Category: History - European

Cathedrals of Spain

E-text prepared by Chuck Greif and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://www.archive.org)

Chapters

16. Chapter 16

The Giralda is incomparable, a unique expression of feminine strength. She is as oriental and mysterious as the Sphinx, or might be likened to a great sultana in enchanted sleep...

10. Chapter 10

The impression of the exterior is strangely disappointing. Imposing and massive, but irregular, squat, and encumbered by surrounding edifices clinging to its masonry. An indiffe...

14. Chapter 14

If you stand in the Calle del Gran Capitan, or better, the Plaza del Triumfo, best of all, near the gateway of the Patio de las Banderas, where the Cathedral and the Giralda pil...

12. Chapter 12

To judge from the ruins as well as from well-preserved edifices, Romanesque days must have been full of great architectural activity. One is constantly reminded of Toledo in cli...

2. Chapter 2

The capitals are among the great glories of the edifice. They are remarkable from every point of view, and among the finest Byzantine extant, comparable to the best of Saint Mar...

6. Chapter 6

The plan is most curious, and on account of its irregularity as well as certain inconsistencies, it is difficult to guess how far it was originally conceived in its present form...

4. Chapter 4

Both triforium and clerestory are very fine, especially in the nave, where, although they have undergone alterations, these are less radical than in the Capilla Mayor. The trifo...

8. Chapter 8

The side walls of the aisles for a height of some fourteen feet to the bottom of their vaulting ribs, the triforium, commencing but a foot above the arches which separate nave f...

9. Chapter 9

A. Chapel of Saint Blase. B. Chapel of the Parish of Saint Peter. C. Octagon. D. Chapel of the Virgin of the Sanctuary. E. Large Sacristy. F. Court of the Hall of Accounts. G. C...

11. Chapter 11

The outer walls of the choir are also completely covered with sculpture. It is thoroughly Gothic in character, crude, and fumbling for expression, consisting of arcades with nic...

5. Chapter 5

The exterior of Santa Maria is very remarkable. It is a wonderful history of late Gothic and early Renaissance carving. The only clearing whence any freedom of view and perspect...

13. Chapter 13

Few of the many Gothic stalls are finer than those of Segovia. The contrast with the work above them, as well as with that which backs onto them, is doubly distressing. The trem...

3. Chapter 3

The interior is built of a clear gray stone on which sparing employment of color in certain places is most effective. Thus in the bosses of the vaulting ribs throughout, in the...

17. Chapter 17

The old mosque was of the usual type of Moslem house of prayer, its eleven aisles subdivided by a forest of columns and resembling in general aspect the far greater mosque of Co...

7. Chapter 7

His prerogative once established, Innocent III looked well after his obedient subjects. When Spain was threatened by the most formidable of all Moorish invasions, he published t...

15. Chapter 15

Directly back of Fernando Columbus' tomb rises the rear surface or trascoro of the choir. The choir, which occupies the fourth and fifth bays, is enclosed by the most elaborate...

18. Chapter 18

The high altar with its retablo and the royal sarcophagi are separated from the rest of the chapel by the most stupendous and magnificent iron screen or reja ever executed. Span...

1. Chapter 1

E-text prepared by Chuck Greif and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archiv...

19. Chapter 19

[2] Ego comes Raimundus una pariter cum uxore mea Orraca filia Adefonsi regis, placuit nobis ut propter amorem Dei et restaurationem ecclesie S. Marie Salamantine sedis et propt...