Chapter 34

It was indeed a privilege for a young American, on his first travels abroad, to have "Barry Cornwall" for his host in London. As I recall the memorable days and nights of that long-ago period, I wonder at the good fortune which brought me into such relations with him, and I linger with profound gratitude over his many acts of unmerited kindness. One of the most intimate rambles I ever took with him was in 1851, when we started one morning from a book-shop in Piccadilly, where we met accidentally. I had been in London only a couple of days, and had not yet called upon him for lack of time. Several years had elapsed since we had met, but he began to talk as if we had parted only a few hours before. At first I thought his mind was impaired by age, and that he had forgotten how long it was since we had spoken together. I imagined it possible that he mistook me for some one else; but very soon I found that his memory was not at fault, for in a few minutes he began to question me about old friends in America, and to ask for information concerning the probable sea-sick horrors of an Atlantic voyage. "I suppose," said he, "knowing your infirmity, you found it hard work to stand on your immaterial legs, as Hood used to call Lamb's quivering limbs." Sauntering out into the street, he went on in a quaintly humorous way to imagine what a rough voyage must be to a real sufferer, and thus walking gayly along, we came into Leadenhall Street. There he pointed out the office where his old friend and fellow-magazinist, "Elia," spent so many years of hard work from ten until four o'clock of every day. Being in a mood for reminiscence, he described the Wednesday evenings he used to spend with "Charles and Mary" and their friends around the old "mahogany-tree" in Russell Street. I remember he tried to give me an idea of how Lamb looked and dressed, and how he stood bending forward to welcome his guests as they arrived in his humble lodgings. Procter thought nothing unimportant that might serve in any way to illustrate character, and so he seemed to wish that I might get an exact idea of the charming person both of us prized so ardently and he had known so intimately. Speaking of Lamb's habits, he said he had never known his friend to drink immoderately except upon one occasion, and he observed that "Elia," like Dickens, was a small and delicate eater. With faltering voice he told me of Lamb's "givings away" to needy, impoverished friends whose necessities were yet greater than his own. His secret charities were constant and unfailing, and no one ever suffered hunger when he was by. He could not endure to see a fellow-creature in want if he had the means to feed him. Thinking, from a depression of spirits which Procter in his young manhood was once laboring under, that perhaps he was in want of money, Lamb looked him earnestly in the face as they were walking one day in the country together, and blurted out, in his stammering way, "My dear boy, I have a hundred-pound note in my desk that I really don't know what to do with: oblige me by taking it and getting the confounded thing out of my keeping." "I was in no need of money," said Procter, "and I declined the gift; but it was hard work to make Lamb believe that I was not in an impecunious condition."

Speaking of Lamb's sister Mary, Procter quoted Hazlitt's saying that "Mary Lamb was the most rational and wisest woman he had ever been acquainted with." As we went along some of the more retired streets in the old city, we had also, I remember, much gossip about Coleridge and his manner of reciting his poetry, especially when "Elia" happened to be among the listeners, for the philosopher put a high estimate upon Lamb's critical judgment. The author of "The Ancient Mariner" always had an excuse for any bad habit to which he was himself addicted, and he told Procter one day that perhaps snuff was the final cause of the human nose. In connection with Coleridge we had much reminiscence of such interesting persons as the Novellos, Martin Burney, Talfourd, and Crabb Robinson, and a store of anecdotes in which Haydon, Manning, Dyer, and Godwin figured at full length. In course of conversation I asked my companion if he thought Lamb had ever been really in love, and he told me interesting things of Hester Savory, a young Quaker girl of Pentonville, who inspired the poem embalming the name of Hester forever, and of Fanny Kelly, the actress with "the divine plain face," who will always live in one of "Elia's" most exquisite essays. "He had a _reverence_ for the sex," said Procter, "and there were tender spots in his heart that time could never entirely cover up or conceal."

During our walk we stepped into Christ's Hospital, and turned to the page on its record book where together we read this entry: "October 9, 1782, Charles Lamb, aged seven years, son of John Lamb, scrivener, and Elizabeth his wife."

It was a lucky morning when I dropped in to bid "good morrow" to the poet as I was passing his house one day, for it was then he took from among his treasures and gave to me an autograph letter addressed to himself by Charles Lamb in 1829. I found the dear old man alone and in his library, sitting at his books, with the windows wide open, letting in the spring odors. Quoting, as I entered, some lines from Wordsworth embalming May mornings, he began to talk of the older poets who had worshipped nature with the ardor of lovers, and his eyes lighted up with pleasure when I happened to remember some almost forgotten stanza from England's "Helicon." It was an easy transition from the old bards to "Elia," and he soon went on in his fine enthusiastic way to relate several anecdotes of his eccentric friend. As I rose to take leave he said,--

"Have I ever given you one of Lamb's letters to carry home to America?"

"No," I replied, "and you must not part with the least scrap of a note in 'Elia's' handwriting. Such things are too precious to be risked on a sea-voyage to another hemisphere."

"America ought to share with England in these things," he rejoined; and leading me up to a sort of cabinet in the library, he unlocked a drawer and got out a package of time-stained papers. "Ah," said he, as he turned over the golden leaves, "here is something you will like to handle." I unfolded the sheet, and lo! it was in Keats's handwriting, the sonnet on first looking into Chapman's Homer. "Keats gave it to me," said Procter, "many, many years ago," and then he proceeded to read, in tones tremulous with delight, these undying lines:--

"Much have I travelled in the realms of gold, And many goodly states and kingdoms seen; Round many Western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-browed Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken, Or like stout Cortez when with eagle eyes He stared at the Pacific--and all his men Looked at each other with a wild surmise-- Silent, upon a peak in Darien."

I sat gazing at the man who had looked on Keats in the flush of his young genius, and wondered at my good fortune. As the living poet folded up again the faded manuscript of the illustrious dead one, and laid it reverently in its place, I felt grateful for the honor thus vouchsafed to a wandering stranger in a foreign land, and wished that other and worthier votaries of English letters might have been present to share with me the boon of such an interview. Presently my hospitable friend, still rummaging among the past, drew out a letter, which was the one, he said, he had been looking after. "Cram it into your pocket," he cried, "for I hear ---- coming down stairs, and perhaps she won't let you carry it off!" The letter is addressed to B.W. Procter, Esq., 10 Lincoln's Inn, New Square. I give the entire epistle here just as it stands in the original which Procter handed me that memorable May morning. He told me that the law question raised in this epistle was a sheer fabrication of Lamb's, gotten up by him to puzzle his young correspondent, the conveyancer. The coolness referred to between himself and Robinson and Talfourd, Procter said, was also a fiction invented by Lamb to carry out his legal mystification.

"_Jan'y_ 19, 1829.

"My Dear Procter,--I am ashamed to have not taken the drift of your pleasant letter, which I find to have been pure invention. But jokes are not suspected in Boeotian Enfield. We are plain people, and our talk is of corn, and cattle, and Waltham markets. Besides I was a little out of sorts when I received it. The fact is, I am involved in a case which has fretted me to death, and I have no reliance except on you to extricate me. I am sure you will give me your best legal advice, having no professional friend besides but Robinson and Talfourd, with neither of whom at present I am on the best terms. My brother's widow left a will, made during the lifetime of my brother, in which I am named sole Executor, by which she bequeaths forty acres of arable property, which it seems she held under Covert Baron, unknown to my Brother, to the heirs of the body of Elizabeth Dowden, her married daughter by her first husband, in fee simple, recoverable by fine--invested property, mind, for there is the difficulty--subject to leet and quit rent--in short, worded in the most guarded terms, to shut out the property from Isaac Dowden the husband. Intelligence has just come of the death of this person in India, where he made a will, entailing this property (which seem'd entangled enough already) to the heirs of his body, that should not be born of his wife; for it seems by the Law in India natural children can recover. They have put the cause into Exchequer Process here, removed by Certiorari from the Native Courts, and the question is whether I should as Executor, try the cause here, or again re-remove to the Supreme Sessions at Bangalore, which I understand I can, or plead a hearing before the Privy Council here. As it involves all the little property of Elizabeth Dowden, I am anxious to take the fittest steps, and what may be the least expensive. For God's sake assist me, for the case is so embarrassed that it deprives me of sleep and appetite. M. Burney thinks there is a Case like it in Chapt. 170 Sect. 5 in Fearn's _Contingent Remainders_. Pray read it over with him dispassionately, and let me have the result. The complexity lies in the questionable power of the husband to alienate in usum enfeoffments whereof he was only collaterally seized, etc."

[On the leaf at this place there are some words in another hand.--F.]

"The above is some of M. Burney's memoranda, which he has left here, and you may cut out and give him. I had another favour to beg, which is the beggarliest of beggings. A few lines of verse for a young friend's Album (six will be enough). M. Burney will tell you who she is I want 'em for. A girl of gold. Six lines--make 'em eight--signed Barry C----. They need not be very good, as I chiefly want 'em as a foil to mine. But I shall be seriously obliged by any refuse scrap. We are in the last ages of the world, when St. Paul prophesied that women should be 'headstrong, lovers of their own wills, having Albums.' I fled hither to escape the Albumean persecution, and had not been in my new house 24 hours, when the Daughter of the next house came in with a friend's Album to beg a contribution, and the following day intimated she had one of her own. Two more have sprung up since. If I take the wings of the morning and fly unto the uttermost parts of the earth, there will Albums be. New Holland has Albums. But the age is to be complied with. M.B. will tell you the sort of girl I request the ten lines for. Somewhat of a pensive cast what you admire. The lines may come before the Law question, as that cannot be determined before Hilary Term, and I wish your deliberate judgment on that. The other may be flimsy and superficial. And if you have not burnt your returned letter pray re-send it me as a monumental token of my stupidity. 'Twas a little unthinking of you to touch upon a sore subject. Why, by dabbling in those accursed Annuals I have become a by-word of infamy all over the kingdom. I have sicken'd decent women for asking me to write in Albums. There be 'dark jests' abroad, Master Cornwall, and some riddles may live to be clear'd up. And 'tisn't every saddle is put on the right steed. And forgeries and false Gospels are not peculiar to the age following the Apostles. And some tubs don't stand on their right bottom. Which is all I wish to say in these ticklish Times ---- and so your servant,

CHS. LAMB."

At the age of seventy-seven Procter was invited to print his recollections of Charles Lamb, and his volume was welcomed in both hemispheres as a pleasant addition to "Eliana." During the last eighteen years of Lamb's life Procter knew him most intimately, and his chronicles of visits to the little gamboge-colored house in Enfield are charming pencillings of memory. When Lamb and his sister, tired of housekeeping, went into lodging and boarding with T---- W----, their sometime next-door neighbor,--who, Lamb said, had one joke and forty pounds a year, upon which he retired in a green old age,--Procter still kept up his friendly visits to his old associate. And after the brother and sister moved to their last earthly retreat in Edmonton, where Charles died in 1834, Procter still paid them regular visits of love and kindness. And after Charles's death, when Mary went to live at a house in St. John's Wood, her unfailing friend kept up his cheering calls there till she set out "for that unknown and silent shore," on the 20th of May, in 1847.

Procter's conversation was full of endless delight to his friends. His "asides" were sometimes full of exquisite touches. I remember one evening when Carlyle was present and rattling on against American institutions, half comic and half serious, Procter, who sat near me, kept up a constant underbreath of commentary, taking exactly the other side. Carlyle was full of horse-play over the character of George Washington, whom he never vouchsafed to call anything but George. He said our first President was a good surveyor, and knew how to measure timber, and that was about all. Procter kept whispering to me all the while Carlyle was discoursing, and going over Washington's fine traits to the disparagement of everything Carlyle was laying down as gospel. I was listening to both these distinguished men at the same time, and it was one of the most curious experiences in conversation I ever happened to enjoy.

I was once present when a loud-voiced person of quality, ignorant and supercilious, was inveighing against the want of taste commonly exhibited by artists when they chose their wives, saying they almost always selected inferior women. Procter, sitting next to me, put his hand on my shoulder, and, with a look expressive of ludicrous pity and contempt for the idiotic speaker, whispered, "And yet Vandyck married the daughter of Earl Gower, poor fellow!" The mock solemnity of Procter's manner was irresistible. It had a wink in it that really embodied the genius of fun and sarcasm.

Talking of the ocean with him one day, he revealed this curious fact: although he is the author of one of the most stirring and popular sea-songs in the language,--

"The sea, the sea, the open sea!"--

he said he had rarely been upon the tossing element, having a great fear of being made ill by it. I think he told me he had never dared to cross the Channel even, and so had never seen Paris. He said, like many others, he delighted to gaze upon the waters from a safe place on land, but had a horror of living on it even for a few hours. I recalled to his recollection his own lines,--

"I'm on the sea! I'm on the sea! I am where I would ever be,"--

and he shook his head, and laughingly declared I must have misquoted his words, or that Dibdin had written the piece and put "Barry Cornwall's" signature to it. We had, I remember, a great deal of fun over the poetical lies, as he called them, which bards in all ages had perpetrated in their verse, and he told me some stories of English poets, over which we made merry as we sat together in pleasant Cavendish Square that summer evening.

His world-renowned song of "The Sea" he afterward gave me in his own handwriting, and it is still among my autographic treasures.

It was Procter who first in my hearing, twenty-five years ago, put such an estimate on the poetry of Robert Browning that I could not delay any longer to make acquaintance with his writings. I remember to have been startled at hearing the man who in his day had known so many poets declare that Browning was the peer of any one who had written in this century, and that, on the whole, his genius had not been excelled in his (Procter's) time. "Mind what I say," insisted Procter; "Browning will make an enduring name, and add another supremely great poet to England."

Procter could sometimes be prompted into describing that brilliant set of men and women who were in the habit of congregating at Lady Blessington's, and I well recollect his description of young N.P. Willis as he first appeared in her _salon_. "The young traveller came among us," said Procter, "enthusiastic, handsome, and good-natured, and took his place beside D'Orsay, Bulwer, Disraeli, and the other dandies as naturally as if he had been for years a London man about town. He was full of fresh talk concerning his own country, and we all admired his cleverness in compassing so aptly all the little newnesses of the situation. He was ready on all occasions, a little too ready, some of the _habitués_ of the _salon_ thought, and they could not understand his cool and quiet-at-home manners. He became a favorite at first trial, and laid himself out determined to please and be pleased. His ever kind and thoughtful attention to others won him troops of friends, and I never can forget his unwearied goodness to a sick child of mine, with whom, night after night, he would sit by the bedside and watch, thus relieving the worn-out family in a way that was very tender and self-sacrificing."

Of Lady Blessington's tact, kindness, and remarkable beauty Procter always spoke with ardor, and abated nothing from the popular idea of that fascinating person. He thought she had done more in her time to institute good feeling and social intercourse among men of letters than any other lady in England, and he gave her eminent credit for bringing forward the rising talent of the metropolis without waiting to be prompted by a public verdict. As the poet described her to me as she moved through her exquisite apartments, surrounded by all the luxuries that naturally connect themselves with one of her commanding position in literature and art, her radiant and exceptional beauty of person, her frank and cordial manners, the wit, wisdom, and grace of her speech, I thought of the fair Giovanna of Naples as painted in "Bianca Visconti":--

"Gods! what a light enveloped her! .... Her beauty Was of that order that the universe Seemed governed by her motion..... The pomp, the music, the bright sun in heaven, Seemed glorious by her leave."

One of the most agreeable men in London literary society during Procter's time was the companionable and ever kind-hearted John Kenyon. He was a man compacted of all the best qualities of an incomparable good-nature. His friends used to call him "the apostle of cheerfulness." He could not endure a long face under his roof, and declined to see the dark side of anything. He wrote verses almost like a poet, but no one surpassed him in genuine admiration for whatever was excellent in others. No happiness was so great to him as the conferring of happiness on others, and I am glad to write myself his eternal debtor for much of my enjoyment in England, for he introduced me to many lifelong friendships, and he inaugurated for me much of that felicity which springs from intercourse with men and women whose books are the solace of our lifelong existence.

Kenyon was Mrs. Browning's cousin, and in 1856 she dedicates "Aurora Leigh" to him in these affectionate terms:--

"The words 'cousin' and 'friend' are constantly recurring in this poem, the last pages of which have been finished under the hospitality of your roof, my own dearest cousin and friend;--cousin and friend, in a sense of less equality and greater disinterestedness than Romney's.... I venture to leave in your hands this book, the most mature of my works, and the one into which my highest convictions upon Life and Art have entered; that as, through my various efforts in literature and steps in life, you have believed in me, borne with me, and been generous to me, far beyond the common uses of mere relationship or sympathy of mind, so you may kindly accept, in sight of the public, this poor sign of esteem, gratitude, and affection from your unforgetting

"E.B.B."

How often have I seen Kenyon and Procter chirping together over an old quarto that had floated down from an early century, or rejoicing together over a well-worn letter in a family portfolio of treasures! They were a pair of veteran brothers, and there was never a flaw in their long and loving intercourse. In a letter which Procter wrote to me in March, 1857, he thus refers to his old friend, then lately dead: "Everybody seems to be dying hereabouts,--one of my colleagues, one of my relations, one of my servants, three of them in one week, the last one in my own house. And now I seem fit for little else myself. My dear old friend Kenyon is dead. There never was a man, take him for all in all, with more amiable, attractive qualities. A kind friend, a good master, a generous and judicious dispenser of his wealth, honorable, sweet-tempered, and serene, and genial as a summer's day. It is true that he has left me a solid mark of his friendship. I did not expect anything; but if to like a man sincerely deserved such a mark of his regard, I deserved it. I doubt if he has left one person who really liked him more than I did. Yes, one--I think one--a woman.... I get old and weak and stupid. That pleasant journey to Niagara, that dip into your Indian summer, all such thoughts are over. I shall never see Italy; I shall never see Paris. My future is before me,--a very limited landscape, with scarcely one old friend left in it. I see a smallish room, with a bow-window looking south, a bookcase full of books, three or four drawings, and a library chair and table (once the property of my old friend Kenyon--I am writing on the table now), and you have the greater part of the vision before you. Is this the end of all things? I believe it is pretty much like most scenes in the fifth act, when the green (or black) curtain is about to drop and tell you that the play of _Hamlet_ or of John Smith is over. But wait a little. There will be another piece, in which John Smith the younger will figure, and quite eclipse his old, stupid, wrinkled, useless, time-slaughtered parent. The king is dead,--long live the king!"