Chapter 17

All four of the occupants of the garden turned leisurely toward the cottage. Miss. Juno had rested her hand on Paul's shoulder and said in a delightfully confidential way: "Let it be a secret that we are chums, dear boy--the world is such an idiot."

"All right, Jack," whispered Paul, trying to hug himself in delight, 'Little secrets are cozy.'"

And in the scent of the roses it was duly embalmed.

III

Happy is the man who is without encumbrances--that that is if he knows how to be happy. Whenever Paul Clitheroe found the burden of the day becoming oppressive he cast it off, and sought solace in a change of scene. He could always, or almost always, do this at a moment's notice. It chanced, upon a certain occasion, when a little community of artists were celebrating the sale of a great picture--the masterpiece of one of their number--that word was sent to Paul to join their feast. He found the large studio where several of them worked intermittently, highly decorated; a table was spread in a manner to have awakened an appetite even upon the palate of the surfeited; there were music and dancing, and bacchanalian revels that went on and on from night to day and on to night again. It was a veritable feast of lanterns, and not until the last one had burned to the socket and the wine-vats were empty and the studio strewn with unrecognizable debris and permeated with odors stale, flat and unprofitable, did the revels cease. Paul came to dine; he remained three days; he had not yet worn out his welcome, but he had resolved, as was his wont at intervals, to withdraw from the world, and so he returned to the Eyrie,--which was ever his initial step toward the accomplishment of the longed-for end.

Not very many days later Paul received the breeziest of letters; it was one of a series of racy rhapsodies that came to him bearing the Santa Rosa postmark. They were such letters as a fellow might write to a college chum, but with no line that could have brought a blush to the cheek of modesty--not that the college chum is necessarily given to the inditing of such epistles. These letters were signed "Jack."

"Jack" wrote to say how the world was all in bloom and the rose-garden one bewildering maze of blossoms; how Mama was still embroidering from nature in the midst thereof, crowned with a wreath of butterflies and with one uncommonly large one perched upon her Psyche shoulder and fanning her cheek with its brilliantly dyed wing; how Eugene was reveling in his art, painting lovely pictures of the old Spanish Missions with shadowy outlines of the ghostly fathers, long since departed, haunting the dismantled cloisters; how the air was like the breath of heaven, and the twilight unspeakably pathetic, and they were all three constantly reminded of Italy and forever talking of Rome and the Campagna, and Venice, and imagining themselves at home again and Paul with them, for they had resolved that he was quite out of his element in California; they had sworn he must be rescued; he must return with them to Italy and that right early. He must wind up his affairs and set his house in order at once and forever; he should never go back to it again, but live a new life and a gentler life in that oldest and most gentle of lands; they simply _must_ take him with them and seat him by the shore of the Venetian Sea, where he could enjoy his melancholy, if he must be melancholy, and find himself for the first time provided with a suitable background. This letter came to him inlaid with rose petals; they showered upon him in all their fragrance as he read the inspiring pages and, since "Jack" with quite a martial air had issued a mandate which ran as follows, "Order No. 19--Paul Clitheroe will, upon receipt of this, report immediately at headquarters at Santa Rosa," he placed the key of his outer door in his pocket and straightway departed without more ado.

* * * * *

They swung in individual hammocks, Paul and "Jack," within the rose-screened veranda. The conjugal affinities, Violet and Eugene, were lost to the world in the depths of the rose-garden beyond sight and hearing.

Said Jack, resuming a rambling conversation which had been interrupted by the noisy passage of a bee, "That particular bee reminds me of some people who fret over their work, and who make others who are seeking rest, extremely uncomfortable."

Paul was thoughtful for a few moments and then remarked: "And yet it is a pleasant work he is engaged in, and his days are passed in the fairest fields; he evidently enjoys his trade even if he does seem to bustle about it. I can excuse the buzz and the hum in him, when I can't always in the human tribes."

"If you knew what he was saying just now, perhaps you'd find him as disagreeable as the man who is condemned to earn his bread in the sweat of his brow, and makes more or less of a row about it."

"Very likely, Jack, but these bees are born with business instincts, and they can't enjoy loafing; they don't know how to be idle. Being as busy as a busy bee must be being very busy!"

"There is the hum of the hive in that phrase, old boy! I'm sure you've been working up to it all along. Come now, confess, you've had that in hand for some little time."

"Well, what if I have? That is what writers do, and they have to do it. How else can they make their dialogue in the least attractive? Did you ever write a story, Jack?"

"No, of course not; how perfectly absurd!"

"Not in the least absurd. You've been reading novels ever since you were born. You've the knack of the thing, the telling of a story, the developing of a plot, the final wind-up of the whole concern, right at your tongue's end."

"Paul, you're an idiot."

"Idiot, Jack? I'm nothing of the sort and I can prove what I've just been saying to you about yourself. Now, listen and don't interrupt me until I've said my say."

Paul caught hold of a branch of vine close at hand and set his hammock swinging slowly. Miss. Juno settled herself more comfortably in hers, and seemed much interested and amused.

"Now," said Paul, with a comical air of importance--"now, any one who has anything at his tongue's end, has it, or _can_, just as well as not, have it at his finger's end. If you can tell a story well, and you can, Jack, you know you can, you can write it just as well. You have only to tell it with your pen instead of with your lips; and if you will only write it exactly as you speak it, so long as your verbal version is a good one, your pen version is bound to be equally as good; moreover, it seems to me that in this way one is likely to adopt the most natural style, which is, of course, the best of all styles. Now what do you say to that?"

"Oh, nothing," after a little pause--"however I doubt that any one, male or female, can take up pen for the first time and tell a tale like a practised writer."

"Of course not. The practised writer has a style of his own, a conventional narrative style which may be very far from nature. People in books very seldom talk as they do in real life. When people in books begin to talk like human beings the reader thinks the dialogue either commonplace or mildly realistic, and votes it a bore."

"Then why try to write as one talks? Why not cultivate the conventional style of the practised writer?"

"Why talk commonplaces?" cried Paul a little tartly. "Of course most people must do so if they talk at all, and they are usually the people who talk all the time. But I have known people whose ordinary conversation was extraordinary, and worth putting down in a book--every word of it."

"In my experience," said Miss. Juno, "people who talk like books are a burden."

"They needn't talk like the conventional book, I tell you. Let them have something to say and say it cleverly--that is the kind of conversation to make books of."

"What if all that we've been saying here, under the rose, as it were, were printed just as we've said it?"

"What if it were? It would at least be natural, and we've been saying something of interest to each other; why should it not interest a third party?"

Miss. Juno smiled and rejoined, "I am not a confirmed eavesdropper, but I often find myself so situated that I cannot avoid overhearing what other people are saying to one another; it is seldom that, under such circumstances, I hear anything that interests me."

"Yes, but if you knew the true story of those very people, all that they may be saying in your hearing would no doubt possess an interest, inasmuch as it would serve to develop their history."

"Our conversation is growing a little thin, Paul, don't you think so? We couldn't put all this into a book."

"If it helped to give a clue to our character and our motives, we could. The thing is to be interesting: if we are interesting, in ourselves, by reason of our original charm or our unconventionality, almost anything we might say or do ought to interest others. Conventional people are never interesting."

"Yet the majority of mankind is conventional to a degree; the conventionals help to fill up; their habitual love of conventionality, or their fear of the unconventional, is what keeps them in their place. This is very fortunate. On the other hand, a world full of people too clever to be kept in their proper spheres, would be simply intolerable. But there is no danger of this!"

"Yes, you are right," said Paul after a moment's pause;--"you are interesting, and that is why I like you so well."

"You mean that I am unconventional?"

"Exactly. And, as I said before, that is why I'm so awfully fond of you. By Jove, I'm so glad I'm not in love with you, Jack."

"So am I, old boy; I couldn't put up with that at all; you'd have to go by the next train, you know; you would, really. And yet, if we are to write a novel apiece we shall be obliged to put love into it; love with a very large L."

"No we wouldn't; I'm sure we wouldn't."

Miss. Juno shook her golden locks in doubt--Paul went on persistently:--"I'm dead sure we wouldn't; and to prove it, some day I'll write a story without its pair of lovers; everybody shall be more or less spoony--but nobody shall be really in love."

"It wouldn't be a story, Paul."

"It would be a history, or a fragment of a history, a glimpse of a life at any rate, and that is as much as we ever get of the lives of those around us. Why can't I tell you the story of one fellow--of myself for example; how one day I met this person, and the next day I met that person, and next week some one else comes on to the stage, and struts his little hour and departs. I'm not trying to give my audience, my readers, any knowledge of that other fellow. My reader must see for himself how each of those fellows in his own way has influenced me. The story is my story, a study of myself, nothing more or less. If the reader don't like me he may lay me down in my cloth or paper cover, and have nothing more to do with me. If I'm not a hero, perhaps it's not so much my fault as my misfortune. That people are interested in me, and show it in a thousand different ways, assures me that _my_ story, not the story of those with whom I'm thrown in contact, is what interests them. It's a narrow-gauge, single-track story, but it runs through a delightful bit of country, and if my reader wants to look out of my windows and see things as I see them and find out how they influence me he is welcome; if he doesn't, he may get off at the very next station and change cars for Elsewhere."

"I shall have love in my story," said Miss. Juno, with an amusing touch of sentiment that on her lips sounded like polite comedy.

"You may have all the love you like, and appeal to the same old novel-reader who has been reading the same sort of love story for the last hundred years, and when you've finished your work and your reader has stood by you to the sweet or bitter end, no one will be any the wiser or better. You've taught nothing, you've untaught nothing----and there you are!"

"Oh! A young man with a mission! Do you propose to revolutionize?"

"No; revolutions only roil the water. You might as well try to make water flow up-hill as to really revolutionize anything. I'd beautify the banks of the stream, and round the sharp turns in it, and weed it out, and sow water-lilies, and set the white swan with her snow-flecked breast afloat. That's what I'd do!"

"That's the art of the landscape gardener; I don't clearly see how it is of benefit to the novelist, Paul! Now, honestly, is it?"

"You don't catch my meaning, Jack; girls are deuced dull, you know,--I mean obtuse." Miss. Juno flushed. "I wasn't referring to the novel; I was saying that instead of writing my all in a vain effort to revolutionize anything in particular, I'd try to get all the good I could out of the existing evil, and make the best of it. But let's not talk in this vein any longer; I hate argument. Argument is nothing but a logical or illogical set-to; begin it as politely as you please, it is not long before both parties throw aside their gloves and go in with naked and bloody fists; one of the two gets knocked out, but he hasn't been convinced of anything in particular; he was not in condition, that is all; better luck next time."

"Have you the tobacco, Paul?" asked Miss Juno, extending her hand. The tobacco was silently passed from one hammock to the other; each rolled a cigarette, and lit it. Paul blew a great smoke ring into the air; his companion blew a lesser one that shot rapidly after the larger halo, and the two were speedily blended in a pretty vapor wraith.

"That's the ghost of an argument, Jack," said Paul, glancing above. He resumed: "What I was about to say when I was interrupted"--this was his pet joke; he knew well enough that he had been monopolizing the conversation of the morning--"what I was about to say was this: my novel shall be full of love, but you won't know that it is love--I mean the every-day love of the every-day people. In my book everybody is going to love everybody else--or almost everybody else; if there is any sort of a misunderstanding it sha'n't matter much. I hate rows; I believe in the truest and the fondest fellowship. What is true love? It is bosom friendship; that is the purest passion of love. It is the only love that lasts."

There was a silence for the space of some minutes; Paul and Miss. Juno were quietly, dreamily smoking. Without, among the roses, there was the boom of bees; the carol of birds, the flutter of balancing butterflies. Nature was very soothing, she was in one of her sweetest moods. The two friends were growing drowsy. Miss. Juno, if she at times betrayed a feminine fondness for argument, was certainly in no haste to provoke Paul to a further discussion of the quality of love or friendship; presently she began rather languidly:

"You were saying I ought to write, and that you believe I can, if I will only try. I'm going to try; I've been thinking of something that happened within my knowledge; perhaps I can make a magazine sketch of it."

"Oh, please write it, Jack! Write it, and send the manuscript to me, that I may place it for you; will you? Promise me you will!" The boy was quite enthusiastic, and his undisguised pleasure in the prospect of seeing something from the pen of his pal--as he loved to call Miss. Juno--seemed to awaken a responsive echo in her heart.

"I will, Paul; I promise you!"--and the two struck hands on it.

IV

When Paul returned to the Eyrie, it had been decided that Miss. Juno was to at once begin her first contribution to periodic literature. She had found her plot; she had only to tell her story in her own way, just as if she were recounting it to Paul. Indeed, at his suggestion, she had promised to sit with pen in hand and address him as if he were actually present. In this way he hoped she would drop into the narrative style natural to her, and so attractive to her listeners.

As for Paul Clitheroe, he was to make inquiry among his editorial friends in the Misty City, and see if he might not effect some satisfactory arrangement with one or another of them, whereby he would be placed in a position enabling him to go abroad in the course of a few weeks, and remain abroad indefinitely. He would make Venice his headquarters; he would have the constant society of his friends; the fellowship of Jack; together, after the joint literary labors of the day, they would stem the sluggish tide of the darksome canals and exchange sentiment and cigarette smoke in mutual delight. Paul was to write a weekly or a semi-monthly letter to the journal employing him as a special correspondent. At intervals, in the company of his friends, or alone, he would set forth upon one of those charming excursions so fruitful of picturesque experience, and return to his lodgings on the Schiavoni, to work them up into magazine articles; these would later, of course, get into book form; from the book would come increased reputation, a larger source of revenue, and the contentment of success which he so longed for, so often thought he had found, and so seldom enjoyed for any length of time.

All this was to be arranged,--or rather the means to which all this was the delightful end--was to be settled as soon as possible. Miss. Juno, having finished her story, was to send word to Paul and he was to hie him to the Rose Garden; thereafter at an ideal dinner, elaborated in honor of the occasion, Eugene was to read the maiden effort, while the author, sustained by the sympathetic presence of her admiring Mama and her devoted Paul, awaited the verdict.

This was to be the test--a trying one for Miss Juno. As for Paul, he felt quite patriarchal, and yet, so genuine and so deep was his interest in the future of his protégée, that he was already showing symptoms of anxiety.

The article having been sent to the editor of the first magazine in the land, the family would be ready to fold its æsthetic tent and depart; Paul, of course, accompanying them.

It was a happy thought; visions of Venice; the moonlit lagoon; the reflected lamps plunging their tongues of flame into the sea; the humid air, the almost breathless silence, broken at intervals by the baying of deep-mouthed bells; the splash of oars; the soft tripping measure of human voices and the refrain of the gondoliers; Jack by his side--Jack now in her element, with the maroon fez of the distinguished howadji tilted upon the back of her handsome head, her shapely finger-nails stained with henna, her wrists weighed down with their scores of tinkling bangles! Could anything be jollier?

Paul gave himself up to the full enjoyment of this dream. Already he seemed to have overcome every obstacle, and to be reveling in the subdued but sensuous joys of the Adriatic queen. Sometimes he had fled in spirit to the sweet seclusion of the cloistral life at San Lazaro. Byron did it before him;--the plump, the soft-voiced, mild-visaged little Arminians will tell you all about that, and take immense pleasure in the telling of it. Paul had also known a fellow-writer who had emulated Byron, and had even distanced the Byron record in one respect at least--he had outstayed his lordship at San Lazaro!

Sometimes Paul turned hermit, in imagination and dwelt alone upon the long sands of the melancholy Lido; not seeing Jack, or anybody, save the waiter at the neighboring restaurant, for days and days together. It was immensely diverting, this dream-life that Paul led in far distant Venice. It was just the life he loved, the ideal life, and it wasn't costing him a cent--no, not a _soldo_, to speak more in the Venetian manner.

While he was looking forward to the life to come, he had hardly time to perfect his arrangements for a realization of it. He was to pack everything and store it in a bonded warehouse, where it should remain until he had taken root abroad. Then he would send for it and settle in the spot he loved best of all, and there write and dream and drink the wine of the country, while the Angelus bells ringing thrice a day awoke him to a realizing sense of the fairy-like flight of time just as they have been doing for ages past, and, let us hope, as they will continue to do forever and forever.

One day he stopped dreaming of Italy, and resolved to secure his engagement as a correspondent. Miss. Juno had written him that her sketch was nearly finished; that he must hold himself in readiness to answer her summons at a moment's notice. The season was advancing; no time was to be lost, etc. Paul started at once for the office of his favorite journal; his interview was not entirely satisfactory. Editors, one and all, as he called upon them in succession, didn't seem especially anxious to send the young man abroad for an indefinite period; the salary requested seemed exorbitant. They each made a proposition; all said: "This is the best I can do at present; go to the other offices, and if you receive a better offer we advise you to take it." This seemed reasonable enough, but as their best rate was fifteen dollars for one letter a week he feared that even the highly respectable second-class accommodations of all sorts to which he must confine himself would be beyond his means.

Was he losing interest in the scheme which had afforded him so many hours of sweet, if not solid, satisfaction? No, not exactly. Poverty was more picturesque abroad than in his prosaic native land. His song was not quite so joyous, that was all; he would go to Italy; he would take a smaller room; he would eat at the Trattoria of the people; he would make studies of the peasant, the _contadini_. Jack had written, "There is pie in Venice when we are there; Mama knows how to make pie; pie cannot be purchased elsewhere. Love is the price thereof!" And pie is very filling. Yes, he would go to Europe on fifteen dollars per week and find paradise in the bright particular Venetian Pie!

V

After many days a great change came to pass. Everybody knew that Paul Clitheroe had disappeared without so much as a "good-by" to his most intimate friends. Curiosity was excited for a little while, but for a little while only. Soon he was forgotten, or remembered by no one save those who had known and loved him and who at intervals regretted him.

And Miss. Juno? Ah, Miss. Juno, the joy of Paul's young dreams! Having been launched successfully at his hands, and hoping in her brave, off-hand way to be of service to him, she continued to write as much for his sake as for her own; she knew it would please him beyond compare were she to achieve a pronounced literary success. He had urged her to write a novel. She had lightly laughed him to scorn--and had kept turning in her mind the possible plot for a tale. One day it suddenly took shape; the whole thing seemed to her perfectly plain sailing; if Clitheroe had launched her upon that venturesome sea, she had suddenly found herself equipped and able to sail without the aid of any one.

She had written to Paul of her joy in this new discovery. Before her loomed the misty outlines of fair far islands; she was about to set forth to people these. Oh, the joy of that! The unspeakable joy of it! She spread all sail on this voyage of discovery--she asked for nothing more save the prayers of her old comrade. She longed to have him near her so that together they might discuss the situations in her story, one after another. If he were only in Venice they would meet daily over their dinner, and after dinner she would read to him what she had written since they last met; then they would go in a gondola for a moonlight cruise; of course it was always moonlight in Venice! Would this not be delightful and just as an all-wise Providence meant it should be? Paul had read something like this in the letters which she used to write him when he was divided against himself; when he began to feel himself sinking, without a hand to help him. Venice was out of the question then; it were vain for him to even dream of it.