Letter xvii. The second device was a sort of school-boy masquerade. A

handsome youth, disguised as a female, in splendid attire, and bearing the inscription of _sufficient grace_, dragged behind him another dressed as a bishop (representing Jansenius, bishop of Ypres), who followed with a rueful visage, amidst the hootings of the other boys. The comedy referred to was acted in the Jesuits’ college of Clermont. The almanacs published in France at that period being usually embellished with rude cuts for the amusement of the vulgar, the Jesuits procured the insertion of a caricature of the Jansenists, who were represented as pursued by the pope, and taking refuge among the Calvinists. This, however, called forth a retaliation, in the shape of a poem, entitled “The Prints of the Famous Jesuitical Almanac,” in which the Jesuits were so successfully held up to ridicule, that they could hardly show face for some time in the streets of Paris. (Nicole, i. p. 208.)

Footnote 116:

_Vertement_—“smartly.” (Edit. 1657.)

Footnote 117:

See Letter ii.

Footnote 118:

_Ces docteurs_—“those doctors.” (Edit. 1767.)

Footnote 119:

In Nicole’s edition, this letter is signed with the initials “E. A. A. B. P. A. F. D. E. P.” which seem merely a chance medley of letters, to quiz those who were so anxious to discover the author. There may have been an allusion to the absurd story of a Jansenist conference held, it was said, at Bourg-Fontaine, in 1621, to deliberate on ways and means for abolishing Christianity; among the persons present at which, indicated by initials, Anthony Arnauld was ridiculously accused of having been one under the initials A. A. (See Bayle’s Dict., art. _Ant. Arnauld_.)