xlvii. 75, is a fragment only, probably written in some Jesuit
seminary on the Continent, but with an English interest. There seems to be nothing specifically English in the theme of _Sanguis Sanguinem sive Constans Fratricida Tragoedia_, which is in the same MS.
_Caesar Interfectus_ (_c._ March 1582).
Epilogue of a play by Richard Edes (q.v.) at Ch. Ch., Oxford.
_Dido_ (12 June 1583).
By W. Gager (q.v.).
_Euribates Pseudomagus._
_Camb. Emmanuel MS._ 3. 1. 17. ‘Authore M^r Cruso Caii Colle: Cantabr.’
Aquila Cruso entered Gonville and Caius in 1610.
_Fatum Vortigerni._
_Lansd. MS._ 723, f. 1. ‘Fatum Vortigerni seu miserabilis vita et exitus Vortigerni regis Britanniae vna complectens aduentum Saxonum siue Anglorum in Britanniam.’
Keller puts the play at the end of the sixteenth century, and thinks it influenced by _Richard III_.
_Fortunia_ (March 1615).
See s.v. _Susenbrotus_.
_Herodes._
_Camb. Univ. MS._ Mm. I. 24, with dedication by William Goldingham, B.A. 1567 and Fellow of Trinity Hall 1571, to ‘D. Thomae Sackuilo, Equiti aurato, Domino de Buckhurst.’ Sackville became Lord Buckhurst 1567 and K.G. 1588.
_Hispanus_ (March 1597).
_Bodl. Douce MS._ 234, f. 15^v. This was ‘in diem comitialem anno domini 1596’, and the actor-list is composed of members of St. John’s, Cambridge (Boas, 398). The MS. has the note ‘Summus histrio-didascalus Mr. Pratt’ and a possible indication of authorship in the mutilated name ‘orrell’, which may stand for Roger Morrell, Fellow of St. John’s.
_Hymenaeus_ (March 1579).
_St. John’s Cambridge MS._ S. 45; _Caius Cambridge MS._ 62.
_Edition_ by G. C. Moore Smith (1908).
The actor-list agrees closely with that of Legge’s _Ricardus III_, and points to St. John’s, Cambridge, in 1579 (Boas, 393). The source is Boccaccio’s _Decamerone_, which suggests the possible authorship of A. Fraunce (q.v.), who used the _Decamerone_ for his contemporary _Victoria_.
_Ignoramus_ (8 March 1615).
By G. Ruggle (q.v.).
_Labyrinthus_ (March 1603?).
By W. Hawkesworth (q.v.).
_Laelia_ (1 March 1595).
_Lambeth MS._ 838.
_Edition_ by G. C. Moore Smith (1910).--_Dissertation_: G. C. Moore Smith, _The Cambridge Play ‘Laelia_’ (1911, _M. L. R._ vi. 382).
The production is assigned by Fuller, _Hist. of Cambridge_ (ed. Nichols), 217, to a visit by the Earl of Essex to Cambridge as Chancellor of the University in 1597–8. Moore Smith has, however, shown that it almost certainly belongs to an earlier visit, and took place at Queens’ College on 1 March 1595. The chief evidence is the reference in Rowland Whyte’s account of the _Device_ by Essex or Bacon (q.v.) for 17 Nov. 1595 to ‘Giraldy’ and ‘Pedantiq’, as played at Cambridge. These may fairly be taken to be the Gerardus and the pedant Petrus of _Laelia_. The actors of these two parts are identified with George Meriton and George Mountaine, Fellows of Queens’, by John Weever, _Epigrammes_ (1599), iv. 19.
Your entertaine (nor can I passe away) Of Essex with farre-famed Laelia; Nor fore the Queen your service on Queens day.
Conceivably this may also attribute authorship of the play and the device. The play is an adaptation of the Italian _Gl’ Ingannati_ (_c._ 1531) through _Les Abusez_ (1543) of Charles Estienne. It is possible that, directly or indirectly, it influenced _Twelfth Night_.
_Leander_ (March 1598).
By W. Hawkesworth (q.v.).
_Machiavellus_ (1597).
_Bodl. Douce MS._ 234, f. 40^v, dated ‘Anno Dmni 1597, Decemb. 9’.
A note in Douce’s hand assigns the authorship to [Nathaniel] Wiburne, who, like the other actors, was of St. John’s, Cambridge, in 1597 (Boas, 398).
_Melanthe_ (1615).
By S. Brooke (q.v.).
_Meleager_ (Feb. 1582)
By W. Gager (q.v.).
_Nero_ (1603).
By M. Gwynne (q.v.).
_Oedipus._
By W. Gager (q.v.).
_Panniculus Hippolyto Assutus_ (8 Feb. 1592).
By W. Gager (q.v.).
_Parthenia._
_Emmanuel, Cambridge, MS._ 1. 3. 16. Greg, _Pastoral Poetry and Pastoral Drama_, 368, thinks the handwriting later than 1600.
_Pastor Fidus_ (> 1605).
_Cambridge Univ. Libr. MS._ Ff. ii. 9. ‘Il pastor fido, di signor Guarini ... recitata in Collegio Regali Cantabrigiae’, with _Prologus_ and _Argumentum_. _T. C. C. MS._ R. 3. 37.
Greg, _Pastoral_, 247, points out that this must be the ‘Fidus Pastor, which was sometimes acted by King’s College men in Cambridge’, out of which a contemporary observer thought that Daniel’s _Queen’s Arcadia_ (q.v.) was drawn. It is a translation of Guarini’s _Il Pastor Fido_ (1590).
_Pedantius_ (1581).
_Caius College, Cambridge, MS._ 62. ‘Paedantius comoedia acta in collegio Sanctae et individuae Trinitatis authore M^{ro} Forcet.’
_T. C. C. MS._ R. 17 (9).
_S. R._ 1631, Feb. 9. ‘A Comedy in Lattyn called Pedantius’, authorized by Austen. _Milborne_ (Arber, iv. 248).
1631. Pedantius Comoedia, Olim Cantabrig. Acta in Coll. Trin. Nunquam antehac Typis evulgata. _W. S. Impensis Roberti Mylbourne._
[Engravings of Dromodotus and Pedantius. Introductory lines, ‘Pedantius de Se’. The title-page has an engraved border dated 1583, already used for W. Alexander’s _Monarchicke Tragedies_ (1616).]
_Edition_ by G. C. Moore Smith (1905, _Materialien_, viii).
The introductory line, ‘Ante quater denos vixi Pedantius annos’, suggests production in 1591, but the play cannot have been very recent when Sir John Harington, in a note to his translation of _Orlando Furioso_ (1591), Bk. xiv, cited a ‘pretie conceit’ of ‘our Cambridge Comedie Pedantius (at whiche I remember the noble Earle of Essex that now is, was present)’. In his _Apologie of Poetrie_, prefixed to the translation, Harington also says (G. Smith, _Elizabethan Critical Essays_, ii. 210), ‘How full of harmeles myrth is our Cambridge _Pedantius_? and the Oxford _Bellum Grammaticale_?’ Harington, who again cites ‘our _Pedantius_ of Cambridge’ in his _Metamorphosis of Ajax_ (1596), 126, was with Essex at Cambridge during 1578–81, and Moore Smith has shown that the production at Trinity was probably on 6 Feb. 1581, shortly before the defeat of Gabriel Harvey by Anthony Wingfield of Trinity for the Public Oratorship of Cambridge. There can be little doubt that Harvey was the butt of _Pedantius_, and hardly more that Wingfield was concerned in this satire. Nashe has two allusions to the matter. In _Strange News_ (1593) he says that Harvey’s verses were ‘miserably flouted at in M. _Winkfields_ Comoedie of _Pedantius_ in Trinitie Colledge’ (_Works_, i. 303). In _Have With You to Saffron-Walden_ (1596) he says, ‘Ile fetch him aloft in Pedantius, that exquisite Comedie in Trinitie Colledge; where, vnder the cheife part, from which it tooke his name, as namely the concise and firking finicaldo fine School-master, hee was full drawen & delineated from the soale of the foote to the crowne of his head’, and goes on to enumerate the principal traits of Harvey touched off by the actors, who ‘borrowed his gowne to playe the Part in, the more to flout him’ (_Works_, iii. 80). So far, we are left a little uncertain whether the main authorship is to be ascribed, with Nashe in _Strange News_, to Anthony Wingfield, or, with the _Caius MS._, to Edward Forsett, both of whom were Fellows of Trinity in 1581. Moore Smith has, however, shown in _T. L. S._ (10 Oct. 1918) that Forsett refers to ‘Pedantio meo’ in the epistle to an unprinted _Concio_ of his among the MSS. of St. John’s, Cambridge. For an absurd attempt to assign the authorship to Bacon, largely on the ground of some non-existent pigs in the title-page border, cf. E. A. [E. G. Harman], _The Shakespeare Problem_ (1909), and _T. L. S._ (27 March, 17 April, 1 May, 1919). Modern ascriptions to Thomas Beard and to Walter Hawkesworth seem to rest on misunderstandings.
_Perfidus Hetruscus._
_Bodl. Rawlinson MS._ C. 787.
_Physiponomachia_ (1609–11).
_Bodl. MS._ 27639.
Dedicated to John Buckeridge, President of St. John’s, Oxford, 1605–11, by Christopher Wren, father of the architect, who took his B.A. from St. John’s in 1609.
_Psyche et Filii Ejus._
_Bodl. Rawl. Poet. MS._ 171, f. 60.
This is a Jesuit play, on the heresy of England.
Lugentis Angliae faciem dum Poeta pingeret.
Moore Smith (_M. L. R._ iii. 143), who is responsible for the title, thinks that it was written at the seminary of Valladolid, perhaps in Elizabeth’s reign.
_Richardus Tertius_ (March 1580).
By T. Legge (q.v.).
_Romeus et Julietta_ (c. 1615).
_Sloane MS._ 1775, f. 242.
According to H. de W. Fuller in _M. P._ iv (1906), 41, this is a fragment based on A. Brooke’s _Romeus and Juliet_, probably a student’s exercise, with corrections. It is datable by two poems in the same hand on the royal visit to Cambridge in 1615.
_Roxana_ (_c._ 1592).
By W. Alabaster (q.v.).
_Sapientia Solomonis_ (1565–6).
_Addl. MS._ 20061. ‘Sapientia Solomonis: Drama Comicotragicum.’
This is an expanded version of the _Sapientia Solomonis_ of Sixt Birck (1555). A performance is recorded at Trinity, Cambridge, in 1559–60 (Boas, 21, 387), but the prologue and epilogue to this version make it clear that it was acted before Elizabeth and the _inclita princeps Cecilia_, i. e. Cecilia of Sweden, who was in England during 1565–6 (cf. ch. i), by a
puellorum cohors Nutrita magnificis tuis e sumptibus.
These were the Westminster boys, who gave the play in 1565–6 (cf. ch. xii). The elaborately bound and decorated MS. bears Elizabeth’s initials in several places, and was evidently the ‘book’ officially provided for her.
_Scyros_ (3 March 1613).
By S. Brooke (q.v.).
_Silvanus_ (13 Jan. 1597).
_Bodl. Douce MS._ 234. ‘Acta haec fabula 13º Januarii an. dmi. 1596.’
The actor-list belongs to St. John’s, Cambridge, and is headed by the name of [Francis] Rollinson, whose authorship has been unjustifiably assumed.
_Solymannidae_ (5 March 1582).
_Lansd. MS._ 723. ‘Solymannidae, Tragoedia ... 1581 Martii 5º.’
_Susenbrotus_ or _Fortunia_ (March 1615).
_Bodl. Rawl. Poet. MS._ 195, f. 79. ‘Susenbrotus Comoedia. Acta Cantabrigiae in Collegio Trin. coram Rege Jacobo & Carolo principe Anno 1615.’
_Bridgewater MS._ ‘Fortunia.’
The accounts of the royal visit of 7–11 March 1615 do not mention the play, and the date of this visit would be ‘1614’. It may be the unnamed play given by Cambridge men, not at Cambridge, but at Royston in March 1616; the actors are ‘extra Lyceum’, cf. ch. iv.
_Tomumbeius_ (> 1603).
_Bodl. Rawl. Poet. MS._ 75. ‘Tomumbeius siue Sultanici in Aegypto Imperii Euersio. Tragoedia noua auctore Georgio Salterno Bristoënsi.’
Nothing is known of George Salterne, and a dedication to Elizabeth is hardly sufficient to indicate a production before her at Bristol during the progress of 1574.
_Ulysses Redux_ (5 Feb. 1592).
By W. Gager (q.v.).
_Vertumnus_ (29 Aug. 1605).
By M. Gwynne (q.v.).
_Victoria_ (_c._ 1580–3).
By A. Fraunce (q.v.).
_Zelotypus_ (1606).
_Emmanuel, Cambridge, MS._ 3. 1. 17; _T. C. C. MS._ R. 3, 9.
The actor-list points to St. John’s, Cambridge, in 1606.
APPENDIX L
PRINTED PLAYS
[_Preliminary Note._--This is a chronological abstract of plays, printed or entered for printing in the Stationers’ Register, of which either the entry or the possible date of production falls in 1558–1616. Some of the later plays are only included in deference to the conjectures of others as to their early origin in whole or in part. The list is little more than an index; details must be sought in chh. xxiii and xxiv. I think it is nearly self-explanatory. The plays marked T. in col. 1 are those of which the first entry in the Register is in connexion with a transfer of copyright; the name in col. 4 is then that of the transferrer. Titles of non-extant plays are marked with inverted commas in col. 3; some of them (cf. App. M) may not really relate to plays at all. The symbol (s) in col. 6 is used where the imprint indicates, not that a play is printed ‘for’ a stationer, but that it is ‘to be sold by’ a stationer; it is not quite clear how far the two formulae are equivalent. The most important notes in col. 7 are those in italics, which indicate direct evidence afforded by the entry or first title-page as to companies by which the plays had been acted. I have added from other sources additional ascriptions which seem certain or reasonably probable, and sometimes omitted even title-page evidence where it obviously relates to production by a company of later origin than 1616. The notes in col. 8 must not be taken as attributions of authorship, but merely as guides to the relevant sections in ch. xxiii or to ch. xxiv. The brackets in this column indicate that the plays, being pre-Elizabethan, are dealt with in App. X of _The Mediaeval Stage_. Some statistics, based on this list, of the output of plays from the Elizabethan press, will be found in ch. xxii.]
DATE OF DATE OF ENTRY. PRINT. TITLE. ENTERER. PRINTER. PUBLISHER. SOURCE. AUTHOR. (1) (2) (3) (4) (5) (6) (7) (8)
1557–8 N.D. Wealth and Health J. Walley [_No imprint_] [Anon.] 1557–8 N.D. Youth J. Walley J. Walley [Anon.] 1557–8 1568 Jacob and Esau H. Sutton Bynneman [Anon.] 1558–9 1559 Troas Tottel Tottel Transl. Seneca. 1560, } Thyestes Powell? Transl. Seneca. Mar. 26} 1560, June 10 1560 Nice Wanton King King [Anon.] 1560, June 10 N.D. Impatient Poverty King King [Anon.] 1560, Aug. 14 N.D. Lusty Juventus King Copland [Wever.] 1560, Oct. 30? N.D. Robin Hood Copland Copland Anon. N.D. Enough is as Good as a J. Allde W. Wager. Feast 1560–1 ‘Witless’ Hacket [Heywood.] 1560–1 1561 Godly Queen Hester Pickering {Pickering } [Anon.] 1561, May 11 N.D. Free Will Tisdale Tisdale Transl. Cheke. 1561 Hercules Furens H. Sutton Transl. Seneca. 1561–2 ‘Two Sins of King David’ Hacket [App. M.] 1562–3 1562 Three Laws Colwell Colwell [Bale.] 1562–3 N.D. Jack Juggler Copland Copland [Anon.] 1562–3 1575 Gammer Gurton’s Needle Colwell Colwell Univ. [Anon.] 1562–3 1661 Tom Tyler and his Wife Colwell Kirkman Anon. 1562–3 1563, Oedipus Colwell Colwell Transl. Seneca. Apr. 28 [T. 1582, N.D. Weather [Awdeley] Awdeley [Heywood.] Jan. 15] 1565–6 [_t.p. Albion Knight (fragm.) Colwell Anon. lost_] 1565–6 1565, }Gorboduc Griffith Griffith _Inner Temple_ Norton. Sept. 22} 1565–6 1565, }King Darius Colwell Colwell Anon. Oct. } 1565–6 1566 Agamemnon Colwell Colwell Transl. Seneca. 1565–6 [_t.p. Cruel Debtor (fragm.) Colwell W. Wager. lost_] 1565–6 1566 Medea Colwell Colwell Transl. Seneca. 1565–6} N.D. Patient Grissell Colwell Colwell Phillip. 1568–9} 1566–7 N.D. Octavia Denham Denham Transl. Seneca. 1566–7 1581 Hippolytus Denham T. Marsh Transl. Seneca. 1566–7} 1581 Hercules Oetaeus {Denham } 1570–1} {Colwell } T. Marsh Transl. Seneca. 1566–7 [_t.p. Ralph Roister Doister Hacket [Udall.] lost_] 1566–7 ‘Far Fetched and Dear Hacket [App. M.] Bought is Good for Ladies’ 1566–7 1566 Repentance of Mary Charlwood Charlwood L. Wager. Magdalen 1566–7 ‘College of Canonical Charlwood [App. M.] Clerks’ 1567 Trial of Treasure Purfoot Anon. 1567 Orestes Griffith Pickering. 1567–8 1571 Damon and Pithias R. Jones R. Jones _Chapel_ Edwardes. 1567–8 1575 Apius and Virginia R. Jones Howe R. Jones Anon. 1568–9 1568 Like Will to Like J. Allde J. Allde Fulwell. 1568–9 [1578?] ‘Susanna’ Colwell T. Garter. 1568–9 N.D. The Longer Thou Livest, R. Jones Howe R. Jones W. Wager. the More Fool Thou Art [T. 1582, {1569, } Jan. 15] {Sept. 14}Four Ps [Awdeley] J. Allde [Heywood.] 1569–70 N.D. Disobedient Child Colwell Colwell Ingelend. 1569–70 N.D. Marriage of Wit and T. Marsh T. Marsh Anon. Science 1569–70 N.D. Cambyses J. Allde J. Allde Preston. 1573 Supposes Bynneman R. Smith _Gray’s Inn_ Gascoigne. 1573 Jocasta Bynneman R. Smith _Gray’s Inn_ Gascoigne. 1573 New Custom Howe Veale Anon. 1575 Glass of Government Middleton Barker Gascoigne. N.D. Minds [_No imprint_] Transl. Anon. 1576, July 26 N.D. Common Conditions Hunter Howe Hunter Anon. 1576, Oct. 22 1576 Tide Tarrieth No Man H. Jackson H. Jackson Wapull. 1577, Nov. 25 1578 All for Money Ward {Ward and } Lupton. {Mundee } 1577 Abraham’s Sacrifice Vautrollier Transl. Golding. 1577 God’s Promises Charlwood Peele [Bale.] 1578, July 31 1578, ) Promos and Cassandra R. Jones R. Jones Whetstone. Aug. 20} 1580–1 1581 Ten Tragedies T. Marsh T. Marsh Transl. Seneca. 1581, July 31 1581 Antigone Wolf Wolf Transl. Watson. 1581 Conflict of Conscience Bradock Woodes. 1584, Apr. 6 1584 Sapho and Phao Cadman Dawson Cadman _Chapel, Paul’s_ Lyly. 1584, Nov. 12 1585 Fedele and Fortunio Hacket Hacket Transl. Anon. 1584 Arraignment of Paris H. Marsh _Chapel_ Peele. 1584 Three Ladies of London Ward Wilson. [T. 1597, 1584 Campaspe [Cadman] Cadman _Chapel, Paul’s_ Lyly. Apr. 12] 1585, Apr. 1 } 1592 Galathea {Cawood } 1591, Oct. 4 } {J. Broome } Charlwood J. Broome _Paul’s_ Lyly. 1587 [8] Misfortunes of Arthur Robinson _Gray’s Inn_ Hughes. 1588 Andria East Woodcock Transl. Kyffin. 1589 Rare Triumphs of Love E. A. E. White Derby’s? Anon. and Fortune 1590, July 31 1590 Three Lords and Three R. Jones R. Jones Queen’s? Wilson. Ladies of London 1590, Aug. 14 1590 1, 2 Tamburlaine R. Jones R. Jones _Admiral’s_ Marlowe. 1591, Feb. 9 1591 Phillis and Amyntas Ponsonby T. Orwin Ponsonby Transl. Fraunce. 1591, July 26 ‘Hunting of Cupid’ R. Jones Peele. 1591, Oct. 4 1591 Endymion J. Broome Charlwood J. Broome _Paul’s_ Lyly. 1591, Oct. 4 1592 Midas J. Broome Scarlet J. Broome _Paul’s_ Lyly. 1591 Tancred and Gismund Scarlet Robinson (s) _Inner Temple_ Wilmot. 1591 1, 2 Troublesome Reign of [T. Orwin] Clarke Queen’s Anon. King John 1592, Apr. 3 1592 Arden of Feversham E. White E. White Anon. 1592, May 3 1592 Antonius Ponsonby Ponsonby Transl. Herbert. 1592, Oct. 6 N.D. Spanish Tragedy Jeffes E. Allde E. White Strange’s? Kyd. 1592, Nov. 20 N.D. Soliman and Perseda E. White E. Allde E. White Anon. [Oxford] 1592 Ulysses Redux Joseph Barnes Univ. Gager. {Meleager } [Oxford] 1592 {Panniculus Hippolyto} Joseph Barnes Univ. Gager. { assutus } 1593, July 6 1594 Edward II W. Jones W. Jones _Pembroke’s_ Marlowe. 1593, Oct. 8 1593 Edward I Jeffes Jeffes Barley (s) Peele. {Roberts } 1593, Oct. 19 1594 Cleopatra S. Waterson { and } S. Waterson Closet Daniel. {E. Allde} 1593, Oct. 23 1593 Jack Straw Danter Danter Barley (s) Anon. {Queen’s } 1593, Dec. 7 1594 Orlando Furioso Danter Danter Burby {Admiral’s} Greene. {Strange’s} 1594, Jan. 7 1594 Knack to Know a Knave R. Jones R. Jones _Strange’s_ Anon. 1594, Jan. 26 1594 Cornelia {Ling and } Roberts {Ling and} Transl. Kyd. {Busby } {Busby } {E. White (s) {_Derby’s_ } 1594, Feb. 6 1594 Titus Andronicus Danter Danter { and {_Pembroke’s_} Shakespeare. {Millington (s) {_Sussex’s_ } 1594, Mar. 5 1594 Looking Glass for London Creede Creede Barley (s) {Queen’s? } Greene. and England {Strange’s } 1594, Mar. 12 1594 1 Contention of York and Millington Creede Millington Pembroke’s? Anon. Lancaster 1594, May 2 1594 Taming of A Shrew Short Short Burby (s) _Pembroke’s_ Anon. 1594, May 13 1595 Pedlar’s Prophecy Creede Creede Barley (s) Anon. 1594, May 14 1598 Famous Victories of Creede Creede _Queen’s_ Anon. Henry V 1594, May 14 1598 James IV Creede Creede Queen’s? Greene. {Strange’s} 1594, May 14 1594 Friar Bacon and Friar Islip E. White {Sussex’s } Greene. Bungay {_Queen’s_} 1594, May 14 } 1605 King Leir {Islip } Stafford J. Wright {Queen’s } Anon. 1605, May 8 } {Stafford} {Sussex’ } 1594, May 14 ‘John of Gaunt’ E. White [App. M.] 1594, May 14 1599 David and Bethsabe Islip Islip Peele. 1594, May 14 ‘Robin Hood and Little Islip [App. M.] John’ 1594, May 17 } {Ling and } {Strange’s} 1632, Nov. 20 } 1633 Jew of Malta {Millington. } I. B. Vavasour {Sussex’s } Marlowe. {Vavasour } {Admiral’s} 1594, May 24 1594 Wounds of Civil War Danter Danter _Admiral’s_ Lodge. 1594, June 8 1594 Cobbler’s Prophecy Burby Danter Burby Wilson. 1594, June 10 1595 Menaechmi Creede Creede Barley (s) Transl. Warner. 1594, June 18 1594 Mother Bombie Burby Scarlet Burby _Paul’s_ Lyly. 1594, June 19 1615 Four Prentices of London Danter I. W. {Admiral’s} Heywood. {_Anne’s_ } 1594, June 19 ‘Heliogabilus’ Danter [App. M.] 1594, June 19 1594 True Tragedy of Richard III Creede Creede Barley (s) _Queen’s_ Anon. 1594, July 20 1595 Locrine Creede Creede Anon. N.D. Fair Em {T. N. and} _Strange’s_ Anon. {I. W. } 1594 Battle of Alcazar E. Allde Bankworth {Strange’s } Peele. {_Admiral’s_} 1594 Selimus Creede _Queen’s_ Anon. 1594 Wars of Cyrus E. A. Blackwall _Chapel_ Anon. [T. 1600, 1594 Dido [Lynley] J. Orwin Woodcock _Chapel_ Marlowe. June 26?] 1595, Apr. 1 1599 George a Greene Burby Stafford Burby _Sussex’s_ Anon. {Hancock (s)} 1595, Apr. 16 1595 Old Wive’s Tale Hancock Danter { and } _Queen’s_ Peele. {Hardy (s) } 1595, May 10 Ninus and Semiramis’ Hardy [App. M.] {T. Gosson} 1595, May 23 } Valentine and Orson’ {and } _Queen’s_ [App. M.] 1600, Mar. 31} {Hancock. } {W. White } 1595, Sept. 22 1597 Woman in the Moon Finch W. Jones Lyly. 1595, Nov. 24 ‘Rufus I’ Blackwell Admiral’s? [App. M.] 1595, Nov. 26 1596 Knack to Know an Honest Burby Burby Admiral’s Anon. Man 1595, Dec. 1 1596 Edward III Burby Burby Chamberlain’s? Anon. [T. 1602, 1595 True Tragedy of Richard [Millington] P. S. Millington _Pembroke’s_ Anon. Apr. 19] Duke of York 1596, Jan. 20 ‘1 Chinon of England’ [?] {Gosson and } [App. M.] {Danter } 1597, Apr. 21 ‘Eunuchus’ Linley Transl. Kyffyn 1597, Aug. 29 1597 Richard II Wise Simmes Wise _Chamberlain’s_ Shakespeare. 1597, Oct. 20 1597 Richard III Wise Simmes Wise _Chamberlain’s_ Shakespeare. [T. 1607, 1597 Romeo and Juliet [Burby] Danter _Hunsdon’s_ Shakespeare. Jan. 22] 1598 1 Henry IV Wise P. S. Wise Chamberlain’s Shakespeare. 1598, Feb. 25 1598, July 22 1600 Merchant of Venice Roberts Roberts Hayes _Chamberlain’s_ Shakespeare. 1598, Aug. 15 1598 Blind Beggar of Alexandria W. Jones W. Jones _Admiral’s_ Chapman. 1598, Oct. 5 ‘Celestina’ Aspley [App. M.] 1598, Oct. 5 1598 Virtuous Octavia Ponsonby Ponsonby Closet Brandon. [T. 1607, 1598 Love’s Labour’s Lost [Burby] W. W. Burby Chamberlain’s Shakespeare. Jan. 22] [T. 1618, 1598 Mucedorus [S. Jones] W. Jones Anon. Sept. 17] {Adelphi } {Andria } [Cambridge] 1598 {Eunuchus } Legatt Transl. Bernard. {Heautontimoroumenos} {Hecyra } {Phormio } {Oxenbridge } {H. Lownes } 1599, Aug. 28 1600 1, 2 Edward IV {and } F. K. {and } _Derby’s_ Anon. {Busby } {Oxenbridge } 1599, Nov. 17 1599 Warning for Fair Women Aspley Simmes Aspley _Chamberlain’s_ Anon. 1599 Humourous Day’s Mirth Simmes _Admiral’s_ Chapman. 1599 Two Angry Women of {Hunt and } _Admiral’s_ Porter. Abingdon {Ferbrand } 1599 Clyomon and Clamydes Creede _Queen’s_ Anon. 1599 Alphonsus Creede Greene. 1600, Feb. 20 1600 Old Fortunatus Aspley S. S. Aspley _Admiral’s_ Dekker. 1600, Mar. 28 1603 Patient Grissell Burby Rocket _Admiral’s_ Dekker. 1600, Apr. 8 1600 Every Man Out of His Holme Ling Chamberlain’s Jonson. Humour 1600, May 27 ‘Cloth Breeches and Velvet Roberts _Chamberlain’s_ Hose’ 1600, May 29 1602 A Larum for London Roberts Ferbrand _Chamberlain’s_ Anon. 1600, July 24 1600 Maid’s Metamorphosis Oliffe Creede Oliffe _Paul’s_ Anon. 1600, July 24 ‘Give a Man Luck, and Oliffe Throw Him into the Sea’ [Stayed 1600, Aug. 4] [1623] As You Like It _Chamberlain’s_ Shakespeare. [Stayed 1600,} {Millington } Aug. 4] } 1600 Henry V [?] Creede {and } _Chamberlain’s_ Shakespeare. [T. 1600, } {Busby (sen.)} Aug. 14] } [Stayed 1600,} {Burby } Aug. 4] } 1601 Every Man In His Humour {and } Burre _Chamberlain’s_ Jonson. 1600, Aug. 14} {Burre } [Stayed 1600,} {Wise } {Wise } Aug. 4] } 1600 Much Ado About Nothing {and } V. S. { and } _Chamberlain’s_ Shakespeare. 1600, Aug. 23} {Aspley} {Aspley} 1600, Aug. 11 1600 {1 Sir John Oldcastle Pavier V. S. Pavier _Admiral’s_ } Drayton. {‘2 Sir John Oldcastle’ Pavier } 1600, Aug. 11 1605 Captain Thomas Stukeley Pavier Pavier Admiral’s? Anon. 1600, Aug. 14 ‘Tartarian Cripple, Burby [App. M.] Emperor of Constantinople’ 1600, Aug. 23 1600 2 Henry IV {Wise and} V. S. {Wise and} _Chamberlain’s_ Shakespeare. {Aspley } {Aspley } 1600, Sept. 8 1601 Jack Drum’s Entertainment F. Norton Oliffe _Paul’s_ Anon. 1600, Oct. 7 1600 Wisdom of Dr. Dodipoll Oliffe Creede Oliffe _Paul’s_ Anon. 1600, Oct. 8 1600 Midsummer Night’s Dream Fisher Fisher _Chamberlain’s_ Shakespeare. 1600, Oct. 23 1600 Weakest Goeth to the Wall Oliffe Creede Oliffe _Oxford’s_ Anon. 1600, Oct. 28 1600 Summer’s Last Will and {Burby and} Stafford Burre Private Nashe. Testament {Burre } 1600, Nov. 25 1601 Love’s Metamorphosis Wood Wood _Paul’s, Chapel_ Lyly. 1600, Dec. 1 1601 1, 2 Robert Earl of Leake Leake _Admiral’s_ Munday. Huntingdon 1600 Look About You Ferbrand _Admiral’s_ Anon. [T. 1610, 1600 Shoemaker’s Holiday [Simmes] Simmes _Admiral’s_ Dekker. Apr. 19] 1601, Jan. 7 1604 Dr. Faustus Bushell V. S. Bushell _Admiral’s_ Marlowe. 1601, Mar. 1 ‘God Speed the Plough’ John Harrison [App. M.] 1601, May 23 1601 Cynthia’s Revels Burre Burre _Chapel_ Jonson. 1601, July 3 ‘George Scanderbarge’ E. Allde _Oxford’s_ [App. M.] 1601, Aug. 3 1616 Englishmen for my Money W. White W. White Admiral’s Haughton. 1601, Sept. 16 1602 Pastor Fido S. Waterson S. Waterson Transl. Anon. {M. Lownes } {M. Lownes } 1601, Oct. 24 1602 1, 2 Antonio and Mellida {and } {and Fisher.} _Paul’s_ Marston. {Fisher } {Fisher } 1601, Nov. 11 1602 Satiromastix John Barnes E. White {_Chamberlain’s_} Dekker. {_Paul’s_ } 1601, Dec. 21 1602 Poetaster M. Lownes M. Lownes _Chapel_ Jonson. 1601 Two Lamentable Tragedies Lawe Admiral’s? Yarington. 1602, Jan. 18 1602 Merry Wives of Windsor Busby (sen.) T. C. A. Johnson _Chamberlain’s_ Shakespeare. 1602, June 7 1602 Blurt Master Constable E. Allde Rocket _Paul’s_ Middleton. 1602, July 26 1603 Hamlet Roberts [Simmes] {Ling and} _King’s_ Shakespeare. {Trundle } 1602, Aug. 11 1602 Thomas Lord Cromwell Cotton W. Jones _Chamberlain’s_ Anon. 1602 Liberality and Prodigality Stafford Vincent Chapel? Anon. 1602 How a Man may Choose a Lawe _Worcester’s_ Anon. Good Wife from a Bad [Edinburgh] 1602 Satire of the Three Charteris [Lindsay.] Estaitis 1603, Feb. 7 } {Roberts. } {Bonian} 1609, Jan. 28 } 1609 Troilus and Cressida {Bonian and } Eld { and } _King’s_ Shakespeare. {Walley } {Walley} 1603, Feb. 23 [_t.p. Nero Blount Blount Univ. Gwynne. impf._] [Edinburgh] 1603 Darius Waldegrave Closet Alexander. [Edinburgh] 1603 Philotus Charteris Anon. N.D. Massacre at Paris E. A. E. White {Strange’s } Marlowe. {_Admiral’s_} {1604 Croesus } 1604, Apr. 30 {1607 Alexandraean } Blount Simmes Blount Closet Alexander. {1607 Julius Caesar } 1604, July 5 1604 Malcontent {Aspley and } V. S. Aspley Revels, King’s Marston. {Thorpe } 1604, Nov. 2 1605 Sejanus Blount Eld Thorpe King’s Jonson. 1604, Nov. 9 1604 1 Honest Whore T. Man (jun.) V. S. Hodgets Henry’s Dekker. 1604, Nov. 29 1605 Philotas {S. Waterson } Eld {S. Waterson} Revels Daniel. {and Blount } {and Blount } 1604, Dec. 4 1605 Trial of Chivalry Butter Stafford Butter _Derby’s_ Anon. 1604 Wit of a Woman E. White Anon. 1605, Feb. 8 ‘Richard Whittington’ Pavier _Henry’s_ [App. M.]
1605, Feb. 8 1605 Fair Maid of Bristow Pavier Pavier _King’s_ Anon. 1605, Feb. 12 1605 When You See Me, You Butter Butter _Henry’s_ S. Rowley. Know Me 1605, Mar. 2 1607 Westward Ho Rocket Hodgets (s) _Paul’s_ Dekker. [_cancelled_] 1605, June 26 1605 Dutch Courtesan Hodgets T. P. Hodgets _Revels_ Marston. 1605, July 5 1605 1 If You Know Not Me, Butter Butter Anne’s? Heywood. You Know Nobody 1605, Sept. 4 1605 Eastward Ho {Aspley and} Aspley _Revels_ Chapman. {Thorpe } 1605, Sept. 14 1606 2 If You Know Not Me, Butter Butter Anne’s? Heywood. You Know Nobody 1605, Oct. 16 1606 3 Parnassus J. Wright Eld J. Wright Univ. Anon. 1605, Nov. 26 1606 Queen’s Arcadia S. Waterson Eld S. Waterson Univ. Daniel. 1605, Nov. 26 1606 Gentleman Usher Simmes Simmes Thorpe Chapel? Chapman. 1605 All Fools Thorpe _Revels_ Chapman. 1605 London Prodigal T. C. Butter _King’s_ Anon. 1605 1 Jeronimo Pavier Chamberlain’s? Anon. 1606, Jan. 10 1606 Sir Giles Goosecap Blount Windet Blount _Chapel_ Anon. 1606, Mar. 12 N.D. Nobody and Somebody Trundle Trundle _Anne’s_ Anon. 1606, Mar. 12 1606 Fawn Cotton T. P. Cotton _Revels_, _Paul’s_ Marston. 1606, Mar. 17 1606 Sophonisba Edgar Windet _Revels_ Marston. 1606, May 13 1607 Fleir {rundle } F. B. F. B. (s) _Revels_ Sharpham. {and Busby} {J. Wright} 1606, June 5 N.D. Caesar’s Revenge { and } G. E. J. Wright Univ. Anon. {Fosbrooke} 1606, Nov. 12 1606 Wily Beguiled C. Knight H. L. C. Knight Paul’s? Anon. 1606 M. D’Olive T. C. Holmes _Revels_ Chapman. 1606 Isle of Gulls Hodgets (s) _Revels_ Day. 1607, Feb. 23 1607 Lingua S. Waterson Eld S. Waterson Univ.? Tomkis. 1607, Apr. 10 1607 Claudius Tiberius Nero Burton Burton Univ.? Anon. 1607, Apr. 20 1607 Whore of Babylon {Butter and} Butter _Henry’s_ Dekker. {Trundle } 1607, Apr. 24 1607 Fair Maid of the Exchange Rocket Rocket Anon. 1607, May 9 1607 Phoenix Johnson E. A. Johnson _Paul’s_ Middleton. 1607, May 15 1607 Michaelmas Term Johnson Johnson _Paul’s_ Middleton. 1607, May 20 1607 Woman Hater {Edgar and } {R. Jackson } R. R. Hodgets (s) _Paul’s_ Beaumont. 1607, June 3 1607 Bussy D’Ambois Aspley Aspley _Paul’s_ Chapman. 1607, June 29 1607 Cupid’s Whirligig {Busby and } E. Allde Johnson (s) _King’s Revels_ Sharpham. {Johnson } 1607, June 29 1607 Travels of the Three J. Wright J. Wright _Anne’s_ Day. English Brothers 1607, July 31 1607 Miseries of Enforced Vincent Vincent _King’s_ Wilkins. Marriage 1607, Aug. 6 1607 Puritan Eld Eld _Paul’s_ Anon. 1607, Aug. 6 1607 Northward Ho Eld Eld _Paul’s_ Dekker. 1607, Aug. 6 1607 What You Will Thorpe Eld Thorpe Paul’s? Marston. 1607, Oct. 7 1607 Revenger’s Tragedy Eld Eld _King’s_ Anon. 1607, Oct. 7 1608 Trick to Catch the Old One Eld Eld _Paul’s_ Middleton. 1607, Oct. 12 1608 Family of Love {Browne and} Helme _King’s Revels_ Middleton. {Helme } 1607, Oct. 14 ‘Jesuits Comedy’ {E. Allde [App. M.] {and } {Johnson } 1607, Oct. 16 1607 Devil’s Charter J. Wright G. E. J. Wright _King’s_ Barnes. 1607, Oct. 22 1608 Merry Devil of Edmonton Johnson Ballard Johnson _King’s_ Anon. 1607, Nov. 26 1608 King Lear {Butter and } [Okes] Butter _King’s_ Shakespeare. {Busby (sen.) } [T. 1610, 1607 Volpone [Thorpe] Thorpe King’s Jonson. Oct. 3] 1607 Woman Killed with Kindness W. Jaggard Hodgets (s) Anne’s Heywood. 1607 Sir Thomas Wyatt E. A. T. Archer _Anne’s_ Dekker. 1607 Vertumnus Okes Blount Univ. Gwynne. 1608, Mar. 22 N.D. Your Five Gallants Bonian Bonian _Revels_ Middleton. 1608, Mar. 26 ‘Adams Tragedy’ W. White [App. M.] 1608, Mar. 28 1608 Law Tricks Moore Moore _Revels_ Day. 1608, Apr. 12 1608 Humour out of Breath Helme Helme _King’s Revels_ Day. 1608, Apr. 29} 1630 2 Honest Whore {T. Man (jun.)} Eliz. Allde Butter Henry’s Dekker. 1630, June 29} {Butter } 1608, May 2 1608 Yorkshire Tragedy Pavier R. B. Pavier _King’s_ Anon. 1608, May 20 1609 Pericles Blount H. Gosson _King’s_ Shakespeare. {W. Jaggard} 1608, May 20} 1623 Antony and Cleopatra {Blount. } W. Jaggard {and Blount} King’s Shakespeare. 1623, Nov. 8} {Blount and} {and } {I. Jaggard} {Smethwick } {and Aspley} 1608, June 3 1608 Rape of Lucrece {Busby and} Busby _Anne’s_ Heywood. {Butter } 1608, June 5 1608 Conspiracy and Tragedy of Thorpe Eld Thorpe _Revels_ Chapman. Byron 1608, Oct. 4 1608 A Mad World, my Masters {Burre and} H. B. Burre _Paul’s_ Middleton. {Edgar } 1608, Oct. 6 1608 Dumb Knight Bache Okes Bache _King’s Revels_ Markham. 1608, Nov. 25 1609 Mustapha Butter Butter Closet Greville. {H. Walley } 1609 { Jan. 26} 1609 The Case is Altered {and } B. Sutton _Revels_ Jonson. { July 20} {Bonian and} {B. Sutton } 1609, Jan. 27 ‘Bonos Nochios’ Charlton [App. M.] 1609, Jan. 27 ‘Craft upon Subtlety’s Charlton [App. M.] Back’ 1609, Mar. 10 1610 Turk Busby (jun.) E. A. Busby (jun.) _King’s Revels_ Mason. 1609 Every Woman in Her E. A. Archer King’s Revels? Anon. Humour 1609 Two Maids of Moreclack N. O. Archer _King’s Revels_ Armin. N.D. Faithful Shepherdess {Bonian and} Revels? Beaumont. {H. Walley } 1610, Sept. 20 {1612?} Epicoene {Browne and } Stansby Browne (s) _Revels_ Jonson. {1620 } {Busby (jun.)} 1610, Oct. 3 1612 Alchemist Burre Snodham {Burre } King’s Jonson. {Stepney (s)} 1610, Oct. 31 1610 Histriomastix Thorpe Thorpe Paul’s? Anon. 1610, Nov. 9 1611 Ram Alley Wilson Eld Wilson _King’s Revels_ Barry. {Stepney} 1611, Sept. 14 1611 Atheist’s Tragedy Stepney { and } Tourneur. {Redmer } 1611, Oct. 14 1611 Golden Age Barrenger Barrenger _Anne’s_ Heywood. 1611, Nov. 23 1612 Woman a Weathercock Budge Budge _Revels_ Field. [T. 1635, 1611 Catiline [Burre] Burre King’s Jonson. July 4] 1611 May Day Browne _Revels_ Chapman. 1611 Roaring Girl Archer _Henry’s_ Dekker. 1612, Feb. 1 1612 Christian Turned Turk Barrenger Barrenger Daborne. 1612, Feb. 15} ‘Nobleman’ {Blount } King’s Tourneur. 1653, Sept. 9} {Moseley } 1612, Feb. 15 ‘Twins’ Tragedy’ Blount King’s Niccols. 1612, Apr. 17 1612 Widow’s Tears Browne Browne _Revels_ Chapman. 1612, Apr. 17 1613 Revenge of Bussy Browne T. S. Helme (s) _Revels_ Chapman. 1612, Dec. 17 1613 Mariam Hawkins Creed Hawkins Closet Carey. 1612 White Devil N. O. Archer _Anne’s_ Webster. 1612 If It Be not Good, the {I.T. } _Anne’s_ Dekker. Devil is in It {Marchant (s)} 1613 Silver Age Okes Lightfoot (s) Anne’s Heywood. 1613 Brazen Age Okes Rand Anne’s? Heywood. 1613 Cynthia’s Revenge R. Barnes Stephens.
1613 Insatiate Countess T. S. Archer _Revels_ Marston. 1613 Knight of the Burning Burre Revels Beaumont. Pestle 1614, May 23 1614 Hog Hath Lost his Pearl Redmer Redmer _Prentices_ Tailor. 1614 Greene’s Tu Quoque Trundle Anne’s_ Cooke. 1615, Jan. 13 1615 Hymen’s Triumph Constable Constable Somerset House_ Daniel. 1615, Feb. 10 1615 Ruff, Cuff, and Band Partrich Stansby Partrich Univ. Anon. 1615, Feb. 21 1615 Valiant Welshman R. Lownes Purslowe R. Lownes _Charles’s_ Anon. [Cambridge] {1615,} Melanthe Legge Univ. Brooke. {Mar. } { 27 } 1615, Apr. 18} {Burre } 1630, July 20} 1630 Ignoramus {Edmondson } T. P. I. S. Univ. Ruggle. {and Spencer} 1615, Apr. 24 1615 Hector of Germany Jos. Harrison Creede Jos. Harrison _Prentices_ Smith. 1615, Apr. 24 1615 Cupid’s Revenge Jos. Harrison Creede Jos. Harrison _Revels_ Beaumont. 1615, Apr. 28 1615 Albumazar Okes Okes Burre Univ. Tomkis. {Meighen } 1615, July 4 1615 Work for Cutlers Meighen Creede {and } Univ. Anon. {T. Jones} 1615, Aug. 14 1616 Honest Lawyer Redmer Purslowe Woodroffe _Anne’s_ Anon. 1616, Mar. 19 1616 Scornful Lady Partrich Partrich _Revels_ Beaumont. 1618, Aug. 7 1619 A King and No King Blount Walkley _King’s_ Beaumont. 1618 Amends for Ladies Eld Walbancke {_Charles’s_ } Field. {_Elizabeth’s_ } {Higgenbotham } 1619, Apr. 28 1619 Maid’s Tragedy {and } Constable _King’s_ Beaumont. {Constable } 1620, Jan. 10 1620 Philaster Walkley Walkley _King’s_ Beaumont. 1621, Oct. 6 1622 Othello Walkley N. O. Walkley _King’s_ Shakespeare. 1621, Dec. 7 1622 Virgin Martyr T. Jones B. A. T. Jones Dekker. 1621 Thierry and Theodoret Walkley _King’s_ Beaumont. {Tempest } {Two Gentlemen of Verona } {Measure for Measure } {Comedy of Errors } [W. Jaggard] {[As You Like It] } at charges of {All’s Well that Ends Well} {W. Jaggard} {Twelfth Night } {Blount } {and Blount} {I. Jaggard } 1623, Nov. 8 1623 {Winter’s Tale } {and } {and } {and Blount } King’s Shakespeare. {I Henry VI } {I. Jaggard} {Smethwick } {Henry VIII } {and Aspley} {Coriolanus } {Timon of Athens } {Julius Caesar } {Macbeth } {[Anthony and Cleopatra] } {Cymbeline} } 1623 Duchess of Malfi Okes J. Waterson _King’s_ Webster. 1628, Jan. 9 1632 [Six Court Comedies] Blount Stansby Blount Lyly. 1630, Feb. 26 1631 Hoffman J. Grove I. N. Perry Henry’s? Chettle. 1630, Apr. 8 1630 Chaste Maid in Cheapside Constable Constable _Elizabeth’s_ Middleton. 1630, Nov. 8 1631 Match Me in London Seile {Alsop and } Seile Dekker. {Fawcet } 1631, Feb. 9 1631 Pedantius Milborne W. S. Milborne Univ. [App. K.] 1631, Apr. 25 1631 Sicelides Sheares I. N. Sheares Univ. P. Fletcher. 1631, May 16} 1634 Noble Soldier {Jackman } Vavasour Dekker. 1633, Dec. 9} {Vavasour} 1631, May 16 } 1636 Wonder of a Kingdom {Jackman } Raworth Vavasour Dekker. 1636, Feb. 24} {Vavasour} 1631, May 18 1631 Caesar and Pompey Harper Harper {Edmonson (s)} Chapman. {Alchorne (s)} 1631, Nov. 24 1632 A New Wonder Constable G. P. Constable Anne’s? W. Rowley. 1631 Bartholomew Fair I. B. Allott _Elizabeth’s_ Jonson. 1631 The Devil is an Ass I. B. Allott _King’s_ Jonson. 1632, May 9 1632 Roxana Crooke Badger Crooke Univ. Alabaster. 1632, Nov. 10 1633 Alaham Seile E. P. Seile Closet Greville. 1632 1, 2 Iron Age Okes Anne’s? Heywood. 1633, Jan.15 1633 Match at Midnight Sheares Mathewes Sheares W. Rowley. 1634, Apr. 8 1634 Two Noble Kinsmen J. Waterson Cotes J. Waterson _King’s_ Beaumont. 1634, Apr. 17 1635 Bellum Grammaticale Spencer {B. A. and} Spencer Univ. [App. K.] {Fawcet } 1635, July 17 1636 Labyrinthus Robinson Univ. Hawkesworth. 1635, Aug. 29 1637 Pleasant Dialogues and } Hearne R. O. {Hearne } Dramas } {Slater (s)} Closet Heywood. 1637, Mar. 25 1637 Royal King and Loyal Becket N. and J. Becket _Henrietta’s_ Heywood. Subject Okes 1637, Nov. 28 1638 A Shoemaker a Gentleman J. Okes J. Okes Cooper (s) Anne’s? W. Rowley. 1638, Mar. 12 1638 Wise Woman of Hogsdon Shephard M. P. Shephard Anne’s? Heywood. 1638, Oct. 24 1639 Chabot Admiral of France {Crooke and} Cotes {Crooke and} _Henrietta’s_ Chapman. {Cooke } {Cooke } 1639, Jan. 22 1639 Monsieur Thomas J. Waterson Harper J. Waterson _King’s_ Beaumont. 1639, Apr. 25 1639 Wit Without Money {Crooke and} Cotes {Crooke and} _Henrietta’s_ Beaumont. {Cooke } {Cooke } 1639, Apr. 25 1640 Nightwalker {Crooke and} Cotes {Crooke and} _Henrietta’s_ Beaumont. {Cooke } {Cooke } 1641, Mar. 23 1641 Parliament of Bees Ley Ley Closet Day. 1646, Sept. 4} {Robinson and} 1661, Feb. 13} 1661 Mayor of Quinborough {Moseley. } Herringham _King’s_ Middleton. {Herringham } {Captain } {King’s } {Coxcomb } {Revels } {Bonduca } {Robinson} {Robinson} {King’s } 1646, Sept. 4 1647 {Woman’s Prize } { and } { and } {King’s? } Beaumont. {Love’s Cure } {Moseley } {Moseley } {King’s? } {Honest Man’s Fortune} {Elizabeth’s} {Valentinian } {King’s }
1660, June 29 1647 {Wit at Several Weapons} {Robinson} {Robinson} {Four Plays in One } { and } { and } Beaumont. {Moseley } {Moseley } 1652, Apr. 12 1652 Widow Moseley Moseley _King’s_ Middleton. 1653, Sept. 9 1654 Alphonsus, Emperor of Moseley Moseley _King’s_ Anon. Germany { ‘Jew of Venice’ } Dekker. { ‘History of Cardennio’ } King’s Shakespeare. {1657 No Wit, no Help, like a} Moseley Middleton. 1653, Sept. 9 { Woman’s } Moseley {[1824–5] Second Maiden’s Tragedy} Anon. { ‘Henry y^e first’ } Shakespeare. { ‘Hen. y^e 2^d’ } Shakespeare. { ‘Knave in Print’ } Charles’s W. Rowley. 1654, Apr. 8 ‘Maidens Holiday’ Moseley Marlowe. 1654, May 13 1654 Appius and Virginia Marriott [_No imprint_] Anne’s? Webster. 1655, June 20 1655 Fortune by Land and Sea Sweeting {Pollard and} _Henrietta’s_ Heywood. {Sweeting } 1655, June 20 1655 Lovesick King Sweeting {Pollard and} Provincial? Brewer. {Sweeting } 1655, June 20 1655 Poor Man’s Comfort Sweeting {Pollard and} Daborne. {Sweeting } 1656 Old Law E. Archer Middleton. 1656 Sun’s Darling Bell Penneycuicke Dekker. 1657, Sept. 14 1659 Blind Beggar of Bethnal F. Grove {Pollard and} Admiral’s Day. Green {Dring } 1657 Lust’s Dominion {F. K. } Marlowe. {Pollard (s)} 1658, May 21 1658 Witch of Edmonton Blackmore Cottrel Blackmore Dekker. {[1812] Faithful Friends } Beaumont. { ‘History of Madon King } Beaumont. { of Britain’ } { ‘Philenzo & Hypollita’ } Dekker. { ‘Antonio & Vallia’ } Dekker. { ‘History of King Stephen’} Shakespeare. 1660, June 29 { ‘Duke Humphrey’ } Shakespeare. { ‘Iphis & Iantha’ } Moseley Shakespeare. { ‘An Ill Beginning has a } King’s Ford. { Good End’ } { ‘London Merchant’ } Ford. { ‘Gustavus, King of } Dekker. { Swethland’ } { ‘Tale of Joconda and } Dekker. { Astolso’ } 1661 Thracian Wonder T. Johnson Kirkman (s) Anon. {Kirkman } 1662 Birth of Merlin T. Johnson { and } W. Rowley. {H. Marsh} 1662 Grim the Collier of Croydon R. D. Anon.
APPENDIX M
LOST PLAYS
[_Bibliographical Note._--As unknown prints have turned up in the sale of an Irish collection (1907) and the Mostyn sale (1919), and others may yet turn up from time to time, I give a list of plays as to the existence or preparation for publication of which there is some evidence. These are mainly taken either from the Stationers’ Register or from the publishers’ advertisement lists (Rogers and Ley’s in 1656, Archer’s in 1656, Kirkman’s in 1661 and 1671), analysed by W. W. Greg in an appendix to his _Masques_ (1902). One is included in Sir John Harington’s catalogue of his library of plays apparently compiled in 1610 (cf. ch. xxii). Probably some of the registered titles, in which the description ‘play’ or ‘interlude’ is not used, do not relate to plays at all. I might have added a few more of this type from A. Esdaile, _List of English Tales and Romances_ (1912, _Bibl. Soc._), xxxiii. And it must be borne in mind that registration is not proof of publication. In particular, it is pretty clear that the two long series of entries by Humphrey Moseley on 9 Sept. 1653 and 29 June 1660, from which I have taken those conceivably relating to pre-1616 work, represent unaccomplished enterprises. They are fully discussed in W. W. Greg, _The Bakings of Betsy_ (1911, _3 Library_, ii. 225), together with John Warburton’s (_ob._ 1759) list in _Lansd. MS._ 807, f. 1, of plays which he claims to have possessed in MS., until ‘through my own carelesness and the ignorance of my ser[vant] in whose hands I had lodgd them they was unluckely burnd or put under Pye bottoms’. As this list is evidently in some way related to Moseley’s entries, I have, for the sake of completeness, cited a few titles which it adds.]
_A Bad Beginning Makes a Good Ending._
By Ford (q.v.).
_Adam’s Tragedy._
_S. R._ 1608, March 26 (Pasfield). ‘A book called Adams tragedie.’ _W. White_ (Arber, iii. 372).
This is not likely to have been a play.
_Antonio and Vallia._
By Massinger (q.v.).
_Baggs Seneca._
See ch. xxiii (Seneca).
_Bartholomew Fairing._
Comedy in Archer’s list as well as Jonson’s _B. Fair_.
_Battle of Affliction._
Tragedy in Archer’s list.
_Belinus._
_Brennus._
Sir John Harington’s catalogue of his plays in 1610 (7 _N. Q._ ix. 382) includes ‘Belynus, Brennus’. This might represent either two plays or one.
_Bonos Nochios._
_S. R._ 1609, Jan. 27 (Segar). ‘An enterlude called Bonos Nochios.’ _Charlton_ (Arber, iii. 400).
_Cardenio._
Ascribed to Shakespeare (q.v.) and Fletcher.
_Celestina._
_S. R._ 1598, Oct. 5. ‘A booke intituled The tragicke Comedye of Celestina, wherein are discoursed in most pleasant stile manye Philosophicall sentences and advertisementes verye necessarye for younge gentlemen Discoveringe the sleightes of treacherous servantes and the subtile cariages of filthye bawdes.’ _William Aspley_ (Arber, iii. 127).
This was doubtless, like the earlier _Calisto and Meliboea_ (_Mediaeval Stage_, ii. 455) and James Mabbe’s _The Spanish Bawd_ (1631), a version of the Spanish _Celestina_ (1499) of Fernando de Rojas, but it can hardly have been Mabbe’s, which was entered in S. R. on 27 Feb. 1630, while Mabbe, although born in 1572, is first heard of as a writer in 1611, and appears to have turned his attention to things Spanish as a result of a visit to Spain in that year.
_1 Chinon of England._
_S. R._ 1596, Jan. 20. ‘The ffirste parte of the famous historye of Chinan of England.’ _T. Gosson and Danter_ (Arber, iii. 57).
The Admiral’s produced ‘Chinone of Ingland’ as a new play on 3 Jan. 1596. Greg, ii. 178, is probably right in relating the S. R. entry to Christopher Middleton’s romance, _The Famous Historie of Chinon of England_, printed by Danter for Cuthbert Burby in 1597. But ‘Chinon of England’ is in Rogers and Ley’s list.
_Cleopatra._
An unascribed ‘Cleopatra’, in addition to the plays of Daniel (q.v.) and May, is in Rogers and Ley’s list.
_Cloth Breeches and Velvet Hose._
_S. R._ 1600, May 27. ‘A morall of Clothe breches and veluet hose, As yt is acted by my lord Chamberlens servantes.’ _Roberts_ (Arber, iii. 161).
This is one of the plays stayed by a note in the Register on the same day (cf. ch. xxii).
_College of Canonical Clerks._
_S. R._ 1566–7. ‘An interlude named the Colledge of canonycall clerkes.’ _John Charlewod_ (Arber, i. 335).
_Craft Upon Subtlety’s Back._
_S. R._ 1609, Jan. 27 (Segar). ‘An enterlude called, Crafte vppon Subtiltyes backe.’ _Charlton_ (Arber, iii. 400).
_Crafty Cromwell._
A tragi-comedy in Kirkman’s list of 1661. Greg, _Masques_, lx, thinks it may be a duplicate entry of _Cromwell’s Conspiracy_ (1660).
_Destruction of Jerusalem._
By Legge (q.v.).
_Duke Humphrey._
Ascribed to Shakespeare (q.v.).
_English Arcadia._
A comedy in Archer’s list, but probably, as suggested by Greg, _Masques_, lxv, an error for Gervase Markham’s romance (1607, 1613) of that name.
_Eunuchus._
By Kyffyn (q.v.)?
_Faithful Friends._
Ascribed to Beaumont (q.v.) and Fletcher.
_Far Fetched and Dear Bought is Good for Ladies._
_S. R._ 1566–7. ‘A playe intituled farre fetched and deare bowght ys good for lades.’ _Thomas Hackett_ (Arber, i. 331).
_Fatal Love._
Ascribed to Chapman (q.v.).
_Fortune._
_S. R._ 1566–7. ‘A playe of Fortune to know eche one hyr conditions and gentle manours aswell of Women as of men &c.’ _Thomas Purfoote_ (Arber, i. 332).
Collier, _Stationers’ Registers_, i. 155, suggested that this was a ‘lottery, or game’, not an interlude, and this receives support from a transfer of his father’s copies to Purfoot’s son on 6 Nov. 1615 (Arber, iii. 576), which includes ‘The little booke of Fortune with pictures’.
_George Scanderbeg._
_S. R._ 1601, July 3. ‘The true historye of George Scanderbarge as yt was lately playd by the right honorable the Earle of Oxenforde his servantes.’ _E. Allde_ (Arber, iii. 187).
There seems no adequate reason for ascribing this to Marlowe (q.v.) or Nashe.
_Give a Man Luck and Throw him into the Sea._
_S. R._ 1600, July 24. ‘Two plaies or thinges ... the other gyve a man luck and throw him into the sea.’ _Oliffe_ (Arber, iii. 168).
_Godfrey of Bulloigne._
See Heywood, _Four Prentices of London_.
_God Speed the Plough._
_S. R._ 1601, March 1. ‘A booke called God spede the ploughe.’ _Harrison_ (Arber, iii. 180).
This is not necessarily the play acted by Sussex’s men for Henslowe in Dec. 1593 (ch. xiii), or indeed a play at all.
_Guise._
Entered in Rogers and Ley’s list as by Marston (q.v.), in Archer’s as a comedy by Webster (q.v.), and in Kirkman’s of 1661 and 1671 without ascription; that of 1671 calls it a tragedy.
_Gustavus, King of Swethland._
Ascribed to Dekker (q.v.).
_Heliogabalus._
_S. R._ 1594, June 19. ‘An ... enterlude of the lyfe and deathe of Heliogabilus.’ _Danter_ (Arber, ii. 654).
Can this be the play on ‘the mad priest of the Sun’ apparently referred to by Greene (q.v.) in _Perimides_ (1588)?
_Hemidos and Thelay._
_S. R._ 1569–70. ‘A boke intituled the Rufful tragedy of Hemidos and Thelay by Rychard Robynson.’ _Henry Bynneman_ (Arber, i. 411).
Probably not a play.
_Henry I._
_Henry II._
Both ascribed to Shakespeare (q.v.).
_Hunting of Cupid._
By Peele (q.v.).
_Impatient Grissell._
A comedy in Archer’s list.
_Iphis and Iantha._
Ascribed to Shakespeare (q.v.).
_The Jesuits’ Comedy._
_S. R._ 1607, Oct. 14 (Jackson). ‘A book called the Jesuytes Commedie. Acted at Lyons in Fraunce the 7 and 8 of August 1607.’ _Allde and Johnson_ (Arber, iii. 361).
Probably only a narrative of this famous performance; cf. ch. x.
_The Jew of Venice._
Ascribed to Dekker (q.v.).
_Job._
Ascribed to Greene (q.v.).
_Joconda and Astolso._
Ascribed to Dekker (q.v.).
_John of Gaunt._
_S. R._ 1594, May 14. ‘A booke entituled the famous historye of John of Gaunte sonne to Kinge Edward the Third with his Conquest of Spaine and marriage of his Twoo daughters to the Kinges of Castile and Portugale &c.’ _E. White_ (Arber, ii. 649).
Probably not a play but the chap-book source of that begun by Hathway (q.v.) and Rankins for the Admiral’s in 1601 (cf. Greg, _Henslowe_, ii. 216). Arber, v. 176, however, describes it as a play printed for White by Islip.
_Joseph’s Afflictions._
An interlude in the lists of Archer and Kirkman.
_A Knave in Print._
By W. Rowley (q.v.).
_The London Merchant._
By Ford (q.v.).
_Madon, King of Britain._
Ascribed to Beaumont (q.v.).
_The Maiden’s Holiday._
Ascribed to Marlowe (q.v.) and Day.
_Manhood and Misrule_ (?).
In Rogers and Ley’s list; presumably identical with the comedy of _Manhood and Wisdom_ in those of Archer and Kirkman.
_The Second Maiden’s Tragedy._
Extant in MS. (cf. ch. xxiv).
_Marriage of Wit and Wisdom._
By Merbury (q.v.); extant in MS.
_Mother Rumming._
A comedy in Archer’s list. Greg, _Masques_, xc, suggests an error for T. Thompson’s late _Mother Shipton_, which Archer omits. Elinor Rumming, however, might well have made a play-theme.
_The Netherlands._
In Rogers and Ley’s list.
_Niniveh’s Repentance._
An interlude in Rogers and Ley’s and Archer’s lists.
_Ninus and Semiramis._
_S. R._ 1595, May 10. ‘The tragedie of Ninus and Semiramis, the first Monarchs of the world.’ _Hardy_ (Arber, ii. 297).
_The Nobleman._
By Tourneur (q.v.).
_2 Sir John Oldcastle._
By Drayton (q.v.).
_Ortenus._
Archer’s list has both _Ortenas_, a tragedy, and _Ortenus_, a comedy.
_The Owl._
By Daborne (q.v.).
_Philenzo and Hippolyta._
By Massinger (q.v.).
_The Queen._
A tragedy in Archer’s list. Fletcher’s name is given, but Greg, _Masques_, c, says this has ‘crept in from another entry’.
_Richard Whittington._
_S. R._ 1605, Feb. 8. ‘The history of Richard Whittington of his lowe byrthe, his great fortune, as yt was plaid by the prynces servantes.’ _Pavier_ (Arber, iii. 282).
The play is referred to in _K. B. P._ ind. 22.
_Robin Hood and Little John._
_S. R._ 1594, May 14. ‘A booke entituled a pastorall plesant Commedie of Robin Hood and Little John.’ _Islip_ (Arber, ii. 649).
Arber, v. 176, describes the play as printed by Islip for E. White, to whom the copy was passed by a cancel. It appears in Rogers and Ley’s and Archer’s lists of 1656. Greg, _Henslowe_, ii. 190, finds an allusion to its ‘merry jests’ in Munday’s _Downfall of Robin Hood_, iv. 2.
_Rufus I._
_S. R._ 1595, Nov. 24. ‘A booke intituled The true tragicall historie of kinge Rufus the First with the life and deathe of Belyn Dun the first thief that ever was hanged in England.’ _W. Blackwell_ (Arber, iii. 54).
Greg, _Henslowe_, ii. 164, thinks this the _Bellendon_ played as a new piece by the Admiral’s and Chamberlain’s for Henslowe on 10 June 1594 (cf. ch. xiii). The title curiously resembles that of another book, probably, as Greg suggests, a chap-book, entered in S. R. by T. Gosson on 17 May 1594 as ‘a book intituled The famous Cronicle of Henrye the First, with the life and death of Bellin Dunn the firste thief that ever was hanged in England’ (Arber, ii. 650). Perhaps this was the source of the play.
_A Sackful of News._
_S. R._ 1557–8. ‘These bokes folowynge called ... a sacke full of newes.’ _J. King_ (Arber, i. 75).
1582, Jan. 15. Transfer from S. Awdeley to John Charlwood (Arber, ii. 405).
1586, Sept. 5. ‘A sackfull of newes, beinge an old copie: whiche the said Edward is ordered to haue printed by Abell Jeffes.’ _Edward White_ (Arber, ii. 456).
This is less likely to have been the ‘lewd’ play suppressed at the Boar’s Head, Aldgate, in Aug. 1557 (_Mediaeval Stage_, ii. 223) than the jest-book known to Captain Cox in 1575 (F. J. Furnivall, _Laneham’s Letter_, lxvi. 30) and printed from the earliest extant edition of 1673 by W. C. Hazlitt, _Old English Jest Books_, ii. 163.
_King Stephen._
Ascribed to Shakespeare (q.v.).
_Susanna._
By T. Garter (q.v.).
_The Tartarian Cripple._
_S. R._ 1600, Aug. 14. ‘The famous Tragicall history, of ye Tartarian Crippell Emperour of Constantinople.’ _Burby_ (Arber, iii. 169).
Not necessarily a play.
_’Tis Good Sleeping in a Whole Skin._
By W. Wager (q.v.).
_Tityrus and Galatea._
Possibly identical with Lyly’s _Galathea_ (q.v.).
_The Twins’ Tragedy._
By Niccolls (q.v.).
_The Two Sins of King David._
_S. R._ 1561–2. ‘An new interlude of the ij synmes of kynge Davyd.’ _Hacket_ (Arber, i. 181).
_Valentine and Orson._
_S. R._ 1595, May 23. ‘An enterlude of Valentyne and Orsson, plaid by her maiesties Players.’ _T. Gosson and Hancock_ (Arber; ii. 298).
1600, March 31 (in full court). ‘A famous history called Valentine and Orsson played by her maiesties Players.’ _W. White_ (Arber, iii. 159).
The relation of this Queen’s play to that written by Hathaway and Munday (q.v.) for the Admiral’s in 1598 is uncertain.
_Witless._
_S. R._ 1560–1. ‘Playe of wytles.’ _Hacket_ (Arber, i. 154).
Probably John Heywood’s dialogue of _Witty and Witless_, extant in MS. (_Mediaeval Stage_, ii. 446).
_A Yorkshire Gentlewoman and her Son._
Ascribed to Chapman (q.v.).
APPENDIX N
MANUSCRIPT PLAYS
[_Bibliographical Note._--This list includes only English texts. Most of the Latin plays (cf. App. K) also exist in MS. The English ones so preserved are generally of an academic type; on the general character of the few that are of playhouse origin, cf. ch. xxii. Of the fifteen play texts collected in _Egerton MS._ 1994, only three appear to be of plays written before 1616; descriptions of this collection are in A. H. Bullen, _O. E. P._ ii. 417, and F. S. Boas, _A Seventeenth-Century Theatrical Repertoire_ (_3 Library_, July 1917). In addition to the plays named below, there are a _Pelopidarum Secunda_ in _Harleian MS._ 5110, which may be of any date in the first half of the seventeenth century, and a Welsh ‘enterlut’, dated 1584 and without ascription or title in _Peniarth MS._ 68 (_H. M. C. Welsh MSS._ i. 2. 467). A full account of the Plots (‘plott’ ‘plotte’, ‘platt’) is given, with the seven texts, by Greg, _Henslowe Papers_, 127. They have sometimes been taken for ‘_scenarie_’ of impromptu plays, like the Italian ‘Commedie dell’arte’, although one of them is for the extant _Battle of Alcazar_; but they were probably for the use of the ‘bookholder’ or the ‘tireman’, and consist of skeleton outlines of the action, with notes of entrances and exits, and of the points at which properties and music are required. The names of the dramatis personae are generally accompanied by those of the actors who represented them. The paper on which they are written is mounted on pasteboard, and a hole cut near the top probably served to suspend them on a peg in the playhouse. All seven probably belong to companies (Strange’s and Admiral’s) with which Edward Alleyn was connected. One was utilized for the cover of a Dulwich MS., and G. Steevens, who once owned three of the others, found ‘reason to suppose that these curiosities once belonged to the collection of Alleyn’.]
PLAYS
_Alaham_ (Greville). MS. at Warwick Castle.
_Alice and Alexis._ Bodl. MS. 21745 (Douce MS. 171).
_Antipoe_ (Verney). Bodl. MS. 31041.
_Aphrodysial_ (Percy). MS. formerly in collection of Duke of Devonshire.
_Arabia Sitiens_ (Percy). Ibid.
_Birth of Hercules._ B.M. Addl. MS. 28722.
_Bugbears_ (Jeffere). B.M. Lansdowne MS. 807.
_Charlemagne._ B.M. Egerton MS. 1994.
_Club Law._ St. John’s College, Cambridge, MS. S. 62.
_Cuck-Queans and Cuckolds Errant_ (Percy). MS. formerly in collection of Duke of Devonshire.
_Cupid’s Sacrifice_ (Percy). Ibid.
_Faery Pastoral_ (Percy). Ibid.
_Faithful Friends_ (Beaumont and Fletcher). Victoria and Albert Museum, Dyce MS. 10.
_Gentleman Usher_ (Chapman). Alleged MS. in Heber collection.
_Gismund of Salerne_ (Wilmot). B.M. Lansdowne MS. 786. B.M. Hargrave MS. 205. MS. in private collection, now unknown.
_Hercules Oetaeus_ (Elizabeth). Bodl. MS. e Museo 55.
_Honest Man’s Fortune_ (Beaumont and Fletcher). Victoria and Albert Museum, Dyce MS. 9.
_Hymen’s Triumph_ (Daniel). Edinburgh University, Drummond MS.
_Iphigeneia_ (Lumley). B.M. Royal MS. 15 A. ix.
_Jocasta_ (Gascoigne). B.M. Addl. MS. 34063.
_John a Kent and John a Cumber_ (Munday). MS. in collection of Lord Mostyn.
_Judith._ National Library of Wales, Peniarth MS. 508 (formerly Hengwrt MS.).
_Love Feigned and Unfeigned._ B.M. I. B. 2172.
_Marriage Between Wit and Wisdom_ (Merbury). B.M. Addl. MS. 26782.
_Massacre at Paris_ (Marlowe). Alleged fragmentary MS.
_Mayor of Quinborough_ (Middleton). A late MS.
_Meleager_ (argument). MS. formerly in possession of Mr. B. Dobell.
_Misogonus_ (Johnson). Formerly in collection of Duke of Devonshire.
_Monsieur d’Olive_ (Chapman). Alleged MS. in Heber Collection.
_Sir Thomas More._ B.M. Harleian MS. 7368.
_Mustapha_ (Greville). MS. at Warwick Castle. Cambridge University Library MS. Ff. ii. 35.
_Narcissus._ Bodl. MS. 147303 (Rawlinson Poet. MS. 212).
_Necromantes_ (Percy). MS. formerly in collection of Duke of Devonshire.
_Nobleman_ (Tourneur). Alleged MS. in private collection at Oxford.
_Oration of Gwgan and Poetry_ (Owen). National Library of Wales, Peniarth MS. 65.
_Orlando Furioso_ (Greene). Dulwich MS. i. 138.
_Parliament of Bees_ (Day). B.M. Lansdowne MS. 725.
_Parnassus._ Bodl. Rawlinson MS. D. 398. MS. formerly in collection of J. O. Halliwell-Phillipps.
_Poor Man’s Comfort_ (Daborne). B.M. Egerton MS. 1994.
_1 Richard II._ B.M. Egerton MS. 1994.
_Ruff, Cuff, and Band._ B.M. Addl. MS. 23723.
_Second Maiden’s Tragedy._ B.M. Lansdowne MS. 807.
_Sicelides_ (P. Fletcher). Bodl. Rawl. Poet. MS. 214. B.M. Addl. MS. 4453.
_Timon._ Victoria and Albert Museum, Dyce MS. 52.
_Volpone_ (Jonson). MS. as yet unprinted.
PLOTS
_Battle of Alcazar._ B.M. Addl. MS. 10449.
_Dead Man’s Fortune._ Ibid.
_2 Fortune’s Tennis._ Ibid.
_Frederick and Basilea._ Ibid.
_1 Tamar Cham._ MS. formerly in the collection of George Steevens, not now known.
_Troilus and Cressida._ B.M. Addl. MS. 10449.
_2 Seven Deadly Sins._ Dulwich MS. xix.
MASKS
_Ashby Entertainment_ (Marston). B.M. Sloane MS. 848. MS. at Bridgewater House.
_Mask of Blackness_ (Jonson). B.M. Royal MS. 17 B. xxxi.
_Mask of Queens_ (Jonson). B.M. Royal MS. 18 A. xlv. B.M. Harleian MS. 6947.
_Twelve Months._ MS. formerly in the collection of J. P. Collier, now unknown.
_Ulysses and Circe_ (Browne). Cambridge, Emmanuel College MS. 68. MS. in collection of Mr. H. C. Pole-Gell.
INDEXES
I. OF PLAYS
II. OF PERSONS
III. OF PLACES
IV. OF SUBJECTS
INDEXES
These indexes are selective, not exhaustive. That of _Plays_ is, I hope, full. Classical and foreign plays, including plays given by English players abroad, but not Latin plays written in England, are printed in italics; plays not clearly extant in inverted commas. Translations and fragmentary texts are indicated by ‘tr.’ and ‘fr.’ respectively, and compositions not properly to be classed as plays are also noted. Duplicate titles which might cause confusion are distinguished by dates or authorship. References to the main notices, in vol. iii, pp. 201–518, and vol. iv, pp. 1–74, and occasionally elsewhere, of plays belonging or conjecturally assigned to the period 1558–1616 are printed in blacker type. Titles are shortened by the omission of such words as ‘A’, ‘The’, ‘King’, and cross-references are only given from the better-known alternative titles. The index of _Persons_ gives those connected with the Court and with stage affairs, other as a rule than the players and playwrights, who are alphabetically arranged in chh. xv and xxiii respectively. The index of _Places_ includes, besides London localities, all those recorded in Appendix A as visited by Elizabeth, but not, unless for some special reason, those at which travelling players performed. In the index of _Subjects_ inverted commas are used for technical terms and for ordinary objects as represented on the stage.
INDEX I: OF PLAYS
A
‘A Bad Beginning Makes a Good Ending’, iii. 315; iv. 127, 180.
A Woman is a Weathercock, iii. =313=.
A Woman will have her Will. _See_ Englishmen for my Money.
_Abraham_, iii. 322, 514.
‘Abraham and Lot’, ii. 95.
_Abraham Sacrifiant_, i. 249; iii. 322.
Abraham’s Sacrifice (tr.), iii. =322=.
‘Absalom’ (1602), ii. 228.
Absalon (_c._ 1535), iii. 506; iv. 246.
‘Abuses’, iv. 33.
‘Adams Tragedie’, iv. =398=.
Adelphe, i. 131; iv. 127.
Adelphi (tr.), iii. =236=.
Aegio (fr.), iii. =209=.
‘Aemilia’, i. 131.
‘Aeneas and Dido’, iv. 122.
‘Aesop’s Crow’, ii. 83.
Agamemnon (tr.), iii. =477=.
‘Agamemnon’, ii. 169.
‘Agamemnon and Ulysses’, ii. 17, 101; iv. 101, 160.
_Agarite_, iii. 16.
‘Ajax and Ulysses’, ii. 63; iv. 87, 146.
‘Ajax Flagellifer’, i. 130, 233.
‘Ajax Flagellifer’ (tr.), i. 127.
Alaham, iii. =331=.
Alarum for London, iv. =1=.
‘Alba’, i. 130.
‘Albere Galles’, ii. 227; iii. 341; iv. 37.
Albion Knight (fr.), iv. =1=.
Albumazar, i. 131; iii. =498=.
Alchemist, iii. 123, 222, 224, =371=, 499; iv. 51, 127, 180, 371.
‘Alcmaeon’, ii. 15; iv. 89, 147.
‘Alexander and Lodowick’, ii. 144, 167, 170.
Alexandraean Tragedy, iii. =209=.
‘Alexius’, iv. 2.
‘Alfonso’, iv. 2.
Alice and Alexis (fr.), iv. =2=.
‘Alice Pierce’, ii. 132, 166.
All Fools, iii. 146, =252=; iv. 119, 171.
‘All Fools but the Fool’. _See_ ‘The World Runs on Wheels’.
All for Money, iii. 23, =411=.
‘All is not Gold that Glisters’, ii. 178.
All is True. _See_ Henry VIII.
All’s One. _See_ Yorkshire Tragedy.
All’s Well that Ends Well, ii. 207; iii. =487=.
Allot Pageant, iii. =455=.
‘Almanac’, ii. 190; iv. 125, 178.
Alphonsus, Emperor of Germany, iv. =2=.
Alphonsus, King of Arragon, ii. 286; iii. =327=; iv. 36.
‘_Alt Proculo_’, ii. 286.
Althorp Entertainment, i. 126; iii. =391=.
‘Alucius’, ii. 35; iv. 97, 156.
_Amantes Amentes_, ii. 285.
Amends for Ladies, iii. 297, =313=.
_Aminta_, ii. 262; iii. 317.
_Amphitrio_, iii. 4, 5.
‘_Amphitryo_’, ii. 286; iii. 345.
_Andria_, iii. 7.
Andria (tr. Bernard), iii. =236=.
Andria (tr. Kyffin), iii. =398=.
‘_Anglia_’, ii. 277.
Anglorum Feriae (tilt), iii. =463=.
‘_Annabella eines Hertzogen Tochter von Ferrara_’, ii. 284, 286; iii. 432.
Annus Recurrens. _See_ Vertumnus.
Antigone (tr.), iv. 234, 246.
Antipoe, iii. =503=.
1, 2 Antonio and Mellida, iii. 139, 256, =429=.
Antonio’s Revenge. _See_ Antonio and Mellida.
Antony, iii. =337=.
Antony and Cleopatra, ii. 213; iii. 124, 220, 275, =488=.
‘Antony and Valia’, ii. 147; iii. 301.
Aphrodysial, iii. 137, =464=.
Apius and Virginia (R. B.), iii. 23; iv. =3=.
Appius and Virginia (Webster), iii. =508=.
Ara Fortunae. _See_ Christmas Prince.
Arabia Sitiens, iii. =464=.
Arcadia Reformed. _See_ Queen’s Arcadia.
‘Arcadian Virgin’, ii. 173.
Arches of Triumph. _See_ Coronation Triumph.
Archipropheta, iii. 31.
Arden of Feversham, ii. 108; iii. 395, 518; iv. =3=.
‘Ariodante and Geneuora’, ii. 76; iv. 99, 159.
‘Arraignment of London’, ii. 253; iii. 35, 272.
Arraignment of Paris, iii. =459=; iv. 236.
‘Arthur, King’, ii. 166.
Ashby Entertainment, iii. =434=.
_Asinaria_, iii. 5.
‘As Plain as can Be’, iv. 84, 144.
As You Like It, ii. 6, 204, 209, 296; iii. =486=; iv. 117.
_Astrologo_, iii. 499.
Atalanta, iv. =373=.
Atheist’s Tragedy, iii. =499=; iv. 42.
_Aulularia_, i. 127.
B
_Bacchides_, iii. 5.
_Balet Comique de la Royne_, i. 176; iii. 15.
Ball, iii. 260.
Band, Cuff and Ruff. _See_ Ruff, Cuff and Band.
‘Barnardo and Fiammetta’, ii. 144.
Bartholomew Fair, i. 262; ii. 469; iii. 227, =372=; iv. 33, 42, 130, 183.
‘Bartholomew Fairing’, iv. =398=.
‘Battle of Affliction’, iv. =398=.
Battle of Alcazar, ii. 175; iii. =459=; iv. 5.
‘Battle of Evesham’, iii. 214.
‘Battle of Hexham’, iii. 214.
‘Baxster’s Tragedy’, ii. 179.
‘Bear a Brain’, ii. 171; iv. 28.
Bearing down the Inn. _See_ Cuckqueans and Cuckolds Errants.
Beaumont’s Mask, i. 173.
Beauty (mask), i. 173; iii. =379=; iv. 122.
‘Beauty and Housewifery’, ii. 192; iv. 99, 159.
‘Beech’s Tragedy’. _See_ ‘Thomas Merry’.
‘_Behendig Dieb_’, ii. 286.
Believe as You List, i. 321.
‘Belin Dun’, ii. 141, 143; iv. 403.
‘Belinus’, iii. 182; iv. =398=.
‘Bellman of London’, ii. 253.
‘Bellman of Paris’, iii. 289, 304.
Bellum Grammaticale, i. 129; iv. 238, =374=.
‘Bendo and Richardo’, ii. 122.
Birth of Hercules, iv. =4=.
Birth of Merlin, ii. 145; iii. 474.
Bisham Entertainment, iv. =66=.
‘1, 2 Black Bateman of the North’, ii. 162, 166.
‘1, 2 Black Dog of Newgate’, ii. 227.
‘Black Joan’, ii. 132, 168.
Blackness (mask), i. 171; iii. =375=; iv. 119.
‘Blacksmith’s Daughter’, ii. 394; iv. 204.
Blind Beggar of Alexandria, iii. =251=.
Blind Beggar of Bethnal Green, iii. =285=.
Blurt Master Constable, iii. 142, =439=.
‘Bold Beauchamps’, iii. 347.
Bonduca, iii. =228=.
‘Bonos Nochios’, iv. =399=.
‘Boss of Billingsgate’, ii. 180.
‘_Botzario ein Alt Römer_’, ii. 284.
‘Bourbon’, ii. 132, 156, 167; iv. 50.
‘Brandimer’, ii. 122.
‘Branholt’, ii. 132, 166; iii. 230.
Brazen Age, iii. 109, =345=.
‘Brennus’, iii. 183; iv. =398=.
Bristol Entertainment (1574). iv. =60=.
Bristol Entertainment (1613), iv. =74=.
‘Bristol Tragedy’, ii. 179; iii. 304; iv. 12.
‘Bristow Merchant’, iii. 304.
Britanniae Primitiae, iv. =374=.
‘Brute Greenshield’. _See_ ‘Conquest of Brute’.
‘Buckingham’, ii. 95, 130, 202, 217.
Bugbears, ii. 14; iii. 28, =351=.
Bussy D’Ambois, iii. 142, =253=.
‘Byron’ (1602), ii. 228; iii. 258, 267.
Byron (1608). _See_ Conspiracy and Tragedy.
C
Caesar and Pompey (Chapman), iii. =259=.
‘Caesar and Pompey’ (_c._ 1582), ii. 394; iv. 216.
‘1, 2 Caesar and Pompey’ (1594–5), ii. 143–4; iii. 259.
Caesar and Pompey. _See_ Caesar’s Revenge.
‘Caesar Interfectus’, iii. 309.
‘Caesar’s Fall, or, The Two Shapes’, ii. 179.
Caesar’s Revenge, iv. =4=.
_Calandra_, iii. 9, 13.
Calisto and Melibaea, ii. 30; iv. 211, 399.
Calthrop Pageant, iii. =463=.
Cambyses, iii. 37, =470=; iv. 6, 79.
Campaspe, ii. 17, 39; iii. 32, =413=.
Campbell, or, the Ironmongers’ Fair Field (show), i. 137; iv. =72=.
Captain, iii. =226=; iv. 127, 180.
‘Captain Mario’, iv. 214.
Captain Thomas Stukeley. _See_ Stukeley.
‘Capture of Stuhl Weissenburg’, ii. 207, 367.
‘Cardenio’, ii. 217; iii. =489=; iv. 127, 128, 180.
‘1, 2 Cardinal Wolsey’, ii. 178; iii. 266.
‘Cards’, i. 268; iii. 453; iv. 238.
‘_Carolus Herzog aus Burgundt_’, ii. 284.
_Casina_, iii. 5.
_Cassaria_, iii. 8, 11.
‘Castle of Security’, i. 333.
‘Catiline’ (1588), i. 222.
Catiline his Conspiracy (1611), iii. =372=.
‘Catiline’s Conspiracies’ (_c._ 1579), ii. 394; iv. 204.
‘Catiline’s Conspiracy’ (1598–9), ii. 163, 170.
Caversham Entertainment, iii. =244=.
Cecil House Entertainment, iii. =248=.
‘Celestina’, iv. =399=.
‘_Celinde und Sedea_’, ii. 284, 289.
Chabot, Admiral of France, iii. =259=.
Challenge at Tilt, iii. =393=.
‘Chance Medley’, ii. 169.
Chapman’s Mask, i. 173; iii. =260=.
‘Charlemagne’ (_c._ 1589), iii. 260, 329; iv. 5.
Charlemagne (_c._ 1600), iii. 260; iv. =5=.
Chaste Maid in Cheapside, iii. =441=.
Chester’s Triumph, iv. =71=.
‘Chinon of England’, ii. 144; iv. =399=.
‘_Christabella_’, ii. 286.
Christian Turned Turk, i. 328; iii. =271=.
‘Christmas Comes but Once a Year’, ii. 227; iii. 267.
Christmas Prince (revels), iv. =71=, 228.
Christus Redivivus, iii. 31.
Chrysanaleia (show), i. 137; iii. =449=.
Chryso-Thriambos (show), i. 137; iii. =449=.
City Gallant. _See_ Greene’s Tu Quoque.
‘1, 2, 3 Civil Wars of France’, ii. 169; iii. 253.
Civitatis Amor (show), iii. =443=.
Claudius Tiberius Nero, iv. =5=.
‘Cleopatra’ (Anon.), iv. =399=.
Cleopatra (Daniel), iii. =275=.
_Cléopâtre Captive_, iii. 13.
‘Cloridon and Radiamanta’, ii. 96; iv. 87, 146.
‘Clorys and Orgasto’, ii. 122.
‘Cloth Breeches and Velvet Hose’, iv. =399=.
Club Law, iv. =5=.
Clyomon and Clamydes, ii. 286; iii. 39; iv. =6=.
‘Cobler of Queenhithe’, ii. 168.
Cobler’s Prophecy, iii. 35, =516=; iv. 41.
Cockle de Moye. _See_ Dutch Courtesan.
‘College of Canonical Clerks’, iv. =399=.
‘Collier’, ii. 89; iii. 317; iv. 93, 151.
‘Columbus’, iii. =434=.
Come See a Wonder. _See_ Wonder of a Kingdom.
Comedy of Errors, i. 222; ii. 123, 130, 201, 211; iii. =482=, 506; iv. 56, 119, 171, 246.
Comedy of Humours. _See_ Humorous Day’s Mirth.
‘Comedy of Jeronimo’, ii. 122; iv. 23.
Common Conditions, iii. 39; iv. =6=.
‘Conan, Prince of Cornwall’, ii. 169.
Conflict of Conscience, iii. 25, =517=.
‘1, 2 Conquest of Brute’, ii. 163, 169, 170.
‘Conquest of Spain by John of Gaunt’, ii. 161, 178.
‘Conquest of the West Indies’, ii. 161, 178.
Conspiracy and Tragedy of Byron, i. 327; ii. 53; iii. 147, =257=.
‘Constantine’, ii. 122.
Contention between Liberality and Prodigality. _See_ Liberality and Prodigality.
Contention of York and Lancaster, ii. 129–30; iv. =7=, 44.
Coriolanus, ii. 213; iii. =488=, 509.
Cornelia, iii. =397=.
_Cornélie_, iii. 16, 397.
Coronation Triumph (1559), iv. =60=.
Coronation Triumph (1604), iii. =391=; iv. =69=.
‘Cosmo’, ii. 123.
Country Girl, iii. 237.
Country’s Tragedy in Vacuniam. _See_ Cupid’s Sacrifice.
Cowdray Entertainment, iv. =65=.
‘Cox of Collumpton’, ii. 171, 172.
Coxcomb, ii. 251; iii. =223=; iv. 127, 181.
‘Crack Me this Nut’, ii. 144, 180.
‘Craft upon Subtlety’s Back’, iv. =399=.
‘Crafty Cromwell’, iv. =399=.
Creation of Henry Prince of Wales, iv. =72=.
Croesus, iii. =209=.
Cromwell, iv. =8=, 28.
Cruel Debtor (fr.), iii. =505=.
‘Cruelty of a Stepmother’, ii. 93; iv. 95, 154.
‘Crysella’, ii. 286; iii. 292.
Cuckqueans and Cuckolds Errants, iii. 136, =464=.
‘Cupid’ (mask), i. 174; iii. =442=; iv. 129.
‘Cupid and Psyche’, ii. 15, 171; iii. 346; iv. 216.
Cupid’s Revenge, iii. =225=; iv. 125, 127, 178, 181.
Cupid’s Sacrifice, iii. =464=.
‘Cupid’s Vagaries’. _See_ ‘Hymen’s Holiday’.
Cupid’s Whirligig, iii. =491=.
‘Cutlack’, ii. 140–1, 146.
‘Cutting Dick’, ii. 228; iv. 50.
‘Cutwell’, i. 223; ii. 381; iv. 91, 152.
Cymbeline, ii. 214–15; iii. 111, 223, =489=.
‘Cynocephali’, ii. 93; iv. 91, 152.
Cynthia and Ariadne (mask). _See_ Ashby Entertainment.
Cynthia’s Revels, ii. 43; iii. 145, =363=, 430; iv. 372.
Cynthia’s Revenge, iii. =495=.
D
‘Damon and Pythias’ (Chettle), ii. 171.
Damon and Pythias (Edwardes), ii. 34; iii. 32, =310=; iv. 81, 143, 193.
‘Damon and Pythias’ (puppet-play), iii. 373.
‘Danish Tragedy’, ii. 179; iii. 264.
Darius (Alexander), iii. =209=.
Darius, King (Anon.), iii. 23; iv. =8=.
David and Bethsabe, iii. 48, =461=.
Dead Man’s Fortune (plot), ii. 136; iv. =9=.
‘Death of the Duke of Guise’ (Anon.), i. 323.
Death of the Duke of Guise (Marlowe). _See_ Massacre at Paris.
Death of Robert Earl of Huntingdon. _See_ Robin Hood.
‘Delight’, ii. 89, 394; iv. 97, 158.
‘Delphrigus’, iv. 236, 241.
Denmark Entertainment, iii. =392=; iv. 70.
Descensus Astraeae (show), i. 137; iii. =463=.
‘Destruction of Jerusalem’ (Legge), iii. =408=; iv. 246.
‘Destruction of Jerusalem’ (Smythe), iii. 409.
‘Destruction of Thebes’, i. 129; iv. 85.
‘Devil and Dives’, iii. 411.
Devil and his Dame. _See_ Grim the Collier of Croydon.
‘Devil of Dowgate’, iii. 232.
Devil’s Charter, iii. 112, =214=; iv. 122.
‘Dialogue of Dives’, iv. 241.
Dido (Gager), i. 129; iii. =318=.
‘Dido’ (Halliwell), i. 127.
‘Dido’ (Ritwise), ii. 11.
‘Dido and Aeneas’, ii. 132, 166; iii. 374, 427.
Dido Queen of Carthage (Marlowe), iii. 35, =426=.
‘Diocletian’, ii. 143; iii. 298.
‘Disguises’, ii. 144; iii. 256.
Disobedient Child, iii. 25, =351=.
Distracted Emperor. _See_ Charlemagne.
Dixie Pageant, iii. =463=.
Doctor Faustus, ii. 281, 286; iii. 329, =422=; iv. 44, 48.
‘Don Horatio’, ii. 122; iv. 23.
Double Falsehood, iii. 490.
Downfall of Robert Earl of Huntingdon. _See_ Robin Hood.
Dream of a Dry Year. _See_ Arabia Sitiens.
Duchess of Malfi, iii. =510=.
‘Duke Humphrey’, iii. 489.
Duke of Guise, iii. 26.
‘Duke of Milan and Marquis of Mantua’, ii. 93; iv. 97, 156.
Dumb Knight, ii. 289; iii. =418=; iv. 11.
Dutch Courtesan, iii. 148, =430=; iv. 127, 128, 180, 182.
E
‘1, 2 Earl Godwin and his Three Sons’, ii. 166.
‘Earl of Hertford’, ii. 180.
Eastward Ho! i. 326; ii. 51; iii. 149, =254=, 257, 286, 367, 433; iv. 36, 42, 129, 182.
Edward I, iii. =460=.
Edward II, iii. =425=; iv. 9, 42, 44.
Edward III, iv. =9=.
Edward IV, ii. 281; iv. =10=.
_Ehrebrecherin_, ii. 275–6.
Elstrild. _See_ Locrine.
Elvetham Entertainment, iv. =66=.
Endymion, i. 327; ii. 18–19; iii. 33, =415=; iv. 103.
England’s Joy (show), iii. 287, =500=.
‘English Arcadia’, iv. =400=.
‘English Fugitives’, ii. 173.
English Traveller, iii. 339.
Englishmen for my Money, iii. =334=; iv. 16.
Enough is as Good as a Feast, iii. =504=.
Epicoene, i. 327; ii. 59; iii. 222, 230, =369=; iv. 371.
_Epidicus_, iii. 5.
Epithalamion on the Marquis of Huntly’s Marriage (show), iii. =351=.
‘_Erlösung aus der Löwengrube_’, ii. 283–4.
‘Error’, ii. 15; iv. 93, 151.
_Esther und Haman_, ii. 285–6.
_Eugène_, iii. 13.
_Eunuchus_, iii. 5, 7.
Eunuchus (tr. Bernard), iii. =236=.
‘Eunuchus’ (tr. Kyffin?), iii. =398=.
Euribates Pseudomagus, iv. =374=.
Every Man In his Humour, iii. =359=; iv. 119, 172, 247.
Every Man Out of his Humour, i. 381; iii. 122, 128, 292, =360=; iv. 19, 119, 172.
Every Woman in her Humour, iii. 418; iv. =11=.
Exchange Ware at Second Hand. _See_ Ruff, Cuff and Band.
‘Ezechias’, i. 127.
F
‘Fabii’. _See_ ‘Four Sons of Fabius’.
Faery Pastoral, iii. 137, =464=.
‘1, 2 Fair Constance of Rome’, ii. 161, 171, 173.
Fair Em, iii. 325, 329; iv. =11=, 30, 36.
Fair Maid of Bristow, iii. 431; iv. =12=.
‘Fair Maid of Italy’, ii. 95–6, 114.
‘Fair Maid of London’, i. 320.
Fair Maid of the Exchange, iv. =13=.
‘Fairy Knight’, iii. 304.
Faithful Friends, iii. =232=.
Faithful Shepherdess, iii. 151, =221=, 313; iv. 41.
Fall of Mortimer (fr.), iii. 374.
Family of Love, iii. =440=; iv. 11, 29.
Famous Victories of Henry the Fifth, ii. 202; iii. 472; iv. =17=, 239.
‘Famous Wars of Henry I and the Prince of Wales’. _See_ ‘Welshman’s Prize’.
‘Far Fetched and Dear Bought is Good for Ladies’, iv. =400=.
Fatal Dowry, iii. 314.
‘Fatal Love’, iii. 259; iv. 5.
Father’s Own Son. _See_ Monsieur Thomas.
Fatum Vortigerni, iv. =374=.
_Favola d’Orfeo_, iii. 6.
Fawn, or, Parasitaster, ii. 22, 284, 286; iii. 140, =432=; iv. 42.
_Fedele_, iii. 316.
Fedele and Fortunio, iii. 28, 316; iv. =13=.
‘Felix and Philiomena’, ii. 106; iv. 101, 160.
‘Felmelanco’, ii. 180; iii. 471.
‘Ferrar’, ii. 93; iv. 99, 159.
Ferrex and Porrex. _See_ Gorboduc.
‘Ferrex and Porrex’ (Haughton), ii. 164, 171.
_Filli di Sciro_, iii. 238.
‘Finding of Truth’, ii. 79.
‘First Introduction of the Civil Wars of France’, ii. 164, 169.
‘Five Plays in One’ (1585), ii. 106; iii. 497; iv. 101, 160.
‘Five Plays in One’ (1597), ii. 144; iii. 347.
Fleir, iii. 151, =490=.
_Flora_, iii. 13.
Flowers (mask), i. 174; iv. =59=, 129.
‘Forces of Hercules’ (activities), ii. 90, 272.
Forest of Elves. _See_ Faery Pastoral.
Fortress of Perfect Beauty (tilt), i. 144; iv. =63=.
_Fortunato_, ii. 285–6.
‘Fortune’, iv. 88, 146.
‘Fortune’ (lottery), iv. =400=.
Fortune by Land and Sea, iii. =343=.
‘1, 2 Fortune’s Tennis’ (plot), ii. 177, 180; iii. 448; iv. =14=.
Fortunia. _See_ Susenbrotus.
‘Fount of New Fashions’. _See_ ‘Isle of a Woman’.
Fountain of Self-Love. _See_ Cynthia’s Revels.
Four Elements, ii. 30; iii. 23.
‘Four Kings’, ii. 167, 169; iv. 6.
Four PP., ii. 30.
‘Four Plays in One’, ii. 122; iii. 497.
Four Plays in One. _See_ Yorkshire Tragedy.
Four Plays or Moral Representations in One, iii. =231=.
Four Prentices of London, iii. 221, =340=.
‘Four Sons of Aymon’, ii. 181.
‘Four Sons of Fabius’, ii. 98, 394; iv. 97, 156, 216.
Fox. _See_ Volpone.
Frederick and Basilea (plot), ii. 150; iv. =14=.
Free Will (tr.), iii. =262=.
‘Freeman’s Honour’, iii. 493.
‘French Comedy’ (1595), ii. 143.
‘French Comedy’ (1597), ii. 144.
‘French Doctor’, ii. 146, 180; iii. 301.
Friar Bacon and Friar Bungay, ii. 114; iii. =328=; iv. 12.
‘Friar Fox and Gillian of Brentford’, ii. 169.
‘Friar Francis’, ii. 95; iv. 253.
‘Friar Rush and the Proud Woman of Antwerp’, ii. 178.
‘Friar Spendleton’, ii. 132, 156, 166.
‘_Fromme Frau zu Antorf_’, ii. 281.
Fucus, sive, Histriomastix, i. 253.
Fulgens and Lucres, iii. 22–4.
‘Funeral of Richard Cœur de Lion’, i. 320; ii. 166.
G
Galathea, ii. 18; iii. 34, =415=; iv. 103.
‘Galiaso’, ii. 143.
Game at Chess, i. 327; iii. 438.
‘Game of the Cards’, i. 268; ii. 37; iv. 99, 158.
Gammer Gurton’s Needle, ii. 274; iii. 27; iv. 229.
_Genièvre_, iii. =14=.
Gentle Craft. _See_ Shoemaker’s Holiday.
Gentleman Usher, iii. 146, =251=, 253.
Gentleness and Nobility, ii. 30.
George a Greene, the Pinner of Wakefield, iv. =14=.
‘George Scanderbeg’, iv. =400=.
Gesta Grayorum (mask), i. 168; iii. 240; iv. =56=, 109.
‘_Gevatter_’, ii. 286.
‘Ginecocratia’, iii. 470.
_Giocasta_, iii. 321.
Gismond of Salerne, iii. 30, =514=; iv. 82.
‘Give a Man Luck and Throw him into the Sea’, iv. =400=.
Glass of Government, iii. =321=; iv. 196.
‘God Speed the Plough’, ii. 95; iv. =400=.
‘2 Godfrey of Bulloigne’, ii. 143; iii. 340.
Godly Queen Hester, iii. 25, 311, 350.
Golden Age, iii. 109, 114, =344=.
Golden Age Restored (mask), i. 174; iii. =390=; iv. 130.
‘Golden Ass’. _See_ ‘Cupid and Psyche’.
Goosecap, Sir Giles, iii. 146, 251, 255; iv. 11, =15=.
Gorboduc, i. 265; iii. 29, =456=; iv. 80, 226.
‘Gowry’, i. 328; ii. 211.
‘_Graf von Angiers_’, ii. 286.
Great Duke of Florence, ii. 286.
‘Grecian Comedy’. _See_ ‘Love of a Grecian Lady’.
‘Greek Maid’, ii. 89; iv. 96, 154.
Greene’s Tu Quoque, iii. =269=; iv. 20, 125, 126, 178, 254.
Grim the Collier of Croydon, iv. =16=.
_Griseldis_, iii. 292.
‘Guido’, ii. 144.
Guise (Marlowe). _See_ Massacre at Paris.
‘Guise’ (Webster), iii. 426, 434; iv. 400.
‘Gustavus King of Swethland’, iii, 304.
Guy Earl of Warwick, iii. 304.
‘Guy of Warwick’, ii. 127; iii. 289, 304.
H
Haddington Mask, i. 173; iii. =381=.
Hamlet, i. 380; ii. 193, 195, 202, 206, 209, 219, 286, 395; iii. 107, 112, 116, 117, 185, 252, 397, =486=; iv. 33, 53, 234, 371.
‘Hannibal and Hermes’, ii. 166.
‘Hannibal and Scipio’, ii. 177.
‘Hardicanute’, ii. 132, 156, 167.
‘Hardshifte for Husbands’, iii. 472.
Harefield Entertainment, iv. =67=.
Hay Mask, iii. =240=.
_Heautontimorumenus_, i. 75; ii. 72; iv. 82.
Heautontimorumenus (tr.), iii. =236=.
Heaven’s Blessing and Earth’s Joy. _See_ Marriage of Frederick and Elizabeth.
Hector of Germany, iii. =493=.
Hecyra (tr.), iii. =236=.
‘Heliogabalus’, iii. 324; iv. =401=.
Hemetes the Hermit. _See_ Woodstock Entertainment.
‘Hemidos and Thelay’, iv. =401=.
‘Hengist’. _See_ ‘Vortigern’.
‘Henry I’, ii. 144; iii. 307, 489.
‘Henry II’, iii. 489.
1 Henry IV, i. 220, 311; ii. 6, 196, 204, 217, 443; iii. 307, =484=; iv. 36, 127, 180, 246, 371.
2 Henry IV, ii. 196, 217, 293, 443; iii. =485=; iv. 127, 180, 246, 371.
‘Henry V’ (Anon.), ii. 144, 211; iv. 17.
Henry V (Shakespeare), ii. 203, 211, 415; iii. =485=; iv. 9, 119, 172.
Henry V. _See_ Famous Victories.
1 Henry VI, i. 260; ii. 122, 129–30, 201; iii. 55, 97, =481=; iv. 8, 17, 238.
2 Henry VI, ii. 129–30, 202; iii. 113, =481=; iv. 8, 34, 43.
3 Henry VI, ii. 129–30, 200, 202; iii. =481=; iv. 8.
Henry VIII (Rowley). _See_ When You See Me, You Know Me.
Henry VIII (Shakespeare), ii. 95, 130, 202, 217, 219, 419; iii. =489=.
‘Henry of Cornwall’, ii. 122; iv. 2.
‘2 Henry Richmond’, ii. 161, 171.
‘Herbert Mask’, iii. 377.
‘1, 2 Hercules’, ii. 143–4, 167; iii. 345; iv. 4.
Hercules Furens (tr.), iii. =477=.
Hercules Oetaeus (fr. tr.), iii. =311=.
Hercules Oetaeus (tr.), iii. =478=.
Herod and Antipater, iii. 417.
Herodes, iv. =375=.
‘Herpetulus the Blue Knight and Perobia’, ii. 97; iv. 89, 148.
‘_Herzog von Florenz und Edelmanns Tochter_’, ii. 281, 286.
‘_Herzog von Mantua und Herzog von Verona_’, ii. 286.
‘Hester and Ahasuerus’, ii. 140, 193, 202.
Hickscorner, iii. 22.
Highgate Entertainment, i. 126; iii. =392=.
Himatia Poleos (show), i. 137; iii. =449=.
_Hippolytus_, iii. 3, 319.
Hippolytus (tr.), iii. =478=.
Hispanus, iv. =375=.
‘_Histoire Angloise contre la Roine d’Angleterre_’, i. 323.
‘History of Love and Fortune’, iv. 28.
‘History of the Old Testament’, ii. 11.
Histriomastix, i. 381–2; iii. 135, 362; iv. =17=.
‘Hit Nail o’ th’ Head’, iii. 437.
Hoffman, iii. =264=.
Honest Lawyer, iv. =19=.
Honest Man’s Fortune, i. 321; ii. 251; iii. =227=.
1, 2 Honest Whore, iii. =294=.
Horestes, iii. 38, =466=; iv. 84, 144.
‘Hot Anger Soon Cold’, ii. 169.
How a Man may Choose a Good Wife from a Bad, iii. 342; iv. =19=.
‘How to Learn of a Woman to Woo’, iii. 342; iv. 119, 171.
Hue and Cry after Cupid. _See_ Haddington Mask.
Huff, Suff, and Ruff. _See_ Cambyses.
Humorous Day’s Mirth, iii. =251=.
‘Humorous Earl of Gloucester with his Conquest of Portugal’, ii. 179; iv. 28.
Humour out of Breath, iii. =287=.
Hunting of Cupid, iii. =462=; iv. 54.
‘Huon of Bordeaux’, ii. 95; iii. 304.
Hymenaei (mask), i. 172; iii. =378=; iv. 120.
Hymenaeus, iv, =375=.
‘Hymen’s Holiday’, ii. 244; iv. 126, 178.
Hymen’s Triumph, i. 174; iii. =276=; iv. 129.
I
If It be not Good, the Devil is in It, iii. 271, =297=.
1, 2 If You Know not Me, You Know Nobody, iii. =342=.
Ignoramus, i. 131; iii. =475=.
_Illusion Comique_, iii. 16.
‘Impatient Grissell’, iv. 401.
Impatient Poverty, iii. 23; iv. =20=, 31.
Inner Temple and Gray’s Inn Mask, iii. =233=.
Insatiate Countess, iii. =433=.
‘Iphigenia’ (Anon.), ii. 14; iii. 352; iv. 87, 146.
Iphigenia (tr. Lumley), ii. 14; iii. =411=.
‘Iphigenia’ (tr. Peele), iii. =462=.
_Iphigenia in Aulis_, iii. 411.
‘Iphis and Iantha’, iii. 489.
Ira seu Tumulus Fortuna. _See_ Christmas Prince.
‘Irish Knight’, ii. 98, 381; iv. 91, 152.
Irish Mask, i. 173; iii. 247, =388=; iv. 128.
1, 2 Iron Age, iii. =345=.
Irus. _See_ Blind Beggar of Alexandria.
‘Isle of a Woman’, ii. 167, 169; iii. 253.
‘Isle of Dogs’, i. 298, 324; ii. 132, 151; iii. 353, 364, =453=; iv. 323.
Isle of Gulls, i. 326; ii. 52; iii. 150, =286=, 295, 296.
‘Italian Tragedy’ (Day), ii. 173; iii. 518.
‘Italian Tragedy’ (Smith), ii. 227.
Ivy-Church, The Countess of Pembroke’s. _See_ Phillis and Amyntas.
J
‘Jack and Jill’, iv. 84, 144.
Jack Drum’s Entertainment, i. 381; ii. 20; iii. 138; iv. 18, 19, =21=.
Jack Juggler, iii. 27.
Jack Straw, iv. =22=.
Jacob and Esau, iii. 24, 350; iv. =22=.
James IV, ii. 296; iii. =330=.
‘Jealous Comedy’, ii. 123, 130, 201.
_Jemand und Niemand_, ii. 281–2, 285–6.
‘Jephthah’ (Dekker), ii. 179.
_Jephthes_ (Buchanan), iii. =514=; iv. 246.
1 Jeronimo, ii. 286; iii. 396; iv. =22=.
‘Jeronimo, Comedy of’, ii. 122–3.
‘Jeronimo’. _See_ Spanish Tragedy.
‘Jerusalem’, ii. 122; iii. 409.
‘Jesuits’ Comedy’, i. 323; iv. =401=.
‘Jew’, ii. 380; iv. 204.
Jew of Malta, ii. 286; iii. =424=.
‘Jew of Venice’, iii. =301=.
‘Joan as Good as my Lady’, ii. 169.
‘Job’, iii. 330.
Jocasta, iii. 30, =320=.
‘Joconda and Astolso’, iii. 304.
Johan, Kinge, i. 241, 245; iii. 22; iv. 79.
Johan Johan, ii. 30; iii. 23.
Johan the Evangelist, iii. 22.
John, King, ii. 194; iii. =483=; iv. 24, 246.
John. _See_ Troublesome Reign.
John a Kent and John a Cumber, iii. =446=; iv. 32, 33.
John and Matilda, iii. 447.
John Baptist, i. 241.
‘John of Gaunt’, iv. =401=.
_Joseph_, iii. 18.
‘Joseph’s Afflictions’, iv. =401=.
_Josephus Jude von Venedig_, ii. 145, 147, 286.
‘Joshua’, ii. 180.
‘Judas’ (1600), ii. 173, 178.
‘Judas’ (1601), ii. 178.
‘_Jude_’, ii. 281.
Judith (fr. tr.), iv. =24=.
‘Jugurtha’, ii. 171.
‘Julian the Apostate’ (Anon.), ii. 144.
‘Julian the Apostate’ (Ashton), iii. 210.
_Julio und Hyppolita_, ii. 145, 285; iii. 301.
Julius Caesar (Alexander), iii. =209=.
Julius Caesar (Shakespeare), ii. 203, 217, 286, 365; iii. =486=, 509; iv. 33, 54, 127, 180.
_Juvenis_, _Pater_, _Uxor_, iii. 351.
K
Kenilworth Entertainment, iv. =61=.
King and No King, iii. =225=; iv. 125, 127, 177, 180.
King of Denmark’s Entertainment, iv. =70=.
‘King of Fairies’, iv. 236, 241.
‘King of Scots’, iii. 432; iv. 84, 144.
Knack to Know a Knave, iv. =24=.
Knack to Know an Honest Man, iv. =24=.
‘1, 2 Knaves’, ii. 244; iv. 127, 180.
‘Knight in the Burning Rock’, ii. 98; iv. 96, 155.
‘Knight of Rhodes iii. 462; iv. 47.
Knight of the Burning Pestle, iii. 151, =220=, 237; iv. 36.
‘Knot of Fools’, iv. 127, 180.
‘_König aus Arragona_’, ii. 286; iii. 327.
‘_König aus Engelandt und Goltschmitt Weib_’, ii. 281.
‘_König in Dennemark und König in Schweden_’, ii. 286.
‘_König in Spanien und Vice Roy in Portugall_’, ii. 286.
‘_König Ludwig und König Friedrich von Ungarn_’, ii. 281.
‘_König von Khipern und Herzog von Venedig_’, ii. 281, 286.
_Königes Sohne aus Engellandt und Königes Tochter aus Schottlandt_, ii. 281, 285, 286.
L
Labyrinthus, iii. =336=.
‘Lady Amity’, iii. 215.
‘Lady Barbara’, ii. 96; iv. 87, 146.
1, 2 Lady Jane. _See_ Sir Thomas Wyatt.
Lady of May (show), i. 124; ii. 89; iii. =491=.
Laelia, iii. 212; iv. 53, =375=.
‘Late Murder of the Son upon the Mother’, iii. 512.
Law Tricks, iii. =285=.
Leander, iii. =336=.
Lear, King, ii. 212, 286; iii. =488=, 499; iv. 25, 48, 121.
Leire, King, ii. 202; iv. =25=, 48.
_Lena_, iii. 11.
Liberality and Prodigality, iii. 145; iv. 26.
Life and Repentance of Mary Magdalene, iii. 25, =503=; iv. 194.
‘Like Quits Like’, iii. 267.
‘Like unto Like’ (1600), ii. 133; iv. 16.
Like will to Like (_c._ 1568), ii. 14; iii. 24, =317=; iv. 16.
Lingua, iii. =497=.
_Lisandre et Caliste_, iii. 16.
Little Thief. _See_ Nightwalker.
Locrine, iii. 232; iv. =26=, 44, 46.
‘London Against the Three Ladies,’ iii. 515; iv. 216.
‘1, 2 London Florentine’, ii. 180–1.
‘London Merchant’, iii. 315.
London Maid. _See_ Thorny Abbey.
London Prodigal, iv. =27=.
London’s Love to Prince Henry, iv. =72=.
‘1 Long Meg of Westminster’, ii. 147, 190.
‘Longshanks’, ii. 144, 181; iii. 461.
‘Longsword, Sir William’, i. 320; ii. 170.
Look About You, iv. =28=.
Looking Glass for London and England, ii. 280, 296; iii. =328=.
Lords’ Mask, i. 173; iii. =241=.
Love and Fortune, ii. 118; iii. 45; iv. =28=, 99, 159.
‘Love and Self-Love’ (show), iii. 212, 306.
Love Feigned and Unfeigned, iv. =28=.
Love Freed from Ignorance and Folly (mask), i. 173; iii. =386=; iv. 125.
Love Lies Bleeding. _See_ Philaster.
‘Love of a Grecian Lady’, ii. 146; iii. 462.
‘Love of an English Lady’, ii. 143.
‘Love Parts Friendship’, ii. 179; iii. 266; iv. 50.
‘Love Prevented’, ii. 166; iii. 467.
Love Restored (mask), i. 173; iii. =387=; iv. 35, 58, 125.
Love’s Cure, iii. =231=.
Love’s Labour’s Lost, ii. 194, 211; iii. 260, =482=; iv. 119, 139, 172, 246.
‘Love’s Labour’s Won’, ii. 197; iii. 489; iv. 246.
Love’s Metamorphosis, iii. 34, 145, =416=.
Love’s Mistress, iii. 346.
Lovesick King, iii. =237=.
‘Loyalty and Beauty’, ii. 35; iv. 96, 155.
_Lucidi_, iii. 13.
‘Lud, King’, ii. 95.
‘_Ludovico, ein König aus Hispania_’, ii. 284.
‘Lustie London’, iii. 470.
Lust’s Dominion, iii. =427=.
Lusty Juventus, iii. 22; iv. 380.
M
Macbeth, i. 126; ii. 212, 215, 269; iii. 332, 438, 439, =488=, 498.
‘Machiavel’ (1592), ii. 122; iii. 272.
‘Machiavel and the Devil’ (1613), i. 374; ii. 252; iii. 272.
Machiavellus, iv. =376=.
‘Mack’, ii. 143; iii. 299.
Mad World, my Masters, iii. 143, =439=.
‘Madman’s Morris’, ii. 166.
‘Madon King of Britain’, iii. 233.
‘Mahomet’, ii. 146, 180; iii. 327; iv. 47.
‘Mahomet’s Poo’, iii. 327, 460, 462.
Maidenhead Well Lost, iii. 347.
‘Maiden’s Holiday’, iii. 289, =427=.
Maid’s Metamorphosis, ii. 20; iii. 136; iv. =29=.
Maid’s Tragedy, iii. =224=; iv. 127, 180, 371.
‘Malcolm King of Scots’, ii. 179.
Malcontent, iii. 147, =431=; iv. 23.
‘Mamillia’, ii. 89; iv. 89, 147.
‘Mandeville’, ii. 122–3; iv. 12.
‘Manhood and Misrule’, iv. =402=.
Mankind, iv. 37.
‘Man’s Wit’, iv. 241.
_Marc Antoine_, iii. 337.
‘Marcus Geminus’, i. 128.
Mariam, iii. 247.
Marius and Sulla. _See_ Wounds of Civil War.
‘Marquis d’Ancre’, i. 327; iii. 511.
Marriage between Wit and Wisdom, iii. =437=.
Marriage of Frederick and Elizabeth (shows), iv. =73=.
‘Marriage of Mind and Measure’, ii. 15; iii. 437; iv. 96, =154=.
Marriage of Wit and Science, iv. =29=.
‘Marshal Osric’, ii. 227; iii. 341.
‘_Märtherin Dorothea_’, ii. 286.
Martial Maid. _See_ Love’s Cure.
‘Martin Swart’, ii. 144.
Mary Magdalene. _See_ Life and Repentance.
Mask of Heroes, ii. 245.
Massacre at Paris, i. 323; ii. 123, 146; iii. =425=.
Match at Midnight, iii. =474=.
Match Me in London, iii. =297=.
‘Match or No Match’, iii. 472.
May Day, iii. 147, =256=.
‘May Lord’, iii. 374.
Mayor of Quinborough, iii. =442=.
Measure for Measure, ii. 211; iii. =487=; iv. 119, 171.
Medea (tr.), iii. =478=.
‘Medicine for a Curst Wife’, ii. 179, 227.
Melanthe, i. 131; iii. =238=.
Meleager, i. 129; iii. 32, =318=; iv. 30.
Meleager (argument), ii. 18; iv. =30=.
‘_Melone König aus Dalmatia_’, ii. 284.
_Menaechmi_, iii. 4, 5, 20.
Menaechmi (tr.), iii. =505=.
_Menechmes_, iii. 17.
‘Merchant of Emden’, ii. 143.
Merchant of Venice, ii. 195, 211, 283, 286; iii. 301, =484=; iv. 30, 53, 119, 172, 246.
Mercury Vindicated from the Alchemists (mask), i. 174; iii. =389=; iv. 130.
‘Merry as May Be’, ii. 180.
Merry Devil of Edmonton, iv. 12, =30=, 36, 127, 180.
Merry Wives of Windsor, ii. 64, 204, 211; iii. 185, =486=; iv. 30, 53, 119, 171.
Messallina, ii. 519.
Metropolis Coronata (show), i. 137; iii. =449=.
Michaelmas Term, iii. 143, =440=.
Midas, ii. 18; iii. 34, =416=; iv. 104.
Middle Temple and Lincoln’s Inn Mask. _See_ Chapman’s Mask.
Midsummer Night’s Dream, i. 124; ii. 117, 194; iii. =483=; iv. 36, 109, 118, 246.
_Miles Gloriosus_, i. 75; ii. 72; iii. 5, 20; iv. 3, 82.
‘Miller’, ii. 168; iii. 407.
Minds (tr.), iv. =31=.
‘Mingo’, ii. 89.
Miseries of Enforced Marriage, iii. =513=; iv. 55.
Misfortunes of Arthur, iii. 30, =348=; iv. 103.
Misogonus, iii. 24; iv. =31=.
Moll Cut-Purse. _See_ Roaring Girl.
Monsieur d’Olive, iii. 146, =252=.
Monsieur Thomas, iii. =228=.
Montague Mask, iii. 321.
More, Sir Thomas, i. 321; iv. 21, =32=.
‘Mortimer’, iii. 425.
Mother Bombie, iii. 34, =416=.
‘Mother Redcap’, ii. 166.
‘Mother Rumming’, iv. =402=.
Mountebanks Mask, iii. 240, 435.
Mucedorus, i. 328; ii. 286; iii. 271; iv. 12, 30, =34=.
Much Ado About Nothing, ii. 197, 217, 300, 312; iii. =485=; iv. 16, 127, 180.
Mulleasses. _See_ Turk.
‘Mulmutius Dunwallow’, ii. 170.
‘Muly Mollocco’, ii. 122–3; iii. 460.
‘Murderous Michael’, ii. 93; iv. 4, 96, 155.
Mustapha, iii. =331=.
‘Mutius Scaevola’, ii. 35, 63; iv. 91, 151.
N
‘Narcissus’ (1572), iv. 87, 146.
Narcissus (1603), iv. =36=.
‘Nebuchadnezzar’, ii. 144.
Necromantes, iii. =464=.
Nero (Anon.), iv. 5.
Nero (Gwynne), iii. =332=.
‘Netherlands’, iv. =402=.
New Custom, iv. =36=.
New Wonder, A Woman Never Vexed, iii. =474=.
‘New World’s Tragedy’, ii. 144.
Nice Wanton, iii. 23.
Nightwalker, iii. =230=.
‘Niniveh’s Repentance’, iv. =402=.
‘Ninus and Semiramis’, iv. =402=.
No Wit, no Help, like a Woman’s, iii. =441=.
Noble Soldier, iii. 288, =300=.
‘Nobleman’, iii. =500=; iv. 126, 127, 178, 180.
Nobody and Somebody, iv. =37=.
Northern Man. _See_ Too Good to be True.
Northward Ho! iii. 141, 286, =295=.
‘Nugize’, iv. 37.
O
Oberon (mask), i. 173; iii. =385=; iv. 35, 58, 125.
Octavia (tr.), iii. =478=.
Oedipus (fr.), iii. =319=.
Oedipus (tr.), iii. =477=.
Old Fortunatus, ii. 281, 286; iii. =290=; iv. 112.
Old Law, iii. =438=.
Old Wive’s Tale, iii. 48, 329, =461=.
1, ‘2’ Oldcastle, ii. 6, 171, 218; iii. =306=.
‘Olympo’, ii. 143; iii. 344.
_Oration of Gwgan and Poetry_ (Welsh), iii. =457=.
Orestes. _See_ Horestes.
‘Orestes Furious’. _See_ ‘Agamemnon’.
Orlando Furioso, i. 378; ii. 286; iii. 325, =329=, 461, 472.
‘Orphans’ Tragedy’, ii. 173, 179; iii. 518.
‘Ortenus’, iv. =402=.
‘Osric’, ii. 147.
Othello, ii. 207, 211, 215, 217; iii. 112, =487=; iv. 68, 119, 127, 138, 171, 180, 371.
Overthrow of Rebels. _See_ Sir Thomas Wyatt.
‘Owen Tudor’, ii. 173.
‘Owl’, ii. 253; iii. 233, 272.
P
‘Page of Plymouth’, ii. 171.
‘Painful Pilgrimage’, iv. 84, 144.
‘Painter’s Daughter’, ii. 98; iv. 93, 151.
‘Palamon and Arcite’ (Anon.), ii. =143=.
‘Palamon and Arcite’ (Edwardes), i. 128; iii. =311=.
_Pammachius_, i. 241.
_Pandoste_, iii. 16–17.
‘Panecia’, ii. 88; iv. 91, 149.
Panniculus Hippolyto Assutus, iii. =319=.
‘Paradox’, ii. 144.
Parasitaster. _See_ Fawn.
Pardoner and Frere, ii. 30; iii. 22.
‘Paris and Vienna’, ii. 75; iv. 87, 146.
Parliament of Bees (dialogues), iii. =287=, 299, 300.
1, 2, 3 Parnassus, i. 381, 385; iv. =38=.
Parthenia, iv. =376=.
Pasquill and Katherine. _See_ Jack Drum’s Entertainment.
‘Passion of Christ’, iii. 211.
Pastor Fido (tr.), iv. =40=.
Pastor Fidus (tr.), iv. =376=.
Pastoral Dialogue, iii. =492=.
‘Pastoral Tragedy’, ii. 170.
Pathomachia, iii. 499.
Patient Grissell (Dekker), ii. 286; iii. =292=.
Patient Grissell (Phillip), iii. 38, =465=.
Pedantius, iv. 49, 238, =376=.
Pedlar’s Prophecy, iv. =41=.
Penates. _See_ Highgate Entertainment.
_Penulus_, iii. 5.
Perfidus Etruscus, iv. 377.
Periander. _See_ Christmas Prince.
Pericles, ii. 213; iii. =488=, 513; iv. 41.
‘Perseus and Andromeda’, ii. 76; iv. 88, 90, 146, 148.
‘Phaethon’, ii. 164, 166, 178; iii. 300.
‘Phedrastus’, ii. 93; iv. 91, 149.
‘Phigon and Lucia’, ii. 93; iv. 91, 149.
Philaster, or, Love Lies Bleeding, iii. =222=, 224; iv. 127, 180.
‘Philemon and Philecia’, ii. 88; iv. 90, 148.
‘Philenzo and Hypollita’, ii. 145; iii. 301.
‘Philip of Spain’, ii. 181; iii. 343.
‘Philipo and Hippolito’, ii. 143; iii. 300.
Phillis and Amyntas (tr.), iii. =316=.
‘_Philole und Mariana_’, ii. 289; iii. 418.
Philomathes. _See_ Christmas Prince.
Philomela. _See_ Christmas Prince.
Philotas (Daniel), i. 326; iii. 150, =275=.
‘Philotas’ (Lateware), iii. 275.
Philotus, iv. =41=.
‘Phocas’, ii. 144, 167.
_Phoenissae_, iii. 321.
Phoenix, iii. 143, =439=; iv. 118.
_Phormio_, ii. 11; iii. 20.
Phormio (tr.), iii. =236=.
‘Phyllida and Corin’, ii. 106; iv. 101, 160.
Physiponomachia, iv. 377.
‘Pierce of Exton’, ii. 167.
‘Pierce of Winchester’, ii. 169.
Pinner of Wakefield. _See_ George a Greene.
‘Plays and Pastimes’, i. 257; ii. 394; iv. 217.
Pleasant Dialogues and Dramas, ii. 448; iii. =346=.
Poetaster, i. 380–1, 384; ii. 43; iii. 146, 293, =364=, 430; iv. 21, 372.
Polyhymnia (tilt), i. 145; iii. =402=.
‘Pompey’, ii. 15, 394; iv. 97, 158.
‘Pontius Pilate’, ii. 168, 180.
Poor Man’s Comfort, iii. =271=.
‘Poor Man’s Paradise’, ii. 173.
‘Pope Joan’, ii. 122.
_Porcie_, iii. 397.
‘Portio and Demorantes’, ii. 93; iv. 97, 156.
‘Practice of Parasites’, iv. 206.
‘Praise at Parting’, iv. 214.
‘Predor and Lucia’, ii. 88; iv. 89, 147.
‘Pretestus’, ii. 97; iv. 91, 149.
Prince Henry’s Barriers, iii. =393=.
Princely Pleasures at Kenilworth. _See_ Kenilworth Entertainment.
Prodigal Child (fr.), iii. 445.
‘Prodigality’, iv. 26, 84, 144.
‘Progne’, i. 129; iii. 239.
_Progne_, iii. 239.
Progress of James I from Scotland, iv. =68=.
Promos and Cassandra, iii. 29, =512=; iv. 201.
Prophetae, i. 241.
Prophetess, iii. 298.
Proteus (mask). _See_ Gesta Grayorum.
‘Proud Maid’s Tragedy’, iii. 441; iv. 126, 178.
Psyche et Filii ejus, iv. =377=.
‘Ptolome’, ii. 380; iv. 204.
Puritan, i. 262; iii. 143; iv. =41=, 249.
_Pyrame et Thisbée_, iii. 16–17.
‘_Pyramo und Thisbe_’, ii. 283.
‘Pythagoras’, ii. 144, 167.
Q
‘Queen’, iv. =402=.
‘Queen of Ethiopia’, ii. 135.
Queens (mask), i. 173; iii. =382=; iv. 123.
Queen’s Arcadia, i. 131; iii. 227, =276=, 373.
‘Quintus Fabius’, ii. 63; iv. 89, 148.
R
Ralph Roister Doister, ii. 14, 70, 74; iii. 27; iv. 188.
Ram Alley, iii. =215=; iv. 16.
‘Randulf Earl of Chester’, ii. 180; iii. 446.
‘Ranger’s Comedy’, ii. 96, 114, 140, 146.
Rape of Lucrece, iii. =343=; iv. 126, 178.
‘Rape of the Second Helen’, ii. 93; iv. 96, 154.
Rare Triumphs of Love and Fortune. _See_ Love and Fortune.
‘Raymond Duke of Lyons’, ii. 248; iv. 127, 181.
‘Re Vera’, iii. 476.
‘Red Knight’, ii. 93.
‘_Reich Mann und arme Lazarus_’, ii. 281, 286.
_Rencontre_, iii. 13.
Revenge for a Father. _See_ Hoffman.
Revenge for Honour, iii. 260.
Revenge of Bussy D’Ambois, iii. =258=.
Revenger’s Tragedy, iv. =42=, 45.
1 Richard II (_c._ 1592), iv. =42=.
Richard II, i. 220, 325; ii. 194, 204, 270; iii. =484=; iv. 43, 246.
‘Richard II’ (1611), ii. 216.
‘Richard III’ (Rowley), iii. 472.
Richard III (Shakespeare), ii. 95, 130, 202, 448; iii. =481=; iv. 44, 246.
Richard III. _See_ True Tragedy.
‘Richard Crookback’, ii. 179.
Richard Duke of York. _See_ Contention of York and Lancaster.
‘Richard the Confessor’, ii. 95.
‘Richard Whittington’, ii. 189; iv. =402=.
Richardus Tertius, iii. =408=; iv. 238, 246.
Rivales, i. 129, 251; iii. =319=.
Roaring Girl, ii. 439; iii. =296=; iv. 254.
Robert Laneham’s Letter. _See_ Kenilworth Entertainment.
‘Robert II, or, The Scot’s Tragedy’, ii. 171.
‘Robin Goodfellow’, iii. 279.
‘Robin Goodfellow’ (forgery), iii. 267.
1, 2 Robin Hood, ii. 6; iii. =446=.
Robin Hood (May game), iv. =44=.
‘Robin Hood and Little John’, iii. 447; iv. =402=.
‘Robin Hood’s Pennyworths’, ii. 178.
‘Roderick’, ii. 133.
Romeo and Juliet, ii. 194, 196, 203, 283, 286, 403; iii. 51, 58, 59, 66, 83, 94, 98, 99, 200, =483=; iv. 246.
Romeus et Julietta, iv. =378=.
Roxana, ii. 519; iii. =208=.
Royal King and Loyal Subject, iii. =341=.
‘Royal Widow of England’, ii. 46.
Ruff, Cuff and Band, iv. =44=.
‘Rufus I’, iv. =403=.
Running Stream Entertainment, iii. =443=.
Rycote Entertainment, iv. =66=.
S
‘Sackful of News’, ii. 444; iv. =403=.
Sad Shepherd (fr.), iii. 374.
S. Albanus Protomartyr. _See_ Britanniae Primitiae.
‘Samson’ (1567), ii. 380.
‘Samson’ (1602), ii. 180, 367.
‘Samson’ (_c._ 1607), iii. 120.
Sapho and Phao, ii. 17, 39; iii. 33, =414=; iv. 100.
Sapientia Solomonis, ii. 74; iv. =378=.
‘Sarpedon’, ii. 93; iv. 97, 157.
Satiromastix, i. 381; iii. 141, 253, =293=, 353, 364–6; iv. 21, 40, 47.
Saturnalia. _See_ Christmas Prince.
Satyr. _See_ Althorp Entertainment.
‘Scipio Africanus’, ii. 15; iv. 97, 156.
‘Scogan and Skelton’, ii. 178.
Scornful Lady, iii. =229=; iv. 371.
‘Scot’s Tragedy’. _See_ Robert II.
Scourge of Simony. _See_ Parnassus.
Scyros, i. 131; iii. =238=; iv. 127.
Sea Feast. _See_ Aphrodysial.
‘Sebastian of Portugal’, ii. 178.
Second Maiden’s Tragedy, i. 321; iii. 224; iv. =45=.
Sejanus, i. 327; iii. 255, =366=, 433.
‘Self Love’, ii. 83.
Selimus, iv. 27, =46=.
‘Set at Maw’, ii. 143; iii. 297.
‘Set at Tennis’, ii. 177, 180; iii. 448; iv. 14.
‘1, 2 Seven Days of the Week’, ii. 144.
Seven Days of the Week. _See_ Christmas Prince.
Seven Deadly Sins, ii. 107, 122, 125; iii. =496=; iv. 33.
‘Seven Wise Masters’, ii. 171.
‘She Saint’, ii. 253.
‘Shepherd’s Song’ (show), iii. 313.
Shoemaker a Gentleman, iii. =473=.
Shoemaker’s Holiday, iii. =291=; iv. 112.
Shore. _See_ Edward IV.
‘Short and Sweet’, iii. 516; iv. 206.
Sicelides, i. 131; iii. =315=.
_Sidonia und Theagenes_, ii. 285.
‘Siege of Dunkirk and Alleyn the Pirate’, ii. 181.
‘Siege of Edinburgh Castle’, iii. 283.
‘Siege of London’, ii. 146.
Silent Woman. _See_ Epicoene.
Silvanus, iv. =378=.
Silver Age, ii. 286; iii. 109, =344=; iv. 126, 178.
‘Silver Mine’, ii. 53.
‘Singer’s Voluntary’, ii. 177, 180; iii. 492.
Sir Clyomon and Clamydes. _See_ Clyomon and Clamydes.
Sir Giles Goosecap. _See_ Goosecap.
‘Sir John Mandeville’. _See_ ‘Mandeville’.
Sir John Oldcastle. _See_ Oldcastle.
Sir John van Olden Barnevelt. _See_ Van Olden Barnevelt.
Sir Thomas More. _See_ More.
Sir Thomas Wyatt. _See_ Wyatt.
‘Sir William Longsword’. _See_ ‘Longsword’.
‘1, 2 Six Clothiers’, ii. 178–9.
‘Six Fools’, iv. 84, 144.
‘Six Yeomen of the West’, ii. 162, 178.
‘Soldan and the Duke of ----’, ii. 118; iv. 97, 157.
Soliman and Perseda, iv. 28, =46=.
‘Solitary Knight’, ii. 134; iv. 91, 152.
‘Solomon and Queen of Sheba’ (mask), i. 172; iv. 121.
Solymannidae, iv. =378=.
Somnium Fundatoris. _See_ Christmas Prince.
Sophonisba, iii. 148, =433=.
_Sophonisbe_, iii. 13.
Spaniard’s Night-Walk. _See_ Blurt Master Constable.
‘Spanish Comedy’, ii. 122.
‘Spanish Fig’, ii. 179; iii. 300.
‘Spanish Maze’, iv. 119, 137, 172.
‘Spanish Moor’s Tragedy’, ii. 173; iii. 427.
Spanish Tragedy, ii. 279, 286; iii. =395=; iv. 23, 46, 253.
_Speculum Aestheticum_, iii. 498.
‘Spencers’, ii. 163, 169; iii. 425.
_Spiritata_, iii. 352.
Squires (mask), i. 173; iii. =245=.
‘Stephen’, iii. 489.
‘Stepmother’s Tragedy’, ii. 171.
‘Stewtley’, iv. 47.
‘Strange News out of Poland’, ii. 171; iii. 465.
_Studentes_, iii. 351.
Stukeley, Captain Thomas, iv. =47=.
‘Sturgflattery’, ii. 132, 168.
Sudeley Entertainment, iv. =66=.
Suffolk and Norfolk Entertainment, iv. =62=.
Summer’s Last Will and Testament, iii. 35, 427, =451=; iv. 52.
Sun’s Darling, iii. =299=.
Supposes (tr.), iii. 27, =321=.
_Suppositi_, iii. 9, 321.
‘Susanna’, iii. =319=.
_Susanna_, ii. 275, 283–4.
Susenbrotus, i. 131; iv. 130, =378=.
Swetnam the Woman Hater Arraigned by Women, ii. 448.
_Sylvanaire_, iii. 16.
T
Tale of a Tub, iii. 373.
‘1, 2 Tamar Cham’ (plot), ii. 122–3, 126, 144, 181; iv. =47=.
1, 2 Tamburlaine, iii. =421=; iv. 15, 24, 44, 48, 52.
Tamer Tamed. _See_ Woman’s Prize.
Taming of A Shrew, ii. 130, 193, 311; iii. 324, 423, 472; iv. =48=.
Taming of The Shrew, ii. 193, 197, 200, 202; iii. 222, =482=; iv. 48.
Tancred and Gismund, iii. 30, =514=; iv. 27.
‘Tancredo’, iii. =517=.
‘Tanner of Denmark’, ii. 122.
‘Tartarian Cripple’, iv. =403=.
‘Tasso’s Melancholy’, ii. 143, 181.
‘Telomo’, ii. 89; iv. 99, 159.
Temperance and Humility, iv. 1.
Tempest, ii. 216, 217; iii. 360, 373, =489=; iv. 125, 127, 177, 180.
‘Terminus et non Terminus’, iii. 450, 453.
Tethys’ Festival (mask), i. 173; iii. =281=; iv. 72, 124.
‘That Will Be Shall Be’, ii. 144.
‘Theagenes and Chariclea’, iv. 88, 146.
‘The Blind Eats Many a Fly’, ii. 227.
‘The Buck is a Thief’, iii. 232.
The Case is Altered, iii. =357=.
The Devil is an Ass, iii. =373=; iv. 30.
The Hog hath Lost his Pearl, iii. =496=.
The Longer Thou Livest, the More Fool Thou Art, iii. =504=.
The Tide Tarrieth No Man, iii. =505=.
The Weakest Goeth to the Wall, iii. 503; iv. =52=.
‘The Woman is too Hard for Him’, iii. 222.
‘The World Runs on Wheels’, ii. 169; iii. 252.
Thebais (tr.), iii. 478.
Thenot and Piers (show), i. 124; iii. =337=.
Theobalds Entertainment (1591), iii. =247=.
Theobalds Entertainment (1594), iii. =248=.
Theobalds Entertainment (1607), i. 126; iii. =392=.
Thersites, iii. 24.
Thierry and Theodoret, iii. =230=.
Thomas Lord Cromwell. _See_ Cromwell.
‘Thomas Merry’, ii. 171; iii. 518.
Thorny Abbey, iii. 506.
Thracian Wonder, iv. =49=.
‘Three Brothers’, ii. 227.
Three Ladies of London, ii. 380; iii. 25, =515=; iv. 217.
Three Lords and Three Ladies of London, iii. =515=.
‘Three Plays in One’, ii. 106; iii. 497; iv. 101, 160.
‘Three Sisters of Mantua’, ii. 98; iv. 95, 154.
Thyestes (tr.), iii. =477=.
Tilbury Visit, iv. =64=.
Time Triumphant. _See_ Progress of James I.
Time’s Complaint. _See_ Christmas Prince.
‘Time’s Triumph and Fortune’s’, ii. 147; iii. 346.
‘Timoclea at the Siege of Thebes by Alexander’, ii. 76; iv. 90, 148.
Timon, iv. =49=.
Timon of Athens, ii. 213; iii. 260, =488=, 513.
‘Tinker of Totnes’, ii. 144.
‘’Tis Good Sleeping in a Whole Skin’, iii. 505.
‘’Tis no Deceit to Deceive the Deceiver’, ii. 163, 170.
Titirus and Galathea. _See_ Galathea.
_Tito Andronico_, ii. 285.
‘Titus and Gisippus’, ii. 15; iv. 91, 152.
‘Titus and Vespasian’, ii. 122–3, 129–30, 202.
Titus Andronicus, ii. 122, 126, 129–30, 193, 202; iii. =482=; iv. 246.
‘Tobias’, ii. 179.
‘2 Tom Dough’, ii. 179.
Tom Tyler and his Wife, iii. 27; iv. =50=.
Tomumbeius, iv. =379=.
‘Too Good to be True’, ii. 162, 179; iii. 266.
‘Tooley’, ii. 134; iv. 93, 151.
‘Torrismount’, ii. 65.
‘Toy to Please Chaste Ladies’, ii. 144.
_Tragedia del Libero Arbitrio_, iii. 263.
‘Transformation of the King of Trinidadoes Daughters’, iii. 268.
_Trappolaria_, iii. 476.
Travels of the Three English Brothers, ii. 446; iii. 117, 221, =286=.
Tres Sibyllae (show), i. 126, 130; iii. 332.
Trial of Chivalry, iii. 266, 495; iv. =50=.
Trial of Treasure, iv. =51=.
‘Triangle of Cuckolds’, ii. 166.
Trick to Catch the Old One, iii. 143, =439=; iv. 123.
_Trinummus_, iii. 5.
‘Tristram of Lyons’, ii. 170.
Triumphs of Truth (show), i. 137; iii. =443=.
Triumphs of Reunited Britannia (show), i. 137; iii. =448=.
Troas (tr.), iii. =477=.
Troilus and Cressida, ii. 207; iii. =487=; iv. 19, 40.
Troilus and Cressida (plot), ii. 158, 169, 170; iv. =51=.
Troja Nova Triumphans (show), i. 137; iii. =305=.
Troublesome Reign of King John, ii. 202; iv. =23=.
‘Troy’, ii. 144; iii. 345.
‘Troy’s Revenge and the Tragedy of Polyphemus’, ii. 163, 169.
True Tragedy of Richard Duke of York. _See_ Contention of York and Lancaster.
True Tragedy of Richard III, ii. 108; iv. 4, =43=.
‘Truth, Faithfulness, and Mercy’, ii. 75; iv. 89, 147.
‘Truth’s Supplication to Candlelight’, ii. 173; iii. 296.
_Tugend- und Liebesstreit_, ii. 147.
‘_Turcke_’, ii. 289; iii. 435.
‘Tumholt’, i. 322.
Turk, ii. 289; iii. =435=.
‘Turkish Mahomet and Hiren the Fair Greek’, iii. 327, =462=.
Twelfth Night, i. 222; ii. 207; iii. =487=; iv. 53, 376.
‘Twelve Labours of Hercules’, iv. 241.
Twelve Months (mask), i. 173; iv. =58=.
‘Twins’ Tragedy’, iv. 125, 127, 178, 180.
1, ‘2’ Two Angry Women of Abingdon, iii. =467=.
Two Gentlemen of Verona, ii. 194, 285; iii. =483=; iv. 246.
Two Italian Gentlemen. _See_ Fedele and Fortunio.
Two Lamentable Tragedies, iii. 266, =518=.
Two Maids of Moreclack, iii. =210=.
‘Two Merry Women of Abingdon’, ii. 170.
Two Noble Kinsmen, ii. 217; iii. =226=, 311, 373.
‘Two Shapes’. _See_ ‘Caesar’s Fall’.
‘Two Sins of King David’, iv. =403=.
Two Supposed Heads. _See_ Necromantes.
Two Tragedies in One. _See_ Two Lamentable Tragedies.
Two Wise Men and All the Rest Fools, iii. 260.
‘Tyrant’, iv. 45.
U
Ulysses and Circe (mask), i. 174; iii. =238=.
Ulysses Redux, i. 251; iii. =318=; iv. 245.
‘Unfortunate General’, ii. 227.
‘_Ungehorsam Khauffmanns Sohn_’, ii. 284.
‘Uther Pendragon’, ii. =144=; iii. 475.
V
‘Valentine and Orson’, ii. 166; iv. =403=.
Valentinian, iii. =229=.
Valiant Welshman, iv. =51=.
Van Olden Barnevelt, i. 321, 327.
‘Vanity’, iii. 178.
‘Vayvode’, ii. 170.
‘Venetian Comedy’, ii. 143; iii. 301.
‘Verity’. _See_ ‘Re Vera’.
_Verlorne Sohn_, ii. 281, 284, 285–6.
‘Vertumnus’. _See_ ‘Alba’.
Vertumnus, sive, Annus Recurrens, i. 130; iii. =332=.
_Victoria_, iii. 31, =316=.
Vincentio and Margaret. _See_ Gentleman Usher.
_Vincentius Ladislaus_, ii. 276, 284.
Virgin Martyr, ii. 286; iii. =298=.
Virtuous Octavia, iii. =236=.
Vision of the Twelve Goddesses (mask), i. 171; iii. =277=; iv. 118.
Volpone, iii. 286, =368=, 432; iv. 16, 36, 248, 371.
‘Vortigern’, ii. 144, 180; iii. 442.
W
‘War without Blows and Love without Suit’, ii. 169; iv. 49.
‘Warlamchester’, ii. 146.
Warning for Fair Women, ii. 434; iv. =52=.
Wars of Cyrus King of Persia, iii. 311; iv. =52=.
Wealth and Health, ii. 22; iv. 380.
‘Welshman’, ii. 147; iv. 51.
‘Welshman’s Prize’, ii. 166; iii. 307.
Westward Ho! iii. 141, 256, 286, =295=.
‘What Mischief Worketh in the Mind of Man’, ii. 104.
What You Will, i. 381; iii. 140, 293, =430=.
What You Will. _See_ Twelfth Night.
When You See Me, You Know Me, iii. =472=.
White Devil, iii. =509=.
Whore of Babylon, iii. =296=.
Widow, iii. =442=.
Widow of Watling Street. _See_ Puritan.
‘Widow’s Charm’, ii. 181.
Widow’s Tears, ii. 367; iii. 147, =256=; iv. 127, 181.
‘Will of a Woman’. _See_ ‘Isle of a Woman’.
‘William Cartwright’, ii. 181.
‘William the Conqueror’, ii. 95; iv. 12.
Wily Beguiled, iii. 136, 472; iv. =53=.
Winter’s Tale, ii. 215, 216, 217, 286; iii. 373, =489=; iv. 125, 127, 177, 180.
Wisdom of Doctor Dodipoll, iii. 136; iv. =54=.
‘Wise Man of West Chester’, ii. 143, 180; iii. 446.
Wise Woman of Hogsdon, iii. =342=; iv. 20.
Wit and Science, ii. 11.
‘Wit and Will’, iv. 30, 84, 144.
Wit and Wisdom, iii. 24.
Wit at Several Weapons, iii. =232=.
Wit of a Woman, iv. =54=.
Wit without Money, iii. =229=.
Witch of Edmonton, iii. =298=.
‘Witch of Islington’, ii. 147.
‘Witless’, iv. =404=.
‘Woman Hard to Please’, ii. 144; iii. 467.
Woman Hater, i. 327; iii. 143, =219=.
Woman in the Moon, iii. 46, =416=.
Woman Killed with Kindness, iii. =341=, 342.
Woman’s Prize, iii. =222=; iv. 33.
‘Woman’s Tragedy’, ii. 163, 167.
Wonder of a Kingdom, iii. 288, =299=.
‘Wonder of a Woman’, ii. 144; iii. 433, 474.
Wonder of Women. _See_ Sophonisba.
Woodstock Entertainment (1575), iii. =400=.
Woodstock Entertainment (1592), iii. =404=.
‘Wooer’, iii. 470.
‘Wooing of Death’, ii. 173.
Work for Cutlers, iv. =54=.
‘World’s Tragedy’, ii. 144.
‘Worse Afeared than Hurt’, ii. 169.
Wounds of Civil War, iii. =410=.
Wyatt, Sir Thomas, iii. =293=.
‘Wylie Beguylie’, iv. 53.
X
‘Xerxes’, ii. 63; iv. 91, 149.
Y
‘Yorkshire Gentlewoman and her Son’, iii. 260.
Yorkshire Tragedy, iii. 231; iv. =54=.
Your Five Gallants, iii. 150, =440=.
Youth, iii. 23; iv. 380.
Yuletide. _See_ Christmas Prince.
Z
Zelotypus, iv. =379=.
‘Zenobia’, ii. 122.
‘_Zerstörung der Stadt Constantinopel_’, ii. 289–90; iii. 462.
‘_Zerstörung der Stadt Troja_’, ii. 289; iii. 345.
INDEX II: OF PERSONS
A
Abercrombie, Mr., iii. 388.
Abergavenny (title). _See_ Neville.
Acton, Richard, iii. 402.
Adams, Robert, ii. 343.
Agrippa, Henry Cornelius, on plays, iv. 195.
Alamanni, Luigi, iii. 13.
Alasco, Count Albert of, i. 129; iii. 318; iv. 100.
Alberghini, Angelica, ii. 263.
Alberti, Leo Battista, iii. 2.
Alençon, François, Duke of, also Duke of Anjou, i. 5, 16, 22, 90, 167; iv. 96, 98.
Alexander, Robert, iii. 402; iv. 64.
Allde, John, stationer, iii. 444.
Allen, Giles, ii. 385, 398.
Allen, John, musician, i. 201; iii. 246, 383.
Allen, Sir William, ii. 401.
Alley, William, iii. 209; on plays, i. 244; iv. 192.
Andreae, Joannes Valentinus, i. 344.
Anhalt-Cöthen, Louis Prince of, ii. 360.
Anne of Denmark, Queen, i. 6, 167, 170, 174, 199, 204, 212, 218, 325; ii. 220, 265; iii. 241, 244, 278, 282, 380, 383, 386, 387, 392; iv. 116, 117, 125, 128, 183; her men, ii. 225–40.
Ansell, Richard, mat-layer, iii. 262.
Ansley. _See_ Harvey.
Anton Maria, ii. 263.
Archer, Francis, iii. 419.
Aremberg, Jean de Ligne, Count of, i. 25; iv. 170.
Ariosto, Ludovico, iii. 8, 321.
Aristotle, i. 240, 254.
Armstrong, Archie, court fool, i. 53.
Arnold, John, yeoman of revels, i. 79, 83, 86.
Arundel (title). _See_ Fitzalan, Howard.
Ascham, Roger, on plays, i. 239; iv. 191.
Ashley, Sir Anthony, clerk of privy council, ii. 411, 517.
Ashley or Astley (b. Champernowne), Catherine, mistress of robes, i. 45.
Ashley or Astley, Sir John, master of revels, i. 104; iii. 241, 378.
Ashton, Roger, ii. 111, 266, 269.
Askewe, Anne Lady, iv. 99.
Aubigny (title). _See_ Stuart.
Aubrey, William, master of requests, iv. 105, 106.
Auchternouty, Mr., iii. 388.
Austin, William, iii. 287.
Aylmer, John, bishop of London, ii. 110; iv. 229.
Ayrer, Jacob, ii. 271; iii. 396, 418, 462.
B
Babington, Gervase, on plays, i. 254; iv. 225.
Bacon (b. Cooke), Anne Lady, i. 264; ii. 381; iii. 211; iv. 56.
Bacon, Anthony, ii. 381; iii. 211; iv. 56.
Bacon, Sir Francis, ii. 371; iii. 187; iv. 59.
Bacon, Sir Nicholas, lord keeper of the seals, i. 110, 117; iv. 88, 93.
Baden, Margrave of, i. 324.
Badger, Sir Thomas, iii. 241, 377.
Badius Ascensius, Jodocus, iii. 7.
Baile, Steven, groom of revels, i. 100.
Baines, Richard, iii. 419.
Baldwin, William, ii. 82–3.
Bale, John, i. 241.
Ball, Cutting, iii. 324.
Bame. _See_ Baines.
Banbury (title). _See_ Knollys.
Bancroft, Richard, archbishop of Canterbury, iii. 168.
Banks, horse trainer, ii. 383; iii. 279.
Barbarigo, Gregorio, Venetian ambassador, i. 25.
Barley, William, stationer, iv. 65.
Barlow, William, corrector of books, iii. 168.
Barnard, John, clerk comptroller of tents and revels, i. 73; ii. 491–2.
Barrose, John, fencer, iii. 359.
Barry, Leonard, iii. 388.
Basil, Simon, surveyor of works, i. 180.
Baskervile, Susanna, ii. 236.
Bavande, William, on plays, i. 237; iv. 190.
Bawdewin, Thomas, ii. 301.
Beaumont, Comte de, French ambassador, i. 24, 204; iii. 258, 281, 376.
Becke, Mathew, sergeant of bears, ii. 450.
Bedford (title). _See_ Russell.
Bedingfield, Anne, ii. 445.
Belgiojoso, Baldassarino da, i. 176.
Benger, Sir Thomas, master of revels, i. 75, 80, 319.
Berkeley (b. Carey), Elizabeth, ii. 194; iii. 272, 378.
Berkeley, George, 8th Lord, iii. 510.
Berkeley, Henry, 7th Lord, i. 115; ii. 103; iv. 90; his men, ii. 103.
Berkeley, Thomas, ii. 103, 194.
Berkshire (title). _See_ Norris.
Bertie (b. Willoughby), Catharine, Duchess of Suffolk, i. 108; ii. 2; iv. 83.
Bertie, Peregrine, 9th Lord Willoughby d’Eresby, ii. 440, 500; iv. 326.
Bertie, Richard, ii. 2.
Bertie, Robert, 10th Lord Willoughby d’Eresby, iii. 246, 377, 378.
Bethell, Mr., i. 210; iii. 381.
Bett, Henry, ii. 390, 397.
Betts, Robert, ii. 316.
Bevill (b. Knyvet), Frances Lady, iii. 375.
Beza, Theodore, i. 245, 249; iii. 322, 514.
Bibbiena, Bernardo da, iii. 9, 13.
Bill, William, dean of Westminster, ii. 70.
Biron, Charles, Duc de, i. 23; ii. 456; iii. 257; iv. 15.
Bishop, Nicolas, ii. 392.
Blackwell, William, ii. 485.
Blagrave, Thomas, clerk of tents and revels, acting master of revels, i. 73, 83, 85, 89, 93, 99; ii. 492, 499, 500, 502; iii. 409.
Blount, Charles, 8th Lord Mountjoy, Earl of Devonshire, i. 4, 220; iii. 212, 276, 402.
Bochan, dancer, i. 202; iii. 244, 387.
Bodley, Sir John, ii. 426.
Boier, Simon, gentleman usher of chamber, i. 108.
Boissise, Thumery de, French ambassador, i. 24, 169.
Bonarelli della Rovere, G., iii. 238.
Bonetti, Rocco, fencer, ii. 500–3.
Bouillon, Duc de, i. 24; iv. 126.
Bourke, John, 2nd Lord Bourke of Connell, iii. 402.
Bouset, Johan, ii. 275.
Bowes, Edward, ii. 451.
Bowes, Sir Jerome, i. 88; ii. 506; iv. 276.
Bowes, Ralph, master of Paris Garden, ii. 450, 486; iii. 402; iv. 64.
Bowes, Thomas, ii. 451.
Bowll, William, yeoman of chamber, deputy yeoman of revels, i. 79, 86.
Bowyer, Sir Henry, iii. 388.
Box, Edward, ii. 410.
Boyd, sergeant, iii. 388.
Brabine, Thomas, iii. 325.
Bracciano, Duke of, i. 6, 222.
Brackyn, Francis, iii. 476.
Bradshaw, Charles, ii. 495, 504.
Bramante Lazzari, iii. 9.
Brantôme, Pierre de Bourdeilles, Abbé de, i. 159, 176.
Braye, locksmith, ii. 388.
Brayne, John, ii. 380, 387, 397.
Brayne, Margaret, ii. 389.
Brend, Judith, ii. 431.
Brend, Sir Matthew, ii. 426–31.
Brend, Nicholas, ii. 415, 426.
Breton, Nicholas, iii. 320.
Brewe, Patrick, ii. 435.
Brewer, Thomas, iii. 237.
Bridges, John, dean of Salisbury, iv. 229.
Bridges, John, yeoman of revels, i. 73; iv. 135.
Brigham, Mark, ii. 442.
Bromfield, Robert, mercer, ii. 175, 184.
Bromley, Sir Thomas, lord chancellor, i. 287; iv. 92, 297, 282, 296.
Bromley, Thomas, ii. 334, 418.
Bromvill, Peter, iv. 112, 329.
Brooke, Christopher, iii. 262.
Brooke (b. Howard), Frances, Lady Cobham, formerly Countess of Kildare, ii. 507.
Brooke, George, 9th Lord Cobham, ii. 476, 478, 485, 492–3.
Brooke, George, i. 199.
Brooke, Henry, 8th Lord Cobham, lord warden of Cinque Ports, i. 220; ii. 507; iv. 37, 113.
Brooke, William, 7th Lord Cobham, lord warden of Cinque Ports, lord chamberlain, i. 40, 169, 268; ii. 195, 495, 507; iv. 77, 89.
Brooke. _See_ Parr.
Broughton. _See_ Unton.
Browker, Hugh, ii. 413.
Browne, Anthony, 1st Viscount Montague, i. 111, 162–3; iii. 321; iv. 65.
Browne, Sir Anthony, judge, ii. 486.
Browne, Anthony, i. 163; iii. 322.
Browne, John, bearward, ii. 450.
Browne (b. Dormer), Mary, i. 163; iii. 322.
Browne, Thomas, i. 163.
Browne. _See_ Dormer, Petre, Wriothesley.
Brunkerd, Henry, iv. 64.
Brunswick-Wolfenbüttel, Henry Julius, Duke of, playwright, ii. 275, 284.
Bruskett, Thomas, ii. 503–5.
Bryan, Sir Francis, ii. 485.
Brydges (b. Bray), Dorothy, Lady Chandos, afterwards Lady Knollys, iv. 115.
Brydges (b. Clinton), Frances, Lady Chandos, iv. 90.
Brydges, Giles, 3rd Lord Chandos, iv. 66, 92, 107.
Brydges, Grey, 5th Lord Chandos, iii. 246, 394.
Brydges, Katherine, iii. 401.
Brydges (b. Hopton), Mary, Lady Chandos, ii. 299; iii. 401.
Brydges, William, 4th Lord Chandos, ii. 299.
Brydges. _See_ Kennedy.
Bucer, Martin, on plays, i. 239; iv. 188.
Buchanan, George, iii. 12, 514.
Buck, Sir George, master of revels, i. 46, 96–105, 322; ii. 68; iii. 170, 412; iv. 45.
Buckeridge, John, president of St. John’s, Oxford, iii. 168; iv. 377.
Buckhurst (title). _See_ Sackville.
Buckingham (title). _See_ Villiers.
Buggin, Edward, clerk comptroller of tents and revels, i. 79, 82, 96.
Burby, Cuthbert, stationer, ii. 306.
Burgh, Sir John, ii. 361.
Burgh, Thomas, 5th Lord Burgh, lord deputy of Ireland, iv. 101, 110.
Burghley (title). _See_ Cecil.
Burgram (Bingham), John, ii. 432.
Burnaby, Thomas, ii. 451, 464–5.
Burrough, Mrs., iii. 401.
Butler, Sir Philip, iii. 402; iv. 113.
Button, Sir William, deputy master of ceremonies, i. 53.
Bywater, Laurence, ii. 499.
C
Caesar, Sir Julius, master of requests, chancellor of exchequer, master of the rolls, ii. 371, 451; iv. 111.
Calle, Mrs., tire-woman, ii. 228.
Calliopius, iii. 7.
Calvin, John, i. 245–9.
Camden, William, iii. 254, 359, 398, 507.
Campbell (b. Cornwallis), Anne, Countess of Argyll, ii. 317.
Campion, Edmund, iii. 468.
Campnies, Mr., iv. 57.
Cardell, Thomas, dancer, i. 202.
Carew, Sir Francis, iv. 84, 92, 97, 98, 99, 101, 102, 105, 106, 109, 111, 112, 113, 116.
Carew, George, 1st Lord Carew, iii. 212.
Carey (b. Morgan), Anne, Lady Hunsdon, i. 10; iii. 401.
Carey, George, 2nd Lord Hunsdon, knight marshal, lord chamberlain, i. 40, 220; ii. 192, 204, 479, 501, 504, 508; iii. 450, 505;