The Complete Writings of Charles Dudley Warner — Volume 2

Chapter 12

Chapter 124,107 wordsPublic domain

And, while we are speaking of eating, it may be inferred that the Germans are good eaters; and although they do not begin early, seldom taking much more than a cup of coffee before noon, they make it up by very substantial dinners and suppers. To say nothing of the extraordinary dishes of meats which the restaurants serve at night, the black bread and odorous cheese and beer which the men take on board in the course of an evening would soon wear out a cast-iron stomach in America; and yet I ought to remember the deadly pie and the corroding whisky of my native land. The restaurant life of the people is, of course, different from their home life, and perhaps an evening entertainment here is no more formidable than one in America, but it is different. Let me give you the outlines of a supper to which we were invited the other night: it certainly cannot hurt you to read about it. We sat down at eight. There were first courses of three sorts of cold meat, accompanied with two sorts of salad; the one, a composite, with a potato basis, of all imaginable things that are eaten. Beer and bread were unlimited. There was then roast hare, with some supporting dish, followed by jellies of various sorts, and ornamented plates of something that seemed unable to decide whether it would be jelly or cream; and then came assorted cake and the white wine of the Rhine and the red of Hungary. We were then surprised with a dish of fried eels, with a sauce. Then came cheese; and, to crown all, enormous, triumphal-looking loaves of cake, works of art in appearance, and delicious to the taste. We sat at the table till twelve o'clock; but you must not imagine that everybody sat still all the time, or that, appearances to the contrary notwithstanding, the principal object of the entertainment was eating. The songs that were sung in Hungarian as well as German, the poems that were recited, the burlesques of actors and acting, the imitations that were inimitable, the take-off of table-tipping and of prominent musicians, the wit and constant flow of fun, as constant as the good-humor and free hospitality, the unconstrained ease of the whole evening, these things made the real supper which one remembers when the grosser meal has vanished, as all substantial things do vanish.

CHRISTMAS TIME-MUSIC

For a month Munich has been preparing for Christmas. The shop windows have had a holiday look all December. I see one every day in which are displayed all the varieties of fruits, vegetables, and confectionery possible to be desired for a feast, done in wax,--a most dismal exhibition, and calculated to make the adjoining window, which has a little fountain and some green plants waving amidst enormous pendent sausages and pigs' heads and various disagreeable hashes of pressed meat, positively enticing. And yet there are some vegetables here that I should prefer to have in wax,--for instance, sauerkraut. The toy windows are worthy of study, and next to them the bakers'. A favorite toy of the season is a little crib, with the Holy Child, in sugar or wax, lying in it in the most uncomfortable attitude. Babies here are strapped upon pillows, or between pillows, and so tied up and wound up that they cannot move a muscle, except, perhaps, the tongue; and so, exactly like little mummies, they are carried about the street by the nurses,--poor little things, packed away so, even in the heat of summer, their little faces looking out of the down in a most pitiful fashion. The popular toy is a representation, in sugar or wax, of this period of life. Generally the toy represents twins, so swathed and bound; and, not infrequently, the bold conception of the artist carries the point of the humor so far as to introduce triplets, thus sporting with the most dreadful possibilities of life.

The German bakers are very ingenious; and if they could be convinced of this great error, that because things are good separately, they must be good in combination, the produce of their ovens would be much more eatable. As it is, they make delicious cake, and of endless variety; but they also offer us conglomerate formations that may have a scientific value, but are utterly useless to a stomach not trained in Germany. Of this sort, for the most part, is the famous Lebkuchen, a sort of gingerbread manufactured in Nurnberg, and sent all over Germany: "age does not [seem to] impair, nor custom stale its infinite variety." It is very different from our simple cake of that name, although it is usually baked in flat cards. It may contain nuts or fruit, and is spoiled by a flavor of conflicting spices. I should think it might be sold by the cord, it is piled up in such quantities; and as it grows old and is much handled, it acquires that brown, not to say dirty, familiar look, which may, for aught I know, be one of its chief recommendations. The cake, however, which prevails at this season of the year comes from the Tyrol; and as the holidays approach, it is literally piled up on the fruit-stands. It is called Klatzenbrod, and is not a bread at all, but and amalgamation of fruits and spices. It is made up into small round or oblong forms; and the top is ornamented in various patterns, with split almond meats. The color is a faded black, as if it had been left for some time in a country store; and the weight is just about that of pig-iron. I had formed a strong desire, mingled with dread, to taste it, which I was not likely to gratify,--one gets so tired of such experiments after a time--when a friend sent us a ball of it. There was no occasion to call in Professor Liebig to analyze the substance: it is a plain case. The black mass contains, cut up and pressed together, figs, citron, oranges, raisins, dates, various kinds of nuts, cinnamon) nutmeg, cloves, and I know not what other spices, together with the inevitable anise and caraway seeds. It would make an excellent cannon-ball, and would be specially fatal if it hit an enemy in the stomach. These seeds invade all dishes. The cooks seem possessed of one of the rules of whist,--in case of doubt, play a trump: in case of doubt, they always put in anise seed. It is sprinkled profusely in the blackest rye bread, it gets into all the vegetables, and even into the holiday cakes.

The extensive Maximilian Platz has suddenly grown up into booths and shanties, and looks very much like a temporary Western village. There are shops for the sale of Christmas articles, toys, cakes, and gimcracks; and there are, besides, places of amusement, if one of the sorry menageries of sick beasts with their hair half worn off can be so classed. One portion of the platz is now a lively and picturesque forest of evergreens, an extensive thicket of large and small trees, many of them trimmed with colored and gilt strips of paper. I meet in every street persons lugging home their little trees; for it must be a very poor household that cannot have its Christmas tree, on which are hung the scanty store of candy, nuts, and fruit, and the simple toys that the needy people will pinch themselves otherwise to obtain.

At this season, usually, the churches get up some representations for the children, the stable at Bethlehem, with the figures of the Virgin and Child, the wise men, and the oxen standing by. At least, the churches must be put in spick-and-span order. I confess that I like to stray into these edifices, some of them gaudy enough when they are, so to speak, off duty, when the choir is deserted, and there is only here and there a solitary worshiper at his prayers; unless, indeed, as it sometimes happens, when I fancy myself quite alone, I come by chance upon a hundred people, in some remote corner before a side chapel, where mass is going on, but so quietly that the sense of solitude in the church is not disturbed. Sometimes, when the place is left entirely to myself, and the servants who are putting it to rights and, as it were, shifting the scenes, I get a glimpse of the reality of all the pomp and parade of the services. At first I may be a little shocked with the familiar manner in which the images and statues and the gilded paraphernalia are treated, very different from the stately ceremony of the morning, when the priests are at the altar, the choir is in the organ-loft, and the people crowd nave and aisles. Then everything is sanctified and inviolate. Now, as I loiter here, the old woman sweeps and dusts about as if she were in an ordinary crockery store: the sacred things are handled without gloves. And, lo! an unclerical servant, in his shirt-sleeves, climbs up to the altar, and, taking down the silver-gilded cherubs, holds them, head down, by one fat foot, while he wipes them off with a damp cloth. To think of submitting a holy cherub to the indignity of a damp cloth!

One could never say too much about the music here. I do not mean that of the regimental bands, or the orchestras in every hall and beer-garden, or that in the churches on Sundays, both orchestral and vocal. Nearly every day, at half-past eleven, there is a parade by the Residenz, and another on the Marian Platz; and at each the bands play for half an hour. In the Loggie by the palace the music-stands can always be set out, and they are used in the platz when it does not storm; and the bands play choice overtures and selections from the operas in fine style. The bands are always preceded and followed by a great crowd as they march through the streets, people who seem to live only for this half hour in the day, and whom no mud or snow can deter from keeping up with the music. It is a little gleam of comfort in the day for the most wearied portion of the community: I mean those who have nothing to do.

But the music of which I speak is that of the conservatoire and opera. The Hof Theater, opera, and conservatoire are all under one royal direction. The latter has been recently reorganized with a new director, in accordance with the Wagner notions somewhat. The young king is cracked about Wagner, and appears to care little for other music: he brings out his operas at great expense, and it is the fashion here to like Wagner whether he is understood or not. The opera of the "Meister-Singer von Nurnberg," which was brought out last summer, occupied over five hours in the representation, which is unbearable to the Germans, who go to the opera at six o'clock or half-past, and expect to be at home before ten. His latest opera, which has not yet been produced, is founded on the Niebelungen Lied, and will take three evenings in the representation, which is almost as bad as a Chinese play. The present director of the conservatoire and opera, a Prussian, Herr von Bulow, is a friend of Wagner. There are formed here in town two parties: the Wagner and the conservative, the new and the old, the modern and classical; only the Wagnerites do not admit that their admiration of Beethoven and the older composers is less than that of the others, and so for this reason Bulow has given us more music of Beethoven than of any other composer. One thing is certain, that the royal orchestra is trained to a high state of perfection: its rendition of the grand operas and its weekly concerts in the Odeon cannot easily be surpassed. The singers are not equal to the orchestra, for Berlin and Vienna offer greater inducements; but there are people here who regard this orchestra as superlative. They say that the best orchestras in the world are in Germany; that the best in Germany is in Munich; and, therefore, you can see the inevitable deduction. We have another parallel syllogism. The greatest pianist in the world is Liszt; but then Herr Bulow is actually a better performer than Liszt; therefore you see again to what you must come. At any rate, we are quite satisfied in this provincial capital; and, if there is anywhere better music, we don't know it. Bulow's orchestra is not very large,--there are less than eighty pieces, but it is so handled and drilled, that when we hear it give one of the symphonies of Beethoven or Mendelssohn, there is little left to be desired. Bulow is a wonderful conductor, a little man, all nerve and fire, and he seems to inspire every instrument. It is worth something to see him lead an orchestra: his baton is magical; head, arms, and the whole body are in motion; he knows every note of the compositions; and the precision with which he evokes a solitary note out of a distant instrument with a jerk of his rod, or brings a wail from the concurring violins, like the moaning of a pine forest in winter, with a sweep of his arm, is most masterly. About the platform of the Odeon are the marble busts of the great composers; and while the orchestra is giving some of Beethoven's masterpieces, I like to fix my eyes on his serious and genius-full face, which seems cognizant of all that is passing, and believe that he has a posthumous satisfaction in the interpretation of his great thoughts.

The managers of the conservatoire also give vocal concerts, and there are, besides, quartette soiries; so that there are few evenings without some attraction. The opera alternates with the theater two or three times a week. The singers are, perhaps, not known in Paris and London, but some of them are not unworthy to be. There is the baritone, Herr Kindermann, who now, at the age of sixty-five, has a superb voice and manner, and has had few superiors in his time on the German stage. There is Frau Dietz, at forty-five, the best of actresses, and with a still fresh and lovely voice. There is Herr Nachbar, a tenor, who has a future; Fraulein Stehle, a soprano, young and with an uncommon voice, who enjoys a large salary, and was the favorite until another soprano, the Malinger, came and turned the heads of king and opera habitues. The resources of the Academy are, however, tolerably large; and the practice of pensioning for life the singers enables them to keep always a tolerable company. This habit of pensioning officials, as well as musicians and poets, is very agreeable to the Germans. A gentleman the other day, who expressed great surprise at the smallness of the salary of our President, said, that, of course, Andrew Johnson would receive a pension when he retired from office. I could not explain to him how comical the idea was to me; but when I think of the American people pensioning Andrew Johnson,--well, like the fictitious Yankee in "Mugby Junction," "I laff, I du."

There is some fashion, in a fudgy, quaint way, here in Munich; but it is not exhibited in dress for the opera. People go--and it is presumed the music is the attraction in ordinary apparel. They save all their dress parade for the concerts; and the hall of the Odeon is as brilliant as provincial taste can make it in toilet. The ladies also go to operas and concerts unattended by gentlemen, and are brought, and fetched away, by their servants. There is a freedom and simplicity about this which I quite like; and, besides, it leaves their husbands and brothers at liberty to spend a congenial evening in the cafes, beer-gardens, and clubs. But there is always a heavy fringe of young officers and gallants both at opera and concert, standing in the outside passages. It is cheaper to stand, and one can hear quite as well, and see more.

LOOKING FOR WARM WEATHER

FROM MUNICH TO NAPLES

At all events, saith the best authority, "pray that your flight be not in winter;" and it might have added, don't go south if you desire warm weather. In January, 1869, I had a little experience of hunting after genial skies; and I will give you the benefit of it in some free running notes on my journey from Munich to Naples.

It was the middle of January, at eleven o'clock at night, that we left Munich, on a mixed railway train, choosing that time, and the slowest of slow trains, that we might make the famous Brenner Pass by daylight. It was no easy matter, at last, to pull up from the dear old city in which we had become so firmly planted, and to leave the German friends who made the place like home to us. One gets to love Germany and the Germans as he does no other country and people in Europe. There has been something so simple, honest, genuine, in our Munich life, that we look back to it with longing eyes from this land of fancy, of hand-organ music, and squalid splendor. I presume the streets are yet half the day hid in a mountain fog; but I know the superb military bands are still playing at noon in the old Marian Platz and in the Loggie by the Residenz; that at half-past six in the evening our friends are quietly stepping in to hear the opera at the Hof Theater, where everybody goes to hear the music, and nobody for display, and that they will be at home before half-past nine, and have dispatched the servant for the mugs of foaming beer; I know that they still hear every week the choice conservatoire orchestral concerts in the Odeon; and, alas that experience should force me to think of it! I have no doubt that they sip, every morning, coffee which is as much superior to that of Paris as that of Paris is to that of London; and that they eat the delicious rolls, in comparison with which those of Paris are tasteless. I wonder, in this land of wine,--and yet it must be so,--if the beer-gardens are still filled nightly; and if it could be that I should sit at a little table there, a comely lass would, before I could ask for what everybody is presumed to want, place before me a tall glass full of amber liquid, crowned with creamy foam. Are the handsome officers still sipping their coffee in the Caf‚ Maximilian; and, on sunny days, is the crowd of fashion still streaming down to the Isar, and the high, sightly walks and gardens beyond?

As I said, it was eleven o'clock of a clear and not very severe night; for Munich had had no snow on the ground since November. A deputation of our friends were at the station to see us off, and the farewells between the gentlemen were in the hearty fashion of the country. I know there is a prejudice with us against kissing between men; but it is only a question of taste: and the experience of anybody will tell him that the theory that this sort of salutation must necessarily be desirable between opposite sexes is a delusion. But I suppose it cannot be denied that kissing between men was invented in Germany before they wore full beards. Well, our goodbyes said, we climbed into our bare cars. There is no way of heating the German cars, except by tubes filled with hot water, which are placed under the feet, and are called foot-warmers. As we slowly moved out over the plain, we found it was cold; in an hour the foot-warmers, not hot to start with, were stone cold. You are going to sunny Italy, our friends had said: as soon as you pass the Brenner you will have sunshine and delightful weather. This thought consoled us, but did not warm our feet. The Germans, when they travel by rail, wrap themselves in furs and carry foot-sacks.

We creaked along, with many stoppings. At two o'clock we were at Rosenheim. Rosenheim is a windy place, with clear starlight, with a multitude of cars on a multiplicity of tracks, and a large, lighted refreshment-room, which has a glowing, jolly stove. We stay there an hour, toasting by the fire and drinking excellent coffee. Groups of Germans are seated at tables playing cards, smoking, and taking coffee. Other trains arrive; and huge men stalk in, from Vienna or Russia, you would say, enveloped in enormous fur overcoats, reaching to the heels, and with big fur boots coming above the knees, in which they move like elephants. Another start, and a cold ride with cooling foot-warmers, droning on to Kurfstein. It is five o'clock when we reach Kurfstein, which is also a restaurant, with a hot stove, and more Germans going on as if it were daytime; but by this time in the morning the coffee had got to be wretched.

After an hour's waiting, we dream on again, and, before we know it, come out of our cold doze into the cold dawn. Through the thick frost on the windows we see the faint outlines of mountains. Scraping away the incrustation, we find that we are in the Tyrol, high hills on all sides, no snow in the valley, a bright morning, and the snow-peaks are soon rosy in the sunrise. It is just as we expected,--little villages under the hills, and slender church spires with brick-red tops. At nine o'clock we are in Innsbruck, at the foot of the Brenner. No snow yet. It must be charming here in the summer.

During the night we have got out of Bavaria. The waiter at the restaurant wants us to pay him ninety kreuzers for our coffee, which is only six kreuzers a cup in Munich. Remembering that it takes one hundred kreuzers to make a gulden in Austria, I launch out a Bavarian gulden, and expect ten kreuzers in change. I have heard that sixty Bavarian kreuzers are equal to one hundred Austrian; but this waiter explains to me that my gulden is only good for ninety kreuzers. I, in my turn, explain to the waiter that it is better than the coffee; but we come to no understanding, and I give up, before I begin, trying to understand the Austrian currency. During the day I get my pockets full of coppers, which are very convenient to take in change, but appear to have a very slight purchasing, power in Austria even, and none at all elsewhere, and the only use for which I have found is to give to Italian beggars. One of these pieces satisfies a beggar when it drops into his hat; and then it detains him long enough in the examination of it, so that your carriage has time to get so far away that his renewed pursuit is usually unavailing.

The Brenner Pass repaid us for the pains we had taken to see it, especially as the sun shone and took the frost from our windows, and we encountered no snow on the track; and, indeed, the fall was not deep, except on the high peaks about us. Even if the engineering of the road were not so interesting, it was something to be again amidst mountains that can boast a height of ten thousand feet. After we passed the summit, and began the zigzag descent, we were on a sharp lookout for sunny Italy. I expected to lay aside my heavy overcoat, and sun myself at the first station among the vineyards. Instead of that, we bade good-by to bright sky, and plunged into a snowstorm, and, so greeted, drove down into the narrow gorges, whose steep slopes we could see were terraced to the top, and planted with vines. We could distinguish enough to know that, with the old Roman ruins, the churches and convent towers perched on the crags, and all, the scenery in summer must be finer than that of the Rhine, especially as the vineyards here are picturesque,--the vines being trained so as to hide and clothe the ground with verdure.