Chapter 4

It seems that one clear morning a hundred years ago, a visitor to Tong Tong Tarrup was climbing up from the world. He had already passed above the snow and had set his foot on a step of the earthward stairway that goes down from Tong Tong Tarrup on to the rocks, when the long porter saw him. And so painfully did he climb those easy steps that the grizzled man on watch had long to wonder whether or not the stranger brought him bash, the drug that gives a meaning to the stars and seems to explain the twilight. And in the end there was not a scrap of bash, and the stranger had nothing better to offer that grizzled man than his mere story only.

It seems that the stranger's name was Gerald Jones, and he always lived in London; but once as a child he had been on a Northern moor. It was so long ago that he did not remember how, only somehow or other he walked alone on the moor, and all the ling was in flower. There was nothing in sight but ling and heather and bracken, except, far off near the sunset, on indistinct hills, there were little vague patches that looked like the fields of men. With evening a mist crept up and hid the hills, and still he went walking on over the moor. And then he came to the valley, a tiny valley in the midst of the moor, whose sides were incredibly steep. He lay down and looked at it through the roots of the ling. And a long, long way below him, in a garden by a cottage, with hollyhocks all round her that were taller than herself, there sat an old woman on a wooden chair, singing in the evening. And the man had taken a fancy to the song and remembered it after in London, and whenever it came to his mind it made him think of evenings--the kind you don't get in London--and he heard a soft wind going idly over the moor and the bumble-bees in a hurry, and forgot the noise of the traffic. And always, whenever he heard men speak of Time, he grudged to Time most this song. Once afterwards he went to that Northern moor again and found the tiny valley, but there was no old woman in the garden, and no one was singing a song. And either regret for the song that the old woman had sung, on a summer evening twenty years away and daily receding, troubled his mind, or else the wearisome work that he did in London, for he worked for a great firm that was perfectly useless; and he grew old early, as men do in cities. And at last, when melancholy brought only regret and the uselessness of his work gained round him with age, he decided to consult a magician. So to a magician he went and told him his troubles, and particularly he told him how he had heard the song. "And now," he said, "it is nowhere in the world."

"Of course it is not in the world," the magician said, "but over the Edge of the World you may easily find it." And he told the man that he was suffering from flux of time and recommended a day at the Edge of the World. Jones asked what part of the Edge of the World he should go to, and the magician had heard Tong Tong Tarrup well spoken of; so he paid him, as is usual, in opals, and started at once on the journey. The ways to that town are winding; he took the ticket at Victoria Station that they only give if they know you: he went past Bleth: he went along the Hills of Neol-Hungar and came to the Gap of Poy. All these are in that part of the world that pertains to the fields we know; but beyond the Gap of Poy on those ordinary plains, that so closely resemble Sussex, one first meets the unlikely. A line of common grey hills, the Hills of Sneg, may be seen at the edge of the plain from the Gap of Poy; it is there that the incredible begins, infrequently at first, but happening more and more as you go up the hills. For instance, descending once into Poy Plains, the first thing that I saw was an ordinary shepherd watching a flock of ordinary sheep. I looked at them for some time and nothing happened, when, without a word, one of the sheep walked up to the shepherd and borrowed his pipe and smoked it--an incident that struck me as unlikely; but in the Hills of Sneg I met an honest politician. Over these plains went Jones and over the Hills of Sneg, meeting at first unlikely things, and then incredible things, till he came to the long slope beyond the hills that leads up to the Edge of the World, and where, as all guidebooks tell, anything may happen. You might at the foot of this slope see here and there things that could conceivably occur in the fields we know; but soon these disappeared, and the traveller saw nothing but fabulous beasts, browsing on flowers as astounding as themselves, and rocks so distorted that their shapes had clearly a meaning, being too startling to be accidental. Even the trees were shockingly unfamiliar, they had so much to say, and they leant over to one another whenever they spoke and struck grotesque attitudes and leered. Jones saw two fir-trees fighting. The effect of these scenes on his nerves was very severe; still he climbed on, and was much cheered at last by the sight of a primrose, the only familiar thing he had seen for hours, but it whistled and skipped away. He saw the unicorns in their secret valley. Then night in a sinister way slipped over the sky, and there shone not only the stars, but lesser and greater moons, and he heard dragons rattling in the dark.

With dawn there appeared above him among its amazing crags the town of Tong Tong Tarrup, with the light on its frozen stairs, a tiny cluster of houses far up in the sky. He was on the steep mountain now: great mists were leaving it slowly, and revealing, as they trailed away, more and more astonishing things. Before the mist had all gone he heard quite near him, on what he had thought was bare mountain, the sound of a heavy galloping on turf. He had come to the plateau of the centaurs. And all at once he saw them in the mist: there they were, the children of fable, five enormous centaurs. Had he paused on account of any astonishment he had not come so far: he strode on over the plateau, and came quite near to the centaurs. It is never the centaurs' wont to notice men; they pawed the ground and shouted to one another in Greek, but they said no word to him. Nevertheless they turned and stared at him when he left them, and when he had crossed the plateau and still went on, all five of them cantered after to the edge of their green land; for above the high green plateau of the centaurs is nothing but naked mountains, and the last green thing that is seen by the mountaineer as he travels to Tong Tong Tarrup is the grass that the centaurs trample. He came into the snow fields that the mountain wears like a cape, its head being bare above it, and still climbed on. The centaurs watched him with increasing wonder.

Not even fabulous beasts were near him now, nor strange demoniac trees--nothing but snow and the clean bare crag above it on which was Tong Tong Tarrup. All day he climbed and evening found him above the snow-line; and soon he came to the stairway cut in the rock and in sight of that grizzled man, the long porter of Tong Tong Tarrup, sitting mumbling amazing memories to himself and expecting in vain from the stranger a gift of bash.

It seems that as soon as the stranger arrived at the bastion gateway, tired though he was, he demanded lodgings at once that commanded a good view of the Edge of the World. But the long porter, that grizzled man, disappointed of his bash, demanded the stranger's story to add to his memories before he would show him the way. And this is the story, if the long porter has told me the truth and if his memory is still what it was. And when the story was told, the grizzled man arose, and, dangling his musical keys, went up through door after door and by many stairs and led the stranger to the top-most house, the highest roof in the world, and in its parlour showed him the parlour window. There the tired stranger sat down in a chair and gazed out of the window sheer over the Edge of the World. The window was shut, and in its glittering panes the twilight of the World's Edge blazed and danced, partly like glow-worms' lamps and partly like the sea; it went by rippling, full of wonderful moons. But the traveller did not look at the wonderful moons. For from the abyss there grew with their roots in far constellations a row of hollyhocks, and amongst them a small green garden quivered and trembled as scenes tremble in water; higher up, ling in bloom was floating upon the twilight, more and more floated up till all the twilight was purple; the little green garden low down was hung in the midst of it. And the garden down below, and the ling all round it, seemed all to be trembling and drifting on a song. For the twilight was full of a song that sang and rang along the edges of the World, and the green garden and the ling seemed to flicker and ripple with it as the song rose and fell, and an old woman was singing it down in the garden. A bumble-bee sailed across from over the Edge of the World. And the song that was lapping there against the coasts of the World, and to which the stars were dancing, was the same that he had heard the old woman sing long since down in the valley in the midst of the Northern moor.

But that grizzled man, the long porter, would not let the stranger stay, because he brought him no bash, and impatiently he shouldered him away, himself not troubling to glance through the World's outermost window, for the lands that Time afflicts and the spaces that Time knows not are all one to that grizzled man, and the bash that he eats more profoundly astounds his mind than anything man can show him either in the World we know or over the Edge. And, bitterly protesting, the traveller went back and down again to the World.

. . . . .

Accustomed as I am to the incredible from knowing the Edge of the World, the story presents difficulties to me. Yet it may be that the devastation wrought by Time is merely local, and that outside the scope of his destruction old songs are still being sung by those that we deem dead. I try to hope so. And yet the more I investigate the story that the long porter told me in the town of Tong Tong Tarrup the more plausible the alternative theory appears--that that grizzled man is a liar.

The Loot of Loma

Coming back laden with the loot of Loma, the four tall men looked earnestly to the right; to the left they durst not, for the precipice there that had been with them so long went sickly down on to a bank of clouds, and how much further below that only their fears could say.

Loma lay smoking, a city of ruin, behind them, all its defenders dead; there was no one left to pursue them, and yet their Indian instincts told them that all was scarcely well. They had gone three days along that narrow ledge: mountain quite smooth, incredible, above them, and precipice as smooth and as far below. It was chilly there in the mountains; at night a stream or a wind in the gloom of the chasm below them went like a whisper; the stillness of all things else began to wear the nerve--an enemy's howl would have braced them; they began to wish their perilous path were wider, they began to wish that they had not sacked Loma.

Had that path been any wider the sacking of Loma must indeed have been harder for them, for the citizens must have fortified the city but that the awful narrowness of that ten-league pass of the hills had made their crag-surrounded city secure. And at last an Indian had said, "Come, let us sack it." Grimly they laughed in the wigwams. Only the eagles, they said, had ever seen it, its hoard of emeralds and its golden gods; and one had said he would reach it, and they answered, "Only the eagles."

It was Laughing Face who said it, and who gathered thirty braves and led them into Loma with their tomahawks and their bows; there were only four left now, but they had the loot of Loma on a mule. They had four golden gods, a hundred emeralds, fifty-two rubies, a large silver gong, two sticks of malachite with amethyst handles for holding incense at religious feasts, four beakers one foot high, each carved from a rose-quartz crystal; a little coffer carved out of two diamonds, and (had they but known it) the written curse of a priest. It was written on parchment in an unknown tongue, and had been slipped in with the loot by a dying hand.

From either end of that narrow, terrible ledge the third night was closing in; it was dropping down on them from the heights of the mountain and slipping up to them out of the abyss, the third night since Loma blazed and they had left it. Three more days of tramping should bring them in triumph home, and yet their instincts said that all was scarcely well. We who sit at home and draw the blinds and shut the shutters as soon as night appears, who gather round the fire when the wind is wild, who pray at regular seasons and in familiar shrines, know little of the demoniac look of night when it is filled with curses of false, infuriated gods. Such a night was this. Though in the heights the fleecy clouds were idle, yet the wind was stirring mournfully in the abyss and moaning as it stirred, unhappily at first and full of sorrow; but as day turned away from that awful path a very definite menace entered its voice which fast grew louder and louder, and night came on with a long howl. Shadows repeatedly passed over the stars, and then a mist fell swiftly, as though there were something suddenly to be done and utterly to be hidden, as in very truth there was.

And in the chill of that mist the four tall men prayed to their totems, the whimsical wooden figures that stood so far away, watching the pleasant wigwams; the firelight even now would be dancing over their faces, while there would come to their ears delectable tales of war. They halted upon the pass and prayed, and waited for any sign. For a man's totem may be in the likeness perhaps of an otter, and a man may pray, and if his totem be placable and watching over his man a noise may be heard at once like the noise that the otter makes, though it be but a stone that falls on another stone; and the noise is a sign. The four men's totems that stood so far away were in the likeness of the coney, the bear, the heron, and the lizard. They waited, and no sign came. With all the noises of the wind in the abyss, no noise was like the thump that the coney makes, nor the bear's growl, nor the heron's screech, nor the rustle of the lizard in the reeds.

It seemed that the wind was saying something over and over again, and that that thing was evil. They prayed again to their totems, and no sign came. And then they knew that there was some power that night that was prevailing against the pleasant carvings on painted poles of wood with the firelight on their faces so far away. Now it was clear that the wind was saying something, some very, very dreadful thing in a tongue that they did not know. They listened, but they could not tell what it said. Nobody could have said from seeing their faces how much the four tall men desired the wigwams again, desired the camp-fire and the tales of war and the benignant totems that listened and smiled in the dusk: nobody could have seen how well they knew that this was no common night or wholesome mist.

When at last no answer came nor any sign from their totems, they pulled out of the bag those golden gods that Loma gave not up except in flames and when all her men were dead. They had large ruby eyes and emerald tongues. They set them down upon that mountain pass, the cross-legged idols with their emerald tongues; and having placed between them a few decent yards, as it seemed meet there should be between gods and men, they bowed them down and prayed in their desperate straits in that dank, ominous night to the gods they had wronged, for it seemed that there was a vengeance upon the hills and that they would scarce escape, as the wind knew well. And the gods laughed, all four, and wagged their emerald tongues; the Indians saw them, though the night had fallen and though the mist was low. The four tall men leaped up at once from their knees and would have left the gods upon the pass but that they feared some hunter of their tribe might one day find them and say of Laughing Face, "He fled and left behind his golden gods," and sell the gold and come with his wealth to the wigwams and be greater than Laughing Face and his three men. And then they would have cast the gods away, down the abyss, with their eyes and their emerald tongues, but they knew that enough already they had wronged Loma's gods, and feared that vengeance enough was waiting them on the hills. So they packed them back in the bag on the frightened mule, the bag that held the curse they knew nothing of, and so pushed on into the menacing night. Till midnight they plodded on and would not sleep; grimmer and grimmer grew the look of the night, and the wind more full of meaning, and the mule knew and trembled, and it seemed that the wind knew, too, as did the instincts of those four tall men, though they could not reason it out, try how they would.

And though the squaws waited long where the pass winds out of the mountains, near where the wigwams are upon the plains, the wigwams and the totems and the fire, and though they watched by day, and for many nights uttered familiar calls, still did they never see those four tall men emerge out of the mountains any more, even though they prayed to their totems upon their painted poles; but the curse in the mystical writing that they had unknown in their bag worked there on that lonely pass six leagues from the ruins of Loma, and nobody can tell us what it was.

The Secret of the Sea

In an ill-lit ancient tavern that I know, are many tales of the sea; but not without the wine of Gorgondy, that I had of a private bargain from the gnomes, was the tale laid bare for which I had waited of an evening for the greater part of a year.

I knew my man and listened to his stories, sitting amid the bluster of his oaths; I plied him with rum and whiskey and mixed drinks, but there never came the tale for which I sought, and as a last resort I went to the Huthneth Mountains and bargained there all night with the chiefs of the gnomes.

When I came to the ancient tavern and entered the low-roofed room, bringing the hoard of the gnomes in a bottle of hammered iron, my man had not yet arrived. The sailors laughed at my old iron bottle, but I sat down and waited; had I opened it then they would have wept and sung. I was well content to wait, for I knew my man had the story, and it was such a one as had profoundly stirred the incredulity of the faithless.

He entered and greeted me, and sat down and called for brandy. He was a hard man to turn from his purpose, and, uncorking my iron bottle, I sought to dissuade him from brandy for fear that when the brandy, bit his throat he should refuse to leave it for any other wine. He lifted his head and said deep and dreadful things of any man that should dare to speak against brandy.

I swore that I said nothing against brandy but added that it was often given to children, while Gorgondy was only drunk by men of such depravity that they had abandoned sin because all the usual vices had come to seem genteel. When he asked if Gorgondy was a bad wine to drink I said that it was so bad that if a man sipped it that was the one touch that made damnation certain. Then he asked me what I had in the iron bottle, and I said it was Gorgondy; and then he shouted for the largest tumbler in that ill-lit ancient tavern, and stood up and shook his fist at me when it came, and swore, and told me to fill it with the wine that I got on that bitter night from the treasure house of the gnomes.

As he drank it he told me that he had met men who had spoken against wine, and that they had mentioned Heaven; and therefore he would not go there--no, not he; and that once he had sent one of them to Hell, but when he got there he would turn him out, and he had no use for milksops.

Over the second tumbler he was thoughtful, but still he said no word of the tale he knew, until I feared that it would never be heard. But when the third glass of that terrific wine had burned its way down his gullet, and vindicated the wickedness of the gnomes, his reticence withered like a leaf in the fire, and he bellowed out the secret.

I had long known that there is in ships a will or way of their own, and had even suspected that when sailors die or abandon their ships at sea, a derelict, being left to her own devices, may seek her own ends; but I had never dreamed by night, or fancied during the day, that the ships had a god that they worshipped, or that they secretly slipped away to a temple in the sea.

Over the fourth glass of the wine that the gnomes so sinfully brew but have kept so wisely from man, until the bargain that I had with their elders all through that autumn night, the sailor told me the story. I do not tell it as he told it to me because of the oaths that were in it; nor is it from delicacy that I refrain from writing these oaths verbatim, but merely because the horror they caused in me at the time troubles me still whenever I put them on paper, and I continue to shudder until I have blotted them out. Therefore, I tell the story in my own words, which, if they possess a certain decency that was not in the mouth of that sailor, unfortunately do not smack, as his did, of rum and blood and the sea.

You would take a ship to be a dead thing like a table, as dead as bits of iron and canvas and wood. That is because you always live on shore, and have never seen the sea, and drink milk. Milk is a more accursed drink than water.

What with the captain and what with the man at the wheel, and what with the crew, a ship has no fair chance of showing a will of her own.

There is only one moment in the history of ships, that carry crews on board, when they act by their own free will. This moment comes when all the crew are drunk. As the last man falls drunk on to the deck, the ship is free of man, and immediately slips away. She slips away at once on a new course and is never one yard out in a hundred miles.

It was like this one night with the Sea-Fancy. Bill Smiles was there himself, and can vouch for it. Bill Smiles has never told this tale before for fear that anyone should call him a liar. Nobody dislikes being hung as much as Bill Smiles would, but he won't be called a liar. I tell the tale as I heard it, relevancies and irrelevancies, though in my more decent words; and as I made no doubts of the truth of it then, I hardly like to now; others can please themselves.

It is not often that the whole of a crew is drunk. The crew of the Sea-Fancy was no drunkener than others. It happened like this.

The captain was always drunk. One day a fancy he had that some spiders were plotting against him, or a sudden bleeding he had from both his ears, made him think that drinking might be bad for his health. Next day he signed the pledge. He was sober all that morning and all the afternoon, but at evening he saw a sailor drinking a a glass of beer, and a fit of madness seized him, and he said things that seemed bad to Bill Smiles. And next morning he made all of them take the pledge.

For two days nobody had a drop to drink, unless you count water, and on the third morning the captain was quite drunk. It stood to reason they all had a glass or two then, except the man at the wheel; and towards evening the man at the wheel could bear it no longer, and seems to have had his glass like all the rest, for the ship's course wobbled a bit and made a circle or two. Then all of a sudden she went off south by east under full canvas till midnight, and never altered her course. And at midnight she came to the wide wet courts of the Temple in the Sea.