Chapter 22

epigrammatist of the period of Justinian) and two more in Diogenes Laërtius. One of these last is an epitaph on the philosopher Crantor, who flourished about 300 B.C., but is not necessarily contemporaneous.

(4) ALCAEUS of Messene, who flourished 200 B.C., represents the literary and political energy still surviving in Greece under the Achaean League. Many of his epigrams touch on the history of the period; several are directed against Philip III. of Macedonia. The earliest to which a date can be fixed is on the destruction of Macynus in Aetolia by Philip, B.C. 218 or 219 (Polyb. iv. 65), and the latest on the dead at the battle of Cynoscephalae, B.C. 197, written before their bones were collected and buried by order of Antiochus B.C. 191. This epigram is mentioned by Plutarch as having given offence to the Roman general Flaminius, on account of its giving the Aetolians an equal share with the Romans in the honour of the victory. Another is on the freedom of Flaminius, proclaimed at the Isthmia B.C. 196. An Alcaeus was one of the Epicurean philosophers expelled from Rome by decree of the Senate in B.C. 173, and may be the same. Others of his epigrams are on literary subjects. All are written in a hard style. There are twenty-two in all in the Anthology. Some of them are headed "Alcaeus of Mitylene," but there is no doubt as to the authorship; the confusion of this Alcaeus with the lyric poet of Mitylene could only be made by one very ignorant of Greek literature.

Of the same period is DAMAGETUS, the author of twelve epigrams in the Anthology, and included as "a dark violet" in the /Garland/ of Meleager, l. 21. They are chiefly epitaphs, and are in the best style of the period.

DIONYSIUS of Cyzicus must have flourished soon after 200 B.C. from his epitaph on Eratosthenes, who died B.C. 196. Eight other epigrams in the Palatine Anthology, and four more in Planudes, are attributed to a Dionysius. One is headed "Dionysius of Andros," one "Dionysius of Rhodes" (it is an epitaph on a Rhodian), one "Dionysius the Sophist," the others "Dionysius" simply. There were certainly several authors of the name, which was one of the commonest in Greece; but no distinction in style can be traced among these epigrams, and there is little against the theory that most if not all are by the same author, Dionysius of Cyzicus.

DIOSCORIDES, the author of forty-one epigrams in the Palatine Anthology, lived at Alexandria early in the second century B.C. An epitaph of his on the comedian Machon is quoted by Athenaeus, who says that Machon was master to Aristophanes of Byzantium, who flourished 200 B.C. His style shows imitation of Callimachus; the /Garland/ of Meleager, l. 23, speaks of him as "the cyclamen of Muses."

ARTEMIDORUS, a grammarian, pupil of Aristophanes of Byzantium and contemporary of Aristarchus, flourished about 180 B.C., and is the author of two epigrams in the Palatine Anthology, both mottoes, the one for a Theocritus, the other for a collection of the bucolic poets. The former is attributed in the Palatine MS. to Theocritus himself, but is assigned to Artemidorus on the authority of a MS. of Theocritus.

PAMPHILUS, also a grammarian, and pupil to Aristarchus, was one of the poets in the /Garland/ of Meleager (l. 17, "the spreading plane of the song of Pamphilus"). Only two epigrams of his are extant in the Anthology.

ANTIPATER OF SIDON is one of the most interesting figures of the close of this century, when Greek education began to permeate the Roman upper classes. Little is known about his life; part of it was spent at Rome in the society of the most cultured of the nobility. Cicero, /Or./ iii. 194, makes Crassus and Catulus speak of him as familiarly known to them, but then dead; the scene of the dialogue is laid in B.C. 91. Cicero and Pliny also mention the curious fact that he had an attack of fever on his birthday every winter. "The young Phoenician cypress of Antipater," in the /Garland/ of Meleager, l. 42, refers to him as one of the more modern poets in that collection.

There is much confusion in the Anthology between him and his equally prolific namesake of the next century, Antipater of Thessalonica. The matter would take long to disentangle completely. In brief the facts are these. In the Palatine Anthology there are one hundred and seventy-eight epigrams, of which forty-six are ascribed to Antipater of Sidon and thirty-six to Antipater of Thessalonica, the remaining ninety-six being headed "Antipater" merely. Twenty-eight other epigrams are given as by one or other in Planudes and Diogenes Laërtius. Jacobs assigns ninety epigrams in all to the Sidonian poet. Most of them are epideictic; a good many are on works of art and literature; there are some very beautiful epitaphs. There is in his work a tendency towards diffuseness which goes with his talent in improvisation mentioned by Cicero.

To this period seem to belong the following poets, of whom little or nothing is known: ARISTODICUS of Rhodes, author of two epigrams in the Palatine Anthology: ARISTON, author of three or four epigrams in the style of Leonidas of Tarentum: HERMOCREON, author of one dedication in the Palatine Anthology and another in Planudes: and TYMNES, author of seven epigrams in the Anthology, and included in the /Garland/ of Meleager, l. 19, with "the fair-foliaged white poplar" for his cognisance.

(5) MELEAGER son of Eucrates was born at the partially Hellenised town of Gadara in northern Palestine (the Ramoth-Gilead of the Old Testament), and educated at Tyre. His later life was spent in the island of Cos, where he died at an advanced age. The scholiast to the Palatine MS. says he flourished in the reign of the last Seleucus; this was Seleucus VI. Epiphanes, who reigned B.C. 95-93. The date of his celebrated Anthology cannot be much later, as it did not include the poems of his fellow-townsman Philodemus, who flourished about B.C. 60 or a little earlier. Like his contemporary Menippus, also a Gadarene, he wrote what were known as {spoudogeloia}, miscellaneous prose essays putting philosophy in popular form with humorous illustrations. These are completely lost, but we have fragments of the /Saturae Menippeae/ of Varro written in imitation of them, and they seem to have had a reputation like that of Addison and the English essayists of the eighteenth century. Meleager's fame however is securely founded on the one hundred and thirty-four epigrams of his own which he included in his Anthology. Some further account of the erotic epigrams, which are about four-fifths of the whole number, is given above. For all of these the MSS. of the Anthology are the sole source.

DIODORUS of Sardis, commonly called ZONAS, is spoken of by Strabo, who was a friend of his kinsman Diodorus the younger, as having flourished at the time of the invasion of Asia by Mithridates B.C. 88. He was a distinguished orator. Both of these poets were included in the Anthology of Philippus, and in the case of some of the epigrams it is not quite certain to which of the two they should be referred. Eight are usually ascribed to Zonas: they are chiefly dedicatory and pastoral, with great beauty of style and feeling for nature.

ERYCIUS of Cyzicus flourished about the middle of the first century B.C. One of his epigrams is on an Athenian woman who had in early life been captured at the sack of Athens by Sulla B.C. 80; another is against a grammarian Parthenius of Phocaea, possibly the same who was the master of Virgil. Of the fourteen epigrams in the Anthology under the name of Erycius one is headed "Erycius the Macedonian" and may be by a different author.

PHILODEMUS of Gadara was a distinguished Epicurean philosopher who lived at Rome in the best society of the Ciceronian age. He was an intimate friend of Piso, the Consul of B.C. 58, to whom two of his epigrams are addressed. Cicero, /in Pis./ § 68 foll., where he attacks Piso for consorting with /Graeculi/, almost goes out of his way to compliment Philodemus on his poetical genius and the unusual literary culture which he combined with the profession of philosophy: and again in the /de Finibus/ speaks of him as "a most worthy and learned man." He is also referred to by Horace, 1 /Sat./ ii. 121. Thirty-two of his epigrams, chiefly amatory, are in the Anthology, and five more are ascribed to him on doubtful authenticity.

IV. Roman period; from the establishment of the Empire to the decay of art and letters after the death of Marcus Aurelius, B.C. 30-A.D. 180.

This period falls into three subdivisions; (1) poets of the Augustan age; (2) those of what may roughly be called the Neronian age, about the middle of the first century; and (3) those of the brief and partial renascence of art and letters under Hadrian, which, before the accession of Commodus, had again sunk away, leaving a period of some centuries almost wholly without either, but for the beginnings of Christian art and the writings of the earlier Fathers of the Church. Even from the outset of this period the epigram begins to fall off. There is a tendency to choose trifling subjects, and treat them either sentimentally or cynically. The heaviness of Roman workmanship affects all but a few of the best epigrams, and there is a loss of simplicity and clearness of outline. Many of the poets of this period, if not most, lived as dependants in wealthy Roman families and wrote to order: and we see in their work the bad results of an excessive taste for rhetoric and the practice of fluent but empty improvisation.

(1) ANTIPATER OF THESSALONICA, the author of upwards of a hundred epigrams in the Anthology, is the most copious and perhaps the most interesting of the Augustan epigrammatists. There are many allusions in his work to contemporary history. He lived under the patronage of L. Calpurnius Piso, consul in B.C. 15, and afterwards proconsul of Macedonia for several years, and was appointed by him governor of Thessalonica. One of his epigrams celebrates the foundation of Nicopolis by Octavianus, after the battle of Actium; another anticipates his victory over the Parthians in the expedition of B.C. 20; another is addressed to Caius Caesar, who died in A.D. 4. None can be ascribed certainly to a later date than this.

ANTIPHANES the Macedonian is the author of ten epigrams in the Palatine Anthology; one of these, however, is headed "Antiphanes of Megalopolis" and may be by a different author. There is no precise indication of time in his poems.

BIANOR of Bithynia is the author of twenty-two epigrams in the Anthology. One of them is on the destruction of Sardis by an earthquake in A.D. 17. He is fond of sentimental treatment, which sometimes touches pathos but often becomes trifling.

CRINAGORAS of Mitylene lived at Rome as a sort of court poet during the latter part of the reign of Augustus. He is mentioned by Strabo as a contemporary of some distinction. In one of his epigrams he blames himself for hanging on to wealthy patrons; several others are complimentary verses sent with small presents to the children of his aristocratic friends: one is addressed to young Marcellus with a copy of the poems of Callimachus. Others are on the return of Marcellus from the Cantabrian war, B.C. 25; on the victories of Tiberius in Armenia and Germany; and on Antonia, daughter of the triumvir and wife of Drusus. Another, written in the spirit of that age of tourists, speaks of undertaking a voyage from Asia to Italy, visiting the Cyclades and Corcyra on the way. Fifty-one epigrams are attributed to him in the Anthology; one of these, however (/Anth. Pal./ ix. 235), is on the marriage of Berenice of Cyrene to Ptolemy III. Euergetes, and must be referred to Callimachus or one of his contemporaries.

DIODORUS, son of Diopeithes of Sardis, also called Diodorus the Younger, in distinction to Diodorus Zonas, is mentioned as a friend of his own by Strabo, and was a historian and melic poet besides being an epigrammatist. Seventeen of the epigrams in the Anthology under the name of Diodorus are usually ascribed to him, and include a few fine epitaphs.

EVENUS of Ascalon is probably the author of eight epigrams in the Anthology; but some of these may belong to other epigrammatists of the same name, Evenus of Athens, Evenus of Sicily, and Evenus Grammaticus, unless the last two of these are the same person. Evenus of Athens has been doubtfully identified with Evenus of Paros, and elegiac poet of some note contemporary with Socrates, mentioned in the /Phaedo/ and quoted by Aristotle: and it is just possible that some of the best of the epigrams, most of which are on works of art, may be his.

PARMENIO the Macedonian is the author of sixteen epigrams in the Anthology, most of which have little quality beyond commonplace rhetoric.

These seven poets were included in the Anthology of Philippus; of the same period, but not mentioned by name in the proem to that collection, are the following:--

APOLLONIDES, author of thirty-one epigrams in the Anthology, perhaps the same with an Apollonides of Nicaea mentioned by Diogenes Laërtius as having lived in the reign of Tiberius. One of his epigrams refers to the retirement of Tiberius at Rhodes from B.C. 6 to A.D. 2, and another mentions D. Laelius Balbus, who was consul in B.C. 6, as travelling in Greece.

GAETULICUS, the author of eight epigrams in the Palatine Anthology (vi. 154 and vii. 245 are wrongly ascribed to him), is usually identified with Gn. Lentulus Gaetulicus, legate of Upper Germany, executed on suspicion of conspiracy by Caligula, A.D. 39, and mentioned as a writer of amatory poetry by Martial and Pliny. But the identification is very doubtful, and perhaps he rather belongs to the second century A.D. No precise date is indicated in any of the epigrams.

POMPEIUS, author of two or three epigrams in the Palatine Anthology, also called Pompeius the Younger, is generally identified with M. Pompeius Theophanes, son of Theophanes of Mitylene, the friend of Pompey the Great, and himself a friend of Tiberius, according to Strabo.

To the same period probably belong QUINTUS MAECIUS or MACCIUS, author of twelve epigrams in the Anthology, and MARCUS ARGENTARIUS, perhaps the same with a rhetorician Argentarius mentioned by the elder Seneca, author of thirty-seven epigrams, chiefly amatory and convivial, some of which have much grace and fancy. Others place him in the age of Hadrian.

(2) PHILIPPUS of Thessalonica was the compiler of an Anthology of epigrammatists subsequent to Meleager and is himself the author of seventy-four extant epigrams in the Anthology besides six more dubiously ascribed to him. He wrote epigrams of all sorts, mainly imitated from older writers and showing but little original power or imagination. The latest certain historical allusion in his own work is one to Agrippa's mole at Puteoli, but Antiphilus, who was included in his collection, certainly wrote in the reign of Nero, and probably Philippus was of about the same date. Most of his epigrams being merely rhetorical exercises on stock themes give no clue to his precise period.

ANTIPHILUS of Byzantium, whose date is fixed by his epigram on the restoration of liberty to Rhodes by the emperor Nero, A.D. 53 (Tac. /Ann./ xii. 58), is the author of forty-nine epigrams in the Anthology, besides three doubtful. Among them are some graceful dedications, pastoral epigrams, and sea-pieces. The pretty epitaph on Agricola (/Anth. Pal./ ix. 549) gives no clue to his date, as it certainly is not on the father-in-law of Tacitus, and no other person of the name appears to be mentioned in history.

JULIUS POLYAENUS is the author of a group of three epigrams (/Anth. Pal./ ix. 7-9), which have a high seriousness rare in the work of this period. He has been probably identified with a C. Julius Polyaenus who is known from coins to have been a duumvir of Corinth (Colonia Julia) under Nero. He was a native of Corcyra, to which he retired after a life of much toil and travel, apparently as a merchant. The epigram by Polyaenus of Sardis (/Anth. Pal./ ix. 1), usually referred to the same author, is in a completely different manner.

LUCILIUS, the author of one hundred and twenty-three epigrams in the Palatine Anthology (twenty others are of doubtful authorship) was, as we learn from himself, a grammarian at Rome and a pensioner of Nero. He published two volumes of epigrams, somewhat like those of Martial, in a satiric and hyperbolical style.[1]

NICARCHUS is the author of forty-two epigrams of the same kind as those of Lucilius. Another given under his name (/Anth. Pal./ vii. 159) is of the early Alexandrian period, perhaps by Nicias of Miletus, as the converse mistake is made in the Palatine MS. with regard to xi. 398. A large proportion of his epigrams are directed against doctors. There is nothing to fix the precise part of the century in which he lived.

To some part of this century also belong SECUNDUS of Tarentum and MYRINUS, each the other of four epigrams in the Anthology. Nothing further is known of either.

(3) STRATO of Sardis, the collector of the Anthology called {Mousa Paidike Stratonos} and extant, apparently in an imperfect and mutilated form, as the twelfth section or first appendix of the Palatine Anthology may be placed with tolerable certainty in the reign of Hadrian. Besides his ninety-four epigrams preserved in his own Anthology, five others are attributed to him in the Palatine Anthology, and one more in Planudes.

AMMIANUS is the author of twenty-nine epigrams in the Anthology, all irrisory. One of them (/Anth. Pal./ xi. 226) is imitated from Martial, ix. 30. Another sneers at the neo-Atticism which had become the fashion in Greek prose writing. His date is fixed by an attack on Antonius Polemo, a well-known sophist of the age of Hadrian.

THYMOCLES is only known from his single epigram in Strato's Anthology. It is in the manner of Callimachus and may perhaps be of the Alexandrian period.

To this or an earlier date belongs ARCHIAS of Mitylene, the author of a number of miscellaneous epigrams, chiefly imitated from older writers such as Antipater and Leonidas. Forty-one epigrams in all are attributed on some authority to one Archias or another; most have the name simply; some are headed "Archias the Grammarian," "Archias the Younger," "Archias the Macedonian," "Archias of Byzantium." All are sufficiently like each other in style to be by the same hand. Some have been attributed to Cicero's client, Archias of Antioch, but they seem to be of a later period.

To the age of Hadrian also belongs the epigram inscribed on the Memnon statue at Thebes with the name of its author, ASCLEPIODOTUS, ix. 19 in this selection.

CLAUDIUS PTOLEMAEUS of Alexandria, mathematician, astronomer, and geographer, who gave his name to the Ptolemaïc system of the heavens, flourished in the latter half of the second century. His chief works are the {Megale Suntaxis tes Astronomias} in thirteen books, known to the Middle Ages in its Arabian translation under the title of the /Almagest/, and the {Geographike Uphegesis} in eight books. He also wrote on astrology, chronology, and music. A single epigram of his on his favourite science is preserved in the Anthology. Another commonplace couplet under the name of Ptolemaeus is probably by some different author.

LUCIAN of Samosata in Commagene, perhaps the most important figure in the literature of this period, was born about A.D. 120. He practised as an advocate at Antioch, and travelled very extensively throughout the empire. He was appointed procurator of a district of Egypt by the emperor Commodus (reigned A.D. 180-192) and probably died about A.D. 200. Besides his voluminous prose works he is the author of forty epigrams in the Anthology, and fourteen more are ascribed to him on doubtful or insufficient authority.

To some part of this period appear to belong ALPHEUS of Mitylene, author of twelve epigrams, some school-exercises, others on ancient towns, Mycenae, Argos, Tegea, and Troy, which he appears to have visited as a tourist; CARPYLLIDES or CARPHYLLIDES, author of one fine epitaph and another dull epigram in the moralising vein of this age: GLAUCUS of Nicopolis, author of six epigrams (one is headed "Glaucus of Athens," but is in the same late imperial style; and in this period the citizenship of Athens was sold for a trifle by the authorities to any one who cared for it: cf. the epigram of Automedon (/Anth. Pal./