Part 11

And as I sat, the bird_de_s harkening thus, Me thought_e_ that I heard_e_ voices sodainly, The most sweetest and most delicious That ever any wight, I trow truly, Heard in _here_ life; for _sothe_ the armony And sweet accord was in so good musike, That the voices to angels most was like.'

In this passage the poet has let loose the very soul of pleasure. There is a spirit of enjoyment in it, of which there seems no end. It is the intense delight which accompanies the description of every object, the fund of natural sensibility which it displays, which constitutes its whole essence and beauty. Now this is shown chiefly in the manner in which the different objects are anticipated, and the eager welcome which is given to them; in his repeating and varying the circumstances with a restless delight; in his quitting the subject for a moment, and then returning to it again, as if he could never have his fill of enjoyment. There is little of this in Dryden's paraphrase. The same ideas are introduced, but not in the same manner, nor with the same spirit. The imagination of the poet is not borne along with the tide of pleasure--the verse is not poured out, like the natural strains it describes, from pure delight, but according to rule and measure. Instead of being absorbed in his subject, he is dissatisfied with it, tries to give an air of dignity to it by factitious ornaments, to amuse the reader by ingenious allusions, and divert his attention from the progress of the story by the artifices of the style:

'The painted birds, companions of the spring, Hopping from spray to spray, were heard to sing. Both eyes and ears receiv'd a like delight, Enchanting music, and a charming sight. On Philomel I fix'd my whole desire; And listen'd for the queen of all the quire; Fain would I hear her heavenly voice to sing; And wanted yet an omen to the spring. Thus as I mus'd I cast aside my eye, And saw a medlar-tree was planted nigh. The spreading branches made a goodly show, And full of opening blooms was every bough: A goldfinch there I saw with gawdy pride Of painted plumes, that hopp'd from side to side, Still pecking as she pass'd; and still she drew The sweets from every flower and suck'd the dew: Suffic'd at length, she warbled in her throat, And tun'd her voice to many a merry note, But indistinct, and neither sweet nor clear, Yet such as sooth'd my soul, and pleas'd my ear. Her short performance was no sooner tried, When she I sought, the nightingale, replied: So sweet, so shrill, so variously she sung, That the grove echoed, and the valleys rung: And I so ravish'd with her heavenly note, I stood entranced, and had no room for thought. But all o'erpower'd with ecstasy of bliss, Was in a pleasing dream of paradise; At length I wak'd, and looking round the bower, Search'd every tree, and pry'd on every flower, If any where by chance I might espy The rural poet of the melody: For still methought she sung not far away: At last I found her on a laurel spray. Close by my side she sat, and fair in sight, Full in a line, against her opposite; Where stood with eglantine the laurel twin'd; And both their native sweets were well conjoin'd. On the green bank I sat, and listen'd long (Sitting was more convenient for the song); Nor till her lay was ended could I move, But wish'd to dwell for ever in the grove. Only methought the time too swiftly pass'd, And every note I fear'd would be the last. My sight, and smell and hearing were employ'd, And all three senses in full gust enjoy'd. And what alone did all the rest surpass The sweet possession of the fairy place; Single, and conscious to myself alone Of pleasures to the excluded world unknown: Pleasures which no where else were to be found, And all Elysium in a spot of ground. Thus while I sat intent to see and hear, And drew perfumes of more than vital air, All suddenly I heard the approaching sound Of vocal music on the enchanted ground: A host of saints it seem'd, so full the quire; As if the bless'd above did all conspire To join their voices, and neglect the lyre.'

Compared with Chaucer, Dryden and the rest of that school were merely _verbal poets_. They had a great deal of wit, sense, and fancy; they only wanted truth and depth of feeling. But I shall have to say more on this subject, when I come to consider the old question which I have got marked down in my list, whether Pope was a poet.

Lord Chesterfield's character of the Duke of Marlborough is a good illustration of his general theory. He says, 'Of all the men I ever knew in my life (and I knew him extremely well) the late Duke of Marlborough possessed the graces in the highest degree, not to say engrossed them; for I will venture (contrary to the custom of profound historians, who always assign deep causes for great events) to ascribe the better half of the Duke of Marlborough's greatness and riches to those graces. He was eminently illiterate: wrote bad English, and spelt it worse. He had no share of what is commonly called parts; that is, no brightness, nothing shining in his genius. He had, most undoubtedly, an excellent good plain understanding, with sound judgment. But these alone would probably have raised him but something higher than they found him, which was page to King James II.'s Queen. There the graces protected and promoted him; for while he was Ensign of the Guards, the Duchess of Cleveland, then favourite mistress of Charles II., struck by these very graces, gave him five thousand pounds; with which he immediately bought an annuity of five hundred pounds a year, which was the foundation of his subsequent fortune. His figure was beautiful, but his manner was irresistible by either man or woman. It was by this engaging, graceful manner, that he was enabled during all his wars to connect the various and jarring powers of the grand alliance, and to carry them on to the main object of the war, notwithstanding their private and separate views, jealousies, and wrongheadedness. Whatever court he went to (and he was often obliged to go himself to some resty and refractory ones) he as constantly prevailed, and brought them into his measures.'

Grace in women has often more effect than beauty. We sometimes see a certain fine self-possession, an habitual voluptuousness of character, which reposes on its own sensations, and derives pleasure from all around it, that is more irresistible than any other attraction. There is an air of languid enjoyment in such persons, 'in their eyes, in their arms, and their hands, and their face,' which robs us of ourselves, and draws us by a secret sympathy towards them. Their minds are a shrine where pleasure reposes. Their smile diffuses a sensation like the breath of spring. Petrarch's description of Laura answers exactly to this character, which is indeed the Italian character. Titian's pictures are full of it; they seem sustained by sentiment, or as if the persons whom he painted sat to music. There is one in the Louvre (or there was) which had the most of this expression I ever remember. It did not look downward; 'it looked forward beyond this world.' It was a look that never passed away, but remained unalterable as the deep sentiment which gave birth to it. It is the same constitutional character (together with infinite activity of mind) which has enabled the greatest man in modern history to bear his reverses of fortune with gay magnanimity, and to submit to the loss of the empire of the world with as little discomposure as if he had been playing a game at chess.

After all, I would not be understood to say that manner is everything.[9] Nor would I put Euclid or Sir Isaac Newton on a level with the first _petit-maître_ we might happen to meet. I consider _Æsop's Fables_ to have been a greater work of genius than Fontaine's translation of them; though I am not sure that I should not prefer Fontaine, for his style only, to Gay, who has shown a great deal of original invention. The elegant manners of people of fashion have been objected to me, to show the frivolity of external accomplishments, and the facility with which they are acquired. As to the last point, I demur. There are no class of people who lead so laborious a life, or who take more pains to cultivate their minds as well as persons, than people of fashion. A young lady of quality who has to devote so many hours a day to music, so many to dancing, so many to drawing, so many to French, Italian, etc., certainly does not pass her time in idleness: and these accomplishments are afterwards called into action by every kind of external or mental stimulus, by the excitements of pleasure, vanity, and interest. A Ministerial or Opposition Lord goes through more drudgery than half-a-dozen literary hacks; nor does a reviewer by profession read half the same number of publications as a modern fine lady is obliged to labour through. I confess, however, I am not a competent judge of the degree of elegance or refinement implied in the general tone of fashionable manners. The successful experiment made by _Peregrine Pickle_, in introducing his strolling mistress into genteel company, does not redound greatly to their credit.

1815.

FOOTNOTE:

[9] Sheer impudence answers almost the same purpose. 'Those impenetrable whiskers have confronted flames.' Many persons, by looking big and talking loud, make their way through the world without any one good quality. I have here said nothing of mere personal qualifications, which are another set-off against sterling merit. Fielding was of opinion that 'the more solid pretensions of virtue and understanding vanish before perfect beauty.' 'A certain lady of a manor' (says _Don Quixote_ in defence of his attachment to _Dulcinea_, which, however, was quite of the Platonic kind), 'had cast the eyes of affection on a certain squat, brawny lay brother of a neighbouring monastery, to whom she was lavish of her favours. The head of the order remonstrated with her on this preference shown to one whom he represented as a very low, ignorant fellow, and set forth the superior pretensions of himself, and his more learned brethren. The lady having heard him to an end, made answer: All that you have said may be very true; but know that in those points which I admire, Brother Chrysostom is as great a philosopher, nay greater, than Aristotle himself!' So the _Wife of Bath_:

'To chirche was myn housbond brought on morwe With neighebors that for him made sorwe, And Jankyn oure clerk was oon of tho. As help me God, whan that I saugh him go After the beere, methought he had a paire Of legges and of feet so clene and faire, That al myn hert I yaf unto his hold.'

'All which, though we most potently believe, yet we hold it not honesty to have it thus set down.'

ESSAY X

ON CONSISTENCY OF OPINION

'----Servetur ad imum Qualis ab inceptu processerit, et sibi constet.'

Many people boast of being masters in their own house. I pretend to be master of my own mind. I should be sorry to have an ejectment served upon me for any notions I may choose to entertain there. Within that little circle I would fain be an absolute monarch. I do not profess the spirit of martyrdom; I have no ambition to march to the stake, or up to a masked battery, in defence of an hypothesis: I do not court the rack: I do not wish to be flayed alive for affirming that two and two make four, or any other intricate proposition: I am shy of bodily pains and penalties, which some are fond of--imprisonment, fine, banishment, confiscation of goods: but if I do not prefer the independence of my mind to that of my body, I at least prefer it to everything else. I would avoid the arm of power, as I would escape from the fangs of a wild beast: but as to the opinion of the world, I see nothing formidable in it. 'It is the eye of childhood that fears a painted devil.' I am not to be browbeat or wheedled out of any of my settled convictions. Opinion to opinion, I will face any man. Prejudice, fashion, the cant of the moment, go for nothing; and as for the reason of the thing, it can only be supposed to rest with me or another, in proportion to the pains we have taken to ascertain it. Where the pursuit of truth has been the habitual study of any man's life, the love of truth will be his ruling passion. 'Where the treasure is, there the heart is also.' Every one is most tenacious of that to which he owes his distinction from others. Kings love power, misers gold, women flattery, poets reputation--and philosophers truth, when they can find it. They are right in cherishing the only privilege they inherit. If 'to be wise were to be obstinate,' I might set up for as great a philosopher as the best of them; for some of my conclusions are as fixed and as incorrigible to proof as need be. I am attached to them in consequence of the pains, and anxiety, and the waste of time they have cost me. In fact, I should not well know what to do without them at this time of day; nor how to get others to supply their place. I would quarrel with the best friend I have sooner than acknowledge the absolute right of the Bourbons. I see Mr. Northcote seldomer than I did, because I cannot agree with him about the _Catalogue Raisonné_. I remember once saying to this gentleman, a great while ago, that I did not seem to have altered any of my ideas since I was sixteen years old. 'Why then,' said he, 'you are no wiser now than you were then!' I might make the same confession, and the same retort would apply still. Coleridge used to tell me, that this pertinacity was owing to a want of sympathy with others. What he calls _sympathising with others_ is their admiring him; and it must be admitted that he varies his battery pretty often, in order to accommodate himself to this sort of mutual understanding. But I do not agree in what he says of me. On the other hand, I think that it is my sympathising _beforehand_ with the different views and feelings that may be entertained on a subject, that prevents me retracting my judgment, and flinging myself into the contrary extreme _afterwards_. If you proscribe all opinion opposite to your own, and impertinently exclude all the evidence that does not make for you, it stares you in the face with double force when it breaks in unexpectedly upon you, or if at any subsequent period it happens to suit your interest or convenience to listen to objections which vanity or prudence had hitherto overlooked. But if you are aware from the first suggestion of a subject, either by subtlety, or tact, or close attention, of the full force of what others possibly feel and think of it, you are not exposed to the same vacillation of opinion. The number of grains and scruples, of doubts and difficulties, thrown into the scale while the balance is yet undecided, add to the weight and steadiness of the determination. He who anticipates his opponent's arguments, confirms while he corrects his own reasonings. When a question has been carefully examined in all its bearings, and a principle is once established, it is not liable to be overthrown by any new facts which have been arbitrarily and petulantly set aside, nor by every wind of idle doctrine rushing into the interstices of a hollow speculation, shattering it in pieces, and leaving it a mockery and a bye-word; like those tall, gawky, staring, pyramidal erections which are seen scattered over different parts of the country, and are called the _Follies_ of different gentlemen! A man may be confident in maintaining a side, as he has been cautious in choosing it. If after making up his mind strongly in one way, to the best of his capacity and judgment, he feels himself inclined to a very violent revulsion of sentiment, he may generally rest assured that the change is in himself and his motives, not in the reason of things.

I cannot say that, from my own experience, I have found that the persons most remarkable for sudden and violent changes of principle have been cast in the softest or most susceptible mould. All their notions have been exclusive, bigoted, and intolerant. Their want of consistency and moderation has been in exact proportion to their want of candour and comprehensiveness of mind. Instead of being the creatures of sympathy, open to conviction, unwilling to give offence by the smallest difference of sentiment, they have (for the most part) been made up of mere antipathies--a very repulsive sort of personages--at odds with themselves, and with everybody else. The slenderness of their pretensions to philosophical inquiry has been accompanied with the most presumptuous dogmatism. They have been persons of that narrowness of view and headstrong self-sufficiency of purpose, that they could see only one side of a question at a time, and whichever they pleased. There is a story somewhere in _Don Quixote_, of two champions coming to a shield hung up against a tree with an inscription written on each side of it. Each of them maintained, that the words were what was written on the side next him, and never dreamt, till the fray was over, that they might be different on the opposite side of the shield. It would have been a little more extraordinary if the combatants had changed sides in the heat of the scuffle, and stoutly denied that there were any such words on the opposite side as they had before been bent on sacrificing their lives to prove were the only ones it contained. Yet such is the very situation of some of our modern polemics. They have been of all sides of the question, and yet they cannot conceive how an honest man can be of any but one--that which they hold at present. It seems that they are afraid to look their old opinions in the face, lest they should be fascinated by them once more. They banish all doubts of their own sincerity by inveighing against the motives of their antagonists. There is no salvation out of the pale of their strange inconsistency. They reduce common sense and probity to the straitest possible limits--the breasts of themselves and their patrons. They are like people out at sea on a very narrow plank, who try to push everybody else off. Is it that they have so little faith in the course to which they have become such staunch converts, as to suppose that, should they allow a grain of sense to their old allies and new antagonists, they will have more than they? Is it that they have so little consciousness of their own disinterestedness, that they feel, if they allow a particle of honesty to those who now differ with them, they will have more than they? Those opinions must needs be of a very fragile texture which will not stand the shock of the least acknowledged opposition, and which lay claim to respectability by stigmatising all who do not hold them as 'sots, and knaves, and cowards.' There is a want of well-balanced feeling in every such instance of extravagant versatility; a something crude, unripe, and harsh, that does not hit a judicious palate, but sets the teeth on edge to think of. 'I had rather hear my mother's cat mew, or a wheel grate on the axletree, than one of these same metre-ballad-mongers' chaunt his incondite, retrograde lays, without rhyme and without reason.

The principles and professions change: the man remains the same. There is the same spirit at the bottom of all this pragmatical fickleness and virulence, whether it runs into one extreme or another: to wit, a confinement of view, a jealousy of others, an impatience of contradiction, a want of liberality in construing the motives of others, either from monkish pedantry, or a conceited overweening reference of everything to our own fancies and feelings. There is something to be said, indeed, for the nature of the political machinery, for the whirling motion of the revolutionary wheel which has of late wrenched men's understandings almost asunder, and 'amazed the very faculties of eyes and ears'; but still this is hardly a sufficient reason, why the adept in the old as well as the new school should take such a prodigious latitude himself, while at the same time he makes so little allowance for others. His whole creed need not be turned topsy-turvy, from the top to the bottom, even in times like these. He need not, in the rage of party spirit, discard the proper attributes of humanity, the common dictates of reason. He need not outrage every former feeling, nor trample on every customary decency, in his zeal for reform, or in his greater zeal against it. If his mind, like his body, has undergone a total change of essence, and purged off the taint of all its early opinions, he need not carry about with him, or be haunted in the persons of others with, the phantoms of his altered principles to loathe and execrate them. He need not (as it were) pass an act of attainder on all his thoughts, hopes, wishes, from youth upwards, to offer them at the shrine of matured servility: he need not become one vile antithesis, a living and ignominious satire on himself.

A gentleman went to live, some years ago, in a remote part of the country, and as he did not wish to affect singularity, he used to have two candles on his table of an evening. A romantic acquaintance of his in the neighbourhood, smit with the love of simplicity and equality, used to come in, and without ceremony snuff one of them out, saying, it was a shame to indulge in such extravagance, while many poor cottagers had not even a rushlight to see to do their evening's work by. This might be about the year 1802, and was passed over as among the ordinary occurrences of the day. In 1816 (oh! fearful lapse of time, pregnant with strange mutability) the same enthusiastic lover of economy, and hater of luxury, asked his thoughtless friend to dine with him in company with a certain lord, and to lend him his manservant to wait at table; and just before they were sitting down to dinner, he heard him say to the servant in a sonorous whisper--'and be sure you don't forget to have six candles on the table!' Extremes meet. The event here was as true to itself as the oscillation of the pendulum. My informant, who understands moral equations, had looked for this reaction, and noted it down as characteristic. The impertinence in the first instance was the cue to the ostentatious servility in the second. The one was the fulfilment of the other, like the type and anti-type of a prophecy. No--the keeping of the character at the end of fourteen years was as unique as the keeping of the thought to the end of the fourteen lines of a sonnet! Would it sound strange if I were to whisper it in the reader's ear, that it was the same person who was thus anxious to see six candles on the table to receive a lord, who once (in ages past) said to me, that 'he saw nothing to admire in the eloquence of such men as Mansfield and Chatham; and what did it all end in, but their being made lords?' It is better to be a lord than a lacquey to a lord! So we see that the swelling pride and preposterous self-opinion which exalts itself above the mightiest, looking down upon and braving the boasted pretensions of the highest rank and the most brilliant talents as nothing, compared with its own conscious powers and silent unmoved self-respect, grovels and licks the dust before titled wealth, like a lacquered slave, the moment it can get wages and a livery! Would Milton or Marvel have done this?