Category: Essays, Letters & Speeches

Whitman: A Study

"_If you want to tell good Gothic, see if it has the sort of roughness and largeness and nonchalance, mixed in places with the exquisite tenderness which seems always to be the sign manual of the broad vision and massy power of men who can see_ past _the work they are doing, a...

Chapters

1. Chapter 1

"_If you want to tell good Gothic, see if it has the sort of roughness and largeness and nonchalance, mixed in places with the exquisite tenderness which seems always to be the...

2. Chapter 2

His want of art, of which we have heard so much, is, it seems to me, just this want of the usual trappings and dress uniform of the poets. In the essentials of art, the creative...

3. Chapter 3

"The few torches light up the spectacle. All around on the wharf, on the ground, out on side places, etc., the men are lying on blankets and old quilts, with the bloody rags bou...

4. Chapter 4

Whitman despised riches, and all mere worldly success, as heartily as ever did any of the old Christians. All outward show and finery were intensely distasteful to him. He proba...

5. Chapter 5

If our poet ever sounds the note of the crude, the loud, the exaggerated, he is false to himself and to his high aims. I think he may be charged with having done so a few times,...

6. Chapter 6

"Leaves of Grass" requires a large perspective; you must not get your face too near the book. You must bring to it a magnanimity of spirit,--a charity and faith equal to its own...

7. Chapter 7

Then Whitman had a curious habit of standing apart, as it were, and looking upon himself and his career as of some other person. He was interested in his own cause, and took a h...

8. Chapter 8

But in view of the profound impression Whitman's work has made upon widely different types of mind on both sides of the Atlantic, and in view of the persistent vitality of his f...

9. Chapter 9

I am never tired of saying that to put great personal qualities in a poem, or other literary work, not formulated or didactically stated, but in tone, manner, attitude, breadth...

10. Chapter 10

Whitman was a powerful solvent undoubtedly. He never hardens into anything like a system, or into mere intellectual propositions. One of his own phrases, "the fluid and swallowi...

11. Chapter 11

"Are you faithful to things? Do you teach what the land and sea, the bodies of men, womanhood, amativeness, heroic angers, teach? Have you sped through fleeting customs, popular...

12. Chapter 12

Unless, as I have already said, we allow Whitman to be a law unto himself, we can make little of him; unless we place ourselves at his absolute point of view, his work is an off...

13. Chapter 13

If we take this poet literally, we shall believe he has been in California and Oregon; that he has set foot in every city on the continent; that he grew up in Virginia; that eve...

14. Chapter 14

Though our progress and civilization are a triumph over nature, yet in an important sense we never get away from nature or improve upon her. Her standards are still our standard...

15. Chapter 15

We might charge him with narrowness and partiality and with seeing only half truths, as Mr. Stedman has done, did he simply rest with the native as opposed to the cultivated, wi...

16. Chapter 16

This is one step further than others have taken, and makes democracy complete in itself. Again, his work identifies itself with the democratic ideal in getting rid of the profes...

17. Chapter 17

Writing about him, as Symonds said, is enormously difficult. At times I feel as if I was almost as much at sea with regard to him as when I first began to study him; not at sea...