Chapter 21

well describes the diffuseness and slight want of firmness and colour in his otherwise graceful style.

NOSSIS of Locri, in Magna Graecia, is the contemporary of Leonidas; her date being approximately fixed by an epitaph on Rhinthon of Syracuse, who flourished 300 B.C. We know a good many details about her from her eleven epigrams in the Anthology, some of which are only inferior to those of Anyte. The /Garland/ of Meleager, l. 10, speaks of "the scented fair-flowering iris of Nissus, on whose tablets Love himself melted the wax"; and, like Anyte, she is mentioned, with the characteristic epithet "woman-tongued," by Antipater of Thessalonica in his list of poetesses. She herself claims (/Anth. Pal./ vii. 718) to be a rival of Sappho.

THEOCRITUS of Syracuse lived for some time at Alexandria under Ptolemy II., about 280 B.C., and afterwards at Syracuse under Hiero II. From some allusions to the latter in the Idyls, it seems that he lived into the first Punic war, which broke out B.C. 264. Twenty-nine epigrams are ascribed to him on some authority or other in the Anthology; of these Ahrens allows only nine as genuine.

NICIAS of Miletus, physician, scholar, and poet, was the contemporary and close friend of Theocritus. Idyl xi. is addressed to him, and the scholiast says he wrote an idyl in reply to it; idyl xxii was sent with the gift of an ivory spindle to his wife, Theugenis; and one of Theocritus' epigrams (/Anth. Pal./ vi. 337) was written for him as a dedication. There are eight epigrams of his in the Anthology (/Anth. Pal./ xi. 398 is wrongly attributed to him, and should be referred to Nicarchus), chiefly dedications and inscriptions for rural places in the idyllic manner. "The green mint of Nicias" is mentioned, probably with an allusion to his profession, in the /Garland/ of Meleager, l. 19.

CALLIMACHUS of Alexandria, the most celebrated and the most wide in his influence of Alexandrian scholars and poets, was descended from the noble family of the Battiadae of Cyrene. He studied at Alexandria, and was appointed principal keeper of the Alexandrian library by Ptolemy II., about the year 260 B.C. This position he held till his death, about B.C. 240. He was a prolific author in both prose and verse. Sixty-three epigrams of his are preserved in the Palatine Anthology, and two more by Strabo and Athenaeus; five others in the Anthology are ascribed to him on more or less doubtful authority. He brought to the epigram the utmost finish of which it is capable. Many of his epigrams are spoiled by over-elaboration and affected daintiness of style; but when he writes simply his execution is incomparable. The /Garland/ of Meleager, l. 21, speaks of "the sweet myrtle-berry of Callimachus, ever full of acid honey"; and there is in all his work a pungent flavour which is sometimes bitter and sometimes exquisite.

POSIDIPPUS, the author of twenty-five extant epigrams, of which twenty are in the Anthology, is more than once referred to as "the epigrammatist," and so is probably a different person from the comedian, the last distinguished name of the New Comedy, who began to exhibit after the death of Menander in B.C. 291. He probably lived somewhat later; the /Garland/ of Meleager, l. 45, couples "the wild corn-flowers of Posidippus and Hedylus," and Hedylus was the contemporary of Callimachus. One of his epigrams refers to the Stoic Cleanthes, who became head of the school B.C. 263 and died about B.C. 220, as though already an old master.

With Posidippus may be placed METRODORUS, the author of an epigram in reply to one by Posidippus (xii. 39, 40 in this selection). Whether this be contemporary or not, it can hardly be by the same Metrodorus as the forty arithmetical problems which are given in an appendix to the Palatine Anthology (Section xiv.), or the epigram on a Byzantine lawyer, /Anth. Pal./ ix. 712. These may be all by a geometrician of the name who is mentioned as having lived in the age of Constantine.

MOERO or MYRO of Byzantium, daughter of the tragedian Homerus, flourished towards the end of the reign of Ptolemy II., about 250 B.C. She wrote epic and lyric poetry as well as epigrams; a fragment of her epic called /Mnemosyne/ is preserved in Athenaeus. Antipater of Thessalonica mentions her in his list of famous poetesses. Of the "many martagon-lilies of Moero" in the Anthology of Meleager (/Garland/, l. 5) only two are extant, both dedications.

NICAENETUS of Samos flourished about the same time. There are four epigrams of his in the Anthology, and another is quoted by Athenaeus, who, in connexion with a Samian custom, adduces him as "a poet of the country." He also wrote epic poems. The /Garland/ of Meleager, l. 29, speaks of "the myrrh-twigs of Nicaenetus."

EUPHORION of Chalcis in Euboea, grammarian and poet, was born B.C. 274, and in later life was chief librarian at the court of Antiochus the Great, who reigned B.C. 224-187. His most famous work was his five books of {KHiliades}, translated into Latin by C. Cornelius Gallus (Virgil, /Ecl./ vi. 64-73) and of immense reputation. His influence on Latin poetry provoked the well-known sneer of Cicero (/Tusc./ iii. 19) at the /cantores Euphorionis/; cf. also Cic. /de Div./ ii. 64, and Suetonius, /Tiberius/, c. 70. Only two epigrams of his are extant in the Palatine Anthology. The /Garland/ of Meleager, l. 23, speaks of "the rose-campion of Euphorion."

RHIANUS of Crete flourished about 200 B.C., and was chiefly celebrated as an epic poet. Besides mythological epics, he wrote metrical histories of Thessaly, Elis, Achaea, and Messene; Pausinias quotes verses from the last of these, /Messen./ i. 6, xvii. 11. Seutonius, /Tiberius/, c. 70, mentions him along with Euphorion as having been greatly admired by Tiberius. There are nine epigrams by him, erotic and dedicatory, in the Palatine Anthology, and another is quoted by Athenaeus. The /Garland/ of Meleager, l. 11, couples him with the marjoram-blossom.

THEODORIDES of Syracuse, the author of nineteen epigrams in the Anthology, flourished towards the close of the third century B.C., one of his epigrams being an epitaph on Euphorion. He also wrote lyric poetry; Athenaeus mentions a dithyrambic poem of his called the /Centaurs/, and a /Hymn to Love/. The /Garland/ of Meleager, l. 53, speaks of "the fresh-blooming festal wild-thyme of Theodorides."

A little earlier in date is MNASALCAS of Plataeae, near Sicyon, on whom Theodorides wrote an epitaph (/Anth. Pal./ xiii. 21), which speaks of him as imitating Simonides, and criticises his style as turgid. This criticism is not born out by his eighteen extant epigrams in the Palatine Anthology, which are in the best manner, with something of the simplicity of his great model, and even a slight austerity of style which takes us back to Greece Proper. The /Garland/ of Meleager seizes this quality when it speaks, l. 16, of "the tresses of the sharp pine of Mnasalcas."

MOSCHUS of Syracuse, the last of the pastoral poets, flourished towards the end of the third century B.C., perhaps as late as B.C. 200 if he was the friend of the grammarian Aristarchus. A single epigram of his is extant in Planudes. The Palatine Anthology includes his idyll of /Love the Runaway/ (ix. 440), and the lovely hexameter fragment by Cyrus (ix. 136), which has without authority been attributed to him and is generally included among his poems.

To this period may belong DIOTIMUS, whose name is at the head of eleven epigrams in the Anthology. One of these is headed "Diotimus of Athens," one "Diotimus of Miletus," the rest have the name simply. Nothing is known from other sources of any one of them. An Athenion Diotimus was one of the orators surrendered to Antipater B.C. 322, and some of the epigrams might be of that period. A grammarian Diotimus of Adramyttium is mentioned in an epigram by Aratus of Soli (who fl. 270 B.C.); perhaps he was the poet of the /Garland/ of Meleager, who speaks, l. 27, of "the quince from the boughs of Diotimus."

AUTOMEDON of Aetolia is the author of an epigram in the Palatine Anthology, of which the first two lines are in Planudes under the name of Theocritus; it is in his manner, and in the best style of this period. There are twelve other epigrams by an Automedon of the Roman period in the Anthology, one of them headed "Automedon of Cyzicus." From internal evidence these belong to the reign of Nerva or Trajan. An Automedon was probably one of the poets in the Anthology of Philippus (/Garland/, l. 11), but is most probably different from both of these, as that collection cannot well be put later than the reign of Nero, and purports to include only poets subsequent to Meleager: cf. supra p. 17.

THEAETETUS is only known as the author of three epigrams in the Palatine Anthology (a fourth usually ascribed to him, /Anth. Pal./