Chapter 10
I saw but one full-blown characteristic London fog. I was in the National Gallery one day, trying to make up my mind about Turner, when this chimney-pot meteor came down. It was like a great yellow dog taking possession of the world. The light faded from the room, the pictures ran together in confused masses of shadow on the walls, and in the street only a dim yellowish twilight prevailed, through which faintly twinkled the lights in the shop windows. Vehicles came slowly out of the dirty obscurity on one side and plunged into it on the other. Waterloo Bridge gave one or two leaps and disappeared, and the Nelson Column in Trafalgar Square was obliterated for half its length. Travel was impeded, boats stopped on the river, trains stood still on the track, and for an hour and a half London lay buried beneath this sickening eruption. I say eruption, because a London fog is only a London smoke tempered by a moist atmosphere. It is called "fog" by courtesy, but lampblack is its chief ingredient. It is not wet like our fogs, but quite dry, and makes the eyes smart and the nose tingle. Whenever the sun can be seen through it, his face is red and dirty; seen through a bona fide fog, his face is clean and white. English coal--or "coals," as they say here--in burning gives out an enormous quantity of thick, yellowish smoke, which is at no time absorbed or dissipated as it would be in our hard, dry atmosphere, and which at certain times is not absorbed at all, but falls down swollen and augmented by the prevailing moisture. The atmosphere of the whole island is more or less impregnated with smoke, even on the fairest days, and it becomes more and more dense as you approach the great towns. Yet this compound of smut, fog, and common air is an elixir of youth; and this is one of the surprises of London, to see amid so much soot and dinginess such fresh, blooming complexions, and in general such a fine physical tone and full-bloodedness among the people,--such as one has come to associate only with the best air and the purest, wholesomest country influences. What the secret of it may be, I am at a loss to know, unless it is that the moist atmosphere does not dry up the blood as our air does, and that the carbon and creosote have some rare antiseptic and preservative qualities, as doubtless they have, that are efficacious in the human physiology. It is no doubt true, also, that the people do not tan in this climate, as in ours, and that the delicate flesh tints show more on that account.
I speak thus of these things with reference to our standards at home, because I found that these standards were ever present in my mind, and that I was unconsciously applying them to whatever I saw and wherever I went, and often, as I shall have occasion to show, to their discredit.
Climate is a great matter, and no doubt many of the differences between the English stock at home and its offshoot in our country are traceable to this source. Our climate is more heady and less stomachic than the English; sharpens the wit, but dries up the fluids and viscera; favors an irregular, nervous energy, but exhausts the animal spirits. It is, perhaps, on this account that I have felt since my return how much easier it is to be a dyspeptic here than in Great Britain. One's appetite is keener and more ravenous, and the temptation to bolt one's food greater. The American is not so hearty an eater as the Englishman, but the forces of his body are constantly leaving his stomach in the lurch, and running off into his hands and feet and head. His eyes are bigger than his belly, but an Englishman's belly is a deal bigger than his eyes, and the number of plum puddings and the amount of Welsh rarebit he devours annually would send the best of us to his grave in half that time. We have not enough constitutional inertia and stolidity; our climate gives us no rest, but goads us day and night; and the consequent wear and tear of life is no doubt greater in this country than in any other on the globe. We are playing the game more rapidly, and I fear less thoroughly and sincerely, than the mother country.
The more uniform good health of English women is thought to be a matter of exercise in the open air, as walking, riding, driving, but the prime reason is mainly a climatic one, uniform habits of exercise being more easily kept up in that climate than in this, and being less exhaustive, one day with another. You can walk there every day in the year without much discomfort, and the stimulus is about the same. Here it is too hot in summer and too cold in winter, or else it keys you up too tight one day and unstrings you the next; all fire and motion in the morning, and all listlessness and ennui in the afternoon; a spur one hour and a sedative the next.
A watch will not keep as steady time here as in Britain, and the human clock-work is more liable to get out of repair for the same reason. Our women, especially, break down prematurely, and the decay of maternity in this country is no doubt greater than in any of the oldest civilized communities. One reason, doubtless, is that our women are the greatest slaves of fashion in the whole world, and, in following the whims of that famous courtesan, have the most fickle and destructive climate to contend with.
English women all have good-sized feet, and Englishmen, too, and wear large, comfortable shoes. This was a noticeable feature at once: coarse, loosefitting clothes of both sexes, and large boots and shoes with low heels. They evidently knew the use of their feet, and had none of the French, or American, or Chinese fastidiousness about this part of their anatomy. I notice that, when a family begins to run out, it turns out its toes, drops off at the heel, shortens its jaw, and dotes on small feet and hands.
Another promoter of health in England is woolen clothes, which are worn the year round, the summer driving people into no such extremities as here. And the good, honest woolen stuffs of one kind and another that fill the shops attest the need and the taste that prevail. They had a garment when I was in London called the Ulster overcoat,--a coarse, shaggy, bungling coat, with a skirt reaching nearly to the feet, very ugly, tried by the fashion plates, but very comfortable, and quite the fashion. This very sensible garment has since become well known in America.
The Americans in London were put out with the tailors, and could rarely get suited, on account of the loose cutting and the want of "style." But "style" is the hiatus that threatens to swallow us all one of these days. About the only monstrosity I saw in the British man's dress was the stove-pipe hat, which everybody wears. At first I feared it might be a police regulation, or a requirement of the British Constitution, for I seemed to be about the only man in the kingdom with a soft hat on, and I had noticed that before leaving the steamer every man brought out from its hiding-place one of these polished brain-squeezers. Even the boys wear them,--youths of nine and ten years with little stovepipe hats on; and at Eton School I saw black swarms of them: even the boys in the field were playing football in stove-pipe bats.
What we call beauty in woman is so much a matter of youth and health that the average of female beauty in London is, I believe, higher than in this country. English women are comely and good-looking. It is an extremely fresh and pleasant face that you see everywhere,--softer, less clearly and sharply cut than the typical female face in this country,--less spirituelle, less perfect in form, but stronger and sweeter. There is more blood, and heart, and substance back of it. The American race of the present generation is doubtless the most shapely, both in face and figure, that has yet appeared. American children are far less crude, and lumpy, and awkward-looking than the European children. One generation in this country suffices vastly to improve the looks of the offspring of the Irish or German or Norwegian emigrant. There is surely something in our climate or conditions that speedily refines and sharpens--and, shall I add, hardens?--the human features. The face loses something, but it comes into shape; and of such beauty as is the product of this tendency we can undoubtedly show more, especially in our women, than the parent stock in Europe; while American schoolgirls, I believe, have the most bewitching beauty in the world.
The English plainness of speech is observable even in the signs or notices along the streets. Instead of "Lodging," "Lodging," as with us, one sees "Beds," "Beds," which has a very homely sound; and in place of "gentlemen's" this, that, or the other, about public places, the word "men's" is used.
I suppose, if it were not for the bond of a written language and perpetual intercourse, the two nations would not be able to understand each other in the course of a hundred years, the inflection and accentuation are so different. I recently heard an English lady say, referring to the American speech, that she could hardly believe her own language could be spoken so strangely.
ARCHITECTURE
One sees right away that the English are a home people, a domestic people; and he does not need to go into their houses or homes to find this out. It is in the air and in the general aspect of things. Everywhere you see the virtue and quality that we ascribe to home-made articles. It seems as if things had been made by hand, and with care and affection, as they have been. The land of caste and kings, there is yet less glitter and display than in this country, less publicity, and, of course, less rivalry and emulation also, for which we pay very dearly. You have got to where the word homely preserves its true signification, and is no longer a term of disparagement, but expressive of a cardinal virtue.
I liked the English habit of naming their houses; it shows the importance they attach to their homes. All about the suburbs of London and in the outlying villages I noticed nearly every house and cottage had some appropriate designation, as Terrace House, Oaktree House, Ivy Cottage, or some Villa, usually cut into the stone gate-post, and this name is put on the address of the letters. How much better to be known by your name than by your number! I believe the same custom prevails in the country, and is common to the middle classes as well as to the aristocracy. It is a good feature. A house or a farm with an appropriate name, which everybody recognizes, must have an added value and importance.
Modern English houses are less showy than ours, and have more weight and permanence,--no flat roofs and no painted outside shutters. Indeed, that pride of American country people, and that abomination in the landscape, a white house with green blinds, I did not see a specimen of in England. They do not aim to make their houses conspicuous, but the contrary. They make a large, yellowish brick that has a pleasing effect in the wall. Then a very short space of time in that climate suffices to take off the effect of newness, and give a mellow, sober hue to the building. Another advantage of the climate is that it permits outside plastering. Thus almost any stone may be imitated, and the work endure for ages; while our sudden changes, and extremes of heat and cold, of dampness and dryness, will cause the best work of this kind to peel off in a few years.
Then this people have better taste in building than we have, perhaps because they have the noblest samples and specimens of architecture constantly before them,--those old feudal castles and royal residences, for instance. I was astonished to see how homely and good they looked, how little they challenged admiration, and how much they emulated rocks and trees. They were surely built in a simpler and more poetic age than this. It was like meeting some plain, natural nobleman after contact with one of the bedizened, artificial sort. The Tower of London, for instance, is as pleasing to the eye, has the same fitness and harmony, as a hut in the woods; and I should think an artist might have the same pleasure in copying it into his picture as he would in copying a pioneer's log cabin. So with Windsor Castle, which has the beauty of a ledge of rocks, and crowns the hill like a vast natural formation. The warm, simple interior, too, of these castles and palaces, the honest oak without paint or varnish, the rich wood carvings, the ripe human tone and atmosphere,--how it all contrasts, for instance, with the showy, gilded, cast-iron interior of our commercial or political palaces, where everything that smacks of life or nature is studiously excluded under the necessity of making the building fire-proof.
I was not less pleased with the higher ornamental architecture,--the old churches and cathedrals,--which appealed to me in a way architecture had never before done. In fact, I found that I had never seen architecture before,--a building with genius and power in it, and that one could look at with the eye of the imagination. Not mechanics merely, but poets, had wrought and planned here, and the granite was tender with human qualities. The plants and weeds growing in the niches and hollows of the walls, the rooks and martins and jackdaws inhabiting the towers and breeding about the eaves, are but types of the feelings and emotions of the human heart that flit and hover over these old piles, and find affectionate lodgment in them.
Time, of course, has done a great deal for this old architecture. Nature has taken it lovingly to herself, has set her seal upon it, and adopted it into her system. Just the foil which beauty--especially the crystallic beauty of architecture--needs has been given by this hazy, mellowing atmosphere. As the grace and suggestiveness of all objects are enhanced by a fall of snow,--forest, fence, hive, shed, knoll, rock, tree, all being laid under the same white enchantment,--so time has wrought in softening and toning down this old religious architecture, and bringing it into harmony with nature.
Our climate has a much keener edge, both of frost and fire, and touches nothing so gently or creatively; yet time would, no doubt, do much for our architecture, if we would give it a chance,--for that apotheosis of prose, the National Capitol at Washington, upon which, I notice, a returned traveler bases our claim to be considered "ahead" of the Old World, even in architecture; but the reigning gods interfere, and each spring or fall give the building a clean shirt in the shape of a coat of white paint. In like manner, other public buildings never become acclimated, but are. annually scoured with soap and sand, the national passion for the brightness of newness interfering to defeat any benison which the gods might be disposed to pronounce upon them. Spotlessness, I know, is not a characteristic of our politics, though it is said that whitewashing is, which may account for this ceaseless paint-pot renovation of our public buildings. In a world lit only by the moon, our Capitol would be a paragon of beauty, and the spring whitewashing could also be endured; but under our blazing sun and merciless sky it parches the vision, and makes it turn with a feeling of relief to rocks and trees, or to some weather-stained, dilapidated shed or hovel.
How winningly and picturesquely in comparison the old architecture of London addresses itself to the eye,--St. Paul's Cathedral, for instance, with its vast blotches and stains, as if it had been dipped in some black Lethe of oblivion, and then left to be restored by the rains and the elements! This black Lethe is the London smoke and fog, which has left a dark deposit over all the building, except the upper and more exposed parts, where the original silvery whiteness of the stone shows through, the effect of the whole thus being like one of those graphic Rembrandt photographs or carbons, the prominences in a strong light, and the rest in deepest shadow. I was never tired of looking at this noble building, and of going out of my way to walk around it; but I am at a loss to know whether the pleasure I had in it arose from my love of nature, or from a susceptibility to art for which I had never given myself credit. Perhaps from both, for I seemed to behold Art turning toward and reverently acknowledging Nature,-indeed, in a manner already become Nature.
I believe the critics of such things find plenty of fault with St. Paul's; and even I could see that its bigness was a little prosy, that it suggested the historic rather than the poetic muse; yet, for all that, I could never look at it without a profound emotion. Viewed coolly and critically, it might seem like a vast specimen of Episcopalianism in architecture. Miltonic in its grandeur and proportions, and Miltonic in its prosiness and mongrel classicism also, yet its power and effectiveness are unmistakable. The beholder has no vantage-ground from which to view it, or to take in its total effect, on account of its being so closely beset by such a mob of shops and buildings; yet the glimpses he does get here and there through the opening made by some street, when passing in its vicinity, are very striking and suggestive; the thin veil of smoke, which is here as constant and uniform as the atmosphere itself, wrapping it about with the enchantment of time and distance.
The interior I found even more impressive than the exterior, perhaps because I was unprepared for it. I had become used to imposing exteriors at home, and did not reflect that in a structure like this I should see an interior also, and that here alone the soul of the building would be fully revealed. It was Miltonic in the best sense; it was like the mightiest organ music put into form. Such depths, such solemn vastness, such gulfs and abysses of architectural space, the rich, mellow light, the haze outside becoming a mysterious, hallowing presence within, quite mastered me, and I sat down upon a seat, feeling my first genuine cathedral intoxication. As it was really an intoxication, a sense of majesty and power quite overwhelming in my then uncloyed condition, I speak of it the more freely. My companions rushed about as if each one had had a searchwarrant in his pocket; but I was content to uncover my head and drop into a seat, and busy my mind with some simple object near at hand, while the sublimity that soared about me stole into my soul and possessed it. My sensation was like that imparted by suddenly reaching a great altitude: there was a sort of relaxation of the muscles, followed by a sense of physical weakness; and after half an hour or so I felt compelled to go out into the open air, and leave till another day the final survey of the building. Next day I came back, but there can be only one first time, and I could not again surprise myself with the same feeling of wonder and intoxication. But St. Paul's will bear many visits. I came again and again, and never grew tired of it. Crossing its threshold was entering another world, where the silence and solitude were so profound and overpowering that the noise of the streets outside, or of the stream of visitors, or of the workmen engaged on the statuary, made no impression. They were all belittled, lost, like the humming of flies. Even the afternoon services, the chanting, and the tremendous organ, were no interruption, and left me just as much alone as ever. They only served to set off the silence, to fathom its depth.
The dome of St. Paul's is the original of our dome at Washington; but externally I think ours is the more graceful, though the effect inside is tame and flat in comparison. This is owing partly to its lesser size and height, and partly to our hard, transparent atmosphere, which lends no charm or illusion, but mainly to the stupid, unimaginative plan of it. Our dome shuts down like an inverted iron pot; there is no vista, no outlook, no relation, and hence no proportion. You open a door and are in a circular pen, and can look in only one direction,--up. If the iron pot were slashed through here and there, or if it rested on a row of tall columns or piers, and were shown to be a legitimate part of the building, it would not appear the exhausted receiver it does now.
The dome of St. Paul's is the culmination of the whole interior of the building. Rising over the central area, it seems to gather up the power and majesty of the nave, the aisles, the transepts, the choir, and give them expression and expansion in its lofty firmament.
Then those colossal piers, forty feet broad some of them, and nearly one hundred feet high,--they easily eclipsed what I had recently seen in a mine, and which I at the time imagined shamed all the architecture of the world,--where the mountain was upheld over a vast space by massive piers left by the miners, with a ceiling unrolled over your head, and apparently descending upon you, that looked like a petrified thunder-cloud.
The view from the upper gallery, or top of the dome, looking down inside, is most impressive. The public are not admitted to this gallery, for fear, the keeper told me, it would become the scene of suicides; people unable to withstand the terrible fascination would leap into the yawning gulf. But, with the privilege usually accorded to Americans, I stepped down into the narrow circle, and, leaning over the balustrade, coolly looked the horrible temptation in the face.
On the whole, St. Paul's is so vast and imposing that one wonders what occasion or what ceremony can rise to the importance of not being utterly dwarfed within its walls. The annual gathering of the charity children, ten or twelve thousand in number, must make a ripple or two upon its solitude, or an exhibition like the thanksgiving of the Queen, when sixteen or eighteen thousand persons were assembled beneath its roof. But one cannot forget that it is, for the most part, a great toy,--a mammoth shell, whose bigness bears no proportion to the living (if, indeed, it is living), indwelling necessity. It is a tenement so large that the tenant looks cold and forlorn, and in danger of being lost within it.
No such objection can be made to Westminster Abbey, which is a mellow, picturesque old place, the interior arrangement and architecture of which affects one like some ancient, dilapidated forest. Even the sunlight streaming through the dim windows, and falling athwart the misty air, was like the sunlight of a long-gone age. The very atmosphere was pensive, and filled the tall spaces like a memory and a dream. I sat down and listened to the choral service and to the organ, which blended perfectly with the spirit and sentiment of the place.
ON THE SOUTH DOWNS
One of my best days in England was spent amid the singing of skylarks on the South Down Hills, near an old town at the mouth of the Little Ouse, where I paused on my way to France. The prospect of hearing one or two of the classical birds of the Old World had not been the least of the attractions of my visit, though I knew the chances were against me so late in the season, and I have to thank my good genius for guiding me to the right place at the right time. To get out of London was delight enough, and then to find myself quite unexpectedly on these soft rolling hills, of a mild October day, in full sight of the sea, with the larks pouring out their gladness overhead, was to me good fortune indeed.