Pilgrimage from the Alps to the Tiber

Chapter 12

Chapter 124,655 wordsPublic domain

MILAN TO BRESCIA.

Biblioteca Ambrosiana--A Lamp in a Sepulchre--The Palimpsests--Labours of the Monks in the Cause of Knowledge--Cardinal Mai--He recovers many valuable Manuscripts of the Ancients which the Monks had Mutilated--Ulfila's Bible--The War against Knowledge--The Brazent Serpent at Sant' Ambrogio--Passport Office--Last Visit to the Duomo and the Arco Della Pace--The Alps apostrophized--Dinner at a Restaurant--Leave Milan--Procession of the Alps--Treviglio--The River Adda--The Postilion--Evening, with dreamy, decaying Borgos--Caravaggio--Supper at Chiari--Brescia--Arnold of Brescia.

The morning of my last day in Milan was passed in the Biblioteca Ambrosiana. This justly renowned library was founded in 1609 by Cardinal Borromeo, the cousin of that Borromeo whose mummy lies so gorgeously enshrined in the subterranean chapel of the Duomo. This prelate was at vast care and expense to bring together in this library the most precious manuscripts extant. For this purpose he sent learned men into every part of Europe, with instructions to buy whatever of value they might be fortunate enough to discover, and to copy such writings as their owners might be unwilling to part with. The Biblioteca Ambrosiana is worth a visit, were it only to see the first public library established in Europe. There were earlier libraries, and some not inconsiderable ones, but only in connection with cathedrals and colleges; and access to them was refused to all save to the members of these establishments. This, on the contrary, was opened to the public; and, with a liberality rare in those days, writing materials were freely supplied to all who frequented it. The library buildings form a quadrangle of massive masonry, with a grave, venerable look, becoming its name. The collection is upwards of 80,000 volumes; but, what is not very complimentary to the literary tastes of the prefetto and honorary canons of Sant' Ambrogio, the curators of the library, they are arranged, not according to their subjects, but according to their sizes. This library reminded me of a lamp in an Etrurian tomb. There was light enough in that hall to illuminate the whole duchy of the Milanese, could it but find an outlet. As it is, I fear a few straggling rays are all that are able to escape. There is no catalogue of the books, save some very imperfect lists; and I was told that there is a pontifical bull against making any such. I saw a few visitors in its halls, attracted, like myself, by its curiosities; but I saw no one who had come to restore volumes they had read, and receive others in their room. The modern inhabitant of Milan gives his days and nights to the cafe and the club,--not to the library. He lives and dies unpolluted by the printing press,--an execrable invention of the fifteenth century, from which a paternal Government and an infallible Church employ their utmost energies to shield him. The works of dead authors he dare not read; the productions of living ones he dare not print; and the only compositions to which he has access are the decrees of the Austrian police, and the Catechism of the Jesuit. He fully appreciates, of course, the care taken to preserve the purity of his political and religious faith, and will one day show the extent of his gratitude.

I saw in this library the famous _Palimpsests_. My readers know, of course, what these are. The _Palimpsests_ are little books of vellum, from which an original and ancient writing has been erased, to make room for the productions of later ages and of other pens. These pages bore originally the thoughts of Virgil and Livy, and, in short, of almost all the great writers of pagan, antiquity; but the monks, who did not relish their pagan notions, thought the vellum would be much better bestowed if filled with their own homilies. The good fathers conceived the project of enlightening and evangelizing the world by purging of its paganism all the vellum in Europe; and, being much intent on their object, they succeeded in it to an amazing extent.

"A second deluge learning did o'errun, And the monks finished what the Goths begun."

Our readers have often seen with what rapidity a fog swallows up a landscape. They have marked, with a feeling of despair, golden peak and emerald valley sinking hopelessly in the dank drizzle. So the classics went down before the monks. The ancients were set a-trudging through the world in a monk's cowl and a friar's frock. On the same page from which Cicero had thundered, a monk now discoursed. Where Livy's pictured narrative had been, you found only a dull wearisome legend. Where the thunder of Homer's lyre or the sweet notes of Virgil's muse had resounded, you heard now a dismal croak or a lugubrious chant. Such was the strange metamorphosis which the ancients were compelled to endure at the hands of the' monks; and such was the way in which they strove to earn the gratitude of succeeding ages by the benefits they conferred on learning.

It gives us pleasure to say that Cardinal Mai was amongst the most distinguished of those who undertook the task of setting free the imprisoned ancients,--of stripping them of the monk's hood and the friar's habit, and presenting them to the world in their own form. He laboured in the Biblioteca Ambrosiana, and succeeded in exhuming from darkness and dust the treasures which neglect and superstition had buried there. In the number of the works which the monks had palimpsested, and which Mai rescued from destruction, we may cite some fragments of Homer, with a great number of paintings equally ancient, and of which the subjects are taken from the works of this great poet; the unpublished writings of Cornelius Fronto; the unpublished letters of Antoninus Pius, of Marcus Aurelius, of Lucius Verus, and of Appian; some fragments of discourses of Aurelius Symmachus; the Roman Antiquities of Dionysius of Halicarnassus, which were up to that time imperfect; unpublished fragments of Plautus, of Isaeus, of Themistius; an unpublished work of the philosopher Porphyrius; some writings of the Jew Philo; the ancient interpreters of Virgil; two books of the Chronicles of Eusebius Pamphilus; the VI. and XIV. Sibylline Books; and the six books of the Republic of Cicero. I saw, too, in the Biblioteca Ambrosiana, fragments of the version of the Bible made in the middle of the fourth century, by Ulfila, bishop of the Maesogoths. The labours of the bishop underwent a strange dispersion. The gospels are at Upsala; the epistles were found at Wolfenbuttel; while a portion of the Acts of the Apostles and of the Old Testament were extracted from the palimpsests. The original writing--the superincumbent rubbish being removed--looked out in a bold, well defined character, in as fresh a black, in some places, as when newly written; in others, in a dim, rusty colour, which a practised eye only could decipher. Thus the war against knowledge has gone on. The Caliph Omer burnt the Alexandrine library. Next came the little busy creatures the monks, who, mothlike, ate up the ancient manuscripts. Last of all appeared the Pope, with his Index Expurgatorius, to put under lock and key what the Caliph had spared, and the monks had not been able to devour. The torch, the sponge, the anathema, have been tried each in its turn. Still the light spreads.

I cannot enter on the other curious manuscripts which this library contains; nor have I anything to say of the numerous beautiful portraits and pictures with which its walls are adorned. The _Cenacolo_, or "Last Supper," by Leonardo da Vinci, in the refectory of the Dominican convent, is fast perishing. It has not yet "lost all its original brightness," and is mightier in its decay than most other pictures are in the bloom and vigour of their youth. I recollect the great Scottish painter Harvey saying to me, that he was more affected by "that ruin," than he was by all the other works of art which he saw in Italy. The grandeur of the central head has never been approached in any copy. One thing I regret,--I did not visit the Sant' Ambrogio, and so missed seeing the famous brazen serpent which is to hiss just before the world comes to an end. This serpent is the same that Moses made in the wilderness, and which Hezekiah afterwards brake in pieces: at least it would be heresy in Milan not to believe this. It must be comfortable to a busy age, which has so many things to think of without troubling itself about how or when the world is to end, to know that, if it must end, due warning will be given of that catastrophe. The vineyards of Lombardy are good, and monks, like other men, occasionally get thirsty; and it might spoil the good fathers' digestion were the brazen serpent of Sant' Ambrogio to hiss after dinner. But doubtless it will be discreet on this head. There is said to be in some one of the graveyards of Orkney, a tombstone on which an angel may be seen blowing a great trumpet with all his might, while the dead man below is made to say, "When I hear this, I will rise." The stone-trumpet will be heard to blow, we daresay, about the same time that the serpent of Sant' Ambrogio will be heard to hiss.

I was now to bid farewell to Milan, and turn my face towards the blue Adriatic. But one unpleasant preliminary must first be gone through. The police had opened the gates of Milan to admit me, and the same authorities must open them for my departure. I walked to the passport office, where the officials received me with great politeness, and bade me be seated while my passport was being got ready. This interesting process was only a few minutes in doing; and, on payment of the customary fee, was handed me "all right" for Venice, bating the innumerable intermediate inspections and _vises_ by the way; for a passport, like a chronometer, must be continually compared with the meridian, and put right. I put my passport into my pocket; but on opening it afterwards, I got a surprise. Its pages were getting covered all over with little creatures with wings, and, as my fancy suggested, with stings,--the black eagles of Austria. How was I to carry in my pocket such a cage of imps? How was I to sleep at night in their company? Should they take it into their head to creep out of my book, and buzz round my bed, would it not give me unpleasant dreams? And yet part with them I could not. These black, impish creatures must be my pioneers to Venice.

I now made haste to take my last look of the several objects which had endeared themselves to me during my short stay. I felt towards them as friends,--long known and beloved friends; and never should I turn and look on the track of my past existence without seeing their forms of beauty, dim and indistinct, it might be, as the haze of lapsed time should gather over them; still, always visible,--never altogether blotted out. I walked round the Cathedral for the last time. There it stood,--beauty, like an eternal halo, sitting rainbow-like upon its towers and pinnacles. Its thousand statues and cherubs stood silent and entranced, tranquil as ever, all unmoved by the city's din, reminding one of dwellers in some region of deep and unbroken bliss. "Glorious pile!" said I, apostrophizing it, "I am but a pilgrim, a shadow; so are all who now look on thee,--shadows. But you will continue to delight the ages to come, as you have done those that are past." I had a run, too, to the _Piazza di Armi_, to see Beauty incarnate, if I may so express myself, in the form of the Arco della Pace. It is a gem, the brightest of its kind that earth contains. The faultless grace of its form is finely set off by the overwhelming Alpine masses in the distance, which seemed as if raised on purpose to defend it, and which rise, piled one above another, in furrowed, jagged, unchiselled, fearful sublimity.

I came round by the boulevard of the Porte Orientale, on my way back to the city. It is a noble promenade. Above are the boughs of the over-arching elms; on this hand are the city domes and cathedral spires, with their sweet chimes continually falling on the ear; and on that are the suburban gardens, with the poplars and campaniles rising in stately grace beyond. The glorious perspective is terminated by the Alps. As the breezes from their flashing summits stirred the leaves overhead, they seemed to speak of liberty. I wonder the Croat don't impose silence on them. What right have they, by their glowing peaks, and their free play of light and shade, and their storms, and their far-darting lightnings, to stir the immortal aspirations in man's bosom? These white hills are great, unconquerable democrats. They will continually be singing hymns in praise of liberty. Yet why they should, I know not. Milan is deaf. Why preach liberty to men in chains? Surely the Alps,--the free and joyous Alps,--which scatter corn and wine from their horn of plenty so unweariedly, have no delight in tormenting the enslaved nations at their feet. Why do ye not, ye glorious mountains, put on sackcloth, and mourn with the mourning nations beneath you? How can ye look down on these dungeons, on these groaning victims, on the tears of so many widows and orphans, and yet wear these robes of beauty, and sing your song of gladness at sunrise? Or do ye descry from afar the coming of a better era? and is the glory that mantles your summits the kindling of an inward joy at the prospect of coming freedom? and are these whisperings of liberty the first utterances of that shout with which you will welcome the opening of the tomb and the rising of the nations?

The formidable process of loading the _diligence_ was not yet completed. There was a perfect Mont Blanc of luggage to transfer from the courtyard to the top of the _diligence_, not in a hurry, but calmly and deliberately. The articles were to be selected one by one, and put upon the top, and taken down again, and laid in the courtyard, and put up a second time, and perhaps a third time; and after repeated attempts and failures, and a reasonable amount of vociferation and emphatic ejaculations on the part of postilions and commissionaires, the thing was to be declared completed, and finally roped down, and the great leathern cover drawn over all. Still the process would be got through before the hour of table d'hote at the Albergo de Reale. I must needs therefore dine at a restaurant. I betook me to one of these establishments hard by the _diligence_ office, and took my place at a small table, with its white napery, small bottle of wine, and roll of Lombardy bread, in the same room with some thirty or so of the merchants and citizens of Milan. I intimated my wish to dine _a la carte_; and instantly the waiter placed the tariff before me, with its list of dishes and prices. I selected what dishes I pleased, marking, at the same time, what I should have to pay for each. I dined well, having respect to the journey of two days and a night I was about to begin, and knowing, too, that an Italian _diligence_ halts only at long intervals. The reckoning, I thought, could be no dubious or difficult matter. I knew the dishes I had eaten, and I saw the prices affixed, and I concluded that a simple arithmetical process would infallibly conduct me to the aggregate cost. But when my bill was handed me (a formality dispensed with in the case of those beside me), I found that my reckoning and that of "mine host" differed materially. The sum total on his showing was three times greater than on mine. I was curious to discover the source of this rather startling discrepancy in so small a sum. I went over again the list of eaten dishes, and once more went through the simple arithmetical process which gave the sum total of their cost, but with no difference in the result. It was plain that there was some mysterious quality in the arithmetic, or some nice distinctions in the cookery, which I had not taken into account, which disturbed my calculations. I became but the more anxious to have the riddle explained. In my perplexity I applied to the waiter, who referred me to his master. The day was hot; and boiling, stewing, and roasting, is hot work; and this may account for the passion into which my simple interrogatory put "mine host." "It was a just bill, and must be paid." I hinted that I did not impugn its justice, but simply craved some explanation about its items. Whereupon mine host, becoming cooler, condescended to inform me that I had not dined exactly according to the _carte_; that certain additions had been made to certain dishes; and that it did not become an Englishman to inquire farther into the matter. If not so satisfactory as might be wished, this defence was better than I had expected; so, paying my debts to Boniface, I departed, consoling myself with the reflection, that if I had three times more to pay than my neighbours, having fared neither better nor worse than they, I had, unlike these poor men, eaten my dinner without fetters on my hands.

This time the _banquette_ of the _diligence_, with all its rich views, was bespoke, so I had to content myself with the _interieur_. It was roomy, however; there were but four of us, and its window admitted, I found, ample views of meadow and mountain. We drove to the station of the Venice railway, pleasantly situated amid orchards and extra-mural albergos. The horses were taken out, and the immense vehicle was lifted up,--wheels, baggage, passengers and all,--and put upon a truck. Away went the long line of carriages,--away went the _diligence_, standing up like a huge leathern castle upon its truck; while the engine whistled, snorted, screeched, groaned, and uttered all sorts of irreverent and every-day sounds, just as if the Alps had not been looking down upon it, and classic towns ever and anon starting up beside its path: a glorious vision of fresh meadows, bordered with little canals, brimful of water, and barred with the long shadows of campanile and sycamore,--for the sun was westering,--shot past us. The Alps came on with more slow and majestic pace. As peak after peak passed by, it seemed as if the whole community of hills had commenced a general march on Monte Viso, with all their crags, glaciers, and pine-forests. One might have thought that Sovran Blanc had summoned the nobles and high princes of his kingdom to meet him in his hall of audience, to debate some weighty point of Alpine government. An august assembly as ever graced monarch's court, in their robes of white and their cornets of eternal ice, would these tall and proud forms present.

Treviglio, beyond which the railway has not yet been opened, was reached in less than two hours. When near the town, the vast mirror of the blue Como, spread out amid the dark overhanging mountains, burst upon us. From it flowed forth the Adda, which we crossed. As its mighty stream, burning in the sunset, rolled along, it spangled with glory the green plain, as the milky-way the firmament. There is nothing in nature like these Alpine rivers. They fill their banks with such a wasteful prodigality of water, and they go on their way with a conscious might, as if they felt that behind them is an eternally exhaustless source. Let the sun smite them with his fiercest ray; they dread him not. Others may shrink and dry up under his beam: their fountains are the snows of a thousand winters.

On reaching the station, our _diligence_,--including passengers, and all that pertained to them,--was lifted from its truck and put on wheels, and once more stood ready to move, in virtue of its own inherent power, that is, so soon as the horses should be attached. This operation was performed in the calm eve, amid the glancing casements of the little town, on which the purple hills and the tall silent poplars looked complacently down.

Away we rumbled, the declining light still resting sweetly on the woods and hamlets. There are no postilions in the world, I believe, who can handle their whip like those of Italy. In very pride and joy our postilion cracked his whip, till the woods rang again. He took a peculiar delight in startling the echoes of the old villages, and the ears of the old villagers. Each report was like that of a twelve-pounder. This continual thunder, kept up above their heads, did not in the least affright the horses: they rather seemed proud of a master who could handle his whip in so workmanlike a fashion. He could so time the strokes as to make not much worse melody than that of some music-bells I have heard. He could play a tune on his whip.

We passed, as the evening thickened its shadows, several ancient _borgos_. Gray they were, and drowsy, as if the sleep of a century weighed them down. They seemed to love the quiet, dying light of eve; and as they drew its soft mantle around them, they appeared most willing to forget a world which had forgotten them. They had not always led so quiet a life. Their youth had been passed amid the bustle of commerce; their manhood amid the alarms and rude shocks of war; and now, in their old age, they bore plainly the marks of the many shrewd brushes they had had to sustain when young. The houses were tall and roomy, and their architecture of a most substantial kind; but they had come to know strange tenants, that is, those of them that _had_ tenants, for not a few seemed empty. At the doors of others, dark withered faces looked out, as if wondering at the unusual din. I felt as if it were cruel to rouse these quiet slumber-loving towns, by dragging through their streets so noisy a vehicle as a _diligence_.

We passed Caravaggio, famous as the birthplace of the two great painters who have both taken their name from their city,--the Caravacchi. We passed, too, the little Mozonnica, that is, all of it which the calamities of the middle ages have left. Darkness then fell upon us,--if a firmament begemmed with large lustrous stars could be called dark. The night wore on, varied only by two events of moment. The first was supper, for which we halted at about eleven o'clock, in the town of Chiari. At eleven at night people should think of sleeping,--not of eating. Not so in Italy, where supper is still the meal of the day. An Italian _diligence_ never breakfasts, unless a small cup of coffee, hurriedly snatched while the horses are being put to, can be called such. Sometimes it does not even dine; but it never omits to sup. The supper chamber in Chiari was most sumptuously laid out,--vermicelli soup, flesh, fowls, cheese, pastry, wine,--every viand, in short, that could tempt the appetite. But at midnight I refused to be tempted, though most of the other guests partook abundantly. I was much struck, on leaving the town, with the massive architecture of the houses, the strength of the gates, and other monuments of former greatness. Imagine Edinburgh grown old and half-ruined, and you have a picture of the towns of Italy, which was a land of elegant stone-built cities at a time when the capitals of northern Europe were little better than collections of wooden sheds half-buried in mire.

There followed a long ride. Sleep, benignant goddess, looked in upon us, and helped to shorten the way. What surprised me not a little was, how soundly my companions snoozed, considering how they had supped. The stages passed slowly and wearily. At length there came a long, a very long halt. I roused myself, and stepped out. I was in a spacious street, with the cold biting wind blowing through it. The horses were away; the postilions had disappeared; some of the passengers were perambulating the pavement, and the rest were fast asleep in the _diligence_, which stood on the causeway, like a stranded vessel on the beach. On consulting my watch, I found it was three in the morning, and in answer to my inquiries I was told that I was in Brescia,--a famous city; but I should have preferred to visit it at a more seasonable hour. "The best feelings," says the poet, "must have victual," and the most classic towns must have sleep; so Brescia, forgetful that famous geographers who lived well-nigh two thousand years ago had mentioned its name, and that famous poets had sung its streams, and that it still contains innumerable relics of its high antiquity, slept on much as a Scotch village would have done at the same hour.

Time is of no value on the south of the Alps. This long halt at this unseasonable hour was simply to set down an honest woman who had come with us from Milan. She was as big well-nigh as the _diligence_ itself; but what caused all our trouble was, not herself, but her trunk. It lay at the bottom of an immense pile of baggage, which rose on the top of the vehicle; and before it could be got at, every article had to be taken down, and put on the pavement. Of course, the baggage had to be put back, and the operation was gone through most deliberately and leisurely. A full hour and a half was consumed in the process; and the passengers, having no place to retire to, did their best to withstand the chill night air by a quick march on the street.

So, these silent midnight streets I was treading were those of Brescia,--Brescia, within whose walls had met the valour of the mountains and the arts of the plain. I was now treading where pagan temples had once stood, where Christian sanctuaries had next arisen, and where there had been disciples not a few when the light of the Reformation broke on northern Italy. I remembered, too, that this was the city of "Arnold of Brescia," one of the reformers before the Reformation. Arnold was a man of great learning, an intrepid champion of the Church's purity, and the founder of the "Arnoldists," who inherited the zeal and intrepidity of their master.

On the death of Innocent II., in the middle of the twelfth century, Arnold, finding Rome much agitated from the contests between the Pope and the Emperor, urged the Romans to throw off the yoke of a priest, and strike for their independence. The Romans lacked spirit to do so; and when, seven centuries afterwards, they came to make the attempt under Pius IX., they failed. Arnold was taken and crucified, his body reduced to ashes, and it was left to time, with its tragedies, to vindicate the wisdom of his advice, and avenge his blood; but to this hour no such opportunity of freeing themselves from thraldom as that which the Brescians then missed has presented itself.

"Time flows,--nor winds, Nor stagnates, nor precipitates his course; But many a benefit borne upon his breast For human-kind sinks out of sight, is gone, No one knows how; nor seldom is put forth An angry arm that snatches good away, Never perhaps to re-appear."