Part 5

One can easily suggest to any student of general history some of the facts which such a writer has in mind. Have not the gods often been conceived as tribal deities, and so simply as representatives of the welfare and of the will of the community over against the waywardness and the capriciousness of the individual? Was not the transition from polytheism to the various forms of pantheism and of monotheism determined by the social processes that formed kingdoms or empires, and that finally led over to the modern appreciation of the value of the {58} common interest of an ideally united humanity? Were not the prophets of Israel social reformers? Was not the work of Jesus an anticipation and a prophecy of the coming consciousness of the brotherhood of man, as the lovers of mankind now conceive that brotherhood? What has religion had to teach us, some will insistently ask, more saving, unifying, sustaining, than this love of man for man?

From such a point of view, as you see, our social experience is our principal source of religious insight. And the salvation that this insight brings to our knowledge is salvation through the fostering of human brotherhood. Such salvation accrues to the individual so far as he gives himself over to the service of man, and to mankind in so far as men can only be saved together and not separately.

I am just now depicting, not judging, a view concerning the solution of religious problems which you know to be, in our day, as potent as it is varied and problematic in its teaching. Can this view satisfy? Does this way of stating the case really indicate to us any adequate source of religious insight, any way in which we can define the true salvation of man?

V

We cannot answer this question without taking account of the views of those of our recent teachers to whom this purely social theory of the religious {59} objects and values is indeed profoundly unsatisfactory. That such opponents of the adequacy of the interpretation of religion just suggested are to be found amongst the believers in familiar religious traditions, we need not at any length set forth. The traditions of the great religions of the world do not interpret the old faiths in this way, just because these religious traditions all agree in regarding the human social order as something which exists for the sake of an essentially superhuman order. As these various faiths assert, man can never be saved by purely human means, whether you call these means preventive medicine, or socialism, or universal brotherhood, or even love, so long as love means simply human love. As for Christianity, in all its older forms, it has emphasised the love of man, but always in a certain union with the love of God which tradition could never conceive as adequately expressible in terms of our recent social movements. The "Servant in the House" is supposed to be a modern apparition of the Christ; but he is explicitly a heretic regarding the old faith of the church.

But with tradition as tradition, these lectures have to do only by way of occasional illustration. What interests us more, for our present purpose, is the fact that, despite the predominance of the social interpretations of religion of which I have just reminded you, there are still some of our recent teachers who stoutly insist that our social {60} experience does not adequately show us any way of salvation whatever.

And here first I must call attention to certain of the most modern and least theologically disposed of our leaders, namely, to those who emphasise the most characteristic recent forms of individualism. I have mentioned Nietzsche in my former lecture. Surely he stands for opposition to tradition and he expresses tendencies that are potent to-day. But while he lived and wrote, he aspired to be a sort of Antichrist, and preached the doctrine that a religion of love can never save, because, as he insists, what the self needs is power, and power is not to be won by attempting to please a world of slaves. Nietzsche may seem to you, as he has seemed to so many, a hopeless abnormity; but his Titanism is in fact a wayward modern expression of a motive that has always played its notable part in the search for salvation, ever since heroism and the resolute will were first discovered by man. Nietzsche's insight too, such as it is, is a social insight. It comes through noting that, even if the individual needs his social world as a means of grace and a gateway to salvation, the social order, in its turn, needs individuals that are worth saving, and can never be saved unless it expresses itself through the deeds and the inner life of souls deeply conscious of the dignity of selfhood, of the infinite worth of unique and intensely conscious personal life.

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As a fact, individualism is as potent an ethical motive in the life of to-day as is the collectivism just characterised. Each of these tendencies, in our present social order, feeds upon and intensifies the other. Socialism opposes, and yet inevitably encourages, the purposes of the very individual who feels his social ties as a galling restraint. It preaches solidarity and brotherhood and love; but wins a ready hearing from those who view all these tendencies mainly as means whereby they may hope to have their own way, and to become, as Nietzsche's Superman, "beyond good and evil"--masters in the coming world of triumphant democracy. The social experience of our time is full of ambiguous lessons. Its way toward salvation leads not only over the Hill of Difficulty, but both ways around the hill; and it shows us no one straight and narrow road to peace. Whoever would traverse its wilderness and reach salvation needs to supplement his social insight by a use of other and deeper sources.

And as to what these deeper sources of insight are, the teacher whom I have already repeatedly cited--William James--asserts a doctrine that, as you already know, I do not regard as adequate, but that I must again here emphasise, because its contrast with that social theory of religion which I just characterised is so instructive.

James, in his "Varieties of Religious Experience," shows the utmost liberality toward differences of {62} faith, and insists in the opening chapters of his book that religious experience is a field where one must beware of defining sharp boundary lines or of showing a false exclusiveness. Yet _one_ boundary line he himself defines with the greatest sharpness; and in respect of _one_ matter he is rigidly exclusive. Religious experience, he insists, is, as you will remember from our first lecture, the experience of an individual who feels himself to be "alone with the divine." And the social types of religious experience James rigidly excludes from the "varieties" whereof he takes account. And James's reason for this procedure is explicit. In its social aspects religion, so he insists, always becomes, or has already become, conventional. James no longer finds in the religious life of communities the novelty and independence of vision which he prizes. The essence of true religious experience lies, for him, in its originality, in its spontaneity, and so in the very solitude which is a condition, to James's mind, for the discovery of that which saves.

The words "originality" and "spontaneity" emphasise the features which, as I think, James most meant to emphasise. The problem of salvation, for James, must be an essentially individual problem; for nobody else ever faced _your_ need of salvation, or had your personal issues to meet. If you win religious insight, you will have to win it very much as you will have to die--alone. Of course James does not hesitate to test the value of religious {63} experience, in his pragmatic fashion, by its social as well as by its individual consequences. The fruits of the spirit accrue to the general advantage; and the saint, in James's opinion, must indeed undertake to edify, not only himself, but also his brethren. But the effects of religious insight must not be confused with the sources. James insists that the sources are mainly from within the individual and are only incidentally social. A religious discovery has in common with a poetic creation the fact that the religious genius, like the artist, sees his vision, and produces his spiritual miracle, in solitude.

If you ask whether this position which James assumes is anything more than his own private opinion, and if you want to know his grounds for it, a closer examination of his book will show you why he thus deliberately turns his back upon the favourite recent interpretation of religion as an essentially social phenomenon. James, in common with the traditional faiths, although not in conformity with their formulas, always conceived religious experience as an intercourse with objects and with powers that, whatever their deeper bases in our "subliminal" nature, do not adequately express themselves in our everyday, worldly, overt human nature. And in our social life, where the conventional reigns, where man imitates man or contends with man, where crowds bustle and the small-talk or the passionate struggle of the day fill the mind, where lovers pursue their beloved and are jealous {64} of their rivals, and laborers toil and sweat, and worldly authorities display their pomp, you meet not the solution, but the problem of life. James, as man, was full of social interests, and, as psychologist, was fond of studying social processes. But when a man wants peace and spiritual triumph, James observes that, as an empirical fact, he does not readily find them in the market-place, or on the battle-field, or in the law courts, unless, indeed, he comes to these places already full of the light that the saintly souls have often found in the wilderness or in their meditations. In brief, James always emphasises the mystical element in religious experience and is full of the assurance that religion cannot find its food in the commonplace; while our social life is a realm where the commonplace holds sway. Or again, James holds that when the faithful have thought of their religious experience as an intercourse with beings of a level wholly superhuman, they may, indeed, have been wrong in their creeds, but were right in holding that man as he lives in his social world can never save man. Our social consciousness is too barefaced and open in its union of triviality and pathos. What we want as the saving power is, for a teacher such as James, something more mysterious, deep, subconscious or superconscious, and in this sense, indeed, superhuman.

Still I am only depicting, not yet judging. I have now briefly stated opinions that favour and opinions {65} that oppose an interpretation of religious insight in terms of our social experience. But what are the merits of the case? In what sense can there be a religion of the social consciousness?

VI

The answer to this question involves, I think, two considerations, both of them exemplified by the various views here in question, both of them familiar, both of them easily misinterpreted. The first is the very consideration upon which our popular teachers of salvation through love most insist. We ourselves came upon that consideration at the close of our first lecture. Man is, indeed, a being who cannot be saved alone, however much solitude may help him, at times, toward insight. For he is bound to his brethren by spiritual links that cannot be broken. The second consideration is this: So long as man views his fellow-man _merely_ as fellow-man, he only complicates his problem, for both he and his fellow equally need salvation. Their plight is common; their very need of salvation chains them together in the prison of human sorrow. If, to adapt the symbolism of ancient stories to our case, the angel of love is to appear in their prison, is to loosen their chains, is to open the doors, it must be, in some wise, as an angel, not as a merely human presence, that love must appear.

Perhaps the best way to indicate wherein lies the {66} strength and the weakness, the irresistible authority and the pathetic limitation of our social experience as a religious guide, and the best way also to indicate its true relations to the religious experience of the human individual, is to remind ourselves of a very few familiar cases in which an individual finds that his own way toward salvation, if any such way is to exist for him at all, lies through his social world, so that he cannot be saved without the help of his fellows.

Our first instance shall be an extreme one, in which the sense of need is intense and the longing for salvation acute, but where there is little or no hope of finding the way, although one knows that if the way could be found it would bring one into touch with a new type of human companionship. We all know how the sense of guilt may take the form of a feeling of overwhelming loneliness. Now the sense of guilt, if deep and pervasive and passionate, involves at least a dim recognition that there is some central aim of life and that one has come hopelessly short of that aim. I may regret a blunder, and yet have no hint that there is any unified and supreme ideal of life. For a blunder is a special affair involving the missing of some particular aim. I may even bitterly repent a fault, and still think of that fault as a refusal to pursue some one separate moral purpose--a violation of this or of that maxim of conduct. But the true sense of guilt in its greater manifestation involves a confession that the {67} whole self is somehow tainted, the whole life, for the time being, wrecked. But the bankruptcy of the self implies that there is one highest purpose which gives the self its value; the sense of total failure is itself a revelation of the value of what was lost. Hence the highly idealising tendency of the great experiences of moral suffering. They lead us to think not of this or of that special good, but of salvation and perdition in their general bearing upon life. The depth of the despair shows the grandeur of what has been missed; and it is therefore not surprising that experiences of this sort have been, for so many, the beginnings of religious insight. To believe that one is cut off from salvation may be the very crisis that in the end saves.

Now some of those who feel this overmastering might of their guilt lay most stress upon their assurance that God has condemned them. And religious tradition has of course emphasised this way of stating the case. But it is perfectly natural, and is surely a humane experience, to feel the sense of guilt primarily in the form of a belief that one is an outcast from human sympathy and is hopelessly alone. The more abnormal types of the sense of guilt, in nervous patients, frequently exemplify this terror of the lonely soul, this inner grief over the homelessness of the remorseful outcast. But actual guilt may be present with or without the more abnormal nervous conditions just mentioned, and, when present, may bring home to the rueful mind {68} the despair of the awakened but forsaken sinner, and may bring it in the form of the feeling of guilty solitude.

A well-known expression of such a mood you find in Kipling's lyric of the "Poor little sheep that have gone astray." In these verses the outcast sons of good families, the "gentlemen-rankers," dwell together in an agonised companionship of common loneliness. Their guilt and their lost homes are for them inseparably associated.

Or again: Beneath all the fantastic imagery of Coleridge's "Ancient Mariner," the poet uses a perfectly recognisable type of the sense of guilt as the means to make his tale of wonders seem, despite all its impossibilities, human and even plausible. The incidents are the miracles of a magic dream; but the human nature depicted is as real as is the torment of any guilty conscience. Somehow--no matter how, or under how arbitrary conditions--the hero has committed a crime without precisely intending it to be a crime. His tale is one of a young man's adventurous insolence. His deed has all the too familiar characters of the typical sins of wayward youth. And that is why the gay young wedding guest must hear his tale. He--the mariner--in his own youth, had consciously meant to be only a little wanton and cruel. He awakened, as many a light-minded youth later awakes, to find that, as a fact, he had somehow struck at the very centre of life, at the heart of love, at the laws that bind the {69} world together, at the spirit of the universe. When one thus awakes, he sees that nature and God are against him. But, worst of all, he has become a curse to his fellows; and in turn they curse him; and then they leave him alone with the nightmare life in death of utter solitude. To his mind there are no living men. He sees about him only "the curse in a dead man's eye." What life he can still see is no longer, to his morbid eyes, really human:

"The many men, so beautiful! And they all dead did lie; And a thousand, thousand slimy things Lived on; and so did I."

The Ancient Mariner's escape from the horrors of this despair, the beginnings of his salvation, date from the first movings of love in his heart toward all living beings. His salvation is won when, at the end, he finds God along with the goodly company at the kirk. In brief, the curse of his guilt is to be "alone on a wide, wide sea." His salvation comes in preaching love and companionship, and in uniting himself hereby to the God who loves all things both great and small.

Now one does not often think of the "Ancient Mariner" as a poem of religious experience; but apart from its brilliant play with natural magic, its human charm actually depends upon this well-founded picture of the loneliness of guilt and of the escape through loving union with one's kind. And {70} the poet deliberately gives to this picture the form and the sense of a religious process of salvation.

If you turn from the dreamy product of Coleridge's youthful fancy to the opposite pole of modern literature, you find an instance of almost the same motives at the basis of that most impressive romance of the Russian Dostoieffsky: "Crime and Punishment." Dostoieffsky had himself lived long in what he called "The House of the Dead," in Siberia, before he learned how to write this masterpiece. He had been forced to sojourn amongst the guilty of the most various grades. He had come to universalise their experiences and to struggle himself with one form of the problem of salvation. Those who, like Dante, have looked upon hell, sometimes have, indeed, wonders to tell us. Dostoieffsky condenses the whole problem of salvation from guilt in this picture of an individual. Raskolnikow, the hero, after his thoughtfully conceived crime, and after his laborious effort at self-justification, finds himself the prey of a simply overwhelming sense that he walks alone amongst men, and that, in the crowded streets of the city, he is as one dead amongst spectres. There is nowhere, I think, a more persuasive picture of the loneliness of great guilt. Raskolnikow could not be more the victim of supernatural forces if he were Coleridge's Ancient Mariner. Like the Ancient Mariner, Raskolnikow in the end finds the way to salvation through love--the love which the martyred Sonia teaches him--herself, {71} as our Russian most persuasively pictures her, at once outcast and saint. The author uses religious conceptions which are both ancient and, in his use of them, unconventional. But the central one of these is the familiar conception that salvation involves a reconciliation both with the social and with the divine order, a reconciliation through love and suffering--an escape from the wilderness of lonely guilt to the realm where men can understand one another.

In such elemental ways the process of salvation can be made to appear as essentially a social process, just because its opposite, perdition, seems to mean banishment from amongst men.

Another group of cases presents to us the same need for human companionship as a means to salvation, but presents it in the winning guise of salvation beginning through love, without the main stress being laid upon the previous despair. In such cases the despair may be mentioned but at once relieved. The religion of friendship and of love is a familiar human experience. James, in his fear of debasing religion by romantic or by grosser associations, unjustly neglects it in his study of "varieties." In fact, to seem to find the divine in the person of your idealised friend or beloved is a perfectly normal way of beginning your acquaintance with the means of grace. You meet, you love, and--you seem to be finding God. Or, to use our present interpretation of what reveals the {72} divine, love seems to furnish you with a vision of a perfect life, to give you a total survey of the sense of your own life, and to begin to show you how to triumph. If there be any divine life, you say, this is my vision of its beauty and its harmony. So the divine appears in one of Browning's later lyrics:

"Such a starved bank of moss. Till, that May morn. Blue ran the flash across; Violets were born!

"Sky--what a scowl of cloud Till, near and far, Ray on ray split the shroud Splendid! a star!

"World--how it walled about Life with disgrace, Till God's own smile came out; That was thy face!"

In the sonnets of Shakespeare this religion of friendship has found some of its most perfect expressions.

"Haply I think of thee, and then my state. Like to the lark's, at break of day arising From sullen earth, sings hymns at heaven's gate."

And again, in Mrs. Browning's "Sonnets from the Portuguese," the religion of love not only uses speech intensely personal, fond, intimate, but also, {73} and deliberately, accompanies all this with words derived from reflective metaphysics, or from theology, and intended to express the miracle that the nearest movings of affection are also a revelation of the highest powers of the spiritual world.

"How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being, and Ideal Grace. I love thee to the level of everyday's Most quiet need, by sun and candle light. I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise; I love thee with the passion put to use In my old griefs, and with my childhood's faith; I love thee with a love I seemed to lose With my lost saints,--I love thee with the breath. Smiles, tears, of all my life!--and, if God choose, I shall but love thee better after death."

Surely one could not better express, than this sonnet does, the naturalness of the religious motive--the mystery of the religious object.

And finally, turning from these cases to those which are social in the larger sense, every patriotic song which deifies one's country, every other form of the religion of patriotism, exemplifies the experience of the devoted lover of his country by teaching that it is "man's perdition to be safe" in case his social world calls for the sacrifice of his life, and that salvation comes through service.

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James is indeed wrong then to neglect the social roads that lead toward the experience of what one takes to be divine. There is no love so simple-minded that, if it be true love, the way of salvation may not seem to be opened through it to the lover.