Part 3
As the black creature grew small in the distance and vanished among the trees, I felt a pang of pity for him. I knew by his flight that he was hungry and weary and cold. Every labored stroke of his unsteady wings told of a long struggle with the winter death. He was silent; and his muteness spoke the foreboding and dread with which he faced another bitter night in the pines.
The snow was half-way to my knees; and still another storm was brewing. All day the leaden sky had been closing in, weighed down by the snow-filled air. That hush which so often precedes the severest winter storms brooded everywhere. The winds were in leash--no, not in leash; for had my ears been as keen as those of the creatures about me, I might even now have heard them baying far away to the north. It was not the winds that were still; it was the fields and forests that quailed before the onset of the storm.
I skirted Lupton's Pond and saw the muskrat village, a collection of white mounds out in the ice, and coming on to Cubby Hollow, I crossed on the ice, ascended the hill, and keeping in the edge of the swamp, left the pines a distance to the left. A chickadee, as if oppressed by the silence and loneliness among the trees, and uneasy in his stout little heart at the threatening storm, flew into the bushes as near to me as he could get, and, apparently for the sake of companionship, followed me along the path, cheeping plaintively.
As I emerged from the woods into a corn-field and turned to look over at the gloomy pines, a snowflake fell softly upon my arm. The storm had begun. Now the half-starved crows came flocking in by hundreds, hurrying to roost before the darkness should overtake them. A biting wind was rising; already I could hear it soughing through the pines. There was something fascinating in the oncoming monster, and backing up behind a corn-shock, I stopped a little to watch the sweep of its white winds between me and the dark, sounding pines.
I shivered as the icy flakes fell thicker and faster. How the wild, unhoused things must suffer to-night! I thought, as the weary procession of crows beat on toward the trees. Presently there was a small stir within the corn-shock. I laid my ear to the stalks and listened. Mice! I could hear them moving around in there. It was with relief that I felt that here, at least, was a little people whom the cold and night could not hurt.
These mice were as warmly sheltered inside this great shock as I should be in my furnace-warmed home. Their tiny nests of corn-silk, hidden away, perhaps, within the stiff, empty husks at the shock's very center, could never be wet by a drop of the most driving rain nor reached by the most searching frosts. And not a mouse of them feared starvation. A plenty of nubbins had been left from the husking, and they would have corn for the shelling far into the spring--if the fodder and their homes should be left to them so long.
I floundered on toward home. In the gathering night, amid the swirl of the snow, the shocks seemed like spectral tents pitched up and down some ghostly camp. But the specters and ghosts were all with me, all out in the whirling storm. The mice knew nothing of wandering, shivering spirits; they nibbled their corn and squeaked in snug contentment; for only dreams of the winter come to them in there.
These shock-dwellers were the common house-mice, _Mus musculus_. But they are not the only mice that have warm beds in winter. In fact, bed-making is a specialty among the mice.
_Zapus_, the jumping-mouse, the exquisite little fellow with the long tail and kangaroo legs, has made his nest of leaves and grass down in the ground, where he lies in a tiny ball just out of the frost's reach, fast asleep. He will be plowed out of bed next spring, if his nest is in a field destined for corn or melons; for _Zapus_ is sure to oversleep. He is a very sound sleeper. The bluebirds, robins, and song-sparrows will have been back for weeks, the fields will be turning green, and as for the flowers, there will be a long procession of them started, before this pretty sleepy-head rubs his eyes, uncurls himself, and digs his way out to see the new spring morning.
Does this winter-long sleep seem to him only as a nap overnight?
_Arvicola_, the meadow-mouse, that duck-legged, stump-tailed, pot-bellied mouse whose paths you see everywhere in the meadows and fields, stays wide awake all winter. He is not so tender as _Zapus_. The cold does not bother him; he likes it. Up he comes from his underground nest,--or home, rather, for it is more than a mere sleeping-place,--and runs out into the snow like a boy. He dives and plunges about in the soft white drifts, plowing out roads that crisscross and loop and lady's-chain and lead nowhere--simply for the fun of it.
Fairies do wonderful things and live in impossible castles; but no fairy ever had a palace in fairy-land more impossible than this unfairy-like meadow-mouse had in my back yard.
One February day I broke through the frozen crust of earth in the garden and opened a large pit in which forty bushels of beets were buried. I took out the beets, and, when near the bottom, I came upon a narrow tunnel running around the wall of the pit like the Whispering Gallery around the dome of St. Paul's. It completely circled the pit, was well traveled, and, without doubt, was the corridor of some small animal that had the great beet-pit for a winter home.
There were numerous dark galleries branching off from this main hallway, piercing out into the ground. Into one of these I put my finger, by way of discovery, thinking I might find the nest. I did find the nest--and more. The instant my finger entered the hole a sharp twinge shot up my arm, and I snatched away my hand with a large meadow-mouse fastened to the end of my finger, and clinging desperately to her, lo! two baby mice, little bigger than thimbles.
In this mild and even temperature, four feet below the frozen surface of the garden, with never a care as to weather and provisions, dwelt this single family of meadow-mice. What a home it was! A mansion, indeed, with rooms innumerable, and a main hall girdling a very mountain of juicy, sugary beets. This family could not complain of hard times. Besides the beets, the mice had harvested for themselves a number of cribs of clover-roots. These cribs, or bins, were in the shape of little pockets in the walls of the great gallery. Each contained a cupful of the thick, meaty tap-roots of clover, cut into lengths of about half an inch. If the beets should fail (!), or cloy upon them, they had the roots to fall back on.
It was absolutely dark here, and worse; there was no way to get fresh air that I could see. Yet here two baby mice were born in the very dead of winter, and here they grew as strong and warm and happy as they would have grown had the season showered rose-petals instead of snowflakes over the garden above.
_Hesperomys_ is the rather woodsy name of the white-footed or deer-mouse, a shy, timid little creature dwelling in every wood, who, notwithstanding his abundance, is an utter stranger to most of us. We are more familiar with his tracks, however, than with even those of the squirrel and rabbit. His is that tiny double trail galloped across the snowy paths in the woods. We see them sprinkled over the snow everywhere; but when have we seen the feet that left them? Here goes a line of the wee prints from a hole in the snow near a stump over to the butt of a large pine. Whitefoot has gone for provender to one of his storehouses among the roots of the pine; or maybe a neighbor lives here, and he has left his nest of bird-feathers in the stump to make a friendly call after the storm.
A bed of downy feathers at the heart of a punky old stump beneath the snow would seem as much of a snuggery as ever a mouse could build; but it is not. Instead of a dark, warm chamber within a hollow stump, Whitefoot sometimes goes to the opposite extreme, and climbs a leafless tree to an abandoned bird's nest, and fits this up for his winter home. Down by Cubby Hollow I found a wood-thrush's nest in a slender swamp-maple, about fifteen feet from the ground. The young birds left it late in June, and when Whitefoot moved in I do not know. But along in the winter I noticed that the nest looked suspiciously round and full, as if it were roofed over. Perhaps the falling leaves had lodged in it, though this was hardly likely. So I went up to the sapling and tapped. My suspicions were correct. After some thumps, a sleepy, frightened face appeared through the side of the nest, and looked cautiously down at me. No one could mistake that pointed nose, those big ears, and the round pop-eyes so nearly dropping out with blinking. It was Whitefoot. I had disturbed his dreams, and he had hardly got his wits together yet, for he had never been awakened thus before. And what could wake him? The black-snakes are asleep, and there is not a coon or cat living that could climb this spindling maple. Free from these foes, Whitefoot has only the owls to fear, and I doubt if even the little screech-owl could flip through these interlaced branches and catch the nimble-footed tenant of the nest.
In spite of the exposure this must be a warm bed. The walls are thick and well plastered with mud, and are packed inside with fine, shredded bark which the mouse himself has pulled from the dead chestnut limbs, or, more likely, has taken from a deserted crow's nest. The whole is thatched with a roof of shredded bark, so neatly laid that it sheds water perfectly. The entrance is on the side, just over the edge of the original structure, but so shielded by the extending roof that the rain and snow never beat in. The thrushes did their work well; the nest is securely mortised into the forking branches; and Whitefoot can sleep without a tremor through the wildest winter gale. Whenever the snow falls lightly a high white tower rises over the nest; and then the little haycock, lodged in the slender limbs so far above our heads, is a very castle indeed.
High over the nest of the white-footed mouse, in the stiffened top of a tall red oak that stands on the brow of the hill, swings another winter bed. It is the bulky oak-leaf hammock of the gray squirrel.
A hammock for a winter bed? Is there anything snug and warm about a hammock? Not much, true enough. From the outside the gray squirrel's leaf bed looks like the coldest, deadliest place one could find in which to pass the winter. The leaves are loose and rattle in the wind like the clapboards of a tumble-down house. The limb threatens every moment to toss the clumsy nest out upon the storm. But the moorings hold, and if we could curl up with the sleeper in that swaying bed, we should rock and dream, and never feel a shiver through the homespun blankets of chestnut bark that wrap us round inside the flapping leaves.
Be it never so cozy, a nest like this is far from a burrow--the bed of a fat, thick-headed dolt who sleeps away the winter. A glance into the stark, frozen top of the oak sends over us a chill of fright and admiration for the dweller up there. He cannot be an ease-lover; neither can he know the meaning of fear. We should as soon think of a sailor's being afraid of the shrieking in the rigging overhead, as of this bold squirrel in the tree-tops dreading any danger that the winter winds might bring.
There are winters when the gray squirrel stays in the hollow of some old tree. A secure and sensible harbor, this, in which to weather the heavy storms, and I wonder that a nest is ever anchored outside in the tree-tops. The woodsmen and other wiseacres say that the squirrels never build the tree-top nests except in anticipation of a mild winter. But weather wisdom, when the gray squirrel is the source, is as little wise as that which comes from Washington or the almanac. I have found the nests in the tree-tops in the coldest, fiercest winters.
It is not in anticipation of fine weather, but a wild delight in the free, wild winter, that leads the gray squirrel to swing his hammock from the highest limb of the tallest oak that will hold it. He dares and defies the winds, and claims their freedom for his own. From his leafless height yonder he looks down into the Hollow upon the tops of the swamp trees where his dizzy roads run along the angled branches, and over the swamp to the dark pines, and over the pines, on, on across the miles of white fields which sweep away and away till they freeze with the frozen sky behind the snow-clouds that drift and pile. In his aery he knows the snarl and bite of the blizzard; he feels the swell of the heaving waves that drive thick with snow out of the cold white north. Anchored far out in the tossing arms of the strong oak, his leaf nest rocks in the storm like a yawl in a heaving sea.
But he loves the tumult and the terror. A night never fell upon the woods that awed him; cold never crept into the trees that could chill his blood; and the hoarse, mad winds that swirl and hiss about his pitching bed never shook a nerve in his round, beautiful body. How he must sleep! And what a constitution he has!
A BIRD OF THE DARK
A BIRD OF THE DARK
The world is never more than half asleep. Night dawns and there is almost as wide a waking as with the dawn of day. We live in the glare till it leaves us blind to the forms that move through the dark; we listen to the roar of the day till we can no longer hear the stir that begins with the night. But here in the darkness is life and movement,--wing-beats, footfalls, cries, and calls,--all the wakefulness, struggle, and tragedy of the day.
Whatever the dusk touches it quickens. Things of bare existence by day have life at night. The very rocks that are dead and inanimate in the light get breath and being in the dark. What was mere substance now becomes shadow, and shadow spirit, till all the day's dead live and move. The roads, fences, trees, and buildings become new creatures; landmarks, distances, and places change; new odors are on the winds; strange lights appear; soft footsteps pass and repass us; and hidden voices whisper everywhere. The brightest day is not more awake; at high noon we are not more alert.
One of the commonest of these night sounds is the cry of the whippoorwill. From the middle of April to the end of September it rings along the edge of the clearing; but how seldom we have seen the singer! To most of us it is only a disembodied voice. Night has put her spell upon the whippoorwills and changed them from birds into wandering shadows and voices. There is something haunting in their call, a suggestion of fear, as though the birds were in flight, pursued by a shape in the gloom. It is the voice of the lost--the voice of the night trying to find its way back to the day. There is snap enough in the call if you happen to be near the bird. Usually the sound comes to us out of the darkness and distance--the loneliest, ghostliest cry of all the night.
It is little wonder that so many legends and omens follow the whippoorwill. How could our imaginations, with a bent for superstition, fail to work upon a creature so often heard, so rarely seen, of habits so dark and uncanny?
One cannot grow accustomed to the night. The eager, jostling, open-faced day has always been familiar; but with the night, though she comes as often as the day, no number of returns can make us acquainted. Whatever is peculiarly her own shares her mystery. Who can get used to the bats flitting and squeaking about him in the dusk? Or who can keep his flesh from creeping when an owl bobs over him in the silence against a full moon? Or who, in the depths of a pine barren, can listen to a circle of whippoorwills around him, and not stay his steps as one lost in the land of homeless, wailing spirits? The continual shifting of the voices, the mocking echoes, and the hiding darkness combine in an effect altogether gruesome and unearthly.
One may hear the whippoorwill every summer of his life, but never see the bird. It is shy and wary, and, with the help of the darkness, manages to keep strangely out of sight. Though it is not unusual to stumble upon one asleep by day, it is a rare experience to surprise one feeding or singing at night.
One evening I was standing by a pump in an open yard, listening to the whippoorwills as they came out to the edge of the woods and called along the fields. The swamp ran up so close on this side of the house that faint puffs of magnolia and wild grape could be strained pure from the mingling odors in the sweet night air. The whippoorwills were so near that the introductory _chuck_ and many of the finer, flute-like trills of their song, which are never heard at a distance, were clear and distinct. Presently one call sounded out above the others, and instantly rang again, just behind a row of currant-bushes not ten feet away.
I strained my eyes for a glimpse of the creature, when swift wings fanned my face, and a dark, fluffy thing, as soft and noiseless as a shadow, dropped at my feet, and exploded with a triple cry of _Whip-poor-will!_ that startled me. It was a rapid, crackling, vigorous call that split through the night as a streak of lightning through a thunder-cloud. The farmers about here interpret the notes to say, _Crack-the-whip!_ and certainly, near by, this fits better than _Whip-poor-will!_
The bird was flitting about the small platform upon which I stood. I remained as stiff as the pump, for which, evidently, it had mistaken me. It was not still a moment, but tossed back and forth on wings that were absolutely silent, and caught at the insects in the air and uttered its piercing cry. It leaped rather than flew, sometimes calling on the wing, and always upon touching the ground.
This is as good a view of the bird as I ever got at night. The darkness was too thick to see what the food was it caught, or how it caught it. I could not make out a pose or a motion more than the general movements about the pump. The one other time that I have had a good look at the bird, when not asleep, showed him at play.
It was an early August morning, between two and three o'clock. The only doctor in the village had been out all night at a little town about five miles away. He was wanted at once, and I volunteered to get him.
Five miles is pure fun to a boy who has run barefoot every one of his fifteen summers; so I rolled up my trousers, tightened my belt, and bent away for Shiloh at an easy dog-trot that, even yet, I believe I could keep up for half a day.
There was not a glimmer in the east when I started. I had covered three miles, and was entering a long stretch of sprout-land when the dawn began. The road was dusty, and the dew-laid powder puffed beneath the soft, swift pats of my feet. Things began to stand out with some distinctness now as the pale light brightened. No wagons had been along, and every mark of the night was plain. Here and there were broad, ragged-edged bands across the road--the trails of the wandering box-turtles. I saw the smooth, waving channel left by a snake that had just gone across. Here and there were bunches of rabbit tracks, and every little while appeared large spots in the road, where some bird had been dusting itself.
Suddenly I made a sharp turn, and almost ran over a whippoorwill concealed in a very cloud of dust which she was flirting up with her wings. This explained the spots back along the road. The bird flew up and settled a few yards ahead of me, and took another hasty dip. This she kept up for nearly a quarter of a mile.
The road was alive with whippoorwills. It was their bathing-hour, and playtime, too. The serious business of the night was done; they had hunted through the first hours, and now it was time to be social. The light was coming rapidly, and so was bedtime; but they called and capered about me, playing away the narrowing night to the very edge of day.
On my return, an hour later, the sun was looking over the tops of the "cut-offs," but he did not see a whippoorwill. They were all roosting lengthwise upon the logs and stumps back among the bushes.
These unnatural, unbirdlike habits of the whippoorwill are matched by the appearance of the bird. The first time one sees a whippoorwill he questions whether its shape and color are the result of its nocturnal life or whether it took to the night to hide its unbeautiful self from the gaze of the day.
It has ridiculously short legs, a mere point of a bill, and a bristled, head-dividing gap that would shame a frog. Looked at in the daylight, its color, too, is a meaningless mixture, as unreal and half done as the rest of the creature. But we should not be so hasty in our judgment. There is design in all things in nature; utility is the first law of creation: and the discovery of plan and purpose is the highest appreciation of beauty.
The whippoorwill's dress must be criticized from the view-point of its usefulness to the bird; then it becomes one of the most exquisitely artistic garments worn. Compare it with that of any other bird, and your wonder at it grows. Another such blending of light and shadow cannot be found. The night herself seems to have woven this robe out of warp from the strands of early dawn and of woof spun from the twilight.
The whippoorwill cannot change the color of its dress with the passing clouds, nor match it with the light green of unfolding leaves and the deep bronze of old tree-trunks, as the chameleon can. But the bird has no need of such control. It is always in harmony with its surroundings. In the falling twilight it seems a shadow among the shadows; in the breaking dawn it melts into the gray half-light, a phantom; at midnight it is only an echo in the dark; and at noontime you would pass the creature for a mossy knot, as it squats close to a limb or rail, sitting lengthwise, unlike any bird of the light.
We need not expect a bird of such irregular habits as the whippoorwill to have the normal instincts of birds, even with regard to its offspring. A bird given to roaming about at night, the companion of toads and bats and spooks, is not one that can be trusted to bring up young. You cannot count much on the domesticity of a bird that flits around with the shadows and fills the night with doleful, spellbinding cries.
The nest of the whippoorwill is the bare ground, together with whatever leaves, pebbles, or bits of wood happen to be under the eggs when they are laid. I found a nest once by the side of a log in the woods, and by rarest good fortune missed putting my foot upon the eggs. Here there was no attempt at nest-building, not even a depression in the earth. There were two of the eggs,--the usual number,--long and creamy white, with mingled markings of lavender and reddish brown. Here, upon the log, one of the birds dozed away the day, while the mate on the nest brooded and slept till the gloaming.
The effect of this erratic life in the forest glooms and under the cover of night has been to make the whippoorwill careless of her home and negligent of her young. She has become a creature of omen, weird and wakeful, lingering behind the time of superstition to keep myths moving in our scanty groves and mystery still stirring through the dark rooms of the night.
THE PINE-TREE SWIFT
THE PINE-TREE SWIFT