Chapter 5

I met him in the Full-and-Plenty Dining Rooms. It was a cheap place in the city, with good beds upstairs let at one shilling per night--“Board and residence for respectable single men, fifteen shillings per week.” I was a respectable single man then. I boarded and resided there. I boarded at a greasy little table in the greasy little corner under the fluffy little staircase in the hot and greasy little dining-room or restaurant downstairs. They called it dining-rooms, but it was only one room, and them wasn't half enough room in it to work your elbows when the seven little tables and forty-nine chairs were occupied. There was not room for an ordinary-sized steward to pass up and down between the tables; but our waiter was not an ordinary-sized man--he was a living skeleton in miniature. We handed the soup, and the “roast beef one,” and “roast lamb one,” “corn beef and cabbage one,” “veal and stuffing one,” and the “veal and pickled pork,” one--or two, or three, as the case might be--and the tea and coffee, and the various kinds of puddings--we handed them over each other, and dodged the drops as well as we could. The very hot and very greasy little kitchen was adjacent, and it contained the bathroom and other conveniences, behind screens of whitewashed boards.

I resided upstairs in a room where there were five beds and one wash-stand; one candle-stick, with a very short bit of soft yellow candle in it; the back of a hair-brush, with about a dozen bristles in it; and half a comb--the big-tooth end--with nine and a half teeth at irregular distances apart.

He was a typical bushman, not one of those tall, straight, wiry, brown men of the West, but from the old Selection Districts, where many drovers came from, and of the old bush school; one of those slight active little fellows whom we used to see in cabbage-tree hats, Crimean shirts, strapped trousers, and elastic-side boots--“larstins,” they called them. They could dance well; sing indifferently, and mostly through their noses, the old bush songs; play the concertina horribly; and ride like--like--well, they _could_ ride.

He seemed as if he had forgotten to grow old and die out with this old colonial school to which he belonged. They _had_ careless and forgetful ways about them. His name was Jack Gunther, he said, and he'd come to Sydney to try to get something done to his eyes. He had a portmanteau, a carpet bag, some things in a three-bushel bag, and a tin bog. I sat beside him on his bed, and struck up an acquaintance, and he told me all about it. First he asked me would I mind shifting round to the other side, as he was rather deaf in that ear. He'd been kicked by a horse, he said, and had been a little dull o' hearing on that side ever since.

He was as good as blind. “I can see the people near me,” he said, “but I can't make out their faces. I can just make out the pavement and the houses close at hand, and all the rest is a sort of white blur.” He looked up: “That ceiling is a kind of white, ain't it? And this,” tapping the wall and putting his nose close to it, “is a sort of green, ain't it?” The ceiling might have been whiter. The prevalent tints of the wall-paper had originally been blue and red, but it was mostly green enough now--a damp, rotten green; but I was ready to swear that the ceiling was snow and that the walls were as green as grass if it would have made him feel more comfortable. His sight began to get bad about six years before, he said; he didn't take much notice of it at first, and then he saw a quack, who made his eyes worse. He had already the manner of the blind--the touch of every finger, and even the gentleness in his speech. He had a boy down with him--a “sorter cousin of his,” and the boy saw him round. “I'll have to be sending that youngster back,” he said, “I think I'll send him home next week. He'll be picking up and learning too much down here.”

I happened to know the district he came from, and we would sit by the hour and talk about the country, and chaps by the name of this and chaps by the name of that--drovers mostly, whom we had met or had heard of. He asked me if I'd ever heard of a chap by the name of Joe Scott--a big sandy-complexioned chap, who might be droving; he was his brother, or, at least, his half-brother, but he hadn't heard of him for years; he'd last heard of him at Blackall, in Queensland; he might have gone overland to Western Australia with Tyson's cattle to the new country.

We talked about grubbing and fencing and digging and droving and shearing--all about the bush--and it all came back to me as we talked. “I can see it all now,” he said once, in an abstracted tone, seeming to fix his helpless eyes on the wall opposite. But he didn't see the dirty blind wall, nor the dingy window, nor the skimpy little bed, nor the greasy wash-stand; he saw the dark blue ridges in the sunlight, the grassy sidings and flats, the creek with clumps of she-oak here and there, the course of the willow-fringed river below, the distant peaks and ranges fading away into a lighter azure, the granite ridge in the middle distance, and the rocky rises, the stringy-bark and the apple-tree flats, the scrubs, and the sunlit plains--and all. I could see it, too--plainer than ever I did.

He had done a bit of fencing in his time, and we got talking about timber. He didn't believe in having fencing-posts with big butts; he reckoned it was a mistake. “You see,” he said, “the top of the butt catches the rain water and makes the post rot quicker. I'd back posts without any butt at all to last as long or longer than posts with 'em--that's if the fence is well put up and well rammed.” He had supplied fencing stuff, and fenced by contract, and--well, you can get more posts without butts out of a tree than posts with them. He also objected to charring the butts. He said it only made more work--and wasted time--the butts lasted longer without being charred.

I asked him if he'd ever got stringy-bark palings or shingles out of mountain ash, and he smiled a smile that did my heart good to see, and said he had. He had also got them out of various other kinds of trees.

We talked about soil and grass, and gold-digging, and many other things which came back to one like a revelation as we yarned.

He had been to the hospital several times. “The doctors don't say they can cure me,” he said, “they say they might, be able to improve my sight and hearing, but it would take a long time--anyway, the treatment would improve my general health. They know what's the matter with my eyes,” and he explained it as well as he could. “I wish I'd seen a good doctor when my eyes first began to get weak; but young chaps are always careless over things. It's harder to get cured of anything when you're done growing.”

He was always hopeful and cheerful. “If the worst comes to the worst,” he said, “there's things I can do where I come from. I might do a bit o' wool-sorting, for instance. I'm a pretty fair expert. Or else when they're weeding out I could help. I'd just have to sit down and they'd bring the sheep to me, and I'd feel the wool and tell them what it was--being blind improves the feeling, you know.”

He had a packet of portraits, but he couldn't make them out very well now. They were sort of blurred to him, but I described them and he told me who they were. “That's a girl o' mine,” he said, with reference to one--a jolly, good-looking bush girl. “I got a letter from her yesterday. I managed to scribble something, but I'll get you, if you don't mind, to write something more I want to put in on another piece of paper, and address an envelope for me.”

Darkness fell quickly upon him now--or, rather, the “sort of white blur” increased and closed in. But his hearing was better, he said, and he was glad of that and still cheerful. I thought it natural that his hearing should improve as he went blind.

One day he said that he did not think he would bother going to the hospital any more. He reckoned he'd get back to where he was known. He'd stayed down too long already, and the “stuff” wouldn't stand it. He was expecting a letter that didn't come. I was away for a couple of days, and when I came back he had been shifted out of the room and had a bed in an angle of the landing on top of the staircase, with the people brushing against him and stumbling over his things all day on their way up and down. I felt indignant, thinking that--the house being full--the boss had taken advantage of the bushman's helplessness and good nature to put him there. But he said that he was quite comfortable. “I can get a whiff of air here,” he said.

Going in next day I thought for a moment that I had dropped suddenly back into the past and into a bush dance, for there was a concertina going upstairs. He was sitting on the bed, with his legs crossed, and a new cheap concertina on his knee, and his eyes turned to the patch of ceiling as if it were a piece of music and he could read it. “I'm trying to knock a few tunes into my head,” he said, with a brave smile, “in case the worst comes to the worst.” He tried to be cheerful, but seemed worried and anxious. The letter hadn't come. I thought of the many blind musicians in Sydney, and I thought of the bushman's chance, standing at a corner swanking a cheap concertina, and I felt sorry for him.

I went out with a vague idea of seeing someone about the matter, and getting something done for the bushman--of bringing a little influence to his assistance; but I suddenly remembered that my clothes were worn out, my hat in a shocking state, my boots burst, and that I owed for a week's board and lodging, and was likely to be thrown out at any moment myself; and so I was not in a position to go where there was influence.

When I went back to the restaurant there was a long, gaunt sandy-complexioned bushman sitting by Jack's side. Jack introduced him as his brother, who had returned unexpectedly to his native district, and had followed him to Sydney. The brother was rather short with me at first, and seemed to regard the restaurant people--all of us, in fact--in the light of spielers who wouldn't hesitate to take advantage of Jack's blindness if he left him a moment; and he looked ready to knock down the first man who stumbled against Jack, or over his luggage--but that soon wore off. Jack was going to stay with Joe at the Coffee Palace for a few weeks, and then go back up-country, he told me. He was excited and happy. His brother's manner towards him was as if Jack had just lost his wife, or boy or someone very dear to him. He would not allow him to do anything for himself, nor try to--not even lace up his boot. He seemed to think that he was thoroughly helpless, and when I saw him pack up Jack's things, and help him at the table and fix his tie and collar with his great brown hands, which trembled all the time with grief and gentleness, and make Jack sit down on the bed whilst he got a cab and carried the trap down to it, and take him downstairs as if he were made of thin glass, and settle with the landlord--then I knew that Jack was all right.

We had a drink together--Joe, Jack, the cabman, and I. Joe was very careful to hand Jack the glass, and Jack made joke about it for Joe's benefit. He swore he could see a glass yet, and Joe laughed, but looked extra troubled the next moment.

I felt their grips on my hand for five minutes after we parted.

ARVIE ASPINALL'S ALARM CLOCK

In one of these years a paragraph appeared in a daily paper to the effect that a constable had discovered a little boy asleep on the steps of Grinder Bros' factory at four o'clock one rainy morning. He awakened him, and demanded an explanation.

The little fellow explained that he worked there, and was frightened of being late; he started work at six, and was apparently greatly astonished to hear that it was only four. The constable examined a small parcel which the frightened child had in his hand. It contained a clean apron and three slices of bread and treacle.

The child further explained that he woke up and thought it was late, and didn't like to wake mother and ask her the time “because she'd been washin'.” He didn't look at the clock, because they “didn't have one.” He volunteered no explanations as to how he expected mother to know the time, but, perhaps, like many other mites of his kind, he had unbounded faith in the infinitude of a mother's wisdom. His name was Arvie Aspinall, please sir, and he lived in Jones's Alley. Father was dead.

A few days later the same paper took great pleasure in stating, in reference to that “Touching Incident” noticed in a recent issue, that a benevolent society lady had started a subscription among her friends with the object of purchasing an alarm-clock for the little boy found asleep at Grinder Bros' workshop door.

Later on, it was mentioned, in connection with the touching incident, that the alarm-clock had been bought and delivered to the boy's mother, who appeared to be quite overcome with gratitude. It was learned, also, from another source, that the last assertion was greatly exaggerated.

The touching incident was worn out in another paragraph, which left no doubt that the benevolent society lady was none other than a charming and accomplished daughter of the House of Grinder.

It was late in the last day of the Easter Holidays, during which Arvie Aspinall had lain in bed with a bad cold. He was still what he called “croopy.” It was about nine o'clock, and the business of Jones's Alley was in full swing.

“That's better, mother, I'm far better,” said Arvie, “the sugar and vinegar cuts the phlegm, and the both'rin' cough gits out. It got out to such an extent for the next few minutes that he could not speak. When he recovered his breath, he said:

“Better or worse, I'll have to go to work to-morrow. Gimme the clock, mother.”

“I tell you you shall not go! It will be your death.”

“It's no use talking, mother; we can't starve--and--s'posin' somebody got my place! Gimme the clock, mother.”

“I'll send one of the children round to say you're ill. They'll surely let you off for a day or two.”

“Tain't no use; they won't wait; I know them--what does Grinder Bros care if I'm ill? Never mind, mother, I'll rise above 'em all yet. _Give me the clock_, mother.”

She gave him the clock, and he proceeded to wind it up and set the alarm.

“There's somethin' wrong with the gong,” he muttered, “it's gone wrong two nights now, but I'll chance it. I'll set the alarm at five, that'll give me time to dress and git there early. I wish I hadn't to walk so far.”

He paused to read some words engraved round the dial:

Early to bed and early to rise Makes a man healthy and wealthy and wise.

He had read the verse often before, and was much taken with the swing and rhythm of it. He had repeated it to himself, over and over again, without reference to the sense or philosophy of it. He had never dreamed of doubting anything in print--and this was engraved. But now a new light seemed to dawn upon him. He studied the sentence awhile, and then read it aloud for the second time. He turned it over in his mind again in silence.

“Mother!” he said suddenly, “I think it lies.” She placed the clock on the shelf, tucked him into his little bed on the sofa, and blew out the light.

Arvie seemed to sleep, but she lay awake thinking of her troubles. Of her husband carried home dead from his work one morning; of her eldest son who only came to loaf on her when he was out of jail; of the second son, who had feathered his nest in another city, and had no use for her any longer; of the next--poor delicate little Arvie--struggling manfully to help, and wearing his young life out at Grinder Bros when he should be at school; of the five helpless younger children asleep in the next room: of her hard life--scrubbing floors from half-past five till eight, and then starting her day's work--washing!--of having to rear her children in the atmosphere of the slums, because she could not afford to move and pay a higher rent; and of the rent.

Arvie commenced to mutter in his sleep.

“Can't you get to sleep, Arvie?” she asked. “Is your throat sore? Can I get anything for you?”

“I'd like to sleep,” he muttered, dreamily, “but it won't seem more'n a moment before--before--”

“Before what, Arvie?” she asked, quickly, fearing that he was becoming delirious.

“Before the alarm goes off!”

He was talking in his sleep.

She rose gently and put the alarm on two hours. “He can rest now,” she whispered to herself.

Presently Arvie sat bolt upright, and said quickly, “Mother! I thought the alarm went off!” Then, without waiting for an answer, he lay down as suddenly and slept.

The rain had cleared away, and a bright, starry dome was over sea and city, over slum and villa alike; but little of it could be seen from the hovel in Jones's Alley, save a glimpse of the Southern Cross and a few stars round it. It was what ladies call a “lovely night,” as seen from the house of Grinder--“Grinderville”--with its moonlit terraces and gardens sloping gently to the water, and its windows lit up for an Easter ball, and its reception-rooms thronged by its own exclusive set, and one of its charming and accomplished daughters melting a select party to tears by her pathetic recitation about a little crossing sweeper.

There _was_ something wrong with the alarm-clock, or else Mrs Aspinall had made a mistake, for the gong sounded startlingly in the dead of night. She woke with a painful start, and lay still, expecting to hear Arvie get up; but he made no sign. She turned a white, frightened face towards the sofa where he lay--the light from the alley's solitary lamp on the pavement above shone down through the window, and she saw that he had not moved.

Why didn't the clock wake him? He was such a light sleeper! “Arvie!” she called; no answer. “Arvie!” she called again, with a strange ring of remonstrance mingling with the terror in her voice. Arvie never answered.

“Oh! my God!” she moaned.

She rose and stood by the sofa. Arvie lay on his back with his arms folded--a favourite sleeping position of his; but his eyes were wide open and staring upwards as though they would stare through ceiling and roof to the place where God ought to be.

STRAGGLERS

An oblong hut, walled with blue-grey hardwood slabs, adzed at the ends and set horizontally between the round sapling studs; high roof of the eternal galvanized iron. A big rubbish heap lies about a yard to the right of the door, which opens from the middle of one of the side walls; it might be the front or the back wall--there is nothing to fix it. Two rows of rough bunks run round three sides of the interior; and a fire-place occupies one end--the kitchen end. Sleeping, eating, gambling and cooking accommodation for thirty men in about eighteen by forty feet.

The rouseabouts and shearers use the hut in common during shearing. Down the centre of the place runs a table made of stakes driven into the ground, with cross-pieces supporting a top of half-round slabs set with the flat sides up, and affording a few level places for soup-plates; on each side are crooked, unbarked poles laid in short forks, to serve as seats. The poles are worn smoothest opposite the level places on the table. The floor is littered with rubbish--old wool-bales, newspapers, boots, worn-out shearing pants, rough bedding, etc., raked out of the bunks in impatient search for missing articles--signs of a glad and eager departure with cheques when the shed last cut out.

To the west is a dam, holding back a broad, shallow sheet of grey water, with dead trees standing in it.

Further up along this water is a brush shearing-shed, a rough framework of poles with a brush roof. This kind of shed has the advantage of being cooler than iron. It is not rain-proof, but shearers do not work in rainy weather; shearing even slightly damp sheep is considered the surest and quickest way to get the worst kind of rheumatism. The floor is covered with rubbish from the roof, and here and there lies a rusty pair of shears. A couple of dry tar-pots hang by nails in the posts. The “board” is very uneven and must be bad for sweeping. The pens are formed by round, crooked stakes driven into the ground in irregular lines, and the whole business reminds us of the “cubby-house” style of architecture of our childhood.

Opposite stands the wool-shed, built entirely of galvanized iron; a blinding object to start out of the scrub on a blazing, hot day. God forgive the man who invented galvanized iron, and the greed which introduced it into Australia: you could not get worse roofing material for a hot country.

The wool-washing, soap-boiling, and wool-pressing arrangements are further up the dam. “Government House” is a mile away, and is nothing better than a bush hut; this station belongs to a company. And the company belongs to a bank. And the banks belong to England, mostly.

Mulga scrub all round, and, in between, patches of reddish sand where the grass ought to be.

It is New Year's Eve. Half a dozen travellers are camping in the hut, having a spell. They need it, for there are twenty miles of dry lignum plain between here and the government bore to the east; and about eighteen miles of heavy, sandy, cleared road north-west to the next water in that direction. With one exception, the men do not seem hard up; at least, not as that condition is understood by the swagmen of these times. The least lucky one of the lot had three weeks' work in a shed last season, and there might probably be five pounds amongst the whole crowd. They are all shearers, or at least they say they are. Some might be only “rousers.”

These men have a kind of stock hope of getting a few stragglers to shear somewhere; but their main object is to live till next shearing. In order to do this they must tramp for tucker, and trust to the regulation--and partly mythical--pint of flour, and bit of meat, or tea and sugar, and to the goodness of cooks and storekeepers and boundary-riders. You can only depend on getting tucker _once_ at one place; then you must tramp on to the next. If you cannot get it once you must go short; but there is a lot of energy in an empty stomach. If you get an extra supply you may camp for a day and have a spell. To live you must walk. To cease walking is to die.

The Exception is an outcast amongst bush outcasts, and looks better fitted for Sydney Domain. He lies on the bottom of a galvanized-iron case, with a piece of blue blanket for a pillow. He is dressed in a blue cotton jumper, a pair of very old and ragged tweed trousers, and one boot and one slipper. He found the slipper in the last shed, and the boot in the rubbish-heap here. When his own boots gave out he walked a hundred and fifty miles with his feet roughly sewn up in pieces of sacking from an old wool-bale. No sign of a patch, or an attempt at mending anywhere about his clothes, and that is a bad sign; when a swagman leaves off mending or patching his garments, his case is about hopeless. The Exception's swag consists of the aforesaid bit of blanket rolled up and tied with pieces of rag. He has no water-bag; carries his water in a billy; and how he manages without a bag is known only to himself. He has read every scrap of print within reach, and now lies on his side, with his face to the wall and one arm thrown up over his head; the jumper is twisted back, and leaves his skin bare from hip to arm-pit. His lower face is brutal, his eyes small and shifty, and ugly straight lines run across his low forehead. He says very little, but scowls most of the time--poor devil. He might be, or at least _seem_, a totally different man under more favourable conditions. He is probably a free labourer.