Facts About Champagne and Other Sparkling Wines

Chapter 10

Chapter 103,774 wordsPublic domain

Upwards of 200 workpeople are employed in the _salle de tirage_ at Messrs. Moët and Chandon's, which, while the operation of bottling is going on, presents a scene of bewildering activity. Men and lads are gathered round the syphon-taps briskly removing the bottles as they become filled, and supplanting them by empty ones. Other lads hasten to transport the filled bottles on trucks to the corkers, whose so-called "guillotine" machines send the corks home with a sudden thud. The corks being secured with _agrafes_ the bottles are placed in large flat baskets called _manettes_, and wheeled away on tracks, the quarts being deposited in the cellars by means of lifts, while the pints slide down an inclined plane by the aid of an endless chain, which raises the trucks with the empty baskets at the same time the full ones make their descent into the cellars. What with the incessant thud of the corking machines, the continual rolling of iron-wheeled trucks over the concrete floor, the rattling and creaking of the machinery working the lifts, the occasional sharp report of a bursting bottle, and the loudly-shouted orders of the foremen, who display the national partiality for making a noise to perfection, the din becomes at times all but unbearable. The number of bottles filled in the course of the day naturally varies, still Messrs. Moët and Chandon reckon that during the month of June a daily average of 100,000 are taken in the morning from the stacks in the _salle de rinçage_, washed, dried, filled, corked, wired, lowered into the cellars and carefully arranged in symmetrical order. This represents a total of two and a half million bottles during that month alone.

The bottles on being lowered into the cellars, either by means of the incline or the lifts, are placed in a horizontal position, and with their uppermost side daubed with white chalk, are stacked in layers from two to half-a-dozen bottles deep with narrow oak laths between. The stacks are usually about six or seven feet high and 100 feet and upwards in length. Whilst the wine is thus reposing in a temperature of about 55° Fahrenheit, fermentation sets in, and the ensuing month is one of much anxiety. Thanks, however, to the care bestowed, Messrs. Moët and Chandon's annual loss from bottles bursting rarely exceeds three per cent., though fifteen was once regarded as a respectable and satisfactory average. The broken glass is a perquisite of the workmen, the money arising from its sale, which at the last distribution amounted to no less than 20,000 francs, being divided amongst them every couple of years.

The usual entrance to Messrs. Moët and Chandon's Epernay cellars--which, burrowed out in all directions, are of the aggregate length of nearly seven miles, and have usually between 11,000,000 and 12,000,000 bottles and 25,000 casks of wine stored therein--is through a wide and imposing portal, and down a long and broad flight of steps. It is, however, by the ancient and less imposing entrance, through which more than one crowned head has condescended to pass, that we set forth on our lengthened tour through these intricate underground galleries--this subterranean city with its miles of streets, crossroads, open spaces, tramways, and stations devoted solely to champagne. A gilt inscription on a black marble tablet testifies that "on the 26th July, 1807, Napoleon the Great, Emperor of the French, King of Italy, and Protector of the Confederation of the Rhine, honoured commerce by visiting the cellars of Jean Rémi Moët, Mayor of Epernay, President of the Canton, and Member of the General Council of the Department," within three weeks of the signature of the treaty of Tilsit. Passing down the flight of steep slippery steps traversed by the victor of Eylau and Jena, access is gained to the upper range of vaults, brilliantly illuminated by the glare of gas, or dimly lighted by the flickering flame of tallow-candles, upwards of 60,000lbs. of which are annually consumed. Here group after group of the small army of 350 workmen employed in these subterranean galleries are encountered engaged in the process of transforming the _vin brut_ into champagne. At Messrs. Moët and Chandon's the all-important operation of liqueuring the wine is effected by aid of machines of the latest construction, which regulate the quantity administered to the utmost nicety. The corks are branded by being pressed against steel dies heated by gas, by women who can turn out 3,000 per day apiece, the quantity of string used to secure them amounting to nearly ten tons in the course of the year.

There is another and a lower depth of cellars to be explored to which access is gained by trapholes in the floor--through which the barrels and baskets of wine are raised and lowered--and by flights of steps. From the foot of the latter there extends an endless vista of lofty and spacious passages hewn out of the chalk, the walls of which, smooth as finished masonry, are lined with thousands of casks of raw wine, varied at intervals by gigantic vats. Miles of long, dark-brown, dampish-looking galleries stretch away to the right and left, and though devoid of the picturesque festoons of fungi which decorate the London Dock vaults, exhibit a sufficient degree of mouldiness to give them an air of respectable antiquity. These multitudinous galleries, lit up by petroleum-lamps, are mostly lined with wine in bottles stacked in compact masses to a height of six or seven feet, only room enough for a single person to pass being left. Millions of bottles are thus arranged, the majority on their sides, in huge piles, with tablets hung up against each stack to note its age and quality; and the rest, which are undergoing daily evolutions at the hands of the twister, at various angles of inclination. In these cellars there are nearly 11,000 racks in which the bottles of _vin brut_ rest _sur pointe_, as many as 600,000 bottles being commonly twisted daily.

The way runs on between regiments of bottles of the same size and shape, save where at intervals pints take the place of quarts; and the visitor, gazing into the black depths of the transverse passages to the right and left, becomes conscious of a feeling that if his guide were suddenly to desert him he would feel as hopelessly lost as in the catacombs of Rome. There are two galleries, each 650 feet in length, containing about 650,000 bottles, and connected by 32 transverse galleries, with an aggregate length of 4,000 feet, in which nearly 1,500,000 bottles are stored. There are, further, eight galleries, each 500 feet in length, and proportionably stocked; also the extensive new vaults, excavated some five or six years back, in the rear of the then-existing cellarage, and a considerable number of smaller vaults. The different depths and varying degrees of moisture afford a choice of temperature of which the experienced owners know how to take advantage. The original vaults, wherein more than a century ago the first bottles of champagne made by the infant firm were stowed away, bear the name of Siberia, on account of their exceeding coldness. This section consists of several roughly-excavated low winding galleries, resembling natural caverns, and affording a striking contrast to the broad, lofty, and regular-shaped corridors of more recent date.

When the proper period arrives for the bottles to emerge once more into the upper air they are conveyed to the packing-room, a spacious hall 180 feet long and 60 feet broad. In front of its three large double doors waggons are drawn up ready to receive their loads. The seventy men and women employed here easily foil, label, wrap, and pack up some 10,000 bottles a day. Cases and baskets are stacked in different parts of this vast hall, at one end of which numerous trusses of straw used in the packing are piled. Seated at tables ranged along one side of the apartment women are busily occupied in pasting on labels or encasing the necks of bottles in gold or silver foil, whilst elsewhere men, seated on three-legged stools in front of smoking caldrons of molten sealing-wax of a deep green hue, are coating the necks of other bottles by plunging them into the boiling fluid. When labelled and decorated with either wax or foil the bottles pass on to other women, who swathe them in pink tissue-paper and set them aside for the packers, by whom, after being deftly wrapped round with straw, they are consigned to baskets or cases, to secure which last no less than 10,000lbs. of nails are annually used. England and Russia are partial to gold foil, pink paper, and wooden cases holding a dozen or a couple of dozen bottles of the exhilarating fluid, whereas other nations prefer waxed necks, disdain pink paper, and insist on being supplied in wicker baskets containing fifty bottles each.

Some idea of the complex character of so vast an establishment as that of Messrs. Moët and Chandon may be gathered from a mere enumeration of their staff, which, in addition to twenty clerks and 350 cellarmen proper, includes numerous agrafe-makers and corkcutters, packers and carters, wheelwrights and saddlers, carpenters, masons, slaters and tilers, tinmen, firemen, needlewomen, &c., while the inventory of objects used by this formidable array of workpeople comprises no fewer than 1,500 distinct heads. A medical man attached to the establishment gives gratuitous advice to all those employed, and a chemist dispenses drugs and medicines without charge. While suffering from illness the men receive half-pay, but should they be laid up by an accident met with in the course of their work full salary is invariably awarded to them. As may be supposed, so vast an establishment as this is not without a provision for those past work, and all the old hands receive liberal pensions from the firm upon retiring. Every year Messrs. Moët and Chandon give a banquet or a ball to the people in their employ--usually after the bottling of the wine is completed--when the hall in which the entertainment takes place is handsomely decorated and illuminated with myriads of coloured lamps.

It is needless to particularise Messrs. Moët and Chandon's wines, which are familiar to all drinkers of champagne. Their famous "star" brand is known in all societies, figures equally at clubs and mess-tables, at garden parties and picnics, dinners and _soirées_, and has its place in hotel _cartes_ all over the world. One of the best proofs of the wine's universal popularity is found in the circumstance that as many as 1,000 visitors from all parts of the world come annually to Epernay and make the tour of Messrs. Moët and Chandon's spacious cellars.

A little beyond Messrs. Moët and Chandon's, in the broad Rue du Commerce, we encounter a heavy, ornate, pretentious-looking château, the residence of M. Perrier-Jouët, which presents a striking contrast to the almost mean-looking premises opposite, where the business of the firm is carried on. M. Perrier-Jouët is the fortunate grandson of the Sieur Perrier Fissier, a little Epernay grocer, who some eighty years or so ago used to supply corks, candles, and string to the firm of Moët and Co., and who, when the profits arising from this connection warranted his doing so, discarded his grocer's sleeves and apron and blossomed forth as a competitor in the champagne trade. Perrier-Jouët and Co.'s offices are situated on the left-hand side of a courtyard surrounded by low buildings, which serve as celliers, store-houses, packing-rooms, and the like. From an inner courtyard where piles of bottles are stacked under open sheds, the cellars themselves are reached. Previous to descending into these we passed through the various buildings, in one of which a party of men were engaged in disgorging and preparing wine for shipment. In another we noticed one of those heavy beam presses for pressing the grapes which the more intelligent manufacturers regard as obsolete, while in a third was the _cuvée_ vat, holding no more than 2,200 gallons. In making their _cuvée_ the firm commonly mix one part of old wine to three parts of new. An indifferent vintage, however, necessitates the admixture of a larger proportion of the older growth. The cellars, like all the more ancient ones at Epernay, are somewhat straggling and irregular, still they are remarkably cool, and on the lower floor remarkably damp as well. This, however, would appear to be no disadvantage, as the breakage in them is calculated never to exceed 2½ per cent.

The firm have no less than five qualities of champagne, and at one of the recent champagne competitions at London, where the experts engaged had no means of identifying the brands submitted to their judgment, Messrs. Perrier-Jouët's First Quality got classed below a cheaper wine of their neighbours Messrs. Pol Roger and Co., and very considerably below the Extra Sec of Messrs. Périnet et fils, and inferior even to a wine of De Venoge's, the great Epernay manufacturer of common class champagnes.

Champagne establishments, combined with the handsome residences of the manufacturers, line both sides of the long, imposing Rue du Commerce at Epernay. On the left hand is a succession of fine châteaux, commencing with one belonging to M. Auban Moët, whose terraced gardens overlook the valley of the Marne, and command views of the vine-clad heights of Cumières, Hautvillers, Ay, and Mareuil, and the more distant slopes of Ambonnay and Bouzy, while on the other side of the famous Epernay thoroughfare we encounter beyond the establishments of Messrs. Moët and Chandon and Perrier-Jouët the ornate monumental façade which the firm of Piper and Co.--of whom Messrs. Kunkelmann and Co. are to-day the successors--raised some years since above their extensive cellars. A little in the rear of the Rue du Commerce is the well-ordered establishment of Messrs. Roussillon and Co., the extension of whose business of late has necessitated their removal to these capacious premises. The wines of the firm enjoy a high reputation in England, France, and Russia, and have secured favourable recognition at the Paris, Philadelphia, and other Exhibitions. Their stock includes considerable quantities of the older vintages, it being a rule of the house never to ship crude young wines. It is on their dry varieties that Messrs. Roussillon and Co. especially pride themselves, and some of the fine wine of 1874 that was here shown to us was as remarkable for its delicacy as for its fragrance.

In a side street at the farther end of the Rue du Commerce stands a château of red brick, overlooking on the one side an extensive pleasure-garden, and on the other a spacious courtyard, bounded by celliers, stables, and bottle-sheds, all of modern construction and on a most extensive scale. These form the establishment of Messrs. Pol Roger and Co., settled for many years at Epernay, and known throughout the Champagne for their large purchases at the epoch of the vintage. From the knowledge they possess of the best crûs, and their relations with the leading vineyard proprietors, they are enabled whenever the wine is good to acquire large stocks of it. Having bottled a considerable quantity of the fine wine of 1874, they resolved to profit by the exceptional quality of this vintage to commence shipping champagne to England, where their agents, Messrs. Reuss, Lauteren, and Co., have successfully introduced the new brand.

Passing through a large open gateway we enter the vast courtyard of the establishment, which, with arriving and departing carts--the first loaded with wine in cask or with new bottles, and the others with cases of champagne--presents rather an animated scene. Under a roof projecting from the wall of the vast cellier on the right hand a tribe of "Sparnaciennes"--as the feminine inhabitants of Epernay are termed--are occupied in washing bottles in readiness for the coming tirage. The surrounding buildings, most substantially constructed, are not destitute of architectural pretensions.

The extensive cellier, the area of which is 23,589 square feet, is understood to be the largest single construction of the kind in the Champagne district. Built entirely of iron, stone and brick, its framework is a perfect marvel of lightness. The roof, consisting of rows of brick arches, is covered above with a layer of Portland cement, in order to keep it cool in summer and protect it against the winter cold, two most desirable objects in connection with the manipulation of champagne. Here an endless chain of a new pattern enables wine in bottle to be lowered and raised with great rapidity to or from the cellars beneath--lofty and capacious excavations of two stories, the lowest of which is reached by a flight of no less than 170 steps.

Epernay, unlike Reims, has little of general interest to attract the stranger. Frequently besieged and pillaged during the Middle Ages, and burnt to the ground by the dauphin, son of François I., the town, although of some note as far back as the time of Clovis, exhibits to-day no evidence whatever of its great antiquity. The thoroughfare termed the Rempart de la Tour Biron recalls a memorable incident which transpired during the siege of the town by Henri IV. While the king was reconnoitring the defences a cannon-ball aimed at his waving white plume took off the head of the Maréchal Biron at the moment Henri's hand was resting familiarly on the maréchal's shoulder. Strange to say, the king himself escaped unhurt.

XI.--CHAMPAGNE ESTABLISHMENTS AT AY AND MAREUIL.

The Establishment of Deutz and Geldermann-- Drawing off the Cuvée-- Mode of Excavating Cellars in the Champagne-- The Firm's New Cellars, Vineyards, and Vendangeoir-- The old Château of Ay and its Terraced Garden-- The Gambling Propensities of Balthazar Constance Dangé-Dorçay, a former Owner of the Château-- The Picturesque Situation and Aspect of Messrs. Ayala's Establishment-- A Promenade through their Cellars-- M. Duminy's Cellars and Wines-- His new Model Construction-- The House Founded in 1814-- Messrs. Bollinger's Establishment-- Their Vineyard of La Grange-- The Tirage in Progress-- The Fine Cellars of the Firm-- Messrs. Pfungst's frères and Co.'s Cellars-- Their Dry Champagnes of 1868, '70, '72, and '74-- The Old Church of Ay and its Decorations of Grapes and Vineleaves-- The Vendangeoir of Henri Quatre-- The Montebello Establishment at Mareuil-- The Château formerly the Property of the Dukes of Orleans-- A Titled Champagne Firm-- The Brilliant Career of Marshal Lannes-- A Promenade through the Montebello Establishment-- The Press House, the Cuvée Vat, the Packing-Room, the Offices, and the Cellars-- Portraits and Relics at the Château-- The Establishment of Bruch-Foucher and Co.-- The handsome Carved Gigantic Cuvée Tun-- The Cellars and their Lofty Shafts-- The Wines of the Firm.

The historic _bourgade_ of Ay is within a short walk of the station on the line of railway connecting Epernay with Reims. The road lies across the light bridge spanning the Marne canal, the tall trees fringing which hide for a time the clustering houses; still we catch sight of the tapering steeple of the antique church rising sharply against the green vine-covered slopes and the fleecy-clouded summer sky. We soon reach the Place de l'Hôtel de Ville, and continuing onward in the direction of the steep hills which shelter the town on the north, come to a massive-looking corner house in front of the broad _porte-cochère_ of which some railway carts laden with cases of champagne are standing. Passing through the gateway we find ourselves in an open court, with a dwelling-house to the right and a range of buildings in front where the offices of Messrs. Deutz and Geldermann are installed. This is the central establishment of the firm, whose Extra Dry "Gold Lack" and "Cabinet" champagnes have long been favourably known in England. Here are spacious celliers for disgorging and finishing off the wine, a large packing-hall, and rooms where bales of corks and other accessories of the trade are stored, the operations of making the _cuvées_ and bottling being accomplished in an establishment some little distance off.

Proceeding thither, we find an elegant château with a charming terraced garden, lying at the very foot of the vine-clad slopes, and on the opposite side of the road some large celliers where wine in wood is stored, and where the _cuvées_ of the firm, consisting usually of upwards of 50,000 gallons each, are made in a vat of gigantic proportions, furnished with a raised platform at one end for the accommodation of the workman who agitates the customary paddles. When the wine is completely blended it is drawn off into casks disposed for the purpose in the cellar below, as shown in the accompanying engraving, and after being fined it rests for about a month to clear itself. To each of these casks of newly-blended wine a portion of old wine is added separately, and at the moment of bottling the whole is newly amalgamated.

Adjoining M. Deutz's château is the principal entrance to the extensive cellars of the firm, to which, at the time of our visit, considerable additions were being made. In excavating a gallery the workmen commence by rounding off the roof, and then proceed to work gradually downwards, extracting the chalk, whenever practicable, in blocks suitable for building purposes, which being worth from three to four shillings the square yard help to reduce the cost of the excavation. When any serious flaws present themselves in the sides or roof of the galleries, they are invariably made good with masonry.

This range of cellars now comprises eight long and lofty galleries no less than 17 feet wide, and the same number of feet in height, and of the aggregate length of 2,200 yards. These spacious vaults, which run parallel with each other, and communicate by means of cross passages, underlie the street, the château, the garden, and the vineyard slopes beyond, and possess the great advantage of being always dry. They are capable, we were informed, of containing several million bottles of champagne in addition to a large quantity of wine in cask.

Messrs. Deutz and Geldermann possess vineyards at Ay, and own a large vendangeoir at Verzenay, where in good years they usually press 500 pièces of wine. They, moreover, make large purchases of grapes at Bouzy, Cramant, Le Mesnil, Pierry, &c, and invariably have these pressed under their own superintendence. Beyond large shipments to England, Messrs. Deutz and Geldermann transact a considerable business with other countries, and more especially with Germany, where their brand has been for years one of the most popular, and is to-day the favourite at numerous regimental messes and the principal hotels.