Part 10

'Just keep still and wait for orders, will you?' said he. 'Those folks are making fools of themselves. It is only five o'clock, isn't it? Well, then, it's the Cardinal-Legate who's coming; and we don't want to see the Cardinal-Legate, do we? For my part, I think it's very neglectful of the Pope not to have come himself. When a man is a godfather he ought to behave as such, it seems to me. However, I tell you that the youngster won't be here for another half-hour.'

His intoxication was rapidly depriving him of all sense of decorum. He had cocked his chair back and begun to smoke in people's faces, winking the while at the women and glaring defiantly at the men. A few yards away, near the bridge of Notre Dame, there was now a block in the road traffic. Horses were pawing the ground with impatience, and the uniforms of high functionaries and officers, embroidered with gold and glittering with decorations, appeared at the windows of the passing carriages.

'There's a nice show of tinsel and pewter!' sneered Gilquin, with the smile of a man who cares nothing for gew-gaws.

However, as a brougham came along from the Quai de la Mégisserie, he almost upset the table as he sprang up and cried: 'Hallo, Rougon!'

He saluted the great man with his gloved hand, and then, fearing that he had not been recognised, snatched off his straw hat and began to wave it. At this, Rougon, whose senatorial uniform was attracting a deal of notice, quickly withdrew to a corner of his brougham. And thereupon Gilquin began to call him, raising his hand to his mouth and using it as a speaking-trumpet. The people on the footway stopped and turned to see what was the matter with this strange-looking fellow dressed in yellow duck. At last, however, the coachman was able to urge his horse forward, and the brougham turned on to the bridge of Notre Dame.

'Do be quiet!' said Madame Correur in a low voice, while catching hold of Gilquin's arms.

But he would not at once sit down again. He remained on tip-toes, watching the brougham as it mingled with the other carriages, and at last he hurled a parting shout after the fleeing wheels: 'Ah! the turn-tail! just because he wears gold lace on his coat now! All the same, my fat fellow, you were deucedly hard up once upon a time!'

Some middle-class citizens and their wives who were sitting at the seven or eight tables of the little café heard this and opened their eyes in astonishment. At one table there was a family, consisting of the father and mother and three children, who seemed profoundly interested in Gilquin's proceedings. The latter puffed himself out, quite delighted to find that he had an audience. He let his eyes travel round the customers of the café, and said in a loud voice as he dropped into his seat again: 'Rougon! why it was I who made him what he is!'

Then turning to Madame Correur, who was trying to quiet him, he appealed to her for corroboration. She knew that he was speaking the truth, he proclaimed. It had all happened at the Hôtel Vanneau in the Rue Vanneau. She surely wouldn't deny that he had lent Rougon his boots a score of times to enable him to go to the houses of highly-placed people and mix in a lot of mysterious goings-on. Why, in those days Rougon only possessed an old pair of split shoes, which a rag-picker wouldn't have taken as a gift. Then with a triumphant air Gilquin bent towards the family at the next table, and exclaimed: 'Oh, she won't confess it, but it was she who paid for his first pair of new boots in Paris.'

Madame Correur, however, turned her chair round, so that she might no longer seem to be one of Gilquin's party. The Charbonnels had become quite pale at hearing the man who was to put half a million francs in their pockets spoken of in such a fashion. Gilquin, however, was wound up, and rattled off innumerable stories of Rougon's early days. He, Gilquin, claimed to be a philosopher, and he began to laugh, and accosted the parties at the different tables one after another, smoking, spitting, and drinking, while telling them that he was quite accustomed to the ingratitude of mankind, and was satisfied with preserving his own self-respect. And he repeated that he himself had been the making of Rougon. At that time, he said, he had been a traveller in the perfumery line, but the Republic was bad for trade. Both he and Rougon had been living on the same floor in a state of starvation. Then he was struck with the idea of getting Rougon to send for some olive-oil from a producer at Plassans, and they had both wandered about Paris in different directions till ten o'clock at night with samples of olive-oil in their pockets. Rougon was not clever at the business, but he occasionally succeeded in getting some good orders from the fine folks to whose houses he went in the evenings.

Ah! that rascal Rougon, he was a bigger booby than a goose in most things, yet all the same he was very cunning. A little later, how he had made him, Gilquin, run about to further his politics! Here Gilquin lowered his voice a little and winked, and let them know that he himself had belonged to the Bonapartist band. He had haunted the low dancing-rooms crying out 'Long live the Republic'; for it was necessary to profess Republicanism to get influence over the people. The Empire certainly owed him a big debt for what he had done; but it hadn't even thanked him. No, while Rougon and his clique shared all the prizes, he was turned out of doors like a mangy dog. Well, on the whole, he preferred that it should be so, he would rather remain independent. He had only one regret now, and that was that he had not stuck to the Republicans and made an end of all this scum with his musket.

'It's just the same, too, with little Du Poizat,' he said in conclusion. 'He pretends not to know me now; a skinny little beggar to whom I've often given a pipe of tobacco! And yet he's a sub-prefect now! Why I've often seen him with big Amélie, who used to box his ears and kick him outside the door when he didn't behave properly.'

After this he became silent for a moment as if overcome by tender recollections amidst his maudlin fit. Then, glancing round at his audience, he began again.

'Well, you've just seen Rougon. I'm as tall a man as he is, and I'm the same age, and I flatter myself that I've got a better looking head on my shoulders. Well, now, don't you think that it would be much better for everyone if I were in that carriage instead of that great fat pig, with his body covered all over with gold lace?'

However, just at this moment such a shouting arose on the Place de l'Hôtel de Ville, that the people at the café became much too excited to reply. The crowd made another rush; men's legs flew along, while women caught up their petticoats to enable themselves to run the faster. As the shouting came nearer and grew more distinct, Gilquin cried out:

'Ah! here comes the youngster! Hurry up and pay the score, old man, and then follow me all of you!'

Madame Correur grasped his yellow duck coat so as not to lose him, and Madame Charbonnel panted along close behind, while her husband was almost lost in the crowd. Gilquin, by much resolute pushing, managed to open a passage through the dense throng, making such a show of authority that people drew back even at the most crowded parts. When he at last reached the quay, he lifted the ladies with an effort, and seated them on the parapet, with their legs dangling over, on the water side, and this in spite of their little shrieks of alarm. He himself and M. Charbonnel remained standing behind.

'Well, my little dears, you're in the front boxes now,' he said, to reassure the women; 'don't be frightened, we'll take hold of your waists.'

Thereupon he slipped both arms round Madame Correur's plump figure. She smiled at him. It was impossible to get angry with such a jovial fellow. As yet, however, they could see nothing. The Place de l'Hôtel de Ville was full of surging heads, and echoed with continuous cheering. Hats were waving in the distance, held aloft by hands which were indistinguishable, and forming a huge black billow which slowly rolled nearer and nearer. Then the occupants of the houses on the Quai Napoléon, which fronted the Place, began to show signs of excitement. They leant out of the windows, crowding against each other, with beaming faces, and arms outstretched to call attention to something in the direction of the Rue de Rivoli. For three minutes, which seemed very long, however, the bridge still remained empty. The bells of Notre Dame were ringing louder than ever, as though in some wild fit of joyful excitement.

Suddenly the anxious multitude beheld a company of trumpeters upon the empty bridge. There was a great sigh of expectation. Behind the trumpeters and the mounted band which followed them, came a general, escorted by his staff. Then, behind squadrons of carabineers, dragoons and hussars, followed the state-carriages. There were eight of them, each drawn by six horses. In those that came first sat the ladies-in-waiting, the chamberlains, the officers of the household of the Emperor and Empress, and the ladies in attendance upon the Grand Duchess of Baden, who had been deputed to represent the young prince's godmother. Gilquin, without letting go his hold of Madame Correur, told her from behind that the godmother, the Queen of Sweden, had not put herself out any more than the godfather had done. Then, as the seventh and eighth carriages went past, he told her the names of those who occupied them, with a glibness which bespoke great familiarity with court matters. Those two ladies, he said, were the Princess Mathilde and the Princess Marie. Those three gentlemen were King Jérôme, Prince Napoleon and the Crown Prince of Sweden. The lady with them was the Grand Duchess of Baden. Meanwhile, the procession swept on slowly. The equerries and aides-de-camp and gentlemen-in-waiting all rode with short reins to keep their horses at a walk.

'But where is the baby?' asked Madame Charbonnel impatiently.

'Oh! don't be frightened,' said Gilquin, with a laugh; 'they haven't put him under a seat. Wait a little and you'll see him.'

So saying, he tightened his grasp round Madame Correur, who allowed him to do so, she explained, because she was afraid of slipping into the water. Then, growing enthusiastic over the display, he continued, while his eyes glistened brightly: 'Isn't it really splendid? See how they take their ease, the rascals, in their satin-quilted coaches! And to think that I worked for all this!'

Then he began to puff himself out as though the procession, the crowd and everything that was to be seen owed their origin to him. However, after the temporary lull, caused by the appearance of the first carriages, there came a tremendous uproar. It was upon the quay itself now that hats were waving over the surging heads of the crowd. Six imperial outriders, wearing green liveries and round caps, from which dangled large gold tassels, had made their appearance on the bridge. Then at last the Empress's carriage came in sight. It was drawn by eight horses; and at each of its four corners there was a magnificent lamp. Large and rounded, panelled almost entirely with glass, this coach resembled a huge crystal casket with gold settings, mounted upon golden wheels. Inside it, amidst a cloud of snowy lace, one could clearly distinguish the rosy face of the Prince Imperial, carried upon the knees of the Governess of the Children of France, by whose side sat the wet nurse, a young, handsome, and buxom Burgundian. Then a short distance behind, following a group of mounted equerries and grooms on foot, came the Emperor's carriage, which also was drawn by eight horses, and was as magnificent as the previous one. In it sat the Emperor and Empress, who bowed to the people as they passed. Beside these two last carriages rode several marshals of France, who, without sign of impatience, let all the dust from the wheels settle on their richly broidered uniforms.

'Just fancy if the bridge were to break down!' exclaimed Gilquin with a grin. He was fond of indulging in the most awful suppositions.

Madame Correur, frightened at the thought of such a thing, tried to stop him, but he would dwell on the subject, remarking that iron bridges were never safe. He even asserted that he could see the platform oscillating when the two carriages were but half-way across. What a splash, he continued; if papa and mamma and baby went down they would get such a drink as would keep them from ever wanting another! The carriages, however, rolled softly and silently over the bridge, and the frame-work of the gently-curving arch was so light that they looked almost as though suspended in space over the river, in whose blue depths they were reflected like strange gold-fishes, carried up by the flow of the tide. The Emperor and Empress, feeling a little tired, leaned back against the buttoned satin, glad to escape the crowd for a moment and the necessity of bowing to it. The Governess, too, took advantage of the stretch of empty space to raise the little prince, who was slipping from her knees, while the nurse, leaning forward, amused him with a smile. The whole procession was steeped in bright sunshine. The uniforms, the gay gowns, and the horse-trappings shone out brilliantly, while the sparkling planet-like coaches cast tremulous beams of reflected sunlight along the fronts of the dingy houses on the Quai Napoléon. In the distance, above the bridge, the colossal advertisement of the giant grey overcoat, painted on the wall of a six-storeyed house, and now illumined with radiant splendour by the sun, formed a sort of background to the magnificent picture.

Gilquin noticed the overcoat just as it towered above the two carriages. 'Look!' he cried, 'there's the uncle[7] over yonder!'

A laugh ran through the surrounding crowd. M. Charbonnel, who did not catch the point, wanted to have it explained to him, but his request was drowned by the deafening cheering and clapping of hands that arose from the three hundred thousand people there pressed together. A mighty thrill of enthusiasm had sped through the mass of sight-seers as the little prince, followed by the Emperor and Empress, came into sight on the middle of the bridge, of which they had a full, unbroken view. Men rose on tip-toe, and set their dazed youngsters astride their necks, while women wept or stammered out expressions of love for 'the little darling,' showing a heartfelt sympathy with the happiness of the imperial parents. A storm of shouts still rolled on from the Place de l'Hôtel de Ville; and upon the quays, both up and down the river, there was a forest of waving, outstretched arms. Handkerchiefs fluttered from the windows, and men and women craned forward with glistening eyes and gaping mouths. Away in the distance the windows of the Ile Saint Louis, which looked like narrow streaks of charcoal, were lighted up with white gleams and evidences of life too far away to be clearly distinguished. However, the boatmen in red jackets stood up in the middle of the river, where the current swept them along, and shouted their loudest, while the washerwomen, leaning out of the windows of the floating laundry, waved their bare arms excitedly, and, in their desire to be heard, dealt blow after blow with their beetles till they nearly broke them.

'There, it's all over!' exclaimed Gilquin; 'let us be off.'

The Charbonnels, however, wanted to see the end of everything. The tail of the procession--squadrons of Cent Gardes, cuirassiers and carabineers--was plunging into the Rue d'Arcole. Then there came a scene of dreadful confusion. In several places people broke through the double line of National Guards and regulars, and women began to scream.

'Come along! come along!' repeated Gilquin. 'We shall be crushed to death!'

When he had deposited the ladies on the footway, he made them cross the road in spite of the crowd. Madame Correur and the Charbonnels had wanted to keep near the parapet, so as to make their way to the bridge of Notre Dame and see what was happening on the Place du Parvis. But Gilquin would not hear of it, and dragged them after him. When they once more reached the little café, he gave them a push and made them sit down again at the table which they had recently left.

'What perverse creatures you are!' he cried. 'Do you suppose that I want to have my feet crushed by all those louts? We'll have something to drink, we will! We are much better off here than in that crush. We've had enough sight-seeing. It was beginning to get wearisome. Come, old lady, what will you drink?'

The Charbonnels, upon whom he kept his perturbing eyes, began to make timid objections. They would have liked to see the procession leave the church. But Gilquin assured them that it would be best to give the crowd time to disperse, and that he would take them to the church in a quarter of an hour, if the crush was not too thick. However, while he was telling Jules to bring a supply of cigars and beer, Madame Correur prudently made her escape. 'Well, stay and rest yourselves a little,' she said to the Charbonnels. 'You will find me over yonder by-and-bye.'

She made her way to the bridge of Notre Dame and then into the Rue de la Cité. But the crush there was still so great that it took her a good quarter of an hour to reach the Rue de Constantine. At last she made a cut through the Rue de la Licorne and the Rue des Trois Canettes, and in this way emerged upon the Place du Parvis, after losing at the ventilator of a suspicious house one of the flounces of her dove-coloured dress. Round the square, strewn with sand and flowers, stood tall masts, from which hung banners bearing the imperial arms. In front of the church a vast tent-shaped porch draped the stone-work with curtains of crimson velvet, having fringes and tassels of gold.

Here Madame Correur was checked by a body of troops who kept back the crowd. In the middle of the space from which the public had been excluded, footmen were pacing up and down beside the carriages, which were drawn up in five rows, their coachmen still occupying their seats and holding their reins. As Madame Correur craned her head forward in the hope of finding some gap through which she might pass, she caught sight of Du Poizat quietly smoking a cigar in a corner of the square among some of the footmen.

'Don't you think you could get me in?' she asked him, when she had attracted his attention by waving her handkerchief.

Du Poizat went and spoke to an officer, and then led Madame Correur in front of the church.

'If you'll take my advice,' he said to her, 'you'll stay here with me. It's perfectly packed inside. I was nearly suffocated myself, and so I came out. See, there are Colonel Jobelin and Monsieur Bouchard, who have given up all hope of finding room.'

She looked and saw the two men on her left, near the Rue du Cloître Notre Dame. M. Bouchard was saying that he had just left his wife in charge of M. d'Escorailles, who had an excellent seat for a lady at his disposal, while the colonel's chief regret seemed to be that he was not able to explain the ceremony to his son Auguste.

'I much wished to show him the famous vase,' he said. 'It is, as you know, the genuine vase of Saint Louis--a vase of copper, damascened and ornamented with niello work in the most perfect Persian manner. It is a relic of the times of the Crusades, and has been used at the christenings of all our kings ever since.'

'Did you see all the insignia?' M. Bouchard asked Du Poizat.

'Yes,' replied the latter. 'Madame de Llorentz was carrying the chrisom.'

Then he entered into details. The chrisom was the christening cloth, a fact of which neither of the men had been aware. But Du Poizat went on to enumerate, not only the insignia of the Prince Imperial, the chrisom, the candle and the salt-cellar, but the insignia of the godfather and godmother, the basin, the ewer and the towel, all of which were carried by ladies-in-waiting. Then there was also the little prince's mantle, a most magnificent and wonderful mantle, which was hung over an arm-chair near the font.

'Isn't there really the smallest corner where I could squeeze myself?' cried Madame Correur, in whom all these details had roused a fever of curiosity.

Then they told her of all the great state bodies and high officials and innumerable deputations that they had seen pass. It was an almost endless procession, they said; the Diplomatic body, the Senate, the Corps Législatif, the Council of State, the Supreme Court, the Exchequer Court, the Appeal Court, the Tribunals of Commerce and of First Instance; to say nothing of the ministers, the prefects, the mayors and their deputies, the academicians, the general officers, and a host of others, including even delegates from the Jewish and Protestant consistories.

'Oh! what a splendid sight it must be!' Madame Correur exclaimed with a sigh.

Du Poizat shrugged his shoulders. He was in a very bad humour. All those people bored him, he said, and he seemed irritated by the length of the ceremony. How much longer would they be? They had sung the _Veni Creator_ and had censed themselves and walked about and saluted one another. Surely the child must be christened by this time!

Meanwhile M. Bouchard and the colonel manifested greater patience and examined the decorated windows of the square; then, as a sudden peal of the bells shook the towers, they turned their heads and quivered uneasily at their close proximity to the huge church, whose summit they could not even discern in the sky. However, Auguste had slipped towards the porch, whither Madame Correur followed him. But when she reached the great door, which was wide open, the magnificent sight she beheld kept her rooted to the ground.

Between the two great curtains of the porch the church appeared like a vision of some superhuman temple. The vaulted arches, of a soft blue, were spangled with stars. Around this wondrous firmament the stained-glass windows gleamed like mystic planets, sparkling with burning jewels. From the lofty pillars on all sides hung drapery of crimson velvet, which still further shut the daylight out of the usually dim nave; and in the centre of this roseate twilight there blazed a multitude of tapers--thousands of tapers--so closely crowded that they seemed like a great sun flaming out amidst a rain of stars. This blaze was that of the altar, set on a platform in the centre of the transept. Thrones were placed on the right and left of it. Over the higher of the two thrones a spreading canopy of velvet lined with ermine showed like a huge bird with snowy breast and purple wings. The church was filled with a glittering crowd, bright with gold and jewels. Near the altar a group of clergy, bishops with mitres and croziers, formed, as it were, a glory, one of those dazzling splendours which suggest heaven itself. Around the altar princes, princesses and great dignitaries were ranged in sovereign pomp and circumstance. Then tiers of seats had been set up in the arms of the transept, for the Diplomatic body and the Senate, on the right, and for the Corps Législatif and the Council of State on the left; while representative bodies of every kind crowded the rest of the nave, and ladies displayed their bright, variegated gowns in the galleries above. A sanguineous haze floated over everything. The heads which showed in tiers on all sides had the roseate hue of painted porcelain. The dresses, the satin and silk and velvet, glowed with a dull splendour as though they would soon burst into a blaze. Rows of people suddenly seemed to flare. The whole deep church was like some wondrous furnace.