Category: Essays, Letters & Speeches

Essays in English Literature, 1780-1860

Of the essays in this volume, the introductory paper on "The Kinds of Criticism" has not before appeared in print. All the rest, with one exception (the Essay on Lockhart which appeared in the _National Review_), were originally published in _Macmillan's Magazine_. To the Edit...

Chapters

2. Chapter 2

It is possible that the title "The Kinds of Criticism" may have excited in some readers expectations of the discussion of a subject which has not yet been handled. We have recen...

14. Chapter 14

Although the days of Moore lasted for half an ordinary lifetime after this, they saw few important events save the imbroglio over the Byron memoirs. They saw also the compositio...

26. Chapter 26

It was not till half a century after his death that Praed, who is loved by those who love him perhaps as sincerely as most greater writers, had his works presented to the public...

13. Chapter 13

I know that a haphazard catalogue of the titles of essays (for it is little more) such as fills the last paragraph or two may not seem very succulent. But within moderate space...

7. Chapter 7

The sojourn at Edinburgh began in June 1798: it ended in August 1803. It will thus be seen that Sydney was by no means a very young man even when he began reviewing, the year be...

6. Chapter 6

Hogg wrote prose even more freely than he wrote verse, and after the same fashion--a fashion which he describes with equal frankness and truth by the phrases, "dashing on," "wri...

8. Chapter 8

Among the most important of these essays are the two famous ones on Methodism and on Indian missions, which gave far more offence to the religious public of evangelical persuasi...

3. Chapter 3

Nothing in all literary history is, in a modest way and without pearls and gold, quite so like a fairy tale as the difference in Crabbe's fortunes which this propitious influenc...

25. Chapter 25

This admirable book, however, is both well enough known (if not so well known as it deserves) and large enough to make it both unnecessary and impossible to criticise it at leng...

15. Chapter 15

This enumeration of a few out of many ornaments of Moore's muse will of course irritate those who object to the "brick-of-the-house" mode of criticism; while it may not be minut...

22. Chapter 22

Thomas de Quincey, or Quincey, was born in Manchester--but apparently not, as he himself thought, at the country house of Greenhay which his parents afterwards inhabited--on 15t...

21. Chapter 21

A dozen years later Wilson had cast his slough, and had become the autocratic, freespoken, self-constituted dictator, Christopher North. He was confronted with the very difficul...

17. Chapter 17

It is this sincere and unostentatious love of letters, and anxiety to spread the love of letters, that is the redeeming point of Leigh Hunt throughout: he is saved _quia multum...

5. Chapter 5

Now be it remembered that these passages are descriptive of Hogg's Hogg, to use the always useful classification of Dr. Holmes. To complete them (the actual texts are too long t...

27. Chapter 27

Still not here was his "farthest," as the geographers say, nor in the considerable mass of smaller poems which practically defy classification. In them, as so often elsewhere in...

12. Chapter 12

This is quite true if we add a proviso to it--a proviso, to be sure, of no small importance. Hazlitt is always the same when he is not different, when his political or personal...

19. Chapter 19

However this may be, Peacock certainly held the theory of those who take life easily, who do not love anything very much except old books, old wine, and a few other things, not...

16. Chapter 16

Now Macaulay has not always been leniently judged; but I do not think that, with the single exception of Croker's case, he can be accused of having borne hardly on the moral cha...

10. Chapter 10

The explanation, as far as there is any, (and perhaps such explanations, as Hume says of another matter, only push ignorance a stage farther back), seems to me to lie in what I...

9. Chapter 9

Although there have never been very quick returns at the bar, either of England or Scotland, the smaller numbers of the latter might be thought likely to bring young men of tale...

30. Chapter 30

To conclude, Borrow has--what after all is the chief mark of a great writer--distinction. "Try to be like somebody," said the unlucky critic-bookseller to Lamartine; and he has...

11. Chapter 11

The author of the _Spirit of the Age_ was one of the keenest and brightest critics that ever lived. With partialities and prejudices innumerable, he had a wit so keen, a sensibi...

23. Chapter 23

The other charge, that he was a bad or rather a very untrustworthy critic of books, cannot be met quite so directly. He is indeed responsible for a singularly large number of si...

24. Chapter 24

His life was, except for the domestic misfortunes which marked its close, by no means eventful; and the present writer, if he had access to any special sources of information (w...

20. Chapter 20

It is with those works that our principal business is, and some of them I shall take the liberty of at once dismissing. His poems are now matters of interest to very few mortals...

1. Chapter 1

Of the essays in this volume, the introductory paper on "The Kinds of Criticism" has not before appeared in print. All the rest, with one exception (the Essay on Lockhart which...

18. Chapter 18

In life three ghostly friars were we, And now three friendly ghosts we be. Around our shadowy table placed, The spectral bowl before us floats: With wine that none but ghosts ca...

28. Chapter 28

In politics and religion this curious and very John Bullish unreason is still more apparent. I suppose Borrow may be called, though he does not call himself, a Tory. He certainl...

29. Chapter 29

_Lavengro_, which followed, has all the merits of its predecessor and more. It is a little spoilt in its later chapters by the purpose, the antipapal purpose, which appears stil...

4. Chapter 4

The defect of Crabbe, as it seems to me, is best indicated by reference to one of the truest of all dicta on poetry, the famous maxim of Joubert--that the lyre is a winged instr...