Chapter 13

It was four o'clock when we reached Trent, and colder than on top of the Brenner. As the Council, owing to the dead state of its members for now three centuries, was not in session, we made no long tarry. We went into the magnificent large refreshment-room to get warm; but it was as cold as a New England barn. I asked the proprietor if we could not get at a fire; but he insisted that the room was warm, that it was heated with a furnace, and that he burned good stove-coal, and pointed to a register high up in the wall. Seeing that I looked incredulous, he insisted that I should test it. Accordingly, I climbed upon a table, and reached up my hand. A faint warmth came out; and I gave it up, and congratulated the landlord on his furnace. But the register had no effect on the great hall. You might as well try to heat the dome of St. Peter's with a lucifer-match. At dark, Allah be praised! we reached Ala, where we went through the humbug of an Italian custom-house, and had our first glimpse of Italy in the picturesque-looking idlers in red-tasseled caps, and the jabber of a strange tongue. The snow turned into a cold rain: the foot-warmers, we having reached the sunny lands, could no longer be afforded; and we shivered along till nine o'clock, dark and rainy, brought us to Verona. We emerged from the station to find a crowd of omnibuses, carriages, drivers, runners, and people anxious to help us, all vociferating in the highest key. Amidst the usual Italian clamor about nothing, we gained our hotel omnibus, and sat there for ten minutes watching the dispute over our luggage, and serenely listening to the angry vituperations of policemen and drivers. It sounded like a revolution, but it was only the ordinary Italian way of doing things; and we were at last rattling away over the broad pavements.

Of course, we stopped at a palace turned hotel, drove into a court with double flights of high stone and marble stairways, and were hurried up to the marble-mosaic landing by an active boy, and, almost before we could ask for rooms, were shown into a suite of magnificent apartments. I had a glimpse of a garden in the rear,--flowers and plants, and a balcony up which I suppose Romeo climbed to hold that immortal love-prattle with the lovesick Juliet. Boy began to light the candles. Asked in English the price of such fine rooms. Reply in Italian. Asked in German. Reply in Italian. Asked in French, with the same result. Other servants appeared, each with a piece of baggage. Other candles were lighted. Everybody talked in chorus. The landlady--a woman of elegant manners and great command of her native tongue--appeared with a candle, and joined in the melodious confusion. What is the price of these rooms? More jabber, more servants bearing lights. We seemed suddenly to have come into an illumination and a private lunatic asylum. The landlady and her troop grew more and more voluble and excited. Ah, then, if these rooms do not suit the signor and signoras, there are others; and we were whisked off to apartments yet grander, great suites with high, canopied beds, mirrors, and furniture that was luxurious a hundred years ago. The price? Again a torrent of Italian; servants pouring in, lights flashing, our baggage arriving, until, in the tumult, hopeless of any response to our inquiry for a servant who could speak anything but Italian, and when we had decided, in despair, to hire the entire establishment, a waiter appeared who was accomplished in all languages, the row subsided, and we were left alone in our glory, and soon in welcome sleep forgot our desperate search for a warm climate.

The next day it was rainy and not warm; but the sun came out occasionally, and we drove about to see some of the sights. The first Italian town which the stranger sees he is sure to remember, the outdoor life of the people is so different from that at the North. It is the fiction in Italy that it is always summer; and the people sit in the open market-place, shiver in the open doorways, crowd into corners where the sun comes, and try to keep up the beautiful pretense. The picturesque groups of idlers and traffickers were more interesting to us than the palaces with sculptured fronts and old Roman busts, or tombs of the Scaligers, and old gates. Perhaps I ought to except the wonderful and perfect Roman amphitheater, over every foot of which a handsome boy in rags followed us, looking over every wall that we looked over, peering into every hole that we peered into, thus showing his fellowship with us, and at every pause planting himself before us, and throwing a somerset, and then extending his greasy cap for coppers, as if he knew that the modern mind ought not to dwell too exclusively on hoary antiquity without some relief.

Anxious, as I have said, to find the sunny South, we left Verona that afternoon for Florence, by way of Padua and Bologna. The ride to Padua was through a plain, at this season dreary enough, were it not, here and there, for the abrupt little hills and the snowy Alps, which were always in sight, and towards sundown and between showers transcendently lovely in a purple and rosy light. But nothing now could be more desolate than the rows of unending mulberry-trees, pruned down to the stumps, through which we rode all the afternoon. I suppose they look better when the branches grow out with the tender leaves for the silk-worms, and when they are clothed with grapevines. Padua was only to us a name. There we turned south, lost mountains and the near hills, and had nothing but the mulberry flats and ditches of water, and chilly rain and mist. It grew unpleasant as we went south. At dark we were riding slowly, very slowly, for miles through a country overflowed with water, out of which trees and houses loomed up in a ghastly show. At all the stations soldiers were getting on board, shouting and singing discordantly choruses from the operas; for there was a rising at Padua, and one feared at Bologna the populace getting up insurrections against the enforcement of the grist-tax,--a tax which has made the government very unpopular, as it falls principally upon the poor.

Creeping along at such a slow rate, we reached Bologna too late for the Florence train, It was eight o'clock, and still raining. The next train went at two o'clock in the morning, and was the best one for us to take. We had supper in an inn near by, and a fair attempt at a fire in our parlor. I sat before it, and kept it as lively as possible, as the hours wore away, and tried to make believe that I was ruminating on the ancient greatness of Bologna and its famous university, some of whose chairs had been occupied by women, and upon the fact that it was on a little island in the Reno, just below here, that Octavius and Lepidus and Mark Antony formed the second Triumvirate, which put an end to what little liberty Rome had left; but in reality I was thinking of the draught on my back, and the comforts of a sunny clime. But the time came at length for starting; and in luxurious cars we finished the night very comfortably, and rode into Florence at eight in the morning to find, as we had hoped, on the other side of the Apennines, a sunny sky and balmy air.

As this is strictly a chapter of travel and weather, I may not stop to say how impressive and beautiful Florence seemed to us; how bewildering in art treasures, which one sees at a glance in the streets; or scarcely to hint how lovely were the Boboli Gardens behind the Pitti Palace, the roses, geraniums etc, in bloom, the birds singing, and all in a soft, dreamy air. The next day was not so genial; and we sped on, following our original intention of seeking the summer in winter. In order to avoid trouble with baggage and passports in Rome, we determined to book through for Naples, making the trip in about twenty hours. We started at nine o'clock in the evening, and I do not recall a more thoroughly uncomfortable journey. It grew colder as the night wore on, and we went farther south. Late in the morning we were landed at the station outside of Rome. There was a general appearance of ruin and desolation. The wind blew fiercely from the hills, and the snowflakes from the flying clouds added to the general chilliness. There was no chance to get even a cup of coffee, and we waited an hour in the cold car. If I had not been so half frozen, the consciousness that I was actually on the outskirts of the Eternal City, that I saw the Campagna and the aqueducts, that yonder were the Alban Hills, and that every foot of soil on which I looked was saturated with history, would have excited me. The sun came out here and there as we went south, and we caught some exquisite lights on the near and snowy hills; and there was something almost homelike in the miles and miles of olive orchards, that recalled the apple-trees, but for their shining silvered leaves. And yet nothing could be more desolate than the brown marshy ground, the brown hillocks, with now and then a shabby stone hut or a bit of ruin, and the flocks of sheep shivering near their corrals, and their shepherd, clad in sheepskin, as his ancestor was in the time of Romulus, leaning on his staff, with his back to the wind. Now and then a white town perched on a hillside, its houses piled above each other, relieved the eye; and I could imagine that it might be all the poets have sung of it, in the spring, though the Latin poets, I am convinced, have wonderfully imposed upon us.

To make my long story short, it happened to be colder next morning at Naples than it was in Germany. The sun shone; but the northeast wind, which the natives poetically call the Tramontane, was blowing, and the white smoke of Vesuvius rolled towards the sea. It would only last three days, it was very unusual, and all that. The next day it was colder, and the next colder yet. Snow fell, and blew about unmelted: I saw it in the streets of Pompeii.

The fountains were frozen, icicles hung from the locks of the marble statues in the Chiaia. And yet the oranges glowed like gold among their green leaves; the roses, the heliotrope, the geraniums, bloomed in all the gardens. It is the most contradictory climate. We lunched one day, sitting in our open carriage in a lemon grove, and near at hand the Lucrine Lake was half frozen over. We feasted our eyes on the brilliant light and color on the sea, and the lovely outlined mountains round the shore, and waited for a change of wind. The Neapolitans declare that they have not had such weather in twenty years. It is scarcely one's ideal of balmy Italy.

Before the weather changed, I began to feel in this great Naples, with its roaring population of over half a million, very much like the sailor I saw at the American consul's, who applied for help to be sent home, claiming to be an American. He was an oratorical bummer, and told his story with all the dignity and elevated language of an old Roman. He had been cast away in London. How cast away? Oh! it was all along of a boarding-house. And then he found himself shipped on an English vessel, and he had lost his discharge-papers; and "Listen, your honor," said he, calmly extending his right hand, "here I am cast away on this desolate island with nothing before me but wind and weather."

RAVENNA

A DEAD CITY

Ravenna is so remote from the route of general travel in Italy, that I am certain you can have no late news from there, nor can I bring you anything much later than the sixth century. Yet, if you were to see Ravenna, you would say that that is late enough. I am surprised that a city which contains the most interesting early Christian churches and mosaics, is the richest in undisturbed specimens of early Christian art, and contains the only monuments of Roman emperors still in their original positions, should be so seldom visited. Ravenna has been dead for some centuries; and because nobody has cared to bury it, its ancient monuments are yet above ground. Grass grows in its wide streets, and its houses stand in a sleepy, vacant contemplation of each other: the wind must like to mourn about its silent squares. The waves of the Adriatic once brought the commerce of the East to its wharves; but the deposits of the Po and the tides have, in process of time, made it an inland town, and the sea is four miles away.

In the time of Augustus, Ravenna was a favorite Roman port and harbor for fleets of war and merchandise. There Theodoric, the great king of the Goths, set up his palace, and there is his enormous mausoleum. As early as A. D. 44 it became an episcopal see, with St. Apollinaris, a disciple of St. Peter, for its bishop. There some of the later Roman emperors fixed their residences, and there they repose. In and about it revolved the adventurous life of Galla Placidia, a woman of considerable talent and no principle, the daughter of Theodosius (the great Theodosius, who subdued the Arian heresy, the first emperor baptized in the true faith of the Trinity, the last who had a spark of genius), the sister of one emperor, and the mother of another,--twice a slave, once a queen, and once an empress; and she, too, rests there in the great mausoleum builded for her. There, also, lies Dante, in his tomb "by the upbraiding shore;" rejected once of ungrateful Florence, and forever after passionately longed for. There, in one of the earliest Christian churches in existence, are the fine mosaics of the Emperor Justinian and Theodora, the handsome courtesan whom he raised to the dignity and luxury of an empress on his throne in Constantinople. There is the famous forest of pines, stretching--unbroken twenty miles down the coast to Rimini, in whose cool and breezy glades Dante and Boccaccio walked and meditated, which Dryden has commemorated, and Byron has invested with the fascination of his genius; and under the whispering boughs of which moved the glittering cavalcade which fetched the bride to Rimini,--the fair Francesca, whose sinful confession Dante heard in hell.

We went down to Ravenna from Bologna one afternoon, through a country level and rich, riding along toward hazy evening, the land getting flatter as we proceeded (you know, there is a difference between level and flat), through interminable mulberry-trees and vines, and fields with the tender green of spring, with church spires in the rosy horizon; on till the meadows became marshes, in which millions of frogs sang the overture of the opening year. Our arrival, I have reason to believe, was an event in the old town. We had a crowd of moldy loafers to witness it at the station, not one of whom had ambition enough to work to earn a sou by lifting our traveling-bags. We had our hotel to ourselves, and wished that anybody else had it. The rival house was quite aware of our advent, and watched us with jealous eyes; and we, in turn, looked wistfully at it, for our own food was so scarce that, as an old traveler says, we feared that we shouldn't have enough, until we saw it on the table, when its quality made it appear too much. The next morning, when I sallied out to hire a conveyance, I was an object of interest to the entire population, who seemed to think it very odd that any one should walk about and explore the quiet streets. If I were to describe Ravenna, I should say that it is as flat as Holland and as lively as New London. There are broad streets, with high houses, that once were handsome, palaces that were once the abode of luxury, gardens that still bloom, and churches by the score. It is an open gate through which one walks unchallenged into the past, with little to break the association with the early Christian ages, their monuments undimmed by time, untouched by restoration and innovation, the whole struck with ecclesiastical death. With all that we saw that day,--churches, basilicas, mosaics, statues, mausoleums,--I will not burden these pages; but I will set down is enough to give you the local color, and to recall some of the most interesting passages in Christian history in this out- of-the-way city on the Adriatic.

Our first pilgrimage was to the Church of St. Apollinare Nuova; but why it is called new I do not know, as Theodoric built it for an Arian cathedral in about the year 500. It is a noble interior, having twenty-four marble columns of gray Cippolino, brought from Constantinople, with composite capitals, on each of which is an impost with Latin crosses sculptured on it. These columns support round arches, which divide the nave from the aisles, and on the whole length of the wall of the nave so supported are superb mosaics, full-length figures, in colors as fresh as if done yesterday, though they were executed thirteen hundred years ago. The mosaic on the left side--which is, perhaps, the finest one of the period in existence--is interesting on another account. It represents the city of Classis, with sea and ships, and a long procession of twenty-two virgins presenting offerings to the Virgin and Child, seated on a throne. The Virgin is surrounded by angels, and has a glory round her head, which shows that homage is being paid to her. It has been supposed, from the early monuments of Christian art, that the worship of the Virgin is of comparatively recent origin; but this mosaic would go to show that Mariolatry was established before the end of the sixth century. Near this church is part of the front of the palace of Theodoric, in which the Exarchs and Lombard kings subsequently resided. Its treasures and marbles Charlemagne carried off to Germany.

DOWN TO THE PINETA

We drove three miles beyond the city, to the Church of St. Apollinare in Classe, a lonely edifice in a waste of marsh, a grand old basilica, a purer specimen of Christian art than Rome or any other Italian town can boast. Just outside the city gate stands a Greek cross on a small fluted column, which marks the site of the once magnificent Basilica of St. Laurentius, which was demolished in the sixteenth century, its stone built into a new church in town, and its rich marbles carried to all-absorbing Rome. It was the last relic of the old port of Caesarea, famous since the time of Augustus. A marble column on a green meadow is all that remains of a once prosperous city. Our road lay through the marshy plain, across an elevated bridge over the sluggish united stream of the Ronco and Montone, from which there is a wide view, including the Pineta (or Pine Forest), the Church of St. Apollinare in the midst of rice-fields and marshes, and on a clear day the Alps and Apennines.

I can imagine nothing more desolate than this solitary church, or the approach to it. Laborers were busy spading up the heavy, wet ground, or digging trenches, which instantly filled with water, for the whole country was afloat. The frogs greeted us with clamorous chorus out of their slimy pools, and the mosquitoes attacked us as we rode along. I noticed about on the bogs, wherever they could find standing-room, half-naked wretches, with long spears, having several prongs like tridents, which they thrust into the grass and shallow water. Calling one of them to us, we found that his business was fishing, and that he forked out very fat and edible-looking fish with his trident. Shaggy, undersized horses were wading in the water, nipping off the thin spears of grass. Close to the church is a rickety farmhouse. If I lived there, I would as lief be a fish as a horse.

The interior of this primitive old basilica is lofty and imposing, with twenty-four handsome columns of the gray Cippolino marble, and an elevated high altar and tribune, decorated with splendid mosaics of the sixth century,--biblical subjects, in all the stiff faithfulness of the holy old times. The marble floor is green and damp and slippery. Under the tribune is the crypt, where the body of St. Apollinaris used to lie (it is now under the high altar above); and as I desired to see where he used to rest, I walked in. I also walked into about six inches of water, in the dim, irreligious light; and so made a cold-water Baptist devotee of myself. In the side aisles are wonderful old sarcophagi, containing the ashes of archbishops of Ravenna, so old that the owners' names are forgotten of two of them, which shows that a man may build a tomb more enduring than his memory. The sculptured bas-reliefs are very interesting, being early Christian emblems and curious devices,--symbols of sheep, palms, peacocks, crosses, and the four rivers of Paradise flowing down in stony streams from stony sources, and monograms, and pious rebuses. At the entrance of the crypt is an open stone book, called the Breviary of Gregory the Great. Detached from the church is the Bell Tower, a circular campanile of a sort peculiar to Ravenna, which adds to the picturesqueness of the pile, and suggests the notion that it is a mast unshipped from its vessel, the church, which consequently stands there water-logged, with no power to catch any wind, of doctrine or other, and move. I forgot to say that the basilica was launched in the year 534.