Part 6

Some of us younger and irreverent folk oft take to speculating why, in the name of bodies politic, thy days, O Venerable, are so long in the land which the Lord thy God giveth thee? The Lord thy God, friend William Ewart, must have some excellent reason for allowing thee to ruthlessly cut down so many growing oaks of English honour and walk unscathed across the bare, disfigured country, with the wild dogs of Democracy sneaking at thy heels. And I forgot, in speaking of the holy Abraham, that late events have proved the high superiority of thy tastes in morality to those of God's anciently-favoured servant. For didst thou not disown thy sweetest nursling, thine own favourite adopted son, Parnell, simply and solely to publicly clasp and kiss the wrinkled, withering hand of Mrs. Grundy? And knowest thou not, thou gray-haired Conundrum, that nothing has ever seemed more preternaturally absurd to the impartial observer and student of social life in all countries, than this making a public question out of personal matter?--this desertion of a former friend, a man, too, of immense intellectual capability, all because, as the old German ballad goes, "he loved a, to him, temptingly-forbidden lady"? Just Heavens! I could name dozens of men (but I will not), party men too, respectably married likewise, who have their "temptingly-forbidden ladies" tucked snugly away in the innermost recesses of their confidence, and who avoid betraying themselves into such impulsiveness as might lead to a fire-escape and political dissolution. As for Mrs. Grundy, the dear old soul never sees anything now unless she is led up to it with her spectacles on; she is more than half blind, and totally deaf--a poor, frail creature very much on her last legs--and she must have been vaguely flattered and surprised at thy voluntary Grand Old Hand-Shake, given to her in the very face of all the staring world of intelligence and fashion. It must have soothed her aching heart and comforted her tottering limbs to find she still had left to her a pale vestige of past power. Ah, it was a grand and edifying party-split!--almost as exciting as if it had occurred on a question of Beer, which fateful subject angrily discussed, did, I believe, on one occasion actually effect a change of Ministry. And it is rather a notable proof of the curious littleness of the age we live in, that of late, political parties have seldom broken up on great questions--questions of momentous and general interest affecting the welfare of the state and people--but nearly always on petty, personal, nay almost vulgar and childish disputes, such as might make Fox and Pitt turn and groan in their graves. Is there no such thing as unadulterated patriotism left, I wonder?--no real ardent love of the "Mother" England? or hast thou, old Would-Be Despot, choked it all by thy pernicious gabble?

And yet, whatever may be said of thee now or in after history as a Man-Enigma, thy bitterest enemy, unless he be an idiot born, can hardly be blind to thy numerous and extraordinary endowments. Jumbled as they are together with so much confusion that it is difficult to tell which savour most of vice or most of virtue, they are nevertheless Endowments, rare enough to find in any other living composition of mortal mould. And the mystic gift that keeps thee powerful to grasp and retain thy dominance over the minds of the Majority, is simple Genius--a gift of which there are many spurious imitations, but which in itself is given to so few as to make it seem curious and remarkable, aye, even a thing suggestive of downright madness to the men of mere business talent and capacity who form the largest portion of the governing body. Misguided, captious, flighty as caprice itself, it is nevertheless a flash of the veritable Promethean fire which works that busy, massive brain of thine--a kindling, restless heat which is entirely deficient in the brains of nearly all thy fellow-statesmen of the hour. This it is that fascinates the Public--the giant Public that above all the whisperings and squealings of the Press, reserves its own opinion, and only utters it when called upon to do so, with sundry roarings and vociferations as of a hungry lion roused--a convincing manner of eloquence which doth wake to speculative timorousness the wandering penny-a-liner. For Genius is the only quality the Public does in absolute truth admire, without being taught or forced into admiration--and that Genius has ever in reality been despised or neglected by the world, is, roughly speaking, a Lie. Everything noble that deserves to live, lives; and Homer wrote as much for the England of to-day as for the Greece of past time. The things that die, deserve to die; the "genius" who deems himself ill-used, does by his childish querulousness prove himself unworthy of appreciation. For no great soul complains, inasmuch as all complaint is cowardice.

Thus, when I bring the Public well into sympathetic view, and consider thee in relation to it, O Grand Old Gladstone, I understand readily enough what is meant by the feeling of the "majority" concerning thy civic and personal qualifications for power. It is this--that the people feel, that notwithstanding thy chameleon-like variableness, and thy darkly cabalistic utterances on the political How, When, and Why, thou art still the "only" man in the professed service of the country possessing this talisman of Genius which from time immemorial has carried its own peculiar triumph over the heads of all opposers. For when thou shalt be gone the way of all flesh, who is left? Little brilliancy of wit or good counsel is there now in the Commons, and the Lords are but weary creatures, bent on maintaining their own interests in the face of all change. Is there a man who can be truly said to have the gift of eloquence save Thou? Wherefore the attention and interest of the people still continue to revolve round thy charmed pivot, thou Hawarden Thinker, with, as the Scotch say, "a bee" in thy bonnet. And, whether Premier or Ex-Premier, all because thou _art_ a Thinker in spite of the bee. Thy thoughts may be "long, long thoughts" like the "thoughts of youth" in Longfellow's pretty poem--they may be indeed without any definite end at all, but they are thoughts, they are not mere business calculations of the State's expenses. Only being ill-assorted and still worse defined, they are unfit to blossom into words, which they generally do, to the perplexity and anxiety of everybody concerned. And there is the mischief--a mischief irremediable, for nothing will stop thy tongue, thou Grand Old Gabbler, save a certain Grand Old Silence wearing only bones and carrying a scythe, who is not so much interested in politics as in mould and earthworms _à la_ Darwin.

Nevertheless I, for one, shall be exceedingly sorry when this fleshless "reaper whose name is Death" mows thee down, poor Gladdy, and turns thee remorselessly into one more pinch of dust for his overflowing granary. Remember me or not as thou mayest, do me good service or bad, I care nothing either way. Thy visits to me were of thine own seeking, and of conversation thou didst keep the absolute monopoly; but what matter?--I at least was privileged to gaze upon thee freely and mentally comment upon thy collar unreproved. 'Twas but thy unctuous flattery that vexed my soul; for Gladstonian praise is but Art's rebuke. Otherwise I bear thee no malice, though for sundry reasons I might well do so.... Oh, venerable Twaddler! Didst thou but know me as I am, would not the hairs upon thy scalp, aye "each particular hair" rise one by one in anger and astonishment, and thou for once be rendered speechless?... Nay, good Gladstone-Grundy, have no fear! I will not blab upon thee; I am well covered, closely masked; and thou shalt hear no more of me as I slip by, save ... a smothered laugh behind my domino!

VIII.

OF THE TRUE JOURNALIST AND HIS CREED.

I am very fond of journalists. I look upon them, young and old, fat and lean, masculine and feminine, as the salt of the earth wherewith to savour the marrow of the country. And I like to put them through their paces. I am always devoured by an insatiable curiosity to fathom the depths of their learning--depths which I feel are almost infinite; yet despite this infinity I am always fain to plunge. Whenever I see a son of the ink-pot I collar him, and demand of him information--information on all things little and big, because he knows all things. I believe he even knows why Shakespeare left his second-best bed to his wife, only he won't tell. As for languages, he is everybody's own Ollendorf. He knows French, he knows Russian, he knows Italian, he knows Spanish, he knows Hindustani, he knows Chinese, he knows--oh divine Apollo! what does he _not_ know! Let anybody write a book and try to introduce into its pages one word of Cherokee, one wild unpronounceable word, and the omniscient journalist is down upon him instantly with the bland assertion that it is a wrong word, wrongly spelt, wrongly used. For the journalist knows Cherokee; he spoke it when a gurgling infant in his mother's arms, together with all the living and dead dialects of all nations. So that when I get a journalist to dine with me, is it to be wondered at that I am consumed by a desire to _know_? The thirst of wisdom enters into me, and having plied my man with eatables and wine, I hang on his lips entranced. For can he not tell me everything that ever was, or ever shall be?--and shall I not also aspire to oracles?

Once upon a time, to my unspeakable joy, I caught a fledgling journalist; a fluttering creature, all eagle-wings and chuckles, and I carried him home in a cab to dinner. He was a wild fowl, with plumage unkempt, and beak, _i.e._, a Wellingtonian nose, that spoke volumes of knowledge already. I discovered him hopping about a club, and seeing he was hungry, I managed to coax him along to my "den." When I had him there safe, I could have shouted with pure ecstasy! He became gentle; he smoothed his ruffled feathers; he dipped his beak into my burgundy wine and pronounced in a god-like way that "behold, it was very good." Then, when his inner man was satisfied, he spoke; and information, information, came rolling out with every brief and slangy sentence. Of kings and queens, of princes and commoners, of he and she and we and they, of fire, police, law, council, parliament, and my lady's chamber, of all that whirls in the giddy circle of our time, my fledgling had taken notes--yea, even on the very wheels of government, he had placed his ink-stained finger.

"O wondrous young man!" I muttered as I heard; "O marvel of the age! Why do not the kings of the earth gather together to hear thy wisdom? Why do not the councils of Europe wait to learn the arts of government from thee? Wert thou at the right hand of Deity, I wonder, when worlds were created and comets begotten?" ... Here, filled with ideas, I poured more wine out for the moistening of the Wellingtonian beak, and demanded feverishly--"Tell me, friend, of things that are unknown to most men--tell me of the dark mysteries of time, which must be clear as daylight to a brain like yours!--instruct me in faith and morals--show me the paths of virtue--explain to me your theories of the future, of creed--"

I stopped, choked by my own emotion; I felt I was on the point of comprehending the incomprehensible--of grasping great facts made clear through the astute perception of this literary Gamaliel. And he arose in response to my adjuration; he expanded his manly chest, and stood in an attitude of "attention"; his nose was redder than when he first sat down to dine, and the vacuous chuckle of his laugh was music to my soul.

"Creed!" said he. "Drop that! I'm not a church-goer. I've got one form of faith though." And he chuckled once again.

"And that is?" I questioned eagerly.

"This!"

And with proud unction he recited the following simple formula:--

I believe in the _Times_.

And in the _Morning Post_, Maker of news fashionable and unfashionable.

And in one _Truth_, the property of one Labby, the only-begotten son of honesty in Journalism,

Who for us men and our salvation, socially, legally, and politically,

Came down from Diplomacy into Bolt Court, Fleet Street,

And was there self-incarnated Destroyer of Shams. Labby of Labby, Truth of Truth, Very Rad of Very Rad, Born not made, Being one with himself and answerable to nobody for his opinions.

Member for Northampton, he suffered there, secured votes and was left unburied,

And he sitteth in the House, save when he ariseth and speaketh,

And he will continue with triumph to judge all those that judge, both the living and the dead,

Whose "legal pillory" shall have no end.

And I believe in one _Pall Mall Gazette_, Pure Giver of frequently mistaken information, which proceedeth from pens feminine,

And which with the soporific _St. James's_, together, exerteth the lungs of the newsboys.

I acknowledge one holy and absolute _Court Circular_.

I confess one "_Saturday_" for the flaying of new authors,

And I look for the death of the _Nineteenth Century_

And the life of a less dull magazine to come Amen.

With this, my journalistic fledgling gave way to Homeric laughter, and helped himself anew to wine. And since that day, since that witching hour, I have watched his wild career. I track him in the magazines; I recognise the ebullitions of his wit in "society" paragraphs; I discover his withering, blistering sarcasm in his reviews of the books he never reads; in fact, I find him everywhere. As the air permeates space, he permeates literature. He is the all-sure, the all-wise, the all-conquering one. With such a faith as his, so firmly held, so nobly uttered, he is born to authority. I only wish some one would make him Prime Minister. Everything that is wrong would be righted, and with a Journalist (and such a journalist!) at the head of affairs, all questions of government would be as easy to settle as child's play. He himself--the Journalist--implies as much, and with all the fibres of my soul I believe him!

IX.

OF WRITERS IN GROOVES.

There are a certain class of authors who remind me of a certain class of gamblers--men who believe in a special "lucky number," and are always staking their largest amounts upon it. To speak more plainly, I should say that I mean the "groovy" men, who, as soon as they find one particular sort of "style" that chances to hit the taste of the public, keep on grinding away at it with the remorselessness of an Italian street-organ player. I see lots of such fellows in the crowd around me, and I know most of them personally. For instance, there is William Black, a distinctly "groovy" man if ever there was one. All his books are like brothers and sisters, bearing a strong family resemblance one to another. If you have read "A Princess of Thule" and "A Daughter of Heth" you have got the _crême de la crême_ of all that was or is in him. The rest of his work is evolved from precisely the same substance as is found in these two books, only it is drawn out into various criss-cross threads of deft weaving; and, deft as it is, it makes uncommonly thin material. In his latter novels, indeed, there is so much of what may be justly termed "feminine twaddle," that one has to look back to the title-page in order to convince one's self that it is really one of the "virile" sex who is telling a story. Excellent Willie! With his small head and inoffensive physiognomy, he suggests an intellectual sort of pint-pot, out of which it would be absurd to expect a quart of brain. Inasmuch as a pint-pot can only hold a pint; so let us be grateful for small mercies. And let us admire, not for the first time either, the persistent kindly confidence of the British Public, who steadily take up Willie's novels, one after the other, in the sanguine faith of finding something new therein. "Some day," says the patient B.P. in its trot to and from Mudie's Library--"some day Willie will give us a book without a sunset in it. Some day, by happy chance, he will forget there exists such a thing as a yacht. And some day--who knows?--he may even awaken to the fact that there are other places on earth besides Scotland, and other men who are as interesting as Scotchmen."

Good B.P.! Excellent B.P.! What a heart you have! You deserve the very best that can be given you for the sake of your tolerance and cheerfulness of temper, which qualities in you seem truly inexhaustible. Here followeth an anecdote: A certain flimsy scribbler I wot of, who had just got himself into a loosely-fitting suit of literary armour, and was handling his sword a bit awkwardly, as beginners at warfare are apt to do, said to me one day, with a sort of schoolboy vaunt, "The Public want _trash_!--and trash is what I'll give them!" O wise judge! O learned judge! Out he went with his "trash," his sword poking into everybody's eye, and his armour waggling uncomfortably round him, and lo! the Public "took" his trash and threw it into the gutter, broke his sword for him, gave him back the pieces, and civilly recommended him to look after the loose places in his armour. He went home, did that proud warrior, and sat thinking about what had chanced--it may be he is thinking still.

No, the B.P. don't want "trash"--they want the best of everything--but they have an infinite kindness and patience in waiting for that "best," and carefully looking out for it; and when it truly comes they welcome it with honest enthusiasm. Thus did they welcome and applaud the "Princess of Thule," because they found it good and charming and unique, and ever since that time they have reposed quite a pathetic trust in little Black, hoping against hope that he will give them something else equally good again. Alas for the vanity of all such human wishes! for William is a "groovy" man now, and in his groove he evidently purposes to remain. I remember dining with, him on one occasion, when, in the ordinary way of conversation, I asked him what books he had been reading lately? Oh, what sublime amazement in his rolling eye!

"Read?" he drawled. "I never read. Reading spoils an author's own style."

Haw-haw! Weally! Good B.P., you see how matters stand? Willie's "kail-yairdie," or little plot of garden-ground, is barren; its first crop has been gathered, and no more seed sown by study, so don't expect any other rich harvests, or look for wonders in such work as "Stand fast, Craig Royston!" For even brain-soil wants cultivation, if it is to produce something better than weeds.

Another "groovy" man is William Clark Russell. The waves rule Britannia in his opinion: The sea occupies his inventive faculty to the exclusion of everything else. A pigmy Neptune sits on his bald pate, touching it up with a trident. Sailors' "yarns," sailors' marriages, sailors' shipwrecks--tales of mariners in every sort of painful and pleasant situation--influence his mind and bring it into that "One-idea" condition which is considered by gravely spectacled specialists as a form of cerebral disease. Moreover, his books bristle with sailors' jargon, sailors' slang, sailors' "lingo," which people, who are not sailors and who never intend to be sailors, do not understand and do not want to understand. However, this monomania of his produced one good result--"The Wreck of the Grosvenor." He exhausted his best energies in that book, and having found it a success (as it deserved to be), settled into the Jack Tar line of writing, and became once for all and evermore "groovy." The "Wreck of the Grosvenor" is his "Princess of Thule." He is all there, and there is no more of him anywhere.

At one time I feared, but it was only a passing shudder, that one of the most brilliant novelists we have, Marion Crawford, was drifting in the fatal direction of "groove." When the rather lengthy "Sant' Ilario" came trailing along, after the equally lengthy "Saracinesca," I thought, "Alas! and woe is me! Are we never to hear the last of the beautiful and lovable Astrardente? A noble character, but somewhat too much of her is here." And I was on the verge of uncomfortable doubt for some time, for I had always judged Crawford to be of the true Protean type of genius, capable of touching every string on the literary harp he holds. And I was not mistaken, for "A Cigarette-maker's Romance," that most delicate and delightful work, proves that he is anything but "groovy"; and his "Witch of Prague" is a breaking of entirely new soil. So that the more I read of him, the more I am confirmed in the opinion I have previously ventured to express--namely, that he is our best man-novelist. I use the term "man-novelist" because I know there are women-novelists--ladies whom I should be very sorry to offend by applying the adjective "best" to any member of the viler sex. For I know also that those ladies, if affronted, have curious and unexpected ways of revenging themselves, and though I am masked, my silver domino is hardly proof against the green and glittering eye of a remorseless literary female. So pray you be not wrathful, sweet ladies!--rather join with me in gentle chorus, and say, as you know you must, that the author of "Dr. Isaacs," "A Roman Singer," and "Marzio's Crucifix" is indeed the least "groovy," and therefore the best "man-novelist" living; be kind and condescending thus far, for of women-novelists you shall have a word presently.