Chapter 3

When I tried to ask them by signs whence they had come with their city they would only point to the moon, which was bright and full and was shining fiercely on those marble ways till the city danced in light. And now there began appearing one by one, slipping softly out through windows, men with stringed instruments in the balconies. They were strange instruments with huge bulbs of wood, and they played softly on them and very beautifully, and their queer voices softly sang to the music weird dirges of the griefs of their native land wherever that may be. And far off in the heart of the city others were singing too, the sound of it came to me wherever I roamed, not loud enough to disturb my thoughts, but gently turning the mind to pleasant things. Slender carved arches of marble, as delicate almost as lace, crossed and re-crossed the ways wherever I went. There was none of that hurry of which foolish cities boast, nothing ugly or sordid so far as I could see. I saw that it was a city of beauty and song. I wondered how they had travelled with all that marble, how they had laid it down on Mallington Moor, whence they had come and what their resources were, and determined to investigate closely next morning, for the old shepherd had not troubled his head to think how the city came, he had only noted that the city was there (and of course no one believed him, though that is partly his fault for his dissolute ways). But at night one can see little and I had walked all day, so I determined to find a place to rest in. And just as I was wondering whether to ask for shelter of those silk-robed men by signs or whether to sleep outside the walls and enter again in the morning, I came to a great archway in one of the marble houses with two black curtains, embroidered below with gold, hanging across it. Over the archway were carved apparently in many tongues the words: "Here strangers rest." In Greek, Latin and Spanish the sentence was repeated and there was writing also in the language that you see on the walls of the great temples of Egypt, and Arabic and what I took to be early Assyrian and one or two languages I had never seen. I entered through the curtains and found a tesselated marble court with golden braziers burning sleepy incense swinging by chains from the roof, all round the walls were comfortable mattresses lying upon the floor covered with cloths and silks. It must have been ten o'clock and I was tired. Outside the music still softly filled the streets, a man had set a lantern down on the marble way, five or six sat down round him, and he was sonorously telling them a story. Inside there were some already asleep on the beds, in the middle of the wide court under the braziers a woman dressed in blue was singing very gently, she did not move, but sung on and on, I never heard a song that was so soothing. I lay down on one of the mattresses by the wall, which was all inlaid with mosaics, and pulled over me some of the cloths with their beautiful alien work, and almost immediately my thoughts seemed part of the song that the woman was singing in the midst of the court under the golden braziers that hung from the high roof, and the song turned them to dreams, and so I fell asleep.

A small wind having arisen, I was awakened by a sprig of heather that beat continually against my face. It was morning on Mallington Moor, and the city was quite gone.

Why the Milkman Shudders When He Perceives the Dawn

In the Hall of the Ancient Company of Milkmen round the great fireplace at the end, when the winter logs are burning and all the craft are assembled they tell to-day, as their grandfathers told before them, why the milkman shudders when he perceives the dawn.

When dawn comes creeping over the edges of hills, peers through the tree-trunks making wonderful shadows, touches the tops of tall columns of smoke going up from awakening cottages in the valleys, and breaks all golden over Kentish fields, when going on tip-toe thence it comes to the walls of London and slips all shyly up those gloomy streets the milkman perceives it and shudders.

A man may be a Milkman's Working Apprentice, may know what borax is and how to mix it, yet not for that is the story told to him. There are five men alone that tell that story, five men appointed by the Master of the Company, by whom each place is filled as it falls vacant, and if you do not hear it from one of them you hear the story from no one and so can never know why the milkman shudders when he perceives the dawn.

It is the way of one of these five men, greybeards all and milkmen from infancy, to rub his hands by the fire when the great logs burn, and to settle himself more easily in his chair, perhaps to sip some drink far other than milk, then to look round to see that none are there to whom it would not be fitting the tale should be told and, looking from face to face and seeing none but the men of the Ancient Company, and questioning mutely the rest of the five with his eyes, if some of the five be there, and receiving their permission, to cough and to tell the tale. And a great hush falls in the Hall of the Ancient Company, and something about the shape of the roof and the rafters makes the tale resonant all down the hall so that the youngest hears it far away from the fire and knows, and dreams of the day when perhaps he will tell himself why the milkman shudders when he perceives the dawn.

Not as one tells some casual fact is it told, nor is it commented on from man to man, but it is told by that great fire only and when the occasion and the stillness of the room and the merit of the wine and the profit of all seem to warrant it in the opinion of the five deputed men: then does one of them tell it, as I have said, not heralded by any master of ceremonies but as though it arose out of the warmth of the fire before which his knotted hands would chance to be; not a thing learned by rote, but told differently by each teller, and differently according to his mood, yet never has one of them dared to alter its salient points, there is none so base among the Company of Milkmen. The Company of Powderers for the Face know of this story and have envied it, the Worthy Company of Chin-Barbers, and the Company of Whiskerers; but none have heard it in the Milkmen's Hall, through whose wall no rumour of the secret goes, and though they have invented tales of their own Antiquity mocks them.

This mellow story was ripe with honourable years when milkmen wore beaver hats, its origin was still mysterious when smocks were the vogue, men asked one another when Stuarts were on the throne (and only the Ancient Company knew the answer) why the milkman shudders when he perceives the dawn. It is all for envy of this tale's reputation that the Company of Powderers for the Face have invented the tale that they too tell of an evening, "Why the Dog Barks when he hears the step of the Baker"; and because probably all men know that tale the Company of the Powderers for the Face have dared to consider it famous. Yet it lacks mystery and is not ancient, is not fortified with classical allusion, has no secret lore, is common to all who care for an idle tale, and shares with "The Wars of the Elves," the Calf-butcher's tale, and "The Story of the Unicorn and the Rose," which is the tale of the Company of Horse-drivers, their obvious inferiority.

But unlike all these tales so new to time, and many another that the last two centuries tell, the tale that the milkmen tell ripples wisely on, so full of quotation from the profoundest writers, so full of recondite allusion, so deeply tinged with all the wisdom of man and instructive with the experience of all times that they that hear it in the Milkmen's Hall as they interpret allusion after allusion and trace obscure quotation lose idle curiosity and forget to question why the milkman shudders when he perceives the dawn.

You also, O my reader, give not yourself up to curiosity. Consider of how many it is the bane. Would you to gratify this tear away the mystery from the Milkmen's Hall and wrong the Ancient Company of Milkmen? Would they if all the world knew it and it became a common thing to tell that tale any more that they have told for the last four hundred years? Rather a silence would settle upon their hall and a universal regret for the ancient tale and the ancient winter evenings. And though curiosity were a proper consideration yet even then this is not the proper place nor this the proper occasion for the Tale. For the proper place is only the Milkmen's Hall and the proper occasion only when logs burn well and when wine has been deeply drunken, then when the candles were burning well in long rows down to the dimness, down to the darkness and mystery that lie at the end of the hall, then were you one of the Company, and were I one of the five, would I rise from my seat by the fireside and tell you with all the embellishments that it has gleaned from the ages that story that is the heirloom of the milkmen. And the long candles would burn lower and lower and gutter and gutter away till they liquefied in their sockets, and draughts would blow from the shadowy end of the hall stronger and stronger till the shadows came after them, and still I would hold you with that treasured story, not by any wit of mine but all for the sake of its glamour and the times out of which it came; one by one the candles would flare and die and, when all were gone, by the light of ominous sparks when each milkman's face looks fearful to his fellow, you would know, as now you cannot, why the milkman shudders when he perceives the dawn.

The Bad Old Woman in Black

The bad old woman in black ran down the street of the ox-butchers.

Windows at once were opened high up in those crazy gables; heads were thrust out: it was she. Then there arose the counsel of anxious voices, calling sideways from window to window or across to opposite houses. Why was she there with her sequins and bugles and old black gown? Why had she left her dreaded house? On what fell errand she hasted?

They watched her lean, lithe figure, and the wind in that old black dress, and soon she was gone from the cobbled street and under the town's high gateway. She turned at once to her right and was hid from the view of the houses. Then they all ran down to their doors, and small groups formed on the pavement; there they took counsel together, the eldest speaking first. Of what they had seen they said nothing, for there was no doubt it was she; it was of the future they spoke, and the future only.

In what notorious thing would her errand end? What gains had tempted her out from her fearful home? What brilliant but sinful scheme had her genius planned? Above all, what future evil did this portend? Thus at first it was only questions. And then the old grey-beards spoke, each one to a little group; they had seen her out before, had known her when she was younger, and had noted the evil things that had followed her goings: the small groups listened well to their low and earnest voices. No one asked questions now or guessed at her infamous errand, but listened only to the wise old men who knew the things that had been, and who told the younger men of the dooms that had come before.

Nobody knew how many times she had left her dreaded house; but the oldest recounted all the times that they knew, and the way she had gone each time, and the doom that had followed her going; and two could remember the earthquake that there was in the street of the shearers.

So were there many tales of the times that were, told on the pavement near the old green doors by the edge of the cobbled street, and the experience that the aged men had bought with their white hairs might be had cheap by the young. But from all their experience only this was clear, that never twice in their lives had she done the same infamous thing, and that the same calamity twice had never followed her goings. Therefore it seemed that means were doubtful and few for finding out what thing was about to befall; and an ominous feeling of gloom came down on the street of the ox-butchers. And in the gloom grew fears of the very worst. This comfort they only had when they put their fear into words--that the doom that followed her goings had never yet been anticipated. One feared that with magic she meant to move the moon; and he would have dammed the high tide on the neighbouring coast, knowing that as the moon attracted the sea the sea must attract the moon, and hoping by his device to humble her spells. Another would have fetched iron bars and clamped them across the street, remembering the earthquake there was in the street of the shearers. Another would have honoured his household gods, the little cat-faced idols seated above his hearth, gods to whom magic was no unusual thing, and, having paid their fees and honoured them well, would have put the whole case before them. His scheme found favour with many, and yet at last was rejected, for others ran indoors and brought out their gods, too, to be honoured, till there was a herd of gods all seated there on the pavement; yet would they have honoured them and put their case before them but that a fat man ran up last of all, carefully holding under a reverent arm his own two hound-faced gods, though he knew well--as, indeed, all men must--that they were notoriously at war with the little cat-faced idols. And although the animosities natural to faith had all been lulled by the crisis, yet a look of anger had come into the cat-like faces that no one dared disregard, and all perceived that if they stayed a moment longer there would be flaming around them the jealousy of the gods; so each man hastily took his idols home, leaving the fat man insisting that his hound-faced gods should be honoured.

Then there were schemes again and voices raised in debate, and many new dangers feared and new plans made.

But in the end they made no defence against danger, for they knew not what it would be, but wrote upon parchment as a warning, and in order that all might know: "_The bad old woman in black ran down the street of the ox-butchers._"

The Bird of the Difficult Eye

Observant men and women that know their Bond Street well will appreciate my astonishment when in a jewellers' shop I perceived that nobody was furtively watching me. Not only this but when I even picked up a little carved crystal to examine it no shop-assistants crowded round me. I walked the whole length of the shop, still no one politely followed.

Seeing from this that some extraordinary revolution had occurred in the jewelry business I went with my curiosity well aroused to a queer old person half demon and half man who has an idol-shop in a byway of the City and who keeps me informed of affairs at the Edge of the World. And briefly over a pinch of heather incense that he takes by way of snuff he gave me this tremendous information: that Mr. Neepy Thang the son of Thangobrind had returned from the Edge of the World and was even now in London.

The information may not appear tremendous to those unacquainted with the source of jewelry; but when I say that the only thief employed by any West-end jeweller since famous Thangobrind's distressing doom is this same Neepy Thang, and that for lightness of fingers and swiftness of stockinged foot they have none better in Paris, it will be understood why the Bond Street jewellers no longer cared what became of their old stock.

There were big diamonds in London that summer and a few considerable sapphires. In certain astounding kingdoms behind the East strange sovereigns missed from their turbans the heirlooms of ancient wars, and here and there the keepers of crown jewels who had not heard the stockinged feet of Thang, were questioned and died slowly.

And the jewellers gave a little dinner to Thang at the Hotel Great Magnificent; the windows had not been opened for five years and there was wine at a guinea a bottle that you could not tell from champagne and cigars at half a crown with a Havana label. Altogether it was a splendid evening for Thang.

But I have to tell of a far sadder thing than a dinner at a hotel. The public require jewelry and jewelry must be obtained. I have to tell of Neepy Thang's last journey.

That year the fashion was emeralds. A man named Green had recently crossed the Channel on a bicycle and the jewellers said that a green stone would be particularly appropriate to commemorate the event and recommended emeralds.

Now a certain money-lender of Cheapside who had just been made a peer had divided his gains into three equal parts; one for the purchase of the peerage, country house and park, and the twenty thousand pheasants that are absolutely essential, and one for the upkeep of the position, while the third he banked abroad, partly to cheat the native tax-gatherer and partly because it seemed to him that the days of the Peerage were few and that he might at any moment be called upon to start afresh elsewhere. In the upkeep of the position he included jewelry for his wife and so it came about that Lord Castlenorman placed an order with two well-known Bond-street jewellers named Messrs. Grosvenor and Campbell to the extent of £100,000 for a few reliable emeralds.

But the emeralds in stock were mostly small and shop-soiled and Neepy Thang had to set out at once before he had had as much as a week in London. I will briefly sketch his project. Not many knew it, for where the form of business is blackmail the fewer creditors you have the better (which of course in various degrees applies at all times).

On the shores of the risky seas of Shiroora Shan grows one tree only so that upon its branches if anywhere in the world there must build its nest the Bird of the Difficult Eye. Neepy Thang had come by this information, which was indeed the truth, that if the bird migrated to Fairyland before the three eggs hatched out they would undoubtedly all turn into emeralds, while if they hatched out first it would be a bad business.

When he had mentioned these eggs to Messrs. Grosvenor and Campbell they had said, "The very thing": they were men of few words, in English, for it was not their native tongue.

So Neepy Thang set out. He bought the purple ticket at Victoria Station. He went by Herne Hill, Bromley and Bickley and passed St. Mary Cray. At Eynsford he changed and taking a footpath along a winding valley went wandering into the hills. And at the top of a hill in a little wood, where all the anemones long since were over and the perfume of mint and thyme from outside came drifting in with Thang, he found once more the familiar path, age-old and fair as wonder, that leads to the Edge of the World. Little to him were its sacred memories that are one with the secret of earth, for he was on business, and little would they be to me if I ever put them on paper. Let it suffice that he went down that path going further and further from the fields we know, and all the way he muttered to himself, "What if the eggs hatch out and it be a bad business!" The glamour that is at all times upon those lonely lands that lie at the back of the chalky hills of Kent intensified as he went upon his journeys. Queerer and queerer grew the things that he saw by little World-End Path. Many a twilight descended upon that journey with all their mysteries, many a blaze of stars; many a morning came flaming up to a tinkle of silvern horns; till the outpost elves of Fairyland came in sight and the glittering crests of Fairyland's three mountains betokened the journey's end. And so with painful steps (for the shores of the world are covered with huge crystals) he came to the risky seas of Shiroora Shan and saw them pounding to gravel the wreckage of fallen stars, saw them and heard their roar, those shipless seas that between earth and the fairies' homes heave beneath some huge wind that is none of our four. And there in the darkness on the grizzly coast, for darkness was swooping slantwise down the sky as though with some evil purpose, there stood that lonely, gnarled and deciduous tree. It was a bad place to be found in after dark, and night descended with multitudes of stars, beasts prowling in the blackness gluttered [See any dictionary, but in vain.] at Neepy Thang. And there on a lower branch within easy reach he clearly saw the Bird of the Difficult Eye sitting upon the nest for which she is famous. Her face was towards those three inscrutable mountains, far-off on the other side of the risky seas, whose hidden valleys are Fairyland. Though not yet autumn in the fields we know, it was close on midwinter here, the moment as Thang knew when those eggs hatch out. Had he miscalculated and arrived a minute too late? Yet the bird was even now about to migrate, her pinions fluttered and her gaze was toward Fairyland. Thang hoped and muttered a prayer to those pagan gods whose spite and vengeance he had most reason to fear. It seems that it was too late or a prayer too small to placate them, for there and then the stroke of midwinter came and the eggs hatched out in the roar of Shiroora Shan or ever the bird was gone with her difficult eye and it was a bad business indeed for Neepy Thang; I haven't the heart to tell you any more.

"'Ere," said Lord Castlenorman some few weeks later to Messrs. Grosvenor and Campbell, "you aren't 'arf taking your time about those emeralds."

The Long Porter's Tale

There are things that are known only to the long porter of Tong Tong Tarrup as he sits and mumbles memories to himself in the little bastion gateway.

He remembers the war there was in the halls of the gnomes; and how the fairies came for the opals once, which Tong Tong Tarrup has; and the way that the giants went through the fields below, he watching from his gateway: he remembers quests that are even yet a wonder to the gods. Who dwells in those frozen houses on the high bare brink of the world not even he has told me, and he is held to be garrulous. Among the elves, the only living things ever seen moving at that awful altitude where they quarry turquoise on Earth's highest crag, his name is a byword for loquacity wherewith they mock the talkative.

His favourite story if you offer him bash--the drug of which he is fondest, and for which he will give his service in war to the elves against the goblins, or vice-versa if the goblins bring him more--his favourite story, when bodily soothed by the drug and mentally fiercely excited, tells of a quest undertaken ever so long ago for nothing more marketable than an old woman's song.

Picture him telling it. An old man, lean and bearded, and almost monstrously long, that lolled in a city's gateway on a crag perhaps ten miles high; the houses for the most part facing eastward, lit by the sun and moon and the constellations we know, but one house on the pinnacle looking over the edge of the world and lit by the glimmer of those unearthly spaces where one long evening wears away the stars: my little offering of bash; a long forefinger that nipped it at once on a stained and greedy thumb--all these are in the foreground of the picture. In the background, the mystery of those silent houses and of not knowing who their denizens were, or what service they had at the hands of the long porter and what payment he had in return, and whether he was mortal.

Picture him in the gateway of this incredible town, having swallowed my bash in silence, stretch his great length, lean back, and begin to speak.