Promenades of an Impressionist

After prolonged study of the art shown at the Paris Autumn Salon you ask yourself: This whirlpool of jostling ambitions, crazy colours, still crazier drawing and composition--wh...

It angered him to see himself imitated and he was wrathful when he heard that his still-life pictures were praised in Paris. "That stuff they like up there, do they? Their taste...

He had no illusions as to the intelligence and sincerity of those men who, denying free-will, yet call themselves free-thinkers. Rops frankly made of Satan his chief religion. H...

Painted music! The ruins, fountains, statues, and mellow herbage abound in this middle period. The third is less known. Extravagance began to rule; scarlet fanfares are sounded;...

As a portraitist of his contemporaries Rodin is the unique master of character. His women are gracious, delicious masks; his men cover many octaves in virility and variety. That...

In 1860 or thereabout he visited America, and in New Orleans he saw the subject of his Interior of a Cotton Factory, which was shown as an historical curiosity at the Paris expo...

Large or small, there has been a Greco cult ever since the Greek-Spanish painter died, April 7, 1614, but during the last decade it has grown into a species of worship. One hear...

Goya was a Titan among artists. He once boasted that "Nature, Velasquez, and Rembrandt are my masters." It was an excellent self-criticism. He not only played the Velasquez gamb...

Listen to this description of La Vicaria (The Spanish Wedding), which first won for its painter his reputation. Begun in 1868, it was exhibited at Goupil's, Paris, the spring of...

Havelock Ellis's book, The Soul of Spain, is an excellent corrective for the operatic Spain, and George Borrow is equally sound despite his bigotry, while Gautier is invaluable....

The intimate charm of the Chardin interiors is not equalled even in the Vermeer canvases. At the Louvre, which contains at least thirty of the masterpieces, consider the sweetne...

There was a reason. Bohemian as was the artist during the last decade of his life, he did not always haunt low cafés and drink absinthe. His beginnings were as romantic as a pag...

The Vale of Tempe is one of Martin's larger plates seldom seen in the collector's catalogue. We have viewed it and other rare prints in the choice collection referred to already...

His style has been pronounced akin to that of Eugène Carrière; his sense of values on a par with Goya's and Rembrandt's (that Shop Window of his in the Durand-Ruel collection is...

It is not quite fair to compare Guys with Rops, or indeed with either Gavarni or Daumier. These were the giants of French illustration at that epoch. Guys was more the skirmishe...

Nevertheless, divided tones and "screaming" palette do not always a picture make; mediocrity loves to mask itself behind artistic innovations. For the world at large impressioni...

_Manet et manebit_ was the motto of the artist. He lived to paint and he painted much after his paralytic seizure. He was a brilliant raconteur, and, as Degas said, was at one t...

He painted in Brittany, Provence, at Martinique, in the Marquesas and Tahiti. He had parted with the Impressionists and sought for a new _æsthetik_ of art; to achieve this he br...

In Mr. Moore's first volume of the half-forgotten trilogy, Spring Days, we see a young painter who, it may be said, thinks more of petticoats than paint. There is paint talk in...

In writing of Holland more is said of its windmills than its flowers. It is a land of flowers. Consider the roll-call of its painters who their life long produced naught but fru...

Let us pass quickly the Schalckens and Gerard Dous. Dou's self-portrait is familiar. He leans out of a window and smokes a clay pipe. The candle-light pictures always attract an...

Hubert and Jan Van Eyck's Adam and Eve are the wings (volets) from the grand composition in the Cathedral of St. Bavo, Ghent. They are gigantic figures, nude, neither graceful n...

There was besides the profound artistic erudition another stumbling-block to simplicity of style and unity of conception. Moreau began by imitating both Delacroix and Ingres. No...

The Flemish schools are to be seen in the basement, not altogether a favourable place, though in the afternoon there is an agreeable light. Like Rubens, Jan van Eyck visited Spa...

When Fragonard was starting for Rome, Boucher said to him: "If you take those people over there seriously you are done for." Luckily Frago did not, and, despite his two Italian...