SCENE V.

BISHOP. Are you ready?

MR. B. Yes.

BISHOP. Mr. Emerson, are you ready?

MR. C. Yes.

BISHOP. Mr. Emerson, I am waiting.

BRUIN _and_ CAS [_together_]. So am I.

MR. E. I am ready. But what have these men to do with our marriage?

MR. B. Florence, I charge you with a breach of promise. You said you would be my bride.

F. I did not.

MR. C. You promised me.

F. When?

MR. C. A month ago. You said you would marry me.

MR. B. A fortnight ago you promised me. You said we would be married to-day.

MR. C. Bishop, what does this mean? Florence Evans promised to marry me, and this very day was fixed upon. And see how false she has been! She has, as you see, promised both of us, and now is going to wed this man.

BISHOP. But Mr. Emerson and Miss Evans made the arrangements with me; how is it that neither of you said anything of it beforehand?

MR. C. I forgot.

MR. B. So did I.

[F. _weeps._

_Enter_ ANNIE.

A. I thought I should be too late to be your bridesmaid, but I find I am in time. But I thought you were to be married at half-past four, and it is five by the church clock.

MR. E. We should have been married by this time, but these men say that Florence has promised to marry them. Is it true, Florence?

F. No. [BESSY, _her younger sister, supports her._

A. It isn’t true, for you know, Edward Bruin, that you and I are engaged; and Mr. Cas and Bessy have been for some time. And both engagements have been out for more than a week.

[BESSY _looks reproachfully at_ CAS.

B. Why, Joseph Cas!

BISHOP. Come, Mr. Emerson! I see that Mr. Cas and Mr. Bruin have been trying to worry your bride. But their story can’t be true, for these other young ladies say that they are engaged to them.

F. They each of them made me an offer, which I refused.

[_The_ BISHOP _marries them_.

F. [_After they are married._] I shall never again be troubled with such offers [_looks at_ CAS _and_ BRUIN] as _yours_!

I meant to give one scene, and I have given the whole play, not knowing where to stop. There was nothing funny about it to Julia. The heroine, with her wonderful command of silence, was her ideal of maiden reserve and dignity; the deep-dyed villany of Bruin and Cas, the retiring manners of the fortunate Emerson, the singular sprightliness of the Bishop, were all perfectly natural, as her vivid mind saw them.

So she was bitterly grieved one day when a dear friend of the family, to whom our mother had read the play, rushed up to her, and seizing her hand, cried,--

“‘Julia, will you have me?’ ‘No!’ Exit Mr. Bruin.”

Deeply grieved the little maiden was; and it cannot have been very long after that time that she gave the little book to her dearest aunt, who has kept it carefully through all these years.

If Julia was like Milton’s “Penseroso,” Flossy was the “Allegro” in person, or like Wordsworth’s maiden,--

“A dancing shape, an image gay, To haunt, to startle, and waylay”

She was very small as a child. One day a lady, not knowing that the little girl was within hearing, said to her mother, “What a pity Flossy is so small!”

“I’m big inside!” cried a little angry voice at her elbow; and there was Flossy, swelling with rage, like an offended bantam. And she _was_ big inside! her lively, active spirit seemed to break through the little body and carry it along in spite of itself. Sometimes it was an impish spirit; always it was an enterprising one.

She it was who invented the dances which seemed to us such wonderful performances. We danced every evening in the great parlor, our mother playing for us on the piano. There was the “Macbeth” dance, in which Flossy figured as Lady Macbeth. With a dagger in her hand, she crept and rushed and pounced and swooped about in a most terrifying manner, always graceful as a fairy. A sofa-pillow played the part of Duncan, and had a very hard time of it. The “Julius Cæsar” dance was no less tragic; we all took part in it, and stabbed right and left with sticks of kindling-wood. One got the curling-stick and was happy, for it was the next thing to the dagger, which no one but Flossy could have. Then there was the dance of the “Four Seasons,” which had four figures. In spring we sowed, in summer we reaped; in autumn we hunted the deer, and in winter there was much jingling of bells. The hunting figure was most exciting. It was performed with knives (kindling-wood), as Flossy thought them more romantic than guns; they were held close to the side, with point projecting, and in this way we moved with a quick _chassé_ step, which, coupled with a savage frown, was supposed to be peculiarly deadly.

Flossy invented many other amusements, too. There was the school-loan system. We had school in the little parlor at that time, and our desks had lids that lifted up. In her desk Flossy kept a number of precious things, which she lent to the younger children for so many pins an hour. The most valuable thing was a set of three colored worsted balls, red, green, and blue. You could set them twirling, and they would keep going for ever so long. It was a delightful sport; but they were very expensive, costing, I think, twenty pins an hour. It took a long time to collect twenty pins, for of course it was not fair to take them out of the pin-cushions.

Then there was a glass eye-cup without a foot; that cost ten pins, and was a great favorite with us. You stuck it in your eye, and tried to hold it there while you winked with the other. Of course all this was done behind the raised desk-lid, and I have sometimes wondered what the teacher was doing that she did not find us out sooner. She was not very observant, and I am quite sure she was afraid of Flossy. One sad day, however, she caught Laura with the precious glass in her eye, and it was taken away forever. It was a bitter thing to the child (I know all about it, for I was Laura) to be told that she could never have it again, even after school. She had paid her ten pins, and she could not see what right the teacher had to take the glass away. But after that the school-loan system was forbidden, and I have never known what became of the three worsted balls.

Flossy also told stories; or rather she told one story which had no end, and of which we never tired. Under the sea, she told us, lived a fairy named Patty, who was a most intimate friend of hers, and whom she visited every night. This fairy dwelt in a palace hollowed out of a single immense pearl. The rooms in it were countless, and were furnished in a singular and delightful manner. In one room the chairs and sofas were of chocolate; in another, of fresh strawberries; in another, of peaches,--and so on. The floors were paved with squares of chocolate and cream candy; the windows were of transparent barley-sugar, and when you broke off the arm of a chair and ate it, or took a square or two out of the pavement, they were immediately replaced, so that there was no trouble for anyone. Patty had a ball every evening, and Flossy never failed to go. Sometimes, when we were good, she would take us; but the singular thing about it was that we never remembered what had happened. In the morning our infant minds were a cheerful blank, till Flossy told us what a glorious time we had had at Patty’s the night before, how we had danced with Willie Winkie, and how much ice-cream we had eaten. We listened to the recital with unalloyed delight, and believed every word of it, till a sad day of awakening came. We were always made to understand that we could not bring away anything from Patty’s, and were content with this arrangement; but on this occasion there was to be a ball of peculiar magnificence, and Flossy, in a fit of generosity, told Harry that he was to receive a pair of diamond trousers, which he would be allowed to bring home. Harry was a child with a taste for magnificence; and he went to bed full of joy, seeing already in anticipation the glittering of the jewelled garment, and the effects produced by it on the small boys of his acquaintance. Bitter was the disappointment when, on awakening in the morning, the chair by his bedside bore only the familiar brown knickerbockers, with a patch of a lighter shade on one knee. Harry wept, and would not be comforted; and after that, though we still liked to hear the Patty stories, we felt that the magic of them was gone,--that they were only stories, like “Blue-beard” or “Jack and the Beanstalk.”