History of English Literature Volume 3 (of 3)

Part II--Vocation

Chapter 162,928 wordsPublic domain

It is from Germany that Carlyle has drawn his greatest ideas. He studied there, he knows perfectly its literature and language, he sets this literature in the highest rank: he translated "Wilhelm Meister," he wrote upon the German writers a long series of critical articles, he has just written a life of Frederick the Great. He is the best accredited and most original of the interpreters who have introduced the German mind into England. This is no small thing to do, for it is in such a work that every thinking person is now laboring.

Section I.--The Appearance and Development of Original Minds

From 1780-1830 Germany has produced all the ideas of our historic age; and for half a century still, perhaps for a whole century, our great work will be to think them out again. The thoughts which have been born and have blossomed in a country, never fail to propagate themselves in neighboring countries, and to be engrafted there for a season. That which is happening to us has happened twenty times already in the world; the growth of the mind has always been the same, and we may, with some assurance, foresee for the future what we observe in the past. At certain times appears an original form of mind, which produces a philosophy, a literature, an art, a science, and which, having renewed the form of man's thought, slowly and infallibly renews all his thoughts. All minds, which seek and find, are in the current; they only advance through it: if they oppose it, they are checked; if they deviate, they are slackened; if they assist it, they are carried beyond the rest. And the movement goes on so long as there remains anything to be discovered. When art has given all its works, philosophy all its theories, science all its discoveries, it stops; another form of mind takes the sway, or man ceases to think. Thus at the Renaissance appeared the artistic and poetic genius, which, born in Italy and carried into Spain, was there extinguished, after a century and a half, in the universal extinction, and which, with other characteristics, transplanted into France and England, ended after a hundred years in the refinements of mannerists and the follies of sectarians, having produced the Reformation, confirmed free thought, and founded science. Thus with Dryden in England, and with Malherbe in France, was born the oratorical and classical spirit, which, having produced the literature of the seventeenth century and the philosophy of the eighteenth, dried up under the successors of Voltaire and Pope, and died after two hundred years, having polished Europe and raised the French Revolution. Thus at the end of the last century arose the philosophic German genus, which, having engendered a new metaphysics, theology, poetry, literature, linguistic science, an exegesis, erudition, descends now into the sciences and continues its evolution. No more original spirit, more universal, more fertile in consequences of every scope and species, more capable of transforming and reforming everything, has appeared for three hundred years. It is of the same order as that of the Renaissance and of the Classical Age. It, like them, connects itself with the great works of contemporary intelligence, appears in all civilized lands, is propagated with the same inward qualities, but under different forms. It, like them, is one of the epochs of the world's history. It is encountered in the same civilization and in the same races. We may then conjecture, without too much rashness, that it will have a like duration and destiny. We thus succeed in fixing, with some precision, our place in the endless stream of events and things. We know that we are almost in the midst of one of the partial currents which compose it. We can perceive the form of mind which directs it, and seek beforehand the ideas to which it conducts us.

Section II.--Characteristics of the German Form of Mind

Wherein consists this form? In the power of discovering general ideas. No nation and no age has possessed it in so high a degree as the Germans. This is their governing faculty; it is by this power that they have produced all that they have done. This gift is properly that of comprehension (_Begreifen_). By it we find the aggregate conceptions (_Begriffe_); we reduce under one ruling idea all the scattered parts of a subject; we perceive, under the divisions of a group, the common bond which unites them; we conciliate objections; we bring down apparent contrasts to a profound unity. It is the pre-eminent philosophical faculty; and, in fact, it is the philosophical faculty which has impressed its seal on all their works. By it, they vivified dry studies, which seemed only fit to occupy pedants of the academy or seminary. By it, they divined the involuntary and primitive logic which created and organized languages, the great ideas which are hidden at the bottom of every work of art, the secret poetic emotions and vague metaphysical intuitions which engendered religions and myths. By it, they perceived the spirit of ages, civilizations, and races, and transformed into a system of laws the history which was but a heap of facts. By it, they rediscovered or renewed the sense of dogmas, connected God with the world, man with nature, spirit with matter, perceived the successive chain and the original necessity of the forms, whereof the aggregate is the universe. By it, they created a science of linguistics, a mythology, a criticism, an aesthetics, an exegesis, a history, a theology and metaphysics, so new that they continued long incomprehensible, and could only be expressed by a special language. And this bent was so dominant that it subjected to its empire even art and poetry. The poets by it have become erudite, philosophical; they constructed their dramas, epics, and odes, after prearranged theories, and in order to manifest general ideas. They rendered moral theses, historical periods, sensible; they created and applied aesthetics; they had no artlessness, or made their artlessness an instrument of reflection; they loved not their characters for themselves, they ended by transforming them into symbols; their philosophical ideas broke, every instant, out of the poetic shape in which they tried to enclose them; they have been all critics,[349] bent on constructing or reconstructing, possessing erudition and method, attracted to imagination by art and study, incapable of producing living beings unless by science and artifice, really systematical men, who, to express their abstract conceptions, employed, in place of formulas, the actions of personages and the music of verse.

Section III.--German Aptitude for General Ideas

From this aptitude to conceive the aggregate, one sole idea could be produced--the idea of aggregates. In fact, all the ideas worked out for fifty years in Germany are reduced to one only, that of development (_Entwickelung_), which consists in representing all the parts of a group as jointly responsible and complemental, so that each necessitates the rest, and that, all combined, they manifest, by their succession and their contrasts, the inner quality which assembles and produces them. A score of systems, a hundred dreams, a hundred thousand metaphors, have variously figured or disfigured this fundamental idea. Despoiled of its trappings, it merely affirms the mutual dependence which unites the term, of a series, and attaches them all to some abstract property within them. If we apply it to Nature, we come to consider the world as a scale of forms, and, as it were, a succession of conditions, having in themselves the reason for their succession and for their existence, containing in their nature the necessity for their decay and their limitation, composing by their union an invisible whole, which, sufficing for itself, exhausting all possibilities, and connecting all things, from time and space to existence and thought, resembles by its harmony and its magnificence some omnipotent and immortal god. If we apply it to man, we come to consider sentiments and thoughts as natural and necessary products, linked amongst themselves like the transformations of an animal or plant; which leads us to conceive religions, philosophies, literatures, all human conceptions and emotions, as necessary series of a state of mind which carries them away on its passage, which, if it returns, brings them back, and which, if we can reproduce it, gives us in consequence the means of reproducing them at will. These are the two doctrines which run through the writings of the two chief thinkers of the century, Hegel and Goethe. They have used them throughout as a method: Hegel to grasp the formula of everything, Goethe to obtain the vision of everything; they steeped themselves therein so thoroughly that they have drawn thence their inner and habitual sentiments, their morality and their conduct. We may consider them to be the two philosophical legacies which modern Germany has left to the human race.

Section IV.--Faults of the German Form of Thought

But these legacies have not been unmixed, and this passion for aggregate views has marred its proper work by its excess. It is rarely that the mind can grasp aggregates: we are imprisoned in too narrow a corner of time and space: our senses perceive only the surface of things; our instruments have but a small scope; we have only been experimentalizing for three centuries; our memory is short, and the documents by which we dive into the past are only doubtful lights, scattered over an immense region, which they show by glimpses without illuminating them. To bind together the small fragments which we are able to attain, we have generally to guess the causes, or to employ general ideas so vast that they might suit all facts; we must have recourse either to hypothesis or abstraction, invent arbitrary explanations, or be lost in vague ones. These, in fact, are the two vices which have corrupted German thought. Conjecture and formula have abounded. Systems have multiplied, some above the others, and broken out into an inextricable growth, into which no stranger dare enter, having found that every morning brought a new budding, and that the definitive discovery proclaimed over-night was about to be choked by another infallible discovery, capable at most of lasting till the morning after. The public of Europe was astonished to see so much imagination and so little common-sense, pretensions so ambitious and theories so hollow, such an invasion of chimerical existences and such an overflow of useless abstractions, so strange a lack of discernment and so great a luxuriance of irrationality. The fact was, that folly and genius flowed from the same source; a like faculty, excessive and all-powerful, produced discoveries and errors. If to-day we behold the workshop of human ideas, overcharged as it is and encumbered by its works, we may compare it to some blast-furnace, a monstrous machine which day and night has flamed unwearyingly, half darkened by choking vapors, and in which the raw ore, piled heaps on heaps, has descended, bubbling in glowing streams, into the channels in which it has become hard. No other furnace could have melted the shapeless mass, crusted over with the primitive scoriƦ; this obstinate elaboration and this intense heat were necessary to overcome it. Now the heavy castings burden the earth; their weight discourages the hands which touch them; if we would turn them to some use, they defy us or break: as they are, they are of no use; and yet as they are, they are the material for every tool, and the instrument of every work; it is our business to cast them over again. Every mind must carry them back to the forge, purify them, temper them, recast them, and extract the pure metal from the rough mass.

Section V.--How Ideas are Reshaped

But every mind will re-forge them according to its own inner warmth; for every nation has its original genius, in which it moulds the ideas elsewhere derived. Thus Spain, in the sixteenth and seventeenth centuries, renewed in a different spirit Italian painting and poetry. Thus the Puritans and Jansenists thought out in new shapes primitive Protestantism; thus the French of the eighteenth century widened and put forth the liberal ideas which the English had applied or proposed in religion and politics. It is so in the present day. The French cannot at once reach, like the Germans, lofty aggregate conceptions. They can only march step by step, starting from concrete ideas, rising gradually to abstract ideas, after the progressive methods and gradual analysis of Condillac and Descartes. But this slower route leads almost as far as the other; and, in addition, it avoids many wrong steps. It is by this route that we succeed in correcting and comprehending the views of Hegel and Goethe; and if we look around us, at the ideas which are gaining ground, we find that we are already arriving thither. Positivism, based on all modern experience, and freed since the death of its founder from his social and religious fancies, has assumed a new life, by reducing itself to noting the connection of natural groups and the chain of established sciences. On the other hand, history, novels, and criticism, sharpened by the refinements of Parisian culture, have made us acquainted with the laws of human events; nature has been shown to be an order of facts, man a continuation of nature; and we have seen a superior mind, the most delicate, the most lofty of our own time, resuming and modifying the German divinations, expounding in the French manner everything which the science of myth, religion, and language had stored up, beyond the Rhine, during the last sixty years.[350]

Section VI.--Growth of German Ideas in England

The growth in England is more difficult; for the aptitude for general ideas is less, and the mistrust of general ideas is greater: they reject at once all that remotely or nearly seems capable of injuring practical morality or established dogma. The positive spirit seems as if it must exclude all German ideas; and yet it is the positive spirit which introduces them. Thus theologians,[351] having desired to represent to themselves with entire clearness and certitude the characters of the New Testament, have suppressed the halo and mist in which distance enveloped them; they have figured them with their garments, gestures, accent, all the shades of emotion of their style, with the species of imagination which their age has imposed, amidst the scenery which they have looked upon, amongst the mains of former ages before which they have spoken, with all the circumstances, physical or moral, which learning and travel can render sensible, with all the comparisons which modern physiology and psychology could suggest; they have given us their precise and demonstrated, colored and graphic, idea; they have seen these personages, not through ideas and as myths, but face to face, and as men. They have applied Macaulay's art to exegesis; and if the entire German erudition could pass unmutilated through this crucible, its solidity, as well as its value, would be doubled.

But there is another wholly Germanic route by which German ideas may become English. This is the road which Carlyle has taken; by this, religion and poetry in the two countries are alike; by it, the two nations are sisters. The sentiment of internal things (insight) is in the race, and this sentiment is a sort of philosophical divination. At need, the heart takes the place of the brain. The inspired, impassioned man penetrates into things; perceives the cause by the shock which he feels from it; he embraces aggregates by the lucidity and velocity of his creative imagination; he discovers the unity of a group by the unity of the emotion which he receives from it. For as soon as we create, we feel within ourselves the force which acts in the objects of our thought; our sympathy reveals to us their sense and connection; intuition is a finished and living analysis; poets and prophets, Shakespeare and Dante, St. Paul and Luther, have been systematic theorists, without wishing it, and their visions comprise general conceptions of man and the universe. Carlyle's mysticism is a power of the same kind. He translates, into a poetic and religious style, German philosophy. He speaks, like Fichte, of the divine idea of the world, the reality which lies at the bottom of every apparition. He speaks, like Goethe, of the spirit which eternally weaves the living robe of Divinity. He borrows their metaphors, only he takes them literally. He considers the god, which they consider as a form or a law, as a mysterious and' sublime being. He conceives by exaltation, by painful reverie, by a confused sentiment of the interweaving of existences, that unity of nature which they arrive at by dint of reasonings and abstractions. Here is a last route, steep doubtless, and little frequented, for reaching the summits from which German thought at first issued forth. Methodical analysis added to the co-ordination of the positive sciences; French criticism, refined by literary taste and worldly observation; English criticism, supported by practical common-sense and positive intuition; lastly, in a niche apart, sympathetic and poetic imagination; these are the four routes by which the human mind is now proceeding to reconquer the sublime heights to which it believed itself carried, and which it has lost. These routes all conduct to the same summit, but with different prospects. That by which Carlyle has advanced, being the lengthiest, has led him to the strangest perspective. I will let him speak for himself; he will tell the reader what he has seen.