BOOK V.--MODERN AUTHORS

Introductory Note

CHAPTER FIRST The Novel.--Dickens

_Part I.--The Author_ Section I.--Importance of the Imaginative Faculty Section II.--Boldness of Dickens's Imagination Section III.--His Trivialities.--His Minuteness Section IV.--His Emotions.--His Pathos.--His Humor

_Part II.--The Public_ Section I.--The Morality of English Novels

_Part III.--The Characters_ Section I.--Dickens's Love for Natural Characters Section II.--The Hypocrite.--The Positive Man.--The Proud Man Section III.--Children Section IV.--The Ideal Man

CHAPTER SECOND The Novel (Continued)--Thackeray

Comparison between Dickens and Thackeray

_Part I.--The Satirist_

Section I.--The English Satirist Section II.--The English Temperament Section III.--Superiority of Thackeray as a Satirist.--Literary Snobs Section IV.--Resemblance of Thackeray to Swift Section V.--Thackeray's Misanthropy Section VI.--His Characters

_Part II.--The Artist_

Section I.--The Art of Thackeray Section II.--Portrait of Henry Esmond.--Historical Talent Section III.--Literature the Definition of Man

CHAPTER THIRD Criticism and History--Macaulay

Section I.--His Position in England Section II.--Essays Section III.--His Critical Method Section IV.--His Love of Political Liberty Section V.--Characteristics of Macaulay's Style Section VI.--His Rudeness and Humor Section VII.--Estimate of Macaulay's Work Section VIII.--Comparison of Macaulay with French Historians

CHAPTER FOURTH Philosophy and History--Carlyle

_Part I.--Style and Mind_

Section I.--Carlyle's Obscurity and Crudeness Section II.--The Humor of Carlyle Section III.--Perception of the Real and the Sublime Section IV.--His Passion for Actuality Section V.--His Mode of Thought

_Part II.--Vocation_

Section I.--The Appearance and Development of Original Minds Section II.--Characteristics of the German Form of Mind Section III.--German Aptitude for General Ideas Section IV.--Faults of the German Form of Thought Section V.--How Ideas are Reshaped Section VI.--Growth of German Ideas in England

_Part III.--Philosophy, Morality, and Criticism_

Section I.--Carlyle's Metaphysics Section II.--His Transposition of German Metaphysics into English Puritanism Section III.--Conception of God and Duty Section IV.--Conception of Christianity Section V.--Carlyle's Criticism Section VI.--The Future of Criticism

_Part IV.--Conception of History_

Section I.--Great Men Section II.--Wherein Carlyle is Original Section III.--In what Genuine History Consists Section IV.--Carlyle's History of Cromwell Section V.--His History of the French Revolution Section VI.--His Opinion of Modern England Section VII.--The Dangers of Enthusiasm.--Comparison of Carlyle and Macaulay

CHAPTER FIFTH Philosophy--Stuart Mill

Section I.--Lack of General Ideas Section II.--Why Metaphysics are Lacking Section III.--Mill's Philosophical Method

_Part I.--Experience_

Section I--The Object of Logic Section II.--Discussion of Ideas Section III.--The Two Corner-stones of Logic Section IV.--Theory of Definitions Section V.--Theory of Proof Section VI.--Theory of Axioms Section VII.--Theory of Induction Section VIII.--Applications of the Theory of Induction Section IX.--The Province and Method of Deduction Section X.--Comparison of the Methods of Induction and Deduction Section XI.--Limits of Our Knowledge

_Part II.--Abstraction_

Section I.--Agreement of this Philosophy with the English Mind Section II.--The Nature of Abstraction Section III.--Definitions Explain the Abstract Generating Elements of Things Section IV.--The Basis of Proof in Syllogism is an Abstract Law Section V.--Axioms are Relations between Abstract Truths Section VI.--The Methods of Induction Section VII.--Experience and Abstraction Section VIII.--Idea and Limits of Metaphysics Section IX.--A Morning in Oxford

CHAPTER SIXTH Poetry--Tennyson

Section I.--His Talent and Work Section II.--Portraits of Women Section III.--Wherein Tennyson is at One with Nature Section IV.--In Memoriam.--The Princess Section V.--The Idylls of the King Section VI.--Comparison of English and French Society

ILLUSTRATIONS

ROBERT BURNS Photogravure from a painting THE CASTLE OF CHILLON Photogravure from an etching PAGE FROM THE LETTERS OF ST. JEROME Fac-simile example of Printing and Engraving in the Fifteenth Century PAGE FROM THE PRAYER-BOOK OF JUANA OF CASTILE Fac-simile example of Book Illumination in the Sixteenth Century CHRIST CROWNED WITH THORNS Fac-simile example of Printing and Engraving in the Sixteenth Century