Chapter 2

The original Marchand began business in a little room in Dupont street, between Jackson and Washington, which district at that time had not been given over to the Chinese, and he cooked over a charcoal brazier, in his window, in view of passing people who were attracted by the novelty and retained by the good cooking. With the extension of his fame he found his room too small and he rented a cottage at Bush and Dupont street, but his business grew so rapidly that he was compelled to move to more commodious quarters at Post and Dupont and later to a much larger place at Geary and Stockton, where he enjoyed good patronage until the fire destroyed his place. There is now a restaurant in Geary street near Mason which has on its windows in very small letters "Michael, formerly of," and then in bold lettering, "Marchands." But Michael has neither the art nor the viands that made Marchands famous, and he is content to say that his most famous dish is tripe--just plain, plebeian tripe.

Christian Good, at Washington and Kearny, Big John, at Merchant street between Montgomery and Sansome, Marshall's Chop House, in the old Center Market, and Johnson's Oyster House, in a basement at Clay and Leidesdorff streets, were all noted places and much patronized, the latter laying the foundation of one of San Francisco's "First Families." Martin's was much patronized by the Old Comstock crowd, and this was the favorite dining place of the late William C. Ralston.

One of the most famous restaurants of the early '70s was the Mint, in Commercial street, between Montgomery and Kearny, where the present restaurant of the same name is located. It was noted for its Southern cooking and was the favorite resort of W. W. Foote and other prominent Southerners. The kitchen was presided over by old Billy Jackson, an old-time Southern darkey, who made a specialty of fried chicken, cream gravy, and corn fritters.

Birth of the French Restaurant

French impression came strongly about this time, and the Poodle Dog, of Paris, had its prototype at Bush and Dupont streets. This was one of the earliest of the type known as "French Restaurants," and numerous convivial parties of men and women found its private rooms convenient for rendezvous. Old Pierre of later days, who was found dead out on the Colma road some two years after the fire of 1906, was a waiter at the Poodle Dog when it started, and by saving his tips and making good investments he was able to open a similar restaurant at Stockton and Market, which he called the Pup. The Pup was famous for its frogs' legs a la poulette. In this venture Pierre had a partner, to whom he sold out a few years later and then he opened the Tortoni in O'Farrell street, which became one of the most famous of the pre-fire restaurants, its table d'hote dinners being considered the best in the city. When Claus Spreckels built the tall Spreckels building Pierre and his partner opened the Call restaurant in the top stories. With the fire both of the restaurants went out of existence, and the old proprietor of the Poodle Dog having died, Pierre and a partner named Pon bought the place, and for a year or so after the fire it was one of the best French restaurants in the city. After Pierre's untimely death the restaurant was merged with Bergez and Frank's, and is now in Bush street above Kearny.

Much romance attached to Pierre, it being generally believed that he belonged to a wealthy French family, because of his education, his unfailing courtesy, his ready wit and his gentility. Pierre specialized in fish cooked with wine, and as a favor to his patrons he would go to the kitchen and prepare the dish with his own hands.

In O'Farrell street the Delmonico was one of the most famous of the French restaurants until the fire. It was several stories high, and each story contained private rooms. Carriages drove directly into the building from the street and the occupants went by elevator to soundproof rooms above, where they were served by discreet waiters.

The Poodle Dog, the Pup, Delmonico's, Jacques, Frank's, the Mint, Bergez, Felix and Campi's are the connecting links between the fire and the pioneer days. Some of them still carry the names and memories of the old days. All were noted for their good dinners and remarkably low prices.

Shortly after the fire Blanco, formerly connected with the old Poodle Dog, opened a place in O'Farrell street, between Hyde and Larkin, calling it "Blanco's." During the reconstruction period this was by far the best restaurant in the city, and it is still one of the noted places. Later Blanco opened a fine restaurant in Mason street, between Turk and Eddy, reviving the old name of the Poodle Dog, and here all the old traditions have been revived. Both of these savor of the old type of French restaurants, catering to a class of quiet spenders who carefully guard their indiscretions.

In the early '50s and '60s the most noted places were not considered respectable enough for ladies, and at restaurants like the Three Trees, in Dupont just above Bush street, ladies went into little private rooms through an alley. Peter Job saw his opportunity and opened a restaurant where special attention was paid to lady patrons, and shortly after the New York restaurant, in Kearny street, did the same.

Merging the post-pioneer, era with the pre-fire era came the Maison Doree, which became famous in many ways. It was noted for oysters a la poulette, prepared after the following recipe:

Oysters a La Poulette

One-half cup butter, three tablespoons flour, yolks of three eggs. One pint chicken stock (or veal), one tablespoonful lemon juice, one-eighth teaspoon pepper, one level teaspoon salt. Beat the butter and flour together until smooth and white. Then add salt, pepper and lemon juice. Gradually pour boiling stock on this mixture and simmer for ten minutes. Beat the yolks of eggs in a saucepan, gradually pouring the cooked sauce upon them. Pour into a double boiler containing boiling water in lower part of utensil. Stir the mixture for one and one-half minutes. Into this put two dozen large oysters and let cook until edges curl up and serve hot.

Captain Cropper, an old Marylander, had a restaurant that was much patronized by good livers, and in addition to the usual Southern dishes he specialized on terrapin a la Maryland, sending back to his native State for the famous diamond-back terrapin. His recipe for this was as follows:

Terrapin a La Maryland

Cut a terrapin in small pieces, about one inch long, after boiling it. Put the pieces in a saute pan with two ounces of sweet butter, salt, pepper, a very little celery salt, a pinch of paprika. Simmer for a few minutes and then add one glass of sherry wine, which reduce to half by boiling. Then add one cup of cream, bring to a boil and thicken with two yolks of eggs mixed with a half cup of cream. Let it come to a near boil and add half a glass of dry sherry and serve.

You may thicken the terrapin with the following mixture: Two raw yolks of eggs, two boiled yolks of eggs, one ounce of butter, one ounce corn starch. Rub together and pass through a fine sieve.

Uncle Tom's Cabin, Tony Oakes, the Hermitage, and Cornelius Stagg's were noted road-houses where fine meals were served, but these are scarcely to be considered as San Francisco Bohemian restaurants.

The Reception, on the corner of Sutter and Webb streets, which continued up to the time of the fire, was noted for its terrapin specialties, but it was rather malodorous and ladies who patronized it usually went in through the Webb street entrance to keep from being seen. The old Baldwin Hotel, which stood where the Flood building now stands, at the corner of Market and Powell and which was destroyed by fire some fourteen years ago, was the favorite resort of many of the noted men of the West, and the grill had the distinction of being the best in San Francisco at that time. The grill of the Old Palace Hotel was also of highest order, and this was especially true of the Ladies' Grill which was then, as now, noted for its artistic preparation of a wondrous variety of good things.

Probably the most unique place of the pioneer and post-pioneer eras was the Cobweb Palace, at Meiggs's Wharf, run by queer old Abe Warner. It was a little ramshackle building extending back through two or three rooms filled with all manner of old curios such as comes from sailing vessels that go to different parts of the world. These curios were piled indiscriminately everywhere, and there were boxes and barrels piled with no regard whatever for regularity. This heterogeneous conglomeration was covered with years of dust and cobwebs, hence the name. Around and over these played bears, monkeys, parrots, cats, and dogs, and whatever sort of bird or animal that could be accommodated until it had the appearance of a small menagerie. Warner served crab in various ways and clams. In the rear room, which was reached by a devious path through the debris, he had a bar where he served the finest of imported liquors, French brandy, Spanish wines, English ale, all in the original wood. He served no ordinary liquor of any sort, saying that if anybody wanted whiskey they could get it at any saloon. He catered to a class of men who knew good liquors, and his place was a great resort for children, of whom he was fond and who went there to see the animals. The frontispiece of this book is from one of the few existing (if not the only one) photographs of the place.

Equally unique, yet of higher standard, was the Palace of Art, run by the Hackett brothers, in Post street near Market. Here were some of the finest paintings and marble carvings to be found in the city, together with beautiful hammered silver plaques and cups. Curios of all sorts were displayed on the walls, and among them were many queer wood growths showing odd shapes as well as odd colorings. A large and ornate bar extended along one side of the immense room and tables were placed about the room and in a balcony that ran along one side. Here meals were served to both men and women, the latter being attracted by the artistic display and unique character of the place. This was destroyed by the fire and all the works of art lost.

At the Cliff House

Three times destroyed by fire, and three times rebuilt, the Cliff House stands on a rocky promontory overlooking the Sundown Sea, where San Francisco's beach is laved by the waves of the Ocean. Since the first Cliff House was erected this has been a place famous the world over because of its scenic beauty and its overlooking the Seal Rocks, where congregate a large herd of sea lions disporting much to the edification of the visitors. Appealing from its romantic surroundings, interesting because of its history, and attractive through its combination of dashing waves and beautiful beach extending miles in one direction, with the rugged entrance to Golden Gate in the other, with the mysterious Farallones in the dim distance, the Cliff House may well be classed as one of the great Bohemian restaurants of San Francisco.

Lovers of the night life know it well for it is the destination of many an automobile party. During the day its terraces are filled with visitors from abroad who make this a part of their itinerary, and here, as they drink in the wondrous beauty of the scene spread before them, partake of well prepared and well served dishes such as made both the Cliff House and San Francisco well and favorably known and whose fame is not bounded by the continent.

But for a most pleasant visit to the Cliff House one should choose the early morning hours, and go out when the air is blowing free and fresh from the sea, the waves cresting with amber under the magic touch of the easterly sun. Select a table next to one of the western windows and order a breakfast that is served here better than any place we have tried. This breakfast will consist of broiled breast of young turkey, served with broiled Virginia ham with a side dish of corn fritters. When you sit down to this after a brisk ride out through Golden Gate Park, you have the great sauce, appetite, and with a pot of steaming coffee whose aroma rises like the incense to the Sea Gods, you will feel that while you have thought you had good breakfasts before this, you know that now you are having the best of them all. Of course there are many other good things to order if you like, but we have discovered nothing that makes so complete a breakfast as this.

Some Italian Restaurants

"Is everybody happy? Oh, it is only nine o'clock and we've got all night." It was a clear, fresh young voice, full of the joy of living and came from a young woman whose carefree air seemed to say of her existence as of the night "We've got all life before us." The voice, the healthful face and vigorous form, the very live and joyous expression were all significant of the time and place. It was Sunday night and the place was Steve Sanguinetti's, with roisterers in full swing and every table filled and dozens of patrons waiting along the walls ready to take each seat as it was emptied. Here were young men and women just returned from their various picnics across the Bay to their one great event of the week--a Sunday dinner at Sanguinetti's.

Over in one corner of the stifling room, on a raised platform, sat two oily and fat negroes, making the place hideous with their ribald songs and the twanging of a guitar and banjo. When, a familiar air was sounded the entire gathering joined in chorus, and when such tunes as "There'll Be a Hot Time in the Old Town Tonight" came, the place was pandemonium. Yet through it all perfect order was kept by the fat proprietor, his muscular "bouncer" and two policemen stationed at the doors. Noise was rather invited than frowned upon, and the only line drawn regarding conduct was the throwing of bread. Probably Steve did not want it wasted.

It was all free and easy and nobody took offense at anything said or done. In fact if one were squeamish about such things Sanguinetti's was no place for him or her. One found one's self talking and laughing with the people about as if they were old friends. It made no difference how you were dressed, nor how dignified you tried to be, it was all one with the crowd around the tables. If you wished to stay there in comfort you had to be one of them, and dignity had to be left outside or it would make you so uncomfortable that you would carry it out, to an accompaniment of laughter and jeers of the rest of the diners.

So far as eating was concerned that was not one of the considerations when discussing Sanguinetti's. It was a table d'hote dinner served with a bottle of "Dago red," for fifty cents. You gave the waiter a tip of fifteen cents or "two bits" as you felt liberal, and he was satisfied. If you were especially pleased you gave the darkeys ten cents, not because you enjoyed the music, but just "because."

The one merit of Sanguinetti's before the fire was the fact that all the regular customers were unaffected and natural. They came from the factories, canneries, shops, and drays, and after a week of heart-breaking work this was their one relaxation and they enjoyed it to the full. Many people from the residential part of the city, and many visitors at the hotels, went there as a part of slumming trips, but the real sentiment was expressed by the young girl when she sang out "Is everybody happy?"

Sanguinetti still has his restaurant, and there is still to be found the perspiring darkeys, playing and singing their impossible music, and a crowd still congregates there, but it is not the old crowd for this, like all things else in San Francisco, has changed, and instead of the old-time assemblage of young men and women whose lack of convention came from their natural environment, there is now a crowd of young and old people who patronize it because they have heard it is "so Bohemian."

Thrifty hotel guides take tourists there and tell them it is "the only real Bohemian restaurant in San Francisco," and when the outlanders see the antics of the people and listen to the ribald jests and bad music of the darkeys, they go back to their hotels and tell with bated breath of one of the most wonderful things they have ever seen, and it is one of the wonderful things of their limited experience.

Among the pre-fire restaurants of note were several Italian places which appealed to the Bohemian spirit through their good cooking and absence of conventionality, together with the inexpensiveness of the dinners. Among these were the Buon Gusto, the Fior d'Italia, La Estrella, Campi's and the Gianduja. Of these Campi's, in Clay street below Sansome, was the most noted, and the primitive style of serving combined with his excellent cooking brought him fame. All of these places, or at least restaurants with these names, are still in existence.

Jule's, the Fly Trap, the St. Germain and the Cosmos laid claim to distinction through their inexpensiveness, up to the time of the fire. All of these names are still to be seen over restaurants and they are still in that class, Jule's, possibly, being better than it was before the fire. A good dinner of seven or eight courses, well cooked and well served, could be had in these places for fifty cents. Lombardi's was of the same type but his price was but twenty-five cents for a course dinner in many respects the equal of the others.

Pop Floyd, recently killed by his bartender in an altercation, had a place down in California street much patronized by business men. He had very good service and the best of cooking, and for many years hundreds of business men gathered there at luncheon in lieu of a club. The place is still in existence and good service and good food is to be had there, but it has lost its Bohemian atmosphere.

In Pine street above Montgomery was the Viticultural, a restaurant that had great vogue owing to the excellence of its cooking. Its specialty was marrow on toast and broiled mushrooms, and game.

To speak of Bohemian San Francisco and say nothing of the old Hoffman saloon, on Second and Market streets, would be like the play of Hamlet with Hamlet left out. "Pop" Sullivan, or "Billy" Sullivan, according to the degree of familiarity of the acquaintance, boasted of the fact that from the day this place opened until he sold the doors were closed but once, the keys having been thrown away on opening day. During all the years of its existence the only day it was closed was the day of the funeral of Sullivan's mother. Here was the most magnificent bar in San Francisco, and in connection was a restaurant that catered to people who not only knew good things but ordered them. The back part of the place with entrance on Second street was divided off into little rooms with tables large enough for four. These rooms were most lavish in their decoration, the most interesting feature being that they were all made of different beautiful woods, highly polished. Woods were here from all parts of the world, each being distinctive. In these rooms guests were served with the best the market afforded, by discreet darkeys. This place was the best patronized of all the Bohemian resorts of the city up to the time of the fire. One of the special dainties served were the Hoffman House biscuits, light and flaky, such as could be found nowhere else.

Out by Marshall Square, by the City Hall, was Good Fellow's Grotto, started by Techau, who afterward built and ran the Techau Tavern. This place was in a basement and had much vogue among politicians and those connected with the city government. It specialized on beefsteaks.

Under the St. Ann building, at Eddy and Powell streets, was the Louvre, started and managed by Carl Zinkand, who afterward opened the place in Market above Fourth street, called Zinkand's. This was distinctly German in appointments and cooking and was the best of its kind in the city. Under the Phelan building at O'Farrell and Market was the Old Louvre in which place one could get German cooking, but it was not a place that appealed to those who knew good service.

Bab's had a meteoric career and was worthy of much longer life, but Babcock had too high an idealization of what San Francisco wanted. He emulated the Parisian restaurants in oddities, one of his rooms being patterned after the famous Cabaret de la Mort, and one dined off a coffin and was lighted by green colored tapers affixed to skulls. Aside from its oddities it was one of the best places for a good meal for Bab had the art of catering down to a nicety. There were rooms decorated to represent various countries and in each room you could get a dinner of the country represented.

Thompson's was another place that was too elaborate for its patronage and after a varied existence from the old Oyster Loaf to a cafeteria Thompson was compelled to leave for other fields and San Francisco lost a splendid restaurateur. He opened the place under the Flood building, after the fire, in most magnificent style, taking in two partners. The enormous expense and necessary debt contracted to open the place was too much and Thompson had to give up his interest. This place is now running as the Portola-Louvre.

Much could be written of these old-time restaurants, and as we write story after story amusing, interesting, and instructive come to mind, each indicative of the period when true Bohemianism was to be found in the City that Was.

An incident that occurred in the old Fior d'Italia well illustrates this spirit of camaraderie, as it shows the good-fellowship that then obtained. We went to that restaurant for dinner one evening, and the proprietor, knowing our interest in human nature studies, showed us to a little table in the back part of the room, where we could have a good view of all the tables. Our table was large enough to seat four comfortably, and presently, as the room became crowded, the proprietor, with many excuses, asked if he could seat two gentlemen with us. They were upper class Italians, exceedingly polite, and apologized profusely for intruding upon us. In a few minutes another gentleman entered and our companions at once began frantic gesticulations and called him to our table, where room was made and another cover laid. Again and again this occurred until finally at a table suited for four, nine of us were eating, laughing, and talking together, we being taken into the comradeship without question. When it came time for us to depart the entire seven rose and stood, bowing as we passed from the restaurant.

Impress of Mexico

Running through all the fabric of San Francisco's history is the thread of Mexican and Spanish romance and tradition, carrying us back to the very days when the trooper sent out by Portola first set eyes on the great inland sea now known as San Francisco Bay. It would seem that the cuisinaire most indelibly stamped on the taste of the old San Franciscan would, therefore, be of either Spanish or Mexican origin. That this is not a fact is because among the earliest corners to California after it passed from Mexican hands to those of the United States, were French and Italian cooks, and the bon vivants of both lands who wanted their own style of cooking. While the Spanish did not impress their cooking on San Francisco, it is the cuisine of the Latin races that has given to it its greatest gastronomic prestige, and there still remains from those very early days recipes of the famous dishes which had their beginnings either in Spain or Mexico.