Yesterdays with Authors

Chapter 6

Chapter 64,204 wordsPublic domain

When the Atlantic Cable was first laid, somebody, not knowing the author of the lines, quoted them to Hawthorne as applicable to the calmness said to exist in the depths of the ocean. He listened to the verse, and then laughingly observed, "I know something of the deep sea myself."

In 1836 he went to Boston, I am told, to edit the "American Magazine of Useful Knowledge," for which he was to be paid a salary of six hundred dollars a year. The proprietors soon became insolvent, so that he received nothing, but he kept on just the same as if he had been paid regularly. The plan of the work proposed by the publishers of the magazine admitted no fiction into its pages. The magazine was printed on coarse paper and was illustrated by engravings painful to look at. There were no contributors except the editor, and he wrote the whole of every number. Short biographical sketches of eminent men and historical narratives filled up its pages. I have examined the columns of this deceased magazine, and read Hawthorne's narrative of Mrs. Dustan's captivity. Mrs. Dustan was carried off by the Indians from Haverhill, and Hawthorne does not much commiserate the hardships she endured, but reserves his sympathy for her husband, who was _not_ carried into captivity, and suffered nothing from the Indians, but who, he says, was a tenderhearted man, and took care of the children during Mrs. D.'s absence from home, and probably knew that his wife would be more than a match for a whole tribe of savages.

When the Rev. Mr. Cheever was knocked down and flogged in the streets of Salem and then imprisoned, Hawthorne came out of his retreat and visited him regularly in jail, showing strong sympathy for the man and great indignation for those who had maltreated him.

Those early days in Salem,--how interesting the memory of them must be to the friends who knew and followed the gentle dreamer in his budding career! When the whisper first came to the timid boy, in that "dismal chamber in Union Street," that he too possessed the soul of an artist, there were not many about him to share the divine rapture that must have filled his proud young heart. Outside of his own little family circle, doubting and desponding eyes looked upon him, and many a stupid head wagged in derision as he passed by. But there was always waiting for him a sweet and honest welcome by the pleasant hearth where his mother and sisters sat and listened to the beautiful creations of his fresh and glowing fancy. We can imagine the happy group gathered around the evening lamp! "Well, my son," says the fond mother, looking up from her knitting-work, "what have you got for us to-night? It is some time since you read us a story, and your sisters are as impatient as I am to have a new one." And then we can hear, or think we hear, the young man begin in a low and modest tone the story of "Edward Fane's Rosebud," or "The Seven Vagabonds," or perchance (O tearful, happy evening!) that tender idyl of "The Gentle Boy!" What a privilege to hear for the first time a "Twice-Told Tale," before it was even _once_ told to the public! And I know with what rapture the delighted little audience must have hailed the advent of every fresh indication that genius, so seldom a visitant at any fireside, had come down so noiselessly to bless their quiet hearthstone in the sombre old town. In striking contrast to Hawthorne's audience nightly convened to listen while he read his charming tales and essays, I think of poor Bernardin de Saint-Pierre, facing those hard-eyed critics at the house of Madame Neckar, when as a young man and entirely unknown he essayed to read his then unpublished story of "Paul and Virginia." The story was simple and the voice of the poor and nameless reader trembled. Everybody was unsympathetic and gaped, and at the end of a quarter of an hour Monsieur de Buffon, who always had a loud way with him, cried out to Madame Neckar's servant, "Let the horses be put to my carriage!"

Hawthorne seems never to have known that raw period in authorship which is common to most growing writers, when the style is "overlanguaged," and when it plunges wildly through the "sandy deserts of rhetoric," or struggles as if it were having a personal difficulty with Ignorance and his brother Platitude. It was capitally said of Chateaubriand that "he lived on the summits of syllables," and of another young author that "he was so dully good, that he made even virtue disreputable." Hawthorne had no such literary vices to contend with. His looks seemed from the start to be

"Commercing with the skies,"

and he marching upward to the goal without impediment. I was struck a few days ago with the untruth, so far as Hawthorne is concerned, of a passage in the Preface to Endymion. Keats says: "The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted." Hawthorne's imagination had no middle period of decadence or doubt, but continued, as it began, in full vigor to the end.

* * * * *

In 1852 I went to Europe, and while absent had frequent most welcome letters from the delightful dreamer. He had finished the "Blithedale Romance" during my wanderings, and I was fortunate enough to arrange for its publication in London simultaneously with its appearance in Boston. One of his letters (dated from his new residence in Concord, June 17, 1852) runs thus:--

"You have succeeded admirably in regard to the 'Blithedale Romance,' and have got £150 more than I expected to receive. It will come in good time, too; for my drafts have been pretty heavy of late, in consequence of buying an estate!!! and fitting up my house. What a truant you are from the Corner! I wish, before leaving London, you would obtain for me copies of any English editions of my writings not already in my possession. I have Routledge's edition of 'The Scarlet Letter,' the 'Mosses,' and 'Twice-Told Tales'; Bohn's editions of 'The House of the Seven Gables,' the 'Snow-Image' and the 'Wonder-Book,' and Bogue's edition of 'The Scarlet Letter';--these are all, and I should be glad of the rest. I meant to have written another 'Wonder-Book' this summer, but another task has unexpectedly intervened. General Pierce of New Hampshire, the Democratic nominee for the Presidency, was a college friend of mine, as you know, and we have been intimate through life. He wishes me to write his biography, and I have consented to do so; somewhat reluctantly, however, for Pierce has now reached that altitude when a man, careful of his personal dignity, will begin to think of cutting his acquaintance. But I seek nothing from him, and therefore need not be ashamed to tell the truth of an old friend.... I have written to Barry Cornwall, and shall probably enclose the letter along with this. I don't more than half believe what you tell me of my reputation in England, and am only so far credulous on the strength of the £200, and shall have a somewhat stronger sense of this latter reality when I finger the cash. Do come home in season to preside over the publication of the Romance."

He had christened his estate The Wayside, and in a postscript to the above letter he begs me to consider the name and tell him how I like it.

Another letter, evidently foreshadowing a foreign appointment from the newly elected President, contains this passage:--

"Do make some inquiries about Portugal; as, for instance, in what part of the world it lies, and whether it is an empire, a kingdom, or a republic. Also, and more particularly, the expenses of living there, and whether the Minister would be likely to be much pestered with his own countrymen. Also, any other information about foreign countries would be acceptable to an inquiring mind."

When I returned from abroad I found him getting matters in readiness to leave the country for a consulship in Liverpool. He seemed happy at the thought of flitting, but I wondered if he could possibly be as contented across the water as he was in Concord. I remember walking with him to the Old Manse, a mile or so distant from The Wayside, his new residence, and talking over England and his proposed absence of several years. We strolled round the house, where he spent the first years of his married life, and he pointed from the outside to the windows, out of which he had looked and seen supernatural and other visions. We walked up and down the avenue, the memory of which he has embalmed in the "Mosses," and he discoursed most pleasantly of all that had befallen him since he led a lonely, secluded life in Salem. It was a sleepy, warm afternoon, and he proposed that we should wander up the banks of the river and lie down and watch the clouds float above and in the quiet stream. I recall his lounging, easy air as he tolled me along until we came to a spot secluded, and ofttimes sacred to his wayward thoughts. He bade me lie down on the grass and hear the birds sing. As we steeped ourselves in the delicious idleness, he began to murmur some half-forgotten lines from Thomson's "Seasons," which he said had been favorites of his from boyhood. While we lay there, hidden in the grass, we heard approaching footsteps, and Hawthorne hurriedly whispered, "Duck! or we shall be interrupted by somebody." The solemnity of his manner, and the thought of the down-flat position in which we had both placed ourselves to avoid being seen, threw me into a foolish, semi-hysterical fit of laughter, and when he nudged me, and again whispered more lugubriously than ever, "Heaven help me, Mr. ---- is close upon us!" I felt convinced that if the thing went further, suffocation, in my case at least, must ensue.

He kept me constantly informed, after he went to Liverpool, of how he was passing his time; and his charming "English Note-Books" reveal the fact that he was never idle. There were touches, however, in his private letters which escaped daily record in his journal, and I remember how delightful it was, after he landed in Europe, to get his frequent missives. In one of the first he gives me an account of a dinner where he was obliged to make a speech. He says:--

"I tickled up John Bull's self-conceit (which is very easily done) with a few sentences of most outrageous flattery, and sat down in a general puddle of good feeling." In another he says: "I have taken a house in Rock Park, on the Cheshire side of the Mersey, and am as snug as a bug in a rug. Next year you must come and see how I live. Give my regards to everybody, and my love to half a dozen.... I wish you would call on Mr. Savage, the antiquarian, if you know him, and ask whether he can inform me what part of England the original William Hawthorne came from. He came over, I think in 1634.... It would really be a great obligation if he could answer the above query. Or, if the fact is not within his own knowledge, he might perhaps indicate some place where such information might be obtained here in England. I presume there are records still extant somewhere of all the passengers by those early ships, with their English localities annexed to their names. Of all things, I should like to find a gravestone in one of these old churchyards with my own name upon it, although, for myself, I should wish to be buried in America. The graves are too horribly damp here."

The hedgerows of England, the grassy meadows, and the picturesque old cottages delighted him, and he was never tired of writing to me about them. While wandering over the country, he was often deeply touched by meeting among the wild-flowers many of his old New England favorites,--bluebells, crocuses, primroses, foxglove, and other flowers which are cultivated in out gardens, and which had long been familiar to him in America.

I can imagine him, in his quiet, musing way, strolling through the daisied fields on a Sunday morning and hearing the distant church-bells chiming to service. His religion was deep and broad, but it was irksome for him to be fastened in by a pew-door, and I doubt if he often heard an English sermon. He very rarely described himself as _inside_ a church, but he liked to wander among the graves in the churchyards and read the epitaphs on the moss-grown slabs. He liked better to meet and have a talk with the _sexton_ than with the _rector_.

He was constantly demanding longer letters from home; and nothing gave him more pleasure than, monthly news from "The Saturday Club," and detailed accounts of what was going forward in literature. One of his letters dated in January, 1854, starts off thus:--

"I wish your epistolary propensities were stronger than they are. All your letters to me since I left America might be squeezed into one.... I send Ticknor a big cheese, which I long ago promised him, and my advice is, that he keep it in the shop, and daily, between eleven and one o'clock, distribute slices of it to your half-starved authors, together with crackers and something to drink.... I thank you for the books you send me, and more especially for Mrs. Mowatt's Autobiography, which seems to me an admirable book. Of all things I delight in autobiographies; and I hardly ever read one that interested me so much. She must be a remarkable woman, and I cannot but lament my ill fortune in never having seen her on the stage or elsewhere.... I count strongly upon your promise to be with us in May. Can't you bring Whipple with you?"

One of his favorite resorts in Liverpool was the boarding-house of good Mrs. Blodgett, in Duke Street, a house where many Americans have found delectable quarters, after being tossed on the stormy Atlantic. "I have never known a better woman," Hawthorne used to say, "and her motherly kindness to me and mine I can never forget." Hundreds of American travellers will bear witness to the excellence of that beautiful old lady, who presided with such dignity and sweetness over her hospitable mansion.

On the 13th of April, 1854, Hawthorne wrote to me this characteristic letter from the consular office in Liverpool:--

"I am very glad that the 'Mosses' have come into the hands of our firm; and I return the copy sent me, after a careful revision. When I wrote those dreamy sketches, I little thought that I should ever preface an edition for the press amidst the bustling life of a Liverpool consulate. Upon my honor, I am not quite sure that I entirely comprehend my own meaning, in some of these blasted allegories; but I remember that I always had a meaning, or at least thought I had. I am a good deal changed since those times; and, to tell you the truth, my past self is not very much to my taste, as I see myself in this book. Yet certainly there is more in it than the public generally gave me credit for at the time it was written.

"But I don't think myself worthy of very much more credit than I got. It has been a very disagreeable task to read the book. The story of 'Rappacini's Daughter' was published in the Democratic Review, about the year 1844; and it was prefaced by some remarks on the celebrated French author (a certain M. de l'Aubépine), from whose works it was translated. I left out this preface when the story was republished; but I wish you would turn to it in the Democratic, and see whether it is worth while to insert it in the new edition. I leave it altogether to your judgment.

"A young poet named ---- has called on me, and has sent me some copies of his works to be transmitted to America. It seems to me there is good in him; and he is recognized by Tennyson, by Carlyle, by Kingsley, and others of the best people here. He writes me that this edition of his poems is nearly exhausted, and that Routledge is going to publish another enlarged and in better style.

"Perhaps it might be well for you to take him up in America. At all events, try to bring him into notice; and some day or other you may be glad to have helped a famous poet in his obscurity. The poor fellow has left a good post in the customs to cultivate literature in London!

"We shall begin to look for you now by every steamer from Boston. You must make up your mind to spend a good while with us before going to see your London friends.

"Did you read the article on your friend De Quincey in the last Westminster? It was written by Mr. ---- of this city, who was in America a year or two ago. The article is pretty well, but does nothing like adequate justice to De Quincey; and in fact no Englishman cares a pin for him. We are ten times as good readers and critics as they.

"Is not Whipple coming here soon?"

Hawthorne's first visit to London afforded him great pleasure, but he kept out of the way of literary people as much as possible. He introduced himself to nobody, except Mr. ----, whose assistance he needed, in order to be identified at the bank. He wrote to me from 24 George Street, Hanover Square, and told me he delighted in London, and wished he could spend a year there. He enjoyed floating about, in a sort of unknown way, among the rotund and rubicund figures made jolly with ale and port-wine. He was greatly amused at being told (his informants meaning to be complimentary) "that he would never be taken for anything but an Englishman." He called Tennyson's "Charge of the Light Brigade," just printed at that time, "a broken-kneed gallop of a poem." He writes:--

"John Bull is in high spirits just now at the taking of Sebastopol. What an absurd personage John is! I find that my liking for him grows stronger the more I see of him, but that my admiration and respect have constantly decreased."

One of his most intimate friends (a man unlike that individual of whom it was said that he was the friend of everybody that did not need a friend) was Francis Bennoch, a merchant of Wood Street, Cheapside, London, the gentleman to whom Mrs. Hawthorne dedicated the English Note-Books. Hawthorne's letters abounded in warm expressions of affection for the man whose noble hospitality and deep interest made his residence in England full of happiness. Bennoch was indeed like a brother to him, sympathizing warmly in all his literary projects, and giving him the benefit of his excellent judgment while he was sojourning among strangers. Bennoch's record may be found in Tom Taylor's admirable life of poor Haydon, the artist. All literary and artistic people who have had the good fortune to enjoy his friendship have loved him. I happen to know of his bountiful kindness to Miss Mitford and Hawthorne and poor old Jerdan, for these hospitalities happened in my time; but he began to befriend all who needed friendship long before I knew him. His name ought never to be omitted from the literary annals of England; nor that of his wife either, for she has always made her delightful fireside warm and comforting to her husband's friends.

Many and many a happy time Bennoch, Hawthorne, and myself have had together on British soil. I remember we went once to dine at a great house in the country, years ago, where it was understood there would be no dinner speeches. The banquet was in honor of some society,--I have quite forgotten what,--but it was a jocose and not a serious club. The gentleman who gave it, Sir ----, was a most kind and genial person, and gathered about him on this occasion some of the brightest and best from London. All the way down in the train Hawthorne was rejoicing that this was to be a dinner without speech-making; "for," said he, "nothing would tempt me to go if toasts and such confounded deviltry were to be the order of the day." So we rattled along, without a fear of any impending cloud of oratory. The entertainment was a most exquisite one, about twenty gentlemen sitting down at the beautifully ornamented table. Hawthorne was in uncommonly good spirits, and, having the seat of honor at the right of his host, was pretty keenly scrutinized by his British brethren of the quill. He had, of course, banished all thought of speech-making, and his knees never smote together once, as he told me afterwards. But it became evident to my mind that Hawthorne's health was to be proposed with all the honors. I glanced at him across the table, and saw that he was unsuspicious of any movement against his quiet serenity. Suddenly and without warning our host rapped the mahogany, and began a set speech of welcome to the "distinguished American romancer." It was a very honest and a very hearty speech, but I dared not look at Hawthorne. I expected every moment to see him glide out of the room, or sink down out of sight from his chair. The tortures I suffered on Hawthorne's account, on that occasion, I will not attempt to describe now. I knew nothing would have induced the shy man of letters to go down to Brighton, if he had known he was to be spoken at in that manner. I imagined his face a deep crimson, and his hands trembling with nervous horror; but judge of my surprise, when he rose to reply with so calm a voice and so composed a manner, that, in all my experience of dinner-speaking, I never witnessed such a case of apparent ease. (Easy-Chair C ---- himself, one of the best makers of after-dinner or any other speeches of our day, according to Charles Dickens,--no inadequate judge, all will allow,--never surpassed in eloquent effect this speech by Hawthorne.) There was no hesitation, no sign of lack of preparation, but he went on for about ten minutes in such a masterly manner, that I declare it was one of the most successful efforts of the kind ever made. Everybody was delighted, and, when he sat down, a wild and unanimous shout of applause rattled the glasses on the table. The meaning of his singular composure on that occasion I could never get him satisfactorily to explain, and the only remark I ever heard him make, in any way connected with this marvellous exhibition of coolness, was simply, "What a confounded fool I was to go down to that speech-making dinner!"

During all those long years, while Hawthorne was absent in Europe, he was anything but an idle man. On the contrary, he was an eminently busy one, in the best sense of that term; and if his life had been prolonged, the public would have been a rich gainer for his residence abroad. His brain teemed with romances, and once I remember he told me he had no less than five stories, well thought out, any one of which he could finish and publish whenever he chose to. There was one subject for a work of imagination that seems to have haunted him for years, and he has mentioned it twice in his journal. This was the subsequent life of the young man whom Jesus, looking on, "loved," and whom he bade to sell all that he had and give to the poor, and take up his cross and follow him. "Something very deep and beautiful might be made out of this," Hawthorne said, "for the young man went away sorrowful, and is not recorded to have done what he was bidden to do."

One of the most difficult matters he had to manage while in England was the publication of Miss Bacon's singular book on Shakespeare. The poor lady, after he had agreed to see the work through the press, broke off all correspondence with him in a storm of wrath, accusing him of pusillanimity in not avowing full faith in her theory; so that, as he told me, so far as her good-will was concerned, he had not gained much by taking the responsibility of her book upon his shoulders. It was a heavy weight for him to bear in more senses than one, for he paid out of his own pocket the expenses of publication.