Category: Essays, Letters & Speeches

Preface to Shakespeare

That the passage is more or less corrupt, I believe every reader will agree with the Editors. I am not convinced that a line is lost, as Mr. Theobald conjectures, nor that the change of "but" to "put", which Dr. Warburton has admitted after some other Editor, will amend the fa...

Chapters

12. Chapter 12

After the pardon of two murderers Lucio might be treated by the good Duke with less harshness; but perhaps the Poet intended to show, what is too often seen, that men easily for...

27. Chapter 27

Polonius is a man bred in courts, exercised in business, stored with observation, confident of his knowledge, proud of his eloquence, and declining into dotage. His mode of orat...

28. Chapter 28

This line is difficult. Thou hast harden'd my heart, and makest me kill thee with the rage of a MURDERER, when I thought to have sacraficed thee to justice with the calmness of...

25. Chapter 25

It is much to be lamented that the Poet did not conclude the dialogue with the action, and avoid a narrative of events which the audience already knew. This play is one of the m...

1. Chapter 1

That the passage is more or less corrupt, I believe every reader will agree with the Editors. I am not convinced that a line is lost, as Mr. Theobald conjectures, nor that the c...

11. Chapter 11

all the crimes charged against him, as far as he could commit them, is evident. The only INTENT which his act did not overtake, was the defilement of Isabel. Of this Angelo was...

7. Chapter 7

But how does beauty make "riches pleasant"? We should read "bounty", which compleats the sense, and is this; Thou hast neither the pleasure of enjoying riches thy self, for thou...

4. Chapter 4

Dr. Warburton is undoubtedly mistaken in supposing that by "baseness" is meant "self-love" here assigned as the motive of all human actions. Shakespeare meant only to observe, t...

2. Chapter 2

"Leaven'd" has no sense in this place: we should read "Level'd choice". The allusion is to archery, when a man has fixed upon his object, after taking good aim.--Warburton.

15. Chapter 15

To say, and to say in pompous words, that a "young man shall feel" as much in an assembly of beauties, "as young men feel in the month of April," is surely to waste sound upon a...

6. Chapter 6

This is exquisitely imagined. When we are young we busy ourselves in forming schemes for succeeding time, and miss the gratifications that are before us; when we are old we amus...

5. Chapter 5

"Worm" is put for any creeping thing or "serpent". Shakespeare supposes falsely, but according to the vulgar notion, that a serpent wounds with his tongue, and that his tongue i...

26. Chapter 26

To lack discretion. This is not the remark of a weak man. The vice of age is too much suspicion. Men long accustomed to the wiles of life "cast" commonly "beyond themselves", le...

14. Chapter 14

17. Chapter 17

This cousin Capulet is "unkle" in the paper of invitation, but as Capulet is described as old, "cousin" is probably the right word in both places. I know not how Capulet and his...

24. Chapter 24

These three lines are very gay and pleasing. But why does Shakespeare give Romeo this involuntary cheerfulness just before the extremity of unhappiness? Perhaps to shew the vani...

9. Chapter 9

This enumeration of the inhabitants of the prison affords a very striking view of the practices predominant in Shakespeare's age. Besides those whose follies are common to all t...

16. Chapter 16

The "golden story" is perhaps the "golden legend", a book in the darker ages of popery much read, and doubtless often exquisitely embellished, but of which Canus, one of the pop...

13. Chapter 13

Of these lines neither the sense nor occasion is very evident. He is not yet in love with an enemy, and to love one and hate another is no such uncommon state, as can deserve al...

21. Chapter 21

The charge of falshood on Bentivolio, though produced at hazard, is very just. The authour, who seems to intend the character of Bentiolio as good, meant perhaps to shew, how th...

3. Chapter 3

8. Chapter 8

In Isabella's declamation there is something harsh, and something forced and far-fetched. But her indignation cannot be thought violent when we consider her not only as a virgin...

18. Chapter 18

The use of this chorus is not easily discovered, it conduces nothing to the progress of the play, but relates what is already known or what the next scenes will shew; and relate...

19. Chapter 19

23. Chapter 23

10. Chapter 10

22. Chapter 22

20. Chapter 20