Part 6

The river-side walk now continues along the Richmond side of the river. For half a mile it has the town on the right. Then the boundaries of Kew Gardens begin, and here is the most beautiful part of the walk. Immense trees stretch their ponderous boughs far across the path, and they droop so low that the pendent foliage almost sweeps the water. Through the fretted sun and shadow the path winds; every little way there is a hospitable bench, resting on which you gaze forth upon the quiet-moving river, with its passing wherries, its reflections of sky and cloud, and its battlemented residences far withdrawn beyond green meadows on the opposite side. The path is never overcrowded, even on holidays; but you may always see lovers wandering arm in arm along it; and occasionally there is a brisk exchange of "Thames chaff" between the occupants of the skimming boats and the loiterers on the shore. Meanwhile, the great domain of Kew keeps pace with you on the other hand. You are divided from it by a wide water-ditch, backed by a high stone embankment, in turn surmounted by an iron railing. But your eyes may stray whither feet cannot follow; and you note the lovely groves, the beautiful green glades and gracious vistas, the secluded paths weaving in and out, and now and then you catch the sparkle of lofty domes of glass rising above the trees, looking for all the world like gigantic soap-bubbles. It is a sort of fairy-land beyond there; and long before you arrive at the entrance your appetite for what lies within is sharp-set.

The feast in store for you more than fulfils expectation; but at this point, since we are journeying in imagination only, and miles count for nothing, we will turn back, and enter the gardens from the other end. By this route we approach its beauties gradually and in due order, and our pleasure has opportunity to grow from promising beginnings to complete content. The gate is small here, and the uniformed guardian simply gives us a glance, to assure himself that we are not toughs or pickpockets. Kew Gardens are free to the public in the afternoons, barring only the rowdy element. The public would like to have them free in the mornings, too; and, for aught I know, Sir Joseph Hooker may have yielded his assent by this time. But in the seventies, when I was there, he resisted, on the ground that it was necessary to close the gardens for half the day, in order to allow time for study, and for keeping the houses and plantations in order. The grounds are constantly visited by gardeners and botanists from all parts of the country, and from the world at large; and these persons require some measure of seclusion in order to prosecute their labors and investigations. Practical botany is not, as a rule, pursued at night; though, with the aid of electric lights, no doubt it might be.

However, we have by this time passed through some introductory shrubbery, and have emerged into a straight, open avenue, a third of a mile or more in length. Directly before us is an immensely high tower,--I should think nearly two hundred feet,--painted red, black, blue, and yellow, and fashioned to resemble a Chinese minaret or pagoda. The central shaft is circular, and, I believe, of masonry; but it is surrounded at short intervals by wooden balconies, and the roof is of a concave conical shape, like a mandarin's hat. I never saw any signs of life in this tower, and do not know what it is used for; but I have heard that the son-in-law of Lord Capel (who first laid out Kew Gardens some two hundred years ago) added to the importance of the place by making it the head-quarters of English astronomy; and this tower, which certainly would make an excellent observatory, may have had something to do with that.

Beyond the tower extends a broad, straight path, between well-kept lawns, on which are planted trees of both native and foreign growth. Towards the river, on the left, the grounds are irregular and diversified with clumps of trees, ponds, and grassy undulations. On the right, concealed by a hedge of foliage, is the highway between Richmond and London. Before us, at the end of the walk, is an iron fence, dividing the inner enclosure--the Botanical Gardens proper--from this outer region. We reach it in due time, and, having passed the gate, are in the immediate neighborhood of the palm-house, whose bulbous domes we saw just now from the river bank. It is as beautiful a piece of glass building as ever I saw, handsomely proportioned, and of noble outline. Its great size is somewhat concealed by its charming symmetry; but when we are within, the vast dimensions are realized. Beneath its central dome the tallest palms rise unimpeded. You peep through long vistas of broad green fronds and slender, bending stems: it broadens and reaches out on every side; the strange, exotic foliage rejoices the eye, and the warm embracing atmosphere makes you feel that you are in the tropics.

To one who, like myself, pretends to no scientific knowledge of botany, and who, during these temperate summers and fitful winters, often hankers after the equator, the atmosphere of a thorough-going conservatory has a profound fascination. At one step I pass from the latitude of "the roaring forties" to that of Martinique or the Galapagos Islands. I unbutton my coat, and inhale deep breaths of air laden with the fragrance of the sun-lands. The heat is not enervating, but stimulating; for it is redolent with the life-giving emanations of plants that riot in luxuriance all the year round,--that know neither spring, autumn, nor winter,--whose multitudinous boughs were made to be the haunt of paroquets and monkeys, and amidst whose fern-enwrapped roots lurk lizards and gliding serpents. Here thrive the dark-skinned races of the torrid zone, innocent of clothes and civilization, seeking excitement not in the mutations of the stock-exchange or the scandals of society, but in trapping the alligator and shooting the jaguar and the antelope with arrows deadly with _curari_. Into the intricate depths of these jungles the fierce sun scarcely penetrates; the unstinted energy of his own rays has erected a barrier against himself. Here, when the rain falls, it falls in rushing torrents; when the wind blows, it blows a shrieking hurricane; when the lightning flashes, the whole dome of heaven is ablaze with passionate splendor. Here the stars poise and smoulder close to the earth, and the moon is brighter than the sun of hyperborean England. Sitting on a rustic bench hedged round with tapering palm-stems, and screened by leaves two or three of which would carpet the floor of an ordinary drawing-room, I love to think of these things.

The enjoyment is perhaps enhanced by an occasional peep through the glass walls of the paradise, revealing the melancholy Britisher, close at hand in space, but thousands of miles distant in temperature, stalking rigidly about in overcoat and gloves. Then, too, the hot-house, while giving the charm and beauty of the tropics, dispenses with the inconveniences. Here are no coral-snakes to drop from the boughs down the back of your neck; no scorpions or tarantulas to crawl up your trousers; no apes to pelt you with cocoa-nuts; no rhinoceroses to toss you above the tree-tops; no tigers to disembowel you and bite your head off. On the contrary, everything is scrupulously neat and secure. The rich loam round the roots of the plants harbors nothing noxious; the asphalt walks that thread the thicket are clean and trustworthy. Ever and anon you come upon a native of the place,--not a savage, painted in red and black stripes and with his bow-string drawn to his ear, but--a quiet and sober gardener in his shirt-sleeves, pruning a dead leaf or bough, or raking the mould round the roots of a new importation, or wielding a watering-pot. The place is quite still; the huge leaves hang motionless; the noise of a pair of steps being dragged into position resounds through the building; and, if you listen, you will at all times hear the pleasant trickling of water in some reservoir or other. If the terrors of the jungle are still too much for your nerves, you may be comforted by observing that each plant wears a label, painted on wood or enamelled on tin, describing its scientific name and habitat. It cost money to bring them here, and the very leaves of their twigs are numbered.

But there are other places to be visited besides the palm-house. As we emerge from its luxurious warmth into the cool English air, we see in front of us a large, circular pool, with broad, shallow flights of stone steps leading down to it, and English willows bending over it. Water-fowl swim and quack here, and children elude their nurses and get their feet wet. If we pass round to the other side, and then look back to the palm-house, we behold it inverted in the smooth mirror of the water,--a delectable spectacle. It was like a fairy palace already; but this shadowy duplication of it quite removes it from the material sphere, and makes it a lovely dream. Kew Gardens are full of such felicitous devices.

To our right are acres of yet unexplored hot-houses. We stroll towards them along eccentric paths, amidst beds of purple rhododendrons, geraniums, tulips, narcissuses, hyacinths, according to the season; and everywhere is the matchless English turf, compact and flawless as velvet, and the leafy, overshadowing English trees. But let us seek the dwelling-place of the _Victoria Regia_. It grows, I believe, on the Amazon, which is as near the equator as one can well get; but latitudes are much mixed up in Kew Gardens, and this titanic water-lily is only a few rods distant. It basks on the surface of a pool, in an atmosphere of delicious warmth,--its leaves, each of the diameter of a dining-table, covering the water. Amidst these great green disks blossoms the flower, a nosegay of which would fill a farm-wagon. It is said that the native Brazilian savages and Guianians walk about on the green leaves, and use them as rafts or stepping-stones to cross the lagoons. As to the flowers, though it is difficult to imagine anything more beautiful than our own water-lilies, yet these blossoms fairly surpass them, not only because they are a foot across, but because of the richness of the innumerable petals, and the gorgeous cluster of purple stamens that form the centre. And they fill the air with a fragrance vital and voluptuous. One longs to verify in his own experience that story about walking on the leaves,--not to speak of lopping off a flower or two to furnish one's study withal. But the quiet gardener, in his shirt-sleeves, though he appears to be absorbed in his work, has his eye on you; and you can do nothing but stand and stare in admiration.

The hottest of the hot-houses, if my memory serves me, were the cactus-house and the fern-house. The cacti were not beautiful, but they were grotesque and curious. There were none that I should have cared to handle. Their uncouth shapes and awkward putting together seem characteristic of an epoch when Nature's handiwork was much less skilful and comely than it is now. They call up visions of forlorn wastes and desert solitudes. Their armature of thorns and prickles appears to indicate that they consider themselves very attractive and take unusual pains in the way of self-protection. Perhaps the donkeys of their time were unreasonably voracious. The modern thistle certainly indicates increased refinement of taste on the donkeys' part. Yet this ungainliness is occasionally redeemed by exquisite blossoms, of pale, pure hues, cropping out directly from the substance of the plant, without any pretence of a stem. One variety of cactus, in addition to its prickles, had provided itself with long white hair, which, surmounting its tall and rather meagre figure, gave it the aspect of an aged man of repulsive character. Among the cacti, though not of them, was a hideous plant (or it may have been a wax model of one) apparently of the fungus family. It grew on the bare sand or rock, and both flowers and leaves had a greasy, flesh-like surface, deeply tinted, and ornamented with poisonous-looking blotches. It was of immense size, the flowers being at least a foot in diameter; and if the Vale of Gehenna has any vegetation, I should expect it to be like this. A more depraved, diabolical plant it would be impossible to imagine. Its preposterous attempt to imitate the form and characteristics of ordinary vegetation made it still more revolting. The label described it as being very rare,--which is some comfort.

The fern-house, besides being hot, is dripping with moisture; and, the glass being tinged with green, the effect is somewhat like being submerged in a tropic ocean. The greenness of the ferns is vivid enough at any rate, but this artificial light adds such intensity to it that, after a few minutes, you are on the point of forgetting that there is any other color besides green in the world. The ferns are arranged in glass cases, or vivariums. There is nothing in nature to parallel their delicate and various beauty. I call it various; but it is chiefly beauty of form, and that, too, within comparatively narrow limitations. But the fineness, the subtilty, the changefulness of line, are endlessly charming; they may have other uses, but if they had been made for pure beauty it would be use enough. They must have been of great aesthetic value to artists, especially to architects, decorators, and chasers of metals. The mediaeval illuminators certainly made capital out of them; reminiscences of their shapes render lovely the ornament of innumerable missals. As for the color, green seems to admit of more gradations than any other hue, as any one who has observed the woods in spring knows; and of all others it is the most grateful and wholesome to the eye. With the rough grays and browns of the rocks it makes enchanting combinations. But, really, this moist fern atmosphere is too languorous and enervating; we must escape into the outer world, which, for a time, will appear strangely red, like that which astronomers suppose to be characteristic of the planet Mars.

It would take too long, even in imagination, to go through all Kew Gardens at this leisurely rate. Only, for splendor of color and voluptuousness of perfume, there is nothing comparable to the Conservatory, in which roses and all other bright-hued flowers are grouped and massed in sumptuous magnificence. The rose is England's flower: she has taken possession of it, as of so many other good things, without troubling herself to prove any title to it; and there is nothing in her history or character to make her worthy of it. One can understand why Persia should claim the rose; and in our own Southern States the houses are smothered with roses, and the air that flows from them is sweeter than incense. I have, it is true, gathered English roses in December; and the houses of York and Lancaster wore roses which, red and white alike, were steeped in blood. But, if anything could justify England in her appropriation of the rose, it would be this rose-house at Kew, where criticism becomes impossible, and one can only gaze, and inhale, and love. Pink, white, crimson, golden, they cluster and triumph there: with their exquisite petals Venus and Mars might strew a couch worthy of an Olympian marriage. If love, romance, and beauty died out of human nature, this flower would bring them back; and so long as it stays with us, we may be sure that life will not lose the glory that entitles it to immortality.

While meditating these matters, we might take a turn in the wood-house,--by which I mean the building containing specimens, polished and in the rough, of all kinds of woods from all parts of the world. Their gamut of color embraces all the hues of the rainbow, and many others; and there are specimens of wood-mosaics that are inferior in beauty only to agate and marble. Or we may wander through the corridors and halls of the museum, which exhibits every sort of manufacture into which vegetable substances enter, including numberless fabrics of Indian or savage origin. One is surprised, after examining these things, that our little earth should be large enough to contain anything that is not more or less botanical.

CHATSWORTH CASTLE.

JOHN LEYLAND.

["The Peak of Derbyshire," concerning which Mr. Leyland has written a highly interesting book, presents in its vicinity numerous points of attraction. Here is the location of the castle of "Peveril of the Peak," the hero of one of Scott's romances. Here are two much more famous residences of the nobility, Haddon Hall and Chatsworth, the latter of which we have chosen as the subject of our present selection.]

If some have burst into rhapsody in describing the glories of Chatsworth, one can scarcely marvel at their extravagance, for there is in this "Palace of the Peak" and its wooded valley such a rare conjuncture of the fascinating beauties of nature with the finest expressions of art, that language can ill describe the things that are indelibly impressed upon the memory. The placid Derwent, here flowing gently between the meads on which the fallow deer are wont to herd; the graceful slopes bestudded with many a noble tree, whose spreading boughs cast down a wide expanse of shade; the hills on either hand rising in varied height and contour, crowned with a rich woodland of oak, chestnut, beech, and lime; a palace wherein every art finds most fitting expression, and where the fruits of learning are plenteously upstored,--small wonder, indeed, if here the imagination of many be stirred. As we approach the house from Baslow, crossing the Barbrook, which rises in the heights of East Moor, we enter the great park, and, passing the fruit and vegetable gardens on the right, its varied beauties are gradually unfolded with entrancing effect until Chatsworth itself is seen beyond the trees.

The House may be viewed in its majestic proportions from several points in the valley and on the slopes. From across the classic bridge of three arches, which Caius Gabriel Cibber (the father of Colley Cibber) adorned with statues, the dignity of its many-pillared facade has an imposing effect. More varied, however, is the view from the slope of the hill to the northward on the right bank of the river, where the later wing, added by the sixth Duke of Devonshire, lies prominently before the spectator, or again farther southward, where the same wing recedes in the perspective. If one would gain a fine prospect of the whole of this part of Derwent, and of the palatial edifice itself, there can be no better way than to climb to the old turreted hunting-tower, which is such a conspicuous object on the eastern hill.

There is nothing in the regular, classic lines of Chatsworth to remind us of that Chetel, the Saxon, who is believed to have given his name to the place in which he dwelt. His homestead and oxgangs of land fell, as Domesday records, to the Crown, and were given in custody to William Peveril, who had also the stronghold at Castleton, as we have seen, with Haddon by the Wye, and many a castle and manor besides. Nothing now remains of these times at Chatsworth, save, perhaps, the grove of venerable oaks, gnarled, shattered, and time-worn, upon the neighboring hill....

Sir William Cavendish and his wife built the first Chatsworth House of which we have any definite knowledge, for there is scanty record of any mediaeval structure, and it was she who completed it some time after his death. The extraordinary lady--something of a vixen, we may believe--who was married to four husbands, and discomfited at any rate the last of them, was the builder also of Hardwick Hall, one of the most celebrated houses in England. The Chatsworth of her time was a quadrangular building of "surprising height," as Cotton says, with an embattled top, and massive angle, and lateral turrets strengthening its many-windowed walls, as may be seen by a painting of it which now hangs at Chatsworth. The third husband of "Bess of Hardwick" (Sir William St. Lo) being dead, she married that powerful nobleman, George, Earl of Shrewsbury; and it was during his lifetime that Chatsworth became the residence of Mary, Queen of Scots, when she was in captivity under his charge. The unhappy prisoner is said to have passed many of her lonesome hours in that moated garden, called Queen Mary's bower, which was laid out on the top of the low square tower or platform, seen by the visitor amid the trees as he approaches the house from the bridge; and certain rooms in the great quadrangle, though they were built long after her day, are still traditionally said to be hers. If the scandal of the Tudor court be true, the lovely queen and her imperious hostess did not well agree, and the story is not hard to believe. At any rate, the bickerings of the lady with her husband, the Earl, are matters of record, notwithstanding that Fuller has said she "was happy in her several marriages."...

Queen Mary was brought to Chatsworth in 1570, and was there long afterwards. In that year Cecil visited the house to conduct certain negotiations, and subsequently wrote that Elizabeth was willing her rival should "take ye ayre about your howss on horsbacke, so that your L. be in company, and not to pass from your howss above one or twoo myle except it be on ye moores." Several times during subsequent years she was permitted to visit Buxton, for its waters, in company with the Earl and Countess, and it will be remembered that so well did the Earl treat his charge at one time, that he thereby incurred suspicions of disloyalty to Elizabeth. During the Civil Wars the house was held by both parties. Sir John Gell occupied it for the Parliament in 1643, but, in the December of that year, the Earl of Newcastle captured it, and garrisoned it for the King, and Colonel Shalcross was besieged there in 1645 by the Parliamentary forces, but the leaguer was raised after fourteen days.

The descendants of Sir William Cavendish, and of his celebrated wife, were content, during these years, to preserve Chatsworth as it had been left to them. The present quadrangular building is the work of William, the fourth Earl and first Duke of Devonshire, who was one of those who brought about the Revolution of 1688, and placed the Prince of Orange on the throne. During the reign of James II., the Earl was committed to prison, as it is quaintly said, because he led Colonel Colepepper out of the royal presence-chamber by the nose, whereupon, after sundry difficulties, he betook himself to his estates, and, as a chronicler of the new order of things puts it, in order to prevent his patriotic mind from dwelling unduly upon the woes of his country, rebuilt the south side of Chatsworth....

Whatever the age possessed of skill and merit in every branch of art was employed for the beautification of the new Chatsworth. Caius Gabriel Cibber, the Laureate's father, with Geeraerslius, Augustine Harris, Nost, Davis, Lanseroon, Nadauld, and others, carved the friezes, adorned with rich foliage the door-cases, worked upon many vases and other objects in and about the mansion, and peopled the gardens with nymphs and goddesses. Cibber himself has left notes of some of the sums he received, and it appears that he executed two statues in the pediments, others, both in the round and in relief, heads of Roman emperors, figures of dogs, sphinxes, and such-like. "For two statues as big as life, I had 35_l._ apiece, and all charges borne, and at this rate I shall endeavor to serve a nobleman in freestone."

[Many others might be named who helped to give Chatsworth its wealth of carvings, but we shall omit the catalogue of their names.]