Westover of Wanalah: A story of love and life in Old Virginia

Part 7

Chapter 74,291 wordsPublic domain

"I've been rather impatiently waiting for your return to Wanalah, Boyd, because I've been wanting to floor you with half a dozen authorities that agree with me as to the construction of _ut_ with the subjunctive in that passage we came so near fighting about. I've devoted all my time lately to the task of accumulating ammunition and after supper I'm going to blow you clear out of the arena. But supper first, of course. I'm a hungry hygienist and I know the flavor of the Wanalah hams. By the way, you and I are alone; why shouldn't we be dissolute? If you'll tell your cook to serve us some roasted black-eyed peas, such as you and I ate here a year ago,--roasted in the pod you know, and served with the hot ashes on them,--I'll promise to be happy for a whole year to come. Of course there'll be broiled tomatoes as an adjunct to the cold ham, and paper thin wafer biscuit to keep our digestions in order, and after supper we'll discuss '_ut_ with the subjunctive' as far into the night as you please."

"Thank you," said Westover, smiling for the first time that day. "I'm ready for the contest, though really I don't think either of us is Latin scholar enough to be entitled to 'views' on the subject."

"There you annoyingly agree with the authorities," answered Dr. Farnsworth. "You see I wrote to Professor Anthon on the subject, submitting my contentions, and he replied most courteously, suggesting that if I would supplement my obviously rudimentary Latin studies with a more considerable reading of Latin texts,--he mentioned fifteen hundred or so that he thought I might profitably run through in my leisure moments,--I would gain some slight insight into the grammatical problem I had undertaken to settle out of my own inner consciousness and Bullion's Latin Grammar. The thing put me on my mettle, so I wrote to our own University professor, Dr. Gessner Harrison. What do you think? He replied: 'My dear Dr. Farnsworth: You're a sublimated idiot and a good many different kinds of a donkey.' Those weren't his exact words, you understand, but the paraphrase fairly interprets the spirit of his reply. However, we'll leave all that till after supper."

So he chattered on, after his habit, and he succeeded not only in preventing talk of depressing things, but in amusing his host so far as to awaken something like jollity in him.

But an occurrence during supper threatened to spoil all. A missive arrived from Webb, borne not by a friend commissioned to "act for him," but by a negro servant.

Westover tore the envelope open and read the few lines written upon the sheet within. They ran as follows:

"Mr. Webb intimated to Mr. Westover today that he would presently send him a hostile note. Upon reflection Mr. Webb has decided that he cannot afford to send anything of the kind. It seems to him and to such friends as he has had time to consult that recent events affecting Mr. Westover's status in society--events which need not be specified in detail--have rendered it unnecessary and unbecoming for any gentleman to pay attention to anything that Mr. Westover may say or do."

Having read the insolent message with no sign of anger that would have been observed by anybody, Westover turned to his dining-room servant and said, quite indifferently:

"Send the boy who brought that note to me. I wish to speak to him."

When the negro messenger entered, Westover asked:

"Do you belong to Mr. Webb?"

"No, sir. Laws a Massy, Mas' Boyd, he don't own no folks er nothin' else. He jes' hires me to fetch and carry for him sometimes."

"I thought so. How much did he pay you to bring this note to me?"

"Eighteen pence, sir."

"Well, now I want you to carry it back to him and I'll give you two and threepence for the service. I'll make it half a dollar, if you'll tell him just what I say."

In old Virginia "eighteen pence" meant a quarter of a dollar, and "two and threepence" meant thirty-seven and a half cents, the shilling then being sixteen and two-thirds cents, as the result of some ancient debasement of coin in England.

"Suttenly, sir. Ef what you wants me to say is so superfluous like as to make him mad, I reckon I kin run faster'n he kin."

"Very well then. I want you to hand him back his letter and say:

"'Mas' Boyd Westover says he hasn't time just now to ride seven miles to the Court House to pull your nose or slap your jaws, but he'll attend to the matter at the first convenient opportunity.' Can you say that?"

"No," interrupted Carley Farnsworth. "Why should you want him to? It wouldn't add a cubit to the stature of your dignity and it wouldn't be any worse affront to Webb than you can put upon him by sending his note back without a word. He would rejoice in a quarrel with you--a safe one at arm's length I mean. It would exalt him in the eyes of others, and as he's a member of the legislature sure of his reelection, you can't challenge him or he you. You may hold any view you please as to '_ut_' with the subjunctive, but on this matter you simply mustn't obey the impulses of temporary anger. Send the letter back without a word, and to-morrow you'll thank me for bringing philosophy and common sense to the restraint of an impulse that has its root in the dormant but still potential savagery of your nature."

Westover laughed at the solemn ponderousness of his friend's utterance, and the laughter was good for him.

"You're right, of course," he said. "Here, Sam, just take this letter back to Mr. Webb and tell him I sent no message of any kind. And here's your half dollar."

Then, as the negro left the room the young man said:

"After all, my time hasn't come yet, and meanwhile I must preserve my dignity. You see, Carley, I am still Westover of Wanalah, and I mean to prove it to all men by doing things. I don't know yet what things they are to be, but they must be worthy of the name I bear. I'm going off to rest and think for a while, and when I come back to Wanalah Jack Towns will tell me what tools I have to work with. Meanwhile brawling with an underbred fellow like Webb would be most unbecoming."

"I'm glad to see that you have lucid intervals, Boyd," answered his friend. "I reckon we won't bother with Latin Grammar to-night. Let's play backgammon instead. But in the meantime let me give you a professional opinion and some professional advice. You are neurasthenic and you've got to get over it. Your mountain trip will be good for you, but it would be better still if you could get up a fight of some sort. I'll try to stir up something of the kind for you, when you get back. Anyhow, you've got to _quit thinking about yourself_. Let me assure you that there are thousands of more interesting topics to think about. There's lettuce, for example, and there is music, to say nothing of onions and roe herrings and the Missouri Compromise, and the relations of agriculture to national wealth, and 'possum hunting, and black-eyed peas and the Dred Scott decision and the morality of flipping quarters at crack loo. Oh, here's the backgammon board. Let's get to work."

XV

UP AT JUDY'S

Robust as he was, Boyd Westover felt himself somewhat weary and footsore when he put one hand on the top rail of Judy Peters's gateless fence and sprang over it to greet his hostess.

She was waiting for him of course. She had caught sight of him far down the mountain, at one of the many turns of the road which were conveniently visible from her door or her other points of observation. It was not Judy's habit to be surprised by any arrival. She had had no warning of Westover's intended visit, but she was keen of vision, and had had no difficulty in recognizing the wayfarer four miles away, if measured by the tortuosities of the road, and perhaps a mile away as the crow flies.

That had been two or three hours before the time of his actual arrival, but Judy had not wondered at the delay. She knew Boyd's ways and she had made out that he had fishing tackle with him.

"Sapphiry," she had asked her daughter, "how many chickens has you got picked an' fixed in the spring house."

"Four," answered Sapphira. "Why, Mammy?"

"Never you mind why." Then relenting toward the girl's curiosity she said:

"Boyd Westover's a comin', an' he'll be mighty hungry fer supper. He's afoot an' it's more'n twenty mile from his place here. Besides that he's got four big branches to fish afore he gits here an' that'll take a heap o' walkin' to say nothin' o' the len'th o' the road. So you jes' go on with your ironin' till I tell you to set about gittin' supper."

"May be he won't fish the branches," suggested the girl.

"Yes, an' may be the moon'll rise in the west to-night an' run wrong way 'crost the firmament. It's the same sort of a may be, an' that sort never happens."

"What you reckon he's a comin' fer, Mammy?" asked Sapphira as she held up a stiffly starched garment to inspect her work.

"Dunno, an' it don't make no difference neither, as the feller says. Boyd Westover's father always found a welcome a waitin' at the fence when he come to Judy Peters's house, an' I's got the same sort o' welcome a holdin' out both han's for Boyd when he comes." Then by way of a more direct though conjectural answer to her daughter's question she added:

"Reckon he wants to git away from them stuckups down his way. I hear they's a been a botherin' of him o' late. Coffey, William, son to Jesse, was a tellin' me all about it."

The form "Coffey, William, son to Jesse," was one in familiar use in the mountains as a means of identifying one among a multitude of men bearing the same name. There were several families whose membership was so all pervasive of that region that some such method of identification on the polling lists and elsewhere was a necessity, and the polling list nomenclature had been very generally adopted into ordinary use.

"What was 't all 'bout, Mammy?"

"I dunno, only, whatever 'twas, another feller done it."

With that lucid explanation Judy set her flatiron on a trivet in front of the fire and went to one of her points of vantage to scan the road below. On her return she took Sapphira's flatiron from her hand, saying:

"I'll finish up the ironin'. They ain't but three or four pieces. You run over to the furdest 'tater patch an' gravel a pan o' potaters. Git a plenty of 'em, kase they's mighty good with fish."

To "gravel" potatoes is to dig into the "hill" in which the vines grow, from its side remove the larger potatoes from the rootlets, close up the opening and leave the vines to bring the remaining tubers to perfection. It is a process that yields new potatoes before their time and without destroying the growths. The potatoes secured in that way are very small, very unwholesome, but altogether delicious.

"May be he didn't git no fish," said Sapphira doubtingly.

"Well, you jes' look after the potater maybes. That's your job. The fish'll git here all right kase I seen him a cleanin' of 'em on the rocks down 'long Samson's branch. He won't fish no more this evenin' an' he'll be here in less 'n an hour. So mosey along an' git them potaters. Soon's I git through with this petticoat, I'll sif' some meal fer batter bread, git out a crock o' apple butter, an' cut up some tomatuses. Boyd Westover's hungry an' he's a goin' to have a good supper ef Judy Peters knows her business, an' she thinks she do."

When Boyd nimbly swung himself over the fence, all preliminary preparations for the evening meal were completely made, and Judy stood ready to welcome him. In his honor she had changed the limp, hot weather gown that had served her during her ironing, for a stiffly starched calico in the violently high colors of which her barbaric soul mightily rejoiced.

For greeting Judy said:

"You's come up to shake off the stuck-ups, Boyd, an' git among natural folks I s'pose. Anyhow you're welcome. Them's beauties," looking into Boyd's fish basket, "an' they's a flat-back an' two catfish among 'em. I'd ruther eat a catfish or a flat-back any time than a trout. Trout's sort o' stuck up fish, even ef they does live up here in the mountings. But I ain't forgot how to make trout good with the sauce your pappy learnt me how to make--sauce All on Days he called it,--an' I'll make you some fer supper."

Presumably Judy meant sauce Hollandaise. At any rate the sauce she served with the trout that night was a glorified example of the dressing that _chefs_ call by that name, improved by the gastronomic genius of the late Westover of Wanalah, and made by Judy Peters, whose instinct was infallible in the manufacture of things delectable to the palate.

Suddenly Judy observed something in Boyd Westover's face,--a look of utter weariness that she was sagacious enough to interpret aright, though she made no mention of her interpretation.

"He's got things on his mind," she reflected; "an' they's more tiresome like than all the trampin' a feller can do. His legs is good fer twice the walkin' he's done to-day. Never mind. We'll fix that up afore we're through."

Then turning to Westover she said:

"You is awful tired, Boyd, even ef you did clear the fence like a yearlin' colt. Now you's a goin' to rest. Never min' tellin' me nothin' 'bout what you're here for nor none o' the rest of it. You's a-goin' to have a nap. It'll be a hour or may be two hour afore supper's ready, 'cause I's got that sauce All on Days to make, an' it's a slow job. It's awful hot this evenin'"--Judy meant afternoon, but like the more aristocratic Virginians she called everything between noon and nightfall "evening" and everything after dusk "night," as in very fact it was.

"It's awful hot this evenin', but they's a good breeze a blowin' through the passage, an' they's a broad sofy there, three foot wide an' seven foot long, an' there you's a goin' to spen' the time twix this an' supper. They's pillers a plenty, an' you ain't got nothin' to do only to lay down an' git a good rest. Come on in."

Five minutes later Boyd Westover was comfortably asleep, with the assurance that there were no shams or false pretenses in the hospitality he was enjoying, and it was more than two hours later before Judy permitted him to be waked. She was accustomed to dominate everything in her own household, suppers included, and this particular supper she had "sot back" by a full hour in order that her guest might have his nap out. Even then she forbade a rude awakening. She simply parsed two or three times through the broad passageway between the two log houses that constituted her home, until the swish of her starched calico skirts awakened him "drop by drop like," as she explained to Sapphira and those of her long-legged sons who had "turned up" for supper in the maternal home. Those boys, Webster, Henry Clay, Andrew Jackson and Theonidas--heaven only knows where Judy got that name--were always uncertain quantities in the household. Each was a law unto himself. They came and went at their own free will, giving no account of themselves. Home was home to them. They appeared there, sure of a welcome, whenever it suited their convenience to do so. Sometimes all four would be there; sometimes not one of them would appear for months at a time. In either case no questions were asked and no accounts given. The boys were strong of limb, alert, industrious, independent. They made their own living by doing any sort of work that fell in their way, and they envied no man his lot or his possessions. They were types of a robust citizenship of which the Trusts and the Trades Unions--conspiracies both in restraint alike of trade and of liberty--have left us small trace in this modern world.

Their ages varied from thirteen to nineteen years; their height from five feet ten to six feet three; their muscularity and their sturdy self reliance not at all.

XVI

JUDY PETERS'S DIAGNOSIS

"Now come out here, Boyd," said Judy when the supper was over. "They's a full moon or purty nigh onto it, an' it's a raisin', an' the weather's good an' hot,--good fer growin' corn, an' not bad fer apples an' pertaters. You an' me is a goin' to have a good long talk. Take that there rockin' chair an' make yourself comfortable, like, 'cause I want to hear all about it."

The rocking chairs sat upon a broad porch or platform, for it had no roof over it, and the rising moon flooded the place with light.

"Now tell me all about it," said Judy when the two were seated.

It is to be said that Judy knew "all about it" already, at least all about what had happened up to a very few days before. It was her habit to keep herself fully informed on all subjects that interested her, and she was mightily interested in everything that concerned any Westover.

Her loyalty to the Westovers had its own reasons for being. These she never explained. She rarely explained anything personal to herself. But that loyalty was barbaric in its intensity of devotion, savage in its vindictiveness toward whatever and whomsoever antagonized the Westovers, and recklessly relentless in its manifestations.

As soon as Boyd Westover fell into difficulties in Richmond, she sent one of her henchmen there with instructions to employ a lawyer to keep her informed. When Boyd returned to Wanalah she sent Edgar Coffey to the county seat to report happenings and conditions. She said to him:

"Edgar, I has choosed you fer this job, bekase o' several pints in your character. You is slick an' sly, an' you ain't got no principles to stand in your way, an' you seems to be stupid, so's nobody'll suspect you or keep silent when you's about. You kin lie so natural like that nobody but me'd ever suspect you was a lyin' at all. What you's got to do is to go down there to the Court House on some sort o' made up business like, an' hang 'round an' listen, an' find out how the stuck-ups is a treatin' Boyd Westover. Then you come back here an' tell me 'bout it. Ef them stuckups treats him fa'r an' squa'r like, it'll be all right. Ef they don't, I'll make some of 'em wisht they hadn't never 'a' been borned." This last utterance was addressed only to herself.

Edgar Coffey had returned on the evening before Westover's arrival and his report had included some account of Webb's boasting that he had "declined to consider Boyd Westover as a man entitled to the attention of a gentleman."

"Now wait, Edgar," Judy said, when Coffey reported this; "don't let your loose tongue git away with you. Did you hear him say that hisself--the durned little two-cent postage?"

"Yes, Judy, sure an' certain; an' everybody down that way's a laughin' in their sleeves 'bout it. They says, says they, 'Why, ef Boyd Westover was to git a real mad on him, that feller wouldn't make a mouthful fer him.'"

"No more would he," said Judy, addressing herself.

So Judy knew in advance the whole story that she asked Westover to tell her; but she wanted to hear his version of it and find out his mood of mind concerning it, and so she gave no sign of knowing anything. That was Judy's way.

Just as the two comfortably seated themselves Theonidas--the thirteen year old son of the house--emerged from within bearing a tray on which were a stone jug, a vase-like glass, containing honey in the comb, two tumblers and a little array of spoons.

"Now wait a minute, Boyd," said Judy as she directed the placing of the tray on a table that stood between her and Westover. "You's got a lot o' durned temperance nonsense mixed up with your good sense, but this is a 'ceptional occasion; I ain't yit had a chanst to drink to the new 'Westover of Wanalah,' nor yit to congratulate you; an' besides that, they ain't no harm in a glass o' peach an' honey when I raised the honey an' made the peach myself, an' specially when the peach is thirteen year ole in the bar'l. So you an' me is a goin' to have a glass o' peach an' honey together, sich as folks don't often taste these days. They was three bar'ls o' that there peach brandy, when my husband, Marcellus, an' me made it, thirteen year ago, an' that jug's got the last drop that's left of it. An' the best of it is they ain't never anybody but the best been let to let it trickle down their throats. When it were five year old I sold one bar'l of it to Tom Griffin in Richmond, 'cause he never would let anybody but the best have any of it. When it were ten year old I give one bar'l of it to your pappy, 'cause I jes' know'd what sort o' folks he'd let drink it. You see the peaches that year--thirteen year ago--was extra superfine, an' I picked out the very best of 'em for them three bar'ls o' brandy, an' they ain't been no peach like it ever made in these here mountings. So now you an' me's a goin' to have a glass o' peach an' honey, an' sip it slow like, while we talk, so's that we kin git the taste in our throats an' all the way down. You see, Boyd, they's tricks in makin' peach jes' as they is in politics an' religion an' school teachin' and gittin' married. They wa'n't no trick when I got married, mind. I don't mean that. Marcellus Peters was as good a man as these here mountings ever raised, an' now he's been dead more'n a dozen years I ain't got no complaint to make 'bout him. Only he hadn't much 'git there' in him. It didn't make much difference, 'cause I could ten' to that part o' the business myself. But he did know how to make peach an' apple brandy. You see, Boyd, they's tricks in makin' peach, as I was a sayin', an' Marcellus he know'd all of 'em. I ain't a sayin' he didn't work 'em off on folks as didn't know nor care. He'd git a order fer peach when he hadn't no peach, an' he'd fill the order. He'd take ten pound or so o' dried peaches an' set 'em to stew fer an hour or so. Then he'd put 'em through the bung hole of a bar'l o' apple brandy, an' let 'em 'sociate with the brandy like, fer three or four days, rollin' the bar'l now an' then to shake it up, like. Then he'd draw that brandy off into another bar'l, an' it was fine old peach. Same with cherry brandy, or blackberry, an' the stuck-ups didn't know the difference. But this here peach is differenter. It was made of peaches, good peaches, such as you'd smile to eat, an' Tom Griffin was glad to pay me seven dollars a gallon for the bar'l of it he got. I reckon he'd pay twice that ef he could git another bar'l of it now."

Judy Peters was not talking without a definite purpose. She never did that. Even when her conversation rambled as it did on this occasion, it rambled of set purpose and with deliberate intent. This time her purpose was to induce a like rambling impulse on Boyd Westover's part, so that she might not only hear from his lips the whole story of his tribulations, but gather, by the wayside of his conversation as it were, a clear impression of his present mood and attitude of mind, something which could not be gained by direct questioning.

In all this the shrewdly wise old woman succeeded, and when Boyd Westover bade her good night as the clock struck twelve, she knew all she wanted to know about him. After he had gone to bed she lighted her pipe anew and summed up her conclusions in the case of the young man beneath her roof in reflections to the following effect:

"He's a feelin' it more'n's good fer him.

"He's wrong in his mind or his liver or his lights, an' the fust needfulness is to set 'em right.

"He's a doin' the right thing in a goin' off up into the high mountings. It'll straighten out the liver an' lights an' I'll make Theonidas go with him, jes' to take the rough off, an' to keep him in company like. That'll be healthier fer him.