Category: Essays, Letters & Speeches

Since Cézanne

Most of these Essays appeared in THE NEW REPUBLIC and THE ATHENAEUM: some, however, are reprinted from THE BURLINGTON MAGAZINE, THE NEW STATESMAN, and ART AND DECORATION. I take this opportunity of thanking the editors of all.

Chapters

3. Chapter 3

Though the war did not kill or even cripple the movement, since the war there has been a change, or, at any rate, a change has become apparent. To begin with, Picasso has, in a...

6. Chapter 6

That is my point. I do not presume to judge between one method of creation and another; I shall not judge between Matisse and Picasso; but I do say that, as a rule, it is the in...

11. Chapter 11

It is inexact to say that the nineteenth century invented impressionist criticism, the nineteenth century invented nothing except the electric light and Queen Victoria. But it w...

9. Chapter 9

The cry of this soft and silly sentimentalist has been neatly put by M. Besson to the purpose of illustrating, and perhaps a little exaggerating, the merits of a painter who is,...

4. Chapter 4

Of Rousseau's sense of the decorative possibilities of paint it is, I suppose, unnecessary to say anything. Gauguin called his black "inimitable." But, indeed, we all agree now...

1. Chapter 1

Most of these Essays appeared in THE NEW REPUBLIC and THE ATHENAEUM: some, however, are reprinted from THE BURLINGTON MAGAZINE, THE NEW STATESMAN, and ART AND DECORATION. I take...

13. Chapter 13

But what does he want this genius of his to do? Nothing less, I believe, than what the French genius did at its supreme moment, in the seventeenth century, what the Greek did in...

7. Chapter 7

Duncan Grant is the best English painter alive. And how English he is! (British, I should say, for he is a Highlander.) Of course, he has been influenced by Cézanne and the mode...

5. Chapter 5

The influence was at first an unhappy one. During three or four years, unable, it seems, to match the new conception of form with his intensely personal reaction, Renoir produce...

10. Chapter 10

The fact is, it matters hardly at all what words the critic employs provided they have the power of infecting his audience with his genuine enthusiasm for an authentic work of a...

8. Chapter 8

Whoever may have rescued European painting from the charming disorder of the age of reason, there can be no question as to who saved it from the riot of impressionism. That was...

12. Chapter 12

This is plain speaking; how else should a critic, who believes that he has diagnosed the disease, convince a modern patient of his parlous state? To just hint a fault and hesita...

2. Chapter 2

Taken as a whole, the first fourteen years of the century, which my malicious friend Jean Cocteau sometimes calls _l'époque héroïque_, possessed most of the virtues and vices th...

14. Chapter 14

The encouragement given to fatuous ignorance to swell with admiration of its own incompetence is perhaps what has turned most violently so many intelligent and sensitive people...