Part 9

'He has painted me some little cupids and flowers and foliage with extraordinary skill. You might positively think you could pluck the flowers. And there are some insects on them, butterflies, cockchafers, and flies, which you could almost swear were alive. It is very amusing. I like amusing pictures.'

'Art should not weary one,' retorted Rougon.

Just at this moment, as they were slowly pacing the room side by side, one of M. de Plouguern's boot-heels crushed something which gave out a sharp sound.

'Hallo! What's that?' he cried.

Then he picked up a chaplet, which had slipped off an arm-chair into which Clorinde had doubtless emptied her pockets. One of the glass beads near the cross had been shivered to atoms, and an arm of the cross itself, a very small silver one, was bent and flattened. The old man dangled the chaplet in his hand, and said with a slight snigger: 'My dear, why do you leave these playthings of yours lying about?'

Clorinde, however, had turned quite crimson. She sprang off the table, with swollen lips, and tears of anger welling into her eyes, and, as she rapidly covered up her shoulders, she stammered: 'Oh, the wretch! the wretch! he has broken my chaplet!'

She snatched it from him, and then burst into sobs like a child.

'There! there!' said M. de Plouguern, still laughing. 'Just look at my little devotee! The other day she nearly tore my eyes out because I noticed a branch of palm over her bed and asked her what she used that little besom for. There now, don't cry, you great goose! I haven't broken your Divinity.'

'Yes, yes,' she cried, 'you have injured it.' With trembling hands she removed the fragments of the bead, and then, with a fresh outburst of sobs, she tried to put the cross right again. She wiped it with her finger tips, as though she saw drops of blood oozing through the metal.

'It was the Pope who gave me this,' she sobbed, 'the first time I went with mother to see him. He knows me very well, and he calls me his "fair apostle," because I told him one day that I should be glad to die for him. It was a chaplet that brought me good luck. But now it has lost its virtue, and it will attract the devil----'

'Here, give it to me!' interrupted M. de Plouguern, 'you will only break your nails by trying to straighten it. Silver is hard, my dear.'

He took the chaplet from her and tried to straighten the arm of the cross, using great care so as not to break it. Clorinde had ceased crying, and watched him attentively. Rougon, too, smilingly craned his head forward. He was deplorably irreligious; so much so, indeed, that the girl had twice all but broken with him on account of his ill-considered pleasantries.

'The deuce!' muttered M. de Plouguern, 'this divinity of yours isn't very tender! I'm afraid of snapping it in two, and then you would have to get another one.'

He made a fresh attempt and this time the arm of the cross broke off. 'Oh! so much the worse!' he cried; 'it is broken this time.'

At this Rougon began to laugh again. But Clorinde, with angry eyes and convulsed face, sprang back glaring at them, and then fell upon them furiously with her fists, as though she wished to drive them out of the room. She railed at them in Italian, quite beside herself.

'She's giving it us! she's giving it us!' cried M. de Plouguern gaily.

'Such are the fruits of superstition,' muttered Rougon between his teeth.

The old man ceased his jesting and suddenly assumed a grave expression; and then as Rougon continued to declaim in conventional phraseology against the detestable influence of the priesthood, the shocking training of Catholic women, and the degradation of priest-ridden Italy, the other drily exclaimed: 'Religion makes the greatness of states.'

'When it doesn't eat them away like an ulcer,' replied Rougon. 'It's matter of history. If the Emperor doesn't keep the Bishops in check, he will soon have them all on his back.'

Thereupon M. de Plouguern in his turn grew angry. He defended Rome, and talked of what had been the convictions of his whole life. Without religion, he protested, men would return to the condition of brutes. Then he went on to plead the great cause of family ties. The times were becoming full of abomination. Never before had vice been so impudently paraded; never before had impiety worked such woe in men's consciences.

'Don't talk to me of your Empire!' he ended by crying; 'it is the bastard son of the Revolution. Oh! we are quite aware that your Empire dreams of humiliating the Church. But we are wide awake, and we shall not allow ourselves to be slaughtered like mere sheep. Just try to ventilate those doctrines of yours in the Senate, my dear Monsieur Rougon.'

'Oh, don't talk to him any more,' retorted Clorinde. 'If you push him too far, he will spit on the crucifix. He is doomed.'

Rougon bowed, quite overcome by this onset. Then there was a fresh pause, while the girl searched on the floor for the arm that had fallen from the cross. When she had found it, she carefully wrapt it with the chaplet in a piece of newspaper. She was growing calmer.

'Ah now, my dear!' M. de Plouguern suddenly exclaimed, 'I haven't told you why I came to see you. I have got a box at the Palais Royal for this evening, and I'm going to take you and your mother with me.'

'Oh, you dear godfather!' cried Clorinde, turning quite rosy again with pleasure. 'I'll send to have mother awakened.'

Then she gave the old man a kiss, by way of reward, she said; and afterwards turning to Rougon with a smile, and offering her hand, she said with the sweetest little pout: 'You don't bear me a grudge, do you? Please don't make me angry again with your pagan talk. I lose my head when anyone makes fun of religion: I should quarrel with my best friends over it.'

Luigi had by this time pushed his easel into a corner, having lost all hope of getting the ear finished that day. He took up his hat, and tapped the girl on the shoulder to apprize her of his departure. She accompanied him on to the landing, closing the door behind her as she left the room. However, they took leave of one another very noisily, for a slight scream of Clorinde's rang out, drowned in a burst of smothered laughter. When she returned to the room, she said: 'I'll go to dress now, unless my godfather would like to take me to the Palais Royal as I am.'

They all laughed at the notion. It was now dusk. When Rougon took his leave, Clorinde went downstairs with him, leaving M. de Plouguern by himself while she went to dress. It was already dark on the staircase as Clorinde descended it in front of Rougon without speaking a word, and so slowly that he felt the rustle of her gauze costume. When she reached the door of her bedroom she took a step or two forward before turning round. Rougon had followed her to the threshold. 'You won't bear me a grudge, will you?' she repeated in a low tone, again offering him her hands.

He assured her that he would not; but as he once more took hold of her hands his grip was so rough, so threatening almost, that Clorinde made all haste to escape from him, and while he stood panting there he heard her calling through an inner door which had been left open: 'Antonia, bring a light and get me my grey dress.'

When Rougon reached the avenue of the Champs Élysées he felt dazed, and stood still for a moment to inhale the fresh breeze which was blowing down from the Arc de Triomphe. The gas-lamps of the avenue, where now not a vehicle remained, were being lighted one by one, spangling the darkness with a trail of vivid sparks. Rougon felt as if he had just had an apoplectic fit, and rubbed his face with his hands.

'Ah, no!' he suddenly exclaimed aloud, 'no, no--it would be too foolish!'

IV

AN IMPERIAL CHRISTENING

The baptismal procession was to start from the Pavillon de l'Horloge--the central pavilion of the Tuileries palace--at five o'clock. It was to wend its way along the main avenue of the Tuileries gardens, the Place de la Concorde, the Rue de Rivoli, the Place de l'Hôtel de Ville, the Arcole bridge, the Rue d'Arcole and the Place du Parvis.

By four o'clock there was an immense crowd assembled near the Arcole bridge. There, in the breach which the river made in the midst of the city, a whole people could find accommodation. The view expanded, with the Ile Saint Louis in the distance barred by the black line of the Louis-Philippe bridge. The narrow arm of the Seine on the left vanished amid a mass of low buildings; while the broader one on the right afforded a far-reaching prospect bathed in purplish vapour, through which the trees of the Port aux Vins showed in a green patch. On both sides of the river, from the Quai Saint Paul to the Quai de la Mégisserie, from the Quai Napoléon to the Quai de l'Horloge, were long foot-pavements and roadways; while, in front of the bridge, the Place de l'Hôtel de Ville afforded a large, open, level space. And over all the wide expanse, the sky, a bright, warm June sky, spread a vault of blue.

When the half hour struck, there were people everywhere. All along the footways endless lines of eager spectators were pressed against the quay parapets. A sea of human heads, which was continually surging, filled the Place de l'Hôtel de Ville. Opposite, in the dark gaps of the open windows of the old houses on the Quai Napoléon, faces were thickly crowding, and even in the gloomy alleys leading to the river, the Rue Colombe, the Rue Saint Landry and the Rue Glatigny, women's caps, with ribbons streaming in the breeze, could be seen leaning forward. The bridge of Notre Dame displayed a serried row of sight-seers, whose elbows rested on the stone parapet, as on the balustrade of some colossal balcony. Further down, the Louis Philippe bridge swarmed with little black figures; and even the most distant windows streaking the grey and yellow house-fronts were every now and then brightened by some gay dress. There were men on the roofs among the chimney stacks. People, who could not be distinguished, were looking through telescopes from their terraces on the Quai de la Tournelle. And the sunlight spreading over all seemed like the very quiver of the crowd; it bore afar the laughter of those surging heads, while gay, mirror-like parasols reflected the glow, showing as planets amidst all the medley of skirts and coats.

But there was one thing that was visible from every side, from the quays and bridges and windows, and that was a fresco painting of a colossal grey overcoat on the blank wall of a six-storeyed house on the isle of St. Louis. The sleeve of this coat was bent at the elbow as though the garment still retained the shape and attitude of a body that had disappeared from within it. In the bright sunshine, above all the swarming sight-seers, this gigantic advertisement presented a most conspicuous appearance.[5]

A double line of troops kept the roadway clear for the procession. National Guards were drawn up on the right hand, and infantrymen of the Line on the left. At one end, this military cordon extended to the Rue d'Arcole, which was gaudy with banners, while from the windows hung costly draperies which flapped languidly against the dingy house-fronts. The bridge, to which the crowd had not been admitted, was the only clear spot amidst the general invasion, and it presented a strange appearance, thus deserted. But, lower down, on the river banks, the crowding began again. Shopkeepers in Sunday clothes had spread out their pocket-handkerchiefs and seated themselves beside their wives to rest after a whole afternoon of lounging idleness. On the other side of the bridge, where the river expanded, showing a deep blue shot with green just where its arms united, there were some boatmen in red jackets who were working their oars to keep their boat on a level with the Port aux Fruits. By the Quai de Gèvres, too, there was a floating laundry, with wooden walls green with moisture, in which washerwomen could be heard laughing and beating their clothes. And all the teeming sight-seers, numbering from three to four hundred thousand people, now and again raised their heads to glance at the towers of Notre Dame which rose up square and massive above the houses of the Quai Napoléon. Gilded by the declining sun, so that they looked ruddy against the clear sky, the towers resounded with the clanging peals of their bells, which sent a quiver through the atmosphere.

Three or four false alarms had already caused a great deal of jostling in the crowd.

'I tell you that they won't pass before half-past five,' said a tall fellow who was sitting in front of a café on the Quai de Gèvres with M. and Madame Charbonnel.

It was Gilquin, Théodore Gilquin, Madame Mélanie Correur's old lodger, and Rougon's redoubtable friend. He was dressed that day in a complete suit of yellow duck, a cheap ready-made line, stained and creased, and here and there unsewn at the seams. His boots, too, were split, and his straw hat lacked a ribbon. However, he wore tan coloured gloves, and for that reason considered that he was in full dress. He had been acting since noon as a guide to the Charbonnels, whose acquaintance he had made one evening in the kitchen at Rougon's house.

'You shall see everything, my children,' he said to them, as he brushed aside the long black moustaches which swept across his tipsy-looking face. 'You have put yourselves in my hands, haven't you? Very well, then let me manage our little holiday.'

Gilquin had already drunk three nips of brandy and five glasses of beer. For the last two hours he had been keeping the Charbonnels prisoners at the café, whither he had brought them, on the pretext that it was absolutely necessary to be in good time. It was a little café with which he was well acquainted, and where they would be very comfortable, he assured them, and he seemed to be on most familiar terms with the waiter. The Charbonnels had resigned themselves to their fate, and listened to his talk, feeling much surprised at its abundance and variety. Madame Charbonnel had declined to take anything beyond a glass of _eau sucrée_, and M. Charbonnel had ordered for himself a glass of anisette, such as he occasionally indulged in at the Commercial Club at Plassans. Meanwhile Gilquin discoursed to them about the Baptism as explicitly as though he had spent the morning at the Tuileries for the purpose of acquiring information.

'The Empress is in very high spirits,' he said. 'She got over her delivery splendidly. She's a fine woman! You will see by-and-bye what a figure she has. The Emperor got back from Nantes on the day before yesterday. He went there on account of the floods. What a dreadful calamity those floods are!'

Madame Charbonnel pushed her chair back. She was beginning to feel rather afraid of the crowd which was streaming past her in increasing numbers. 'What a lot of people!' she muttered.

'Yes, indeed,' cried Gilquin, 'I should think so. There are more than three hundred thousand visitors in Paris. Excursion trains have been bringing them here for the last week from all parts of the country. See, over yonder there are some people from Normandy, and there are some from Gascony, and some from Franche-Comté. I can spot them at once; I've knocked about a good deal in my time.'

He next told them that the courts and the Bourse were closed, and that all the clerks in the government offices had got a holiday. The whole capital was holding festival in honour of the Baptism. Then he began to quote figures, and calculate what the ceremony and rejoicings would cost. The Corps Législatif had voted 400,000 francs,[6] but that was a mere nothing, for a groom at the Tuileries had informed him that the procession alone would cost nearly 200,000. If the Emperor got off with a million from the civil list, he might think himself lucky. The layette alone had cost 100,000 francs.

'What, 100,000 francs!' cried Madame Charbonnel in amazement. 'Why, how can they have possibly spent all that? What can it have gone in?'

Gilquin laughed as he told her that some laces cost an enormous sum. He himself had travelled in the lace business in former days. Then he went on with his calculations: 50,000 francs had gone to the parents of children who had been born on the same day as the little prince, and of whom the Emperor and Empress had expressed their intention to be godfather and godmother respectively. Then 85,000 francs were to be spent in purchasing medals for the authors of the cantatas which were sung at the theatres. Finally, there were 120,000 commemorative medals distributed among the collegians, the pupils of the primary schools and asylums and the non-commissioned officers and privates of the army of Paris. He had got one of those medals himself, and showed it to them. It was about the size of a half-franc piece, and bore on one side the profiles of the Emperor and Empress, and on the other that of the Prince Imperial, with the date of the latter's baptism, namely, June 14, 1856.

'Would you mind selling it me?' M. Charbonnel inquired of Gilquin.

The other expressed his willingness to do so, but as Charbonnel, embarrassed as to what he should offer for it, handed him a twenty-sous-piece, he declined it, saying that the medal was not worth more than ten sous. Madame Charbonnel, meanwhile, was gazing at the profiles of the imperial couple, and seemed quite affected by emotion: 'How good they look!' she said. 'There they are, side by side, like an affectionate pair. See, Monsieur Charbonnel, you would say two heads lying on the same pillow when you look at them this way.'

Then Gilquin returned to the subject of the Empress, of whose charitable disposition he spoke in the most laudatory terms. But a short time before her delivery she had devoted whole afternoons to furthering the establishment of an educational institute for poor girls in the Faubourg Saint Antoine. Moreover, she had just refused to accept an offering of 80,000 francs which had been collected in sums of five sous amongst the poorer classes for the purpose of buying a present for the young prince; and by her express desire the money was to be devoted to the apprenticing of a hundred poor orphans. Gilquin, who was already somewhat tipsy, twisted his eyes about in the most dreadful manner as he sought for tender phrases and expressions which should combine the respect of the subject with the passionate admiration of the man. He declared that he would gladly offer up his life in sacrifice at the feet of that noble woman. And nobody protested against this. The murmur of the crowd seemed indeed like a distant echo of his praises. It was now growing into a continuous clamour, while over the house-tops from the bells of Notre Dame rolled peal on peal of clanging, tumultuous joy.

'Don't you think it time for us to go and take our places?' timidly suggested M. Charbonnel, who felt tired of sitting still.

At this Madame Charbonnel rose up and fastened her yellow shawl about her neck. 'Yes, I'm sure it is,' she said. 'You wanted to be there in good time, and we're sitting here and letting everyone go past us.'

Gilquin, however, became indignant; and, with an oath, brought his fist down on the little zinc table. Didn't he know all about Paris? he asked; and then, as Madame Charbonnel timidly dropped upon her chair again, he cried to the waiter: 'Jules, a glass of absinthe and some cigars!'

But as soon as he had dipped his big moustaches in the absinthe, he angrily called the waiter back again. 'Are you having a game with me? Just take this filth away, and give me some out of the other bottle; the same as I had on Friday. I have travelled in the liquor-trade, my fine fellow. You can't bamboozle me.'

He calmed down, however, when the waiter, who seemed afraid of him, had brought the other bottle, and then he tapped the Charbonnels on the shoulders, and called them 'old fellow' and 'old lady.' 'Ah! so you're itching to be on the move, are you, old lady?' said he. 'You'll have plenty of use for your feet between now and to-night, so you needn't be in a hurry. We're very comfortable at this café; don't you think so, old fellow? We can take our ease and watch the people go by. We've plenty of time, I assure you, so you'd better order something else.'

'Thank you, we've had all that we want,' said M. Charbonnel.

Gilquin had just lighted a cigar. He leaned back in his chair, inserted his thumbs in the arm-holes of his waistcoat, thrust out his chest, and began to rock himself backwards and forwards. His eyes glowed with an expression of perfect content. Suddenly an idea seemed to strike him. 'I'll tell you what,' he cried; 'I'll call for you at seven o'clock to-morrow morning, and take you off with me and show you all the festivities. We'll have a splendid day of it.'

The Charbonnels looked at each other very uneasily. But Gilquin proceeded to explain his programme after the manner of a strolling showman. In the morning they would lunch at the Palais Royal, and walk about the city. In the afternoon they would go to the Esplanade of the Invalides, where there would be military performances, greasy poles, three hundred balloons laden with packets of sweets, and one large balloon raining down sugared almonds. In the evening they would dine at a wineshop which he knew of, on the Quai de Billy; then they would see the fireworks, the principal set-piece of which would represent a baptistery, and afterwards they could stroll among the illuminations. And he also told them of a fiery cross which was to be fixed on the Hôtel de la Légion d'Honneur; of a fairy palace on the Place de la Concorde, in the building of which 950,000 pieces of coloured glass had been used; and of the image atop of the tower of Saint Jacques, which would look like a blazing torch in mid-air.

As the Charbonnels still hesitated, however, he leaned towards them and added in lower tones: 'And then, as we come back, we might look in at a creamery in the Rue de Seine where they give you such stunning onion soup with cheese.'

At this the Charbonnels no longer dared to refuse. Childish curiosity and alarm mingled in the expression of their dilated eyes. They felt that they could not escape from that terrible man, and must do whatever he told them. Madame Charbonnel simply murmured: 'Oh! this Paris! this Paris! Well, well, since we are here, I suppose we must see all that there is to be seen. But if you only knew, Monsieur Gilquin, how quiet we were at Plassans! I have a store-room full of preserves and brandied cherries and pickles which are all mouldering away!'

'Don't alarm yourself, old lady,' replied Gilquin, who was growing more and more familiar; 'when you gain your case, you can ask me to come and stay with you, and then we'll all have a go at the jam-pots!'

So saying, he poured himself out another glass of absinthe. He was now perfectly tipsy. For a moment he looked at the Charbonnels with loving affection; but, all at once, he sprang to his feet and waved his long arms while calling; 'Eh! eh! Hallo! you there!'

Madame Mélanie Correur, arrayed in a dress of dove-coloured silk, was just then passing on the opposite footwalk. She turned her head and seemed extremely annoyed at seeing Gilquin. However, she crossed over with the majestic gait of a princess, but on reaching the table required a deal of pressing before she would accept any refreshment.

'Come now,' cried Gilquin, 'have a little glass of blackcurrant brandy. I know you like it. You haven't forgotten the Rue Vanneau, eh? We used to have fine times then, didn't we? Ah! that big old stupid of a Correur!'

Just as Madame Correur was at last sitting down, a loud shouting was heard among the crowd. The promenaders scuttled off like sheep, as though swept along by a gust of wind. The Charbonnels had instinctively risen with the idea of following the others, but Gilquin's heavy hand brought them to their chairs again. His face was quite purple.