Winefred: A Story of the Chalk Cliffs

CHAPTER L

Chapter 508,304 wordsPublic domain

JOINED TOGETHER

Not till evening was setting in was it possible for any to cross the gulf and reach the subsided portion. The chasm itself was some three hundred and sixty feet across, and into this all the tract between the lips had gone down at various inclinations. Beyond that to the sea something like four hundred and forty yards had slipped away in an incline, much dislocated, but with an abrupt face forming one side of the great chasm.

It was of imperious necessity to get to the cottage that could be seen, not ruined, still standing, but leaning to one side, that search might be made for Jane Marley.

It was only made possible by the efforts of Jack Rattenbury, assisted by some of the Bindon labourers placed at his disposal by Mrs. Jose. By his direction a pathway was cut down the face of the chalk precipice on the land side at a point where the ravine was choked with accumulations that had fallen in, and by means of planks and ropes the chasm was passed and the farther side ascended, and then Winefred, followed by her father and Mrs. Jose, was enabled, with the assistance of Jack, and walking with wariness, to arrive at the cottage.

It was locked, but when Winefred called, she heard a muffled voice reply from within.

The front door was too stout to be easily broken open, but that at the back yielded and the rescue party entered.

They found Mrs. Marley on the floor. She was in a sitting posture, her hands still bound behind her, her hair dishevelled, but the blood from the wound in her head was staunched. She had succeeded, by some means, in freeing her mouth from the gags. Her eyes were dull. The colour had died from her face, the fire from her heart. She breathed, looked dazedly before her, and seemed listless when her daughter, Mr. Holwood, and the rest entered.

Winefred pulled back what of the curtain remained obscuring the chamber. Through the back door that faced west a stronger light entered and penetrated to the room where Jane crouched. Jack Rattenbury had at once cut the bands that confined her hands, and although the woman was able to bring her arms forward, they were stiff, and her hands frightfully swollen.

Mrs. Jose had run for water, but the spring that had supplied the cottage was dried up. There remained, however, a little in a vessel in the back kitchen, and with this Jane's face was bathed as Winefred rested her mother's head on her bosom. The cuts in her head were not serious. The girl hasted to tie up the draggled hair.

The men who had assisted to make a path had been relegated to the outside. It was probable, if Jane Marley were unable to walk, that they would be required to carry her. Mr. Holwood remained looking at her intently, his weak lower lip fallen. She did not notice him. Her eyes were for her daughter only, who bowed over her, kissed her repeatedly, and whose tears dripped upon her face.

'Are you better now, mother darling? Do you think you could rise?'

Winefred supporting her on one side, Jack on the other, the woman staggered to her feet, and at once recovered self-possession. She raised her head, looked at the wrists and swollen fingers and passed her hands over her eyes.

'It has been a dream, a nightmare,' she said. And then asked, 'Where is Olver Dench?'

'O mother, do not ask.'

'But I desire to know. He has robbed me.'

'He is gone to his account.'

Jane was silent for a while.

Presently she said, 'He carried off everything in a carpet-bag.'

'That,' said Winefred, 'will never be recovered. It has gone down along with him.'

'Gone down!' repeated Mrs. Marley, with trouble in her eyes.

'Yes, mother, ask no further. It shall be explained later. If Olver Dench has wronged you――and that he did so I know――God has judged him. Whatsoever of yours he had in that bag is lost, never to be recovered.'

Jane turned her eyes slowly to Jack and said, 'It was your father's savings, hundreds of pounds of gold. I had kept it. I did wrong. I am punished.'

'Mother, are you better?' asked Winefred. 'Can you see who is before you?'

'Yes, you are here.'

'Not I alone. Here is father.'

Jane looked at Mr. Holwood. Perhaps she was too shaken, too exhausted to manifest the resentment that had possessed her. She looked at him steadily, without hate, but also without affection in her eyes.

'Jane, my wife,' said he in a faltering voice, 'I also have done wrong, and like you I acknowledge it openly. But not all the wrong you suppose. I have sent every quarter a liberal share of money to you through Dench, which he retained for himself, and I――I have often had an ache of heart and yearning after you, but have been prevented from coming to see you by the reports of what you were and what you did――slanderous and wicked reports――sent me by that infamous man. I believed him.'

'Then you never knew me,' said Jane slowly, 'or you would not, you could not have believed him.'

'I never knew your worth, Jane,' said he, 'because I had not that worth in me which could appreciate how noble and how good you were. Can you forgive me?'

'I do not know,' she said slowly――dreamily. 'It is a long story. Nineteen years of desolation and heart-break; nineteen years is a long time, and in that chain each day is a link, and each link is full of pain.'

'Jane,' said Mr. Holwood, 'here is your ring, that you threw on the floor in the Assembly Rooms at Bath. Will you not take it again?'

'I do not know.' She looked at her hand. 'My fingers are so swelled.'

'Jane,' he went on――and Winefred, holding her mother, looked earnestly into her face, so changed from what it had been.

'Jane,' pursued Mr. Holwood, 'I have come here as a suppliant. I am smitten with an incurable disease――perhaps the most terrible and painful that can afflict man. How rapidly it will act I cannot say――but in a year at the outside all will be over. In a little while I shall not be able to speak, for it will begin from my tongue――the tongue you cursed. Jane, Jane! May I not die in your arms?'

Then a shudder ran through the woman; she shook herself free from Winefred, stretched her purple hands towards him, and in thrilling tones said: 'O Jos! my own Jos! Come to my heart once more.'

Thereat Mrs. Jose took Winefred by the arm and drew her into the back kitchen; thither Jack had already withdrawn, and then the good woman wiped her eyes and kissed Winefred――thrust her towards Jack, and said: 'You, boy――kiss her too.'

Next moment Jane called them.

'I want you here,' she said. Once more her voice had acquired some of its firmness and imperiousness. And they saw her――she was herself again, nay other――younger, with a tender look in her face and love in her eyes.

'I want you here,' she said. 'I desire you to hear me ask for pardon of Jack Rattenbury. I have done you a great wrong, Jack, for which I can make no amends. Can you forgive me?'

'No, no,' answered the young man. 'You have done me no wrong. Whatever it was that my father saved could not have been better expended than in the purchase of this house, and in the education of Winefred. Give her to me as the balance.'

'You must ask him,' said Jane, indicating Mr. Holwood.

'If Winefred has her mother's strong will, as I do not doubt she has, Jane, you and I can but accept her selection.'

'In a year,' said Jack, 'I shall be in a position to support a wife.'

'About that do not concern yourself,' said Mr. Holwood. 'I am well off, and all I have shall be hers.'

'Nevertheless, I will work,' said Jack. 'If at some future time I get something with her, I daresay Captain Ford will take me into partnership, and we can set up machinery and make of the Beer quarries something great.'

'I had a cow, once on a time――――' began Mrs. Jose.

'Never mind about the cow now, you dear thing,' interrupted Winefred. 'We positively must get back to the mainland whilst there is light, and at Bindon we will hear the cow story from beginning to end, and will not interrupt.'

'But the cow had a calf――――'

'And we will listen also to the history of the calf.'

'Well, well,' said Mrs. Jose. 'You and Winefred go on, and Mr. Holwood and I will follow with your mother. What a day this has been for rending asunder――and for joining together.'

THE END

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=Midst the Wild Carpathians.= By MAURUS JOKAI.

Author of "Black Diamonds," "The Lion of Janina," etc.

Authorized translation by R. Nisbet Bain.

Illustrated by J. W. Kennedy.

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=The Making of a Saint.= By W. SOMERSET MAUGHAM.

Illustrated by Gilbert James.

Library 12mo, cloth decorative, 350 pages $1.50

"An exceedingly strong story of original motive and design.... The scenes are imbued with a spirit of frankness ... and in addition there is a strong dramatic flavor."――_Philadelphia Press._

"A sprightly tale abounding in adventures, and redolent of the spirit of mediæval Italy."――_Brooklyn Times._

=Friendship and Folly.= A NOVEL. By MARIA LOUISE POOL.

Author of "Dally," "A Redbridge Neighborhood," "In a Dike Shanty," etc.

Illustrated by J. W. Kennedy.

Library 12mo, cloth decorative, 300 pages $1.25

"The author handles her elements with skilful fingers――fingers that feel their way most truthfully among the actual emotions and occurrences of nineteenth century romance. Hers is a frank, sensitive touch, and the result is both complete and full of interest."――_Boston Ideas._

"The story will rank with the best previous work of this author."――_Indianapolis News._

=The Rejuvenation of Miss Semaphore.= A FARCICAL NOVEL. By HAL GODFREY.

Illustrated by Etheldred B. Barry.

Library 12mo, cloth decorative, 300 pages $1.25

"A fanciful, laughable tale of two maiden sisters of uncertain age who are induced, by their natural longing for a return to youth and its blessings, to pay a large sum for a mystical water which possesses the value of setting backwards the hands of time. No more delightfully fresh and original book has appeared since 'Vice Versa' charmed an amused world. It is well written, drawn to the life, and full of the most enjoyable humor."――_Boston Beacon._

=The Paths of the Prudent.= By J. S. FLETCHER.

Author of "When Charles I. Was King," "Mistress Spitfire," etc.

Illustrated by J. W. Kennedy.

Library 12mo, cloth decorative, 300 pages $1.50

"The story has a curious fascination for the reader, and the theme and characters are handled with rare ability."――_Scotsman._

"Dorinthia is charming. The story is told with great humor."――_Pall Mall Gazette._

"An excellently well told story, and the reader's interest is perfectly sustained to the very end."――_Punch._

=Cross Trails.= By VICTOR WAITE.

Illustrated by J. W. Kennedy.

Library 12mo, cloth decorative, 450 pages $1.50

"A Spanish-American novel of unusual interest, a brilliant, dashing, and stirring story, teeming with humanity and life. Mr. Waite is to be congratulated upon the strength with which he has drawn his characters."――_San Francisco Chronicle._

"Every page is enthralling."――_Academy._

"Full of strength and reality."――_Athenæum._

"The book is exceedingly powerful."――_Glasgow Herald._

=Bijli the Dancer.= By JAMES BLYTHE PATTON.

Illustrated by Horace Van Rinth.

Library 12mo, cloth decorative, 350 pages $1.50

"A novel of Modern India.... The fortunes of the heroine, an Indian nautch-girl, are told with a vigor, pathos, and a wealth of poetic sympathy that makes the book admirable from first to last."――_Detroit Free Press._

"A remarkable book."――_Bookman._

"Powerful and fascinating."――_Pall Mall Gazette._

"A vivid picture of Indian life."――_Academy, London._

=Drives and Puts.= A BOOK OF GOLF STORIES. By WALTER CAMP and LILIAN BROOKS.

Small 12mo, cloth decorative, illustrated, 250 pages $1.25

"It will be heartily relished by all readers, whether golfers or not."――_Boston Ideas._

"Decidedly the best golf stories I have read."――_Milwaukee Journal._

"Thoroughly entertaining and interesting in every page, and is gotten out with care and judgment that indicate rare taste in bookmaking."――_Chicago Saturday Evening Herald._

=Via Lucis.= By KASSANDRA VIVARIA.

With portrait of the author.

Library 12mo, cloth decorative, 480 pages $1.50

"'Via Lucis' is――we say it unhesitatingly――a striking and interesting production."――_London Athenæum._

"Without doubt the most notable novel of the summer is this strong story of Italian life, so full of local color one can almost see the cool, shaded patios and the flame of the pomegranate blossom, and smell the perfume of the grapes growing on the hillsides. It is a story of deep and passionate heart interests, of fierce loves and fiercer hates, of undisciplined natures that work out their own bitter destiny of woe. There has hardly been a finer piece of portraiture than that of the child Arduina,――the child of a sickly and unloved mother and a cruel and vindictive father,――a morbid, queer, lonely little creature, who is left to grow up without love or training of any kind."――_New Orleans Picayune._

"=To Arms!=" BEING SOME PASSAGES FROM THE EARLY LIFE OF ALLAN OLIPHANT, CHIRURGEON, WRITTEN BY HIMSELF, AND NOW SET FORTH FOR THE FIRST TIME. By ANDREW BALFOUR.

Illustrated by F. W. Glover.

Library 12mo, cloth decorative, 575 pages $1.50

"A tale of 'Bonnie Tweedside,' and St. Dynans and Auld Reekie,――a fair picture of the country under misrule and usurpation and all kinds of vicissitudes. Allan Oliphant is a great hero."――_Chicago Times-Herald._

"A recital of thrilling interest, told with unflagging vigor."――_Globe._

"An unusually excellent example of a semi-historic romance."――_World._

=The River of Pearls=; OR, THE RED SPIDER. A CHINESE ROMANCE. By RENÉ DE PONT-JEST.

With sixty illustrations from original drawings by Felix Régamey.

Library 12mo, cloth decorative, 300 pages $1.50

Close acquaintance with the manners and customs of the Chinese has enabled the author to write a story which is instructive as well as interesting. The book, as a whole, shows the writer to be possessed of a strong descriptive faculty, as well as keen insight into the characters of the people of whom he is writing. The plot is cleverly conceived and well worked out, and the story abounds with incidents of the most exciting and sensational character. Enjoyment of its perusal is increased by the powerful illustrations of Felix Régamey.

The book may be read with profit by any one who wishes to realize the actual condition of native life in China.

=Lally of the Brigade.= A ROMANCE OF THE IRISH BRIGADE IN FRANCE DURING THE TIME OF LOUIS THE FOURTEENTH. By L. MCMANUS.

Author of "The Silk of the Kine," "The Red Star," etc.

Illustrated.

Library 12mo, cloth decorative, 250 pages $1.25

The scene of this romance is partly at the siege of Crimona (held by the troops of Louis XIV.) by the Austrian forces under Prince Eugene. During the siege the famous Irish Brigade renders valiant service, and the hero――a dashing young Irishman――is in the thick of the fighting. He is also able to give efficient service in unravelling a political intrigue, in which the love affairs of the hero and the heroine are interwoven.

=Frivolities.= ESPECIALLY ADDRESSED TO THOSE WHO ARE TIRED OF BEING SERIOUS. By RICHARD MARSH.

Author of "Tom Ossington's Ghost," etc.

Library 12mo, cloth decorative, 340 pages $1.50

A dozen stories in an entirely new vein for Mr. Marsh. The humor is irresistible, and carries the reader on breathlessly from one laugh to another. The style, though appealing to a totally different side of complex human nature, is as strong and effective as the author's intense and dramatic work in "Tom Ossington's Ghost."

=Sons Of Adversity.= A ROMANCE OF QUEEN ELIZABETH'S TIME. By L. COPE CORNFORD.

Author of "Captain Jacobus," etc.

Illustrated by J. W. Kennedy.

Library 12mo, cloth decorative, 325 pages $1.25

"A tale of adventure on land and sea at the time when Protestant England and Catholic Spain were struggling for naval supremacy. Spanish conspiracies against the peace of good Queen Bess, a vivid description of the raise of the Spanish siege of Leyden by the combined Dutch and English forces, sea fights, the recovery of stolen treasure, are all skilfully woven elements in a plot of unusual strength."――_Pittsburg Bulletin._

=The Count of Nideck.= FROM THE FRENCH OF ERCKMANN-CHATRIAN, TRANSLATED AND ADAPTED BY RALPH BROWNING FISKE.

Illustrated by Victor A. Searles.

Library 12mo, cloth decorative, 375 pages $1.25

"'The Count of Nideck,' adapted from the French of Erckmann-Chatrian by Ralph Browning Fiske, is a most interesting tale, simply told, and moving with direct force to the end in view."――_Minneapolis Times._

"Rapid in movement, it abounds in dramatic incident, furnishes graphic descriptions of the locality, and is enlivened with a very pretty love story."――_Troy Budget._

=Muriella=; OR, LE SELVE. By OUIDA.

Illustrated by M. B. Prendergast.

Library 12mo, cloth decorative, 250 pages $1.25

"Ouida's literary style is almost perfect in 'Muriella.'"――_Chicago Times-Herald._

"'Muriella' is an admirable example of the author's best work."――_Brooklyn Times._

"It dwells in the memory, and bears the dramatic force, tragic interest, and skilfulness of treatment that mark the work of Ouida when at her best."――_Pittsburg Bulletin._

=The Archbishop's Unguarded Moment.= By OSCAR FAY ADAMS.

Library 12mo, cloth decorative, illustrated, 300 pages $1.25

"A very captivating volume."――_Evening Wisconsin._

"Brimming over with humor."――_Chicago Chronicle._

"He who cares to pass a few hours in quiet enjoyment and subdued laughter will do well to become the possessor of this clever volume."――_American_, Philadelphia.

_The Works of Gabriel d'Annunzio._

=The Triumph of Death.= =The Intruder.= =The Maidens of the Rocks.= =The Child of Pleasure.=

Each, 1 vol., library 12mo, cloth decorative $1.50

"The writer of the greatest promise to-day in Italy, and perhaps one of the most unique figures in contemporary literature, is Gabriel d'Annunzio, the poet-novelist."――_The Bookman._

"This book is realistic. Some say that it is brutally so. But the realism is that of Flaubert and not of Zola. There is no plain speaking for the sake of plain speaking. Every detail is justified in the fact that it illuminates either the motives or the actions of the man and woman who here stand revealed. It is deadly true. The author holds the mirror up to nature, and the reader, as he sees his own experiences duplicated in passage after passage, has something of the same sensation as all of us know on the first reading of George Meredith's 'Egoist.' Reading these pages is like being out in the country on a dark night in a storm. Suddenly a flash of lightning comes and every detail of your surroundings is revealed."――_Review of the Triumph of Death, in the New York Evening Sun._

=Ye Lyttle Salem Maide.= A STORY OF WITCHCRAFT. By PAULINE BRADFORD MACKIE.

With four full-page photogravures from drawings by E. W. D. Hamilton.

Printed on deckle-edged paper, with gilt top, and bound in cloth decorative, 321 pages $1.50

A tale of the days of the reign of superstition in New England, and of a brave "lyttle maide" of Salem Town, whose faith and hope and unyielding adherence to her word of honor form the basis of a most attractive story. Several historical characters are introduced, including the Rev. Cotton Mather and Governor and Lady Phipps, and a very convincing picture is drawn of Puritan life during the latter part of the seventeenth century. An especial interest is added to the book by the illustrations, reproduced by the photogravure process from originals by E. W. D. Hamilton.

=Mademoiselle de Berny.= A STORY OF VALLEY FORGE. By PAULINE BRADFORD MACKIE.

With five full-page photogravures from drawings by Frank T. Merrill.

Printed on deckle-edged paper, with gilt top, and bound in cloth decorative, 272 pages $1.50

"The charm of 'Mademoiselle de Berny' lies in its singular sweetness."――_Boston Herald._

"One of the very few choice American historical stories."――_Boston Transcript._

"Real romance ... admirably written."――_Washington Post._

"A stirring romance, full of life and action from start to finish."――_Toledo Daily Blade._

"Of the many romances in which Washington is made to figure, this is one of the most fascinating, one of the best."――_Boston Courier._

=Captain Fracasse.= TRANSLATED FROM THE FRENCH OF GAUTIER. By ELLEN MURRAY BEAM.

Illustrated by Victor A. Searles.

Library 12mo, cloth decorative, 575 pages $1.25

"The story is one of the best in romantic fiction, for upon it Gautier lavished his rare knowledge of the twelfth century."――_San Francisco Chronicle._

"One of those rare stories in which vitality is abundant."――_New York Herald._

=In Guiana Wilds.= A STUDY OF TWO WOMEN. By JAMES RODWAY.

Author of "In the Guiana Forest," etc.

Library 12mo, cloth, decorative, illustrated, 250 pages $1.25

"In Guiana Wilds" may be described as an ethnological romance. A typical young Scotchman becomes, by the force of circumstances, decivilized, and mates with a native woman.

It is a psychological study of great power and ability.

=The Gray House of the Quarries.= By MARY HARRIOTT NORRIS.

With a frontispiece etching by Edmund H. Garrett.

8vo, cloth decorative, 500 pages $1.50

"The peculiar genre, for which, in a literary sense, all must acknowledge obligation to the author of a new type, is the Dutch-American species. The church-goings, the courtings, the pleasures and sorrows of a primitive people, their lives and deaths, weddings, suicides, births, and burials, are Rembrandt and Rubens pictures on a fresh canvas."――_Boston Transcript._

"The fine ideal of womanhood in a person never once physically described will gratify the highest tone of the period, and is an ennobling conception."――_Time and the Hour, Boston._

=Vivian of Virginia.= BEING THE MEMOIRS OF OUR FIRST REBELLION, BY JOHN VIVIAN, ESQ., OF MIDDLE PLANTATION, VIRGINIA. By HULBERT FULLER.

With ten full-page illustrations by Frank T. Merrill.

Library 12mo, cloth decorative, gilt top, deckle-edge paper, 375 pages $1.50

"A stirring and accurate account of the famous Bacon rebellion."――_Los Angeles Sunday Times._

"We shall have to search far to find a better colonial story than this."――_Denver Republican._

"A well-conceived, well-plotted romance, full of life and adventure."――_Chicago Inter-Ocean._

"A story abounding in exciting incidents and well-told conversations."――_Boston Journal._

"Mr. Fuller will find a large circle of readers for his romance who will not be disappointed in their pleasant expectations."――_Boston Transcript._

"Instead of using history as a background for the exploits of the hero, the author used the hero to bring out history and the interesting events of those early days in Virginia. The author has preserved the language and customs of the times admirably."――_Philadelphia Telegram._

=A Man=at=Arms.= A ROMANCE OF ITALY IN THE DAYS OF GIAN GALEAZZO VISCONTI, THE GREAT VIPER. By CLINTON SCOLLARD.

Author of "Skenandoa," etc.

With six full-page illustrations and title-page by E. W. D. Hamilton.

Library 12mo, cloth decorative, gilt top, deckle-edge paper, 360 pages $1.50

"The style is admirable, simple, direct, fluent, and sometimes eloquent; and the story moves with rapidity from start to finish."――_The Bookman._

"A good story."――_N. Y. Commercial Advertiser._

"It is a triumph in style."――_Utica Herald._

=Bobbie McDuff.= By CLINTON ROSS, AUTHOR OF "THE SCARLET COAT," "ZULEIKA," ETC.

Illustrated by B. West Clinedinst.

Large 16mo, cloth decorative, 260 pages $1.00

"'Bobbie McDuff,' by Clinton Ross, is a healthy romance, tersely and vigorously told."――_Louisville Courier-Journal._

"It is full of mystery and as fascinating as a fairy tale."――_San Francisco Chronicle._

"It is a well-written story, full of surprises and abounding in vivid interest."――_The Congregationalist, Boston._

=A Hypocritical Romance= AND OTHER STORIES. By CAROLINE TICKNOR.

Illustrated by J. W. Kennedy.

Large 16mo, cloth decorative $1.00

Miss Ticknor, well known as one of the most promising of the younger school of American writers, has never done better work than in the majority of these clever stories, written in a delightful comedy vein.

=A Mad Madonna= AND OTHER STORIES. By L. CLARKSON WHITELOCK.

With eight half-tone illustrations.

1 vol., large 16mo, cloth decorative $1.00

A half dozen remarkable psychological stories, delicate in color and conception. Each of the six has a touch of the supernatural, a quick suggestion, a vivid intensity, and a dreamy realism that is matchless in its forceful execution.

=On the Point.= A SUMMER IDYL. By NATHAN HASKELL DOLE.

Author of "Not Angels Quite," with dainty half-tone illustrations as chapter headings.

1 vol., large 16mo, cloth decorative $1.00

A bright and clever story of a summer on the coast of Maine, fresh, breezy, and readable from the first to the last page. The narrative describes the summer outing of a Mr. Merrithew and his family. The characters are all honest, pleasant people, whom we are glad to know. We part from them with the same regret with which we leave a congenial party of friends.

=Cyrano de Bergerac.= A HEROIC COMEDY FROM THE FRENCH OF EDWARD ROSTAND, AS ACCEPTED AND PLAYED BY RICHARD MANSFIELD. TRANSLATED BY HOWARD THAYER KINGSBURY.

1 vol., cloth decorative, with a photogravure frontispiece $1.00

1 vol., paper boards .50

The immediate and prolonged success of "Cyrano de Bergerac," in Paris, has been paralleled by Mr. Mansfield's success with an English version, dating from its first night at the Garden Theatre, New York, October 3, 1898.

As a literary work, the original form of Rostand took high rank; and the preference of Mr. Mansfield for Mr. Kingsbury's new translation implies its superior merit.

* * * * *

TRANSCRIBER'S NOTES

Punctuation has been standardized. Missing punctuation (mostly quotation marks) has been added. Some alternate spellings have been retained.

p. 8: "sand stone" and "sand-stone" changed to "sandstone" for consistency (the blood-red sandstone) (dusky sandstone underneath)

p. 15: "needle-work" changed to "needlework" for consistency (a framed piece of needlework)

p. 28: "aud" changed to "and" (and is not caught slinking)

p. 32: "Peacock" changed to "Paycock" (the Paycock was often in their mouths)

p. 41: "breast-pin" changed to "breastpin" for consistency (pulled out his breastpin)

p. 57: "Terra del Fuego" changed to "Tierra del Fuego" (gone to Tierra del Fuego) (they call it Tierra del Fuego)

p. 104: "coast-guard" changed to "coastguard" (run into the arms of the coastguard); "Chessil" changed to "Chesil" (opposite the Chesil Bank)

p. 112: "layer" changed to "lair" (a woman made her lair); "bnt" changed to "but" (but she did not allow)

p. 132: "Terra del Fuego" changed to "Tierra del Fuego" (He is in Tierra del Fuego)

p. 137: "Peacock" changed to "Paycock" (the Peacock, a study in wools)

p. 143: "cha ed" changed to "chafed" (she winced and chafed); "Terra del Fuego" changed to "Tierra del Fuego" (a place called Tierra del Fuego)

p. 148: Character name "Oliver" corrected to "Olver" (Olver Dench's offer to lodge)

p. 173: Character name "David Nuttall" corrected to "Nutall" (above all, David Nutall)

p. 174: "Chessil" changed to "Chesil" (resolutely at the Chesil Bank)

p. 186: "eye-glasses" changed to "eyeglasses" for consistency (the gold-framed eyeglasses)

p. 189: "Terra del Fuego" changed to "Tierra del Fuego" (a place called Tierra del Fuego)

p. 191: "under-lip" changed to "underlip" for consistency (the hanging underlip)

p. 206: "overhead" changed to "overheard" (we are not overheard)

p. 208: "mo her" changed to "mother" (my mother is thought)

p. 216: "Tomkins-Jones" changed to "Tomkin-Jones" (Mrs. Tomkin-Jones descended)

p. 217: "Tomkins-Jones" changed to "Tomkin-Jones" (Mrs. Tomkin-Jones frowned)

p. 267: "if" changed to "it" (it would have been his own doing)

p. 271: "Chesill" changed to "Chesil" (flints on the Chesil Bank)

p. 279: "Tompkins-Jones" changed to "Tomkin-Jones" (exclaimed Mrs. Tomkin-Jones)

p. 285: "Abernethy's" changed to "Abernethies" (Of Abernethies I have always been fond)

p. 286: "Terra del Fuego" changed to "Tierra del Fuego" (Governor-General of Tierra del Fuego)

p. 303: "skrieking" changed to "shrieking" (shrieking like a woman)

New Fiction addendum: Title of this book is listed, spelled incorrectly. Corrected "Winifred" to "Winefred".

List of Fiction addendum: corrected "highess" to "highest".