mill were still alive. He also...

3. BOOK V.--MODERN AUTHORS

Section I.--The English Satirist Section II.--The English Temperament Section III.--Superiority of Thackeray as a Satirist.--Literary Snobs Section IV.--Resemblance of Thackeray...

2. BOOK IV.--MODERN LIFE

Section I.--Rise of Democracy Section II.--Robert Burns Section III.--Conservative rule in England.--Cowper's Poetry Section IV.--The Romantic School Section V.--Philosophy Ente...

1. BOOK III.--THE CLASSIC AGE

Section I.--The Domination of the Classical Spirit Section II.--Alexander Pope.--His Education and Mode of Life Section III.--Eloisa to Abelard.--The Rape of the Lock.--The Dunc...