Category: Essays, Letters & Speeches

We Women and Our Authors

We German women are accustomed to look upon ourselves as an appendage to or a part of man. Up till now it has been the chief object and the pride of our existence to subordinate ourselves to him, and to look after his comforts. It is so no longer, or at any rate it is not as c...

Chapters

1. Part 1

We German women are accustomed to look upon ourselves as an appendage to or a part of man. Up till now it has been the chief object and the pride of our existence to subordinate...

2. Part 2

What a difference between the noble, spiritual-minded woman of Heyse’s time and the women of Strindberg’s creation! How changed was the image of the woman in the author’s soul!...

3. Part 3

Sedentary natures, on the contrary, are generally characteristic of persons in whom it is wisest not to place much confidence. There is always something ludicrous connected with...

4. Part 4

Keller preferred to describe women, and he did it with the greatest ease. We can tell by the construction of his sentences how smoothly the work developed under his touch, and h...

5. Part 5

It is this that distinguishes Heyse from the German authors of our day, and because his intuition is so fine, his susceptibility so delicately toned, he is one of the greatest d...

6. Part 6

Whoever reads carefully these three great Speculative works of Ibsen’s will be astonished to find that it was by no means unconsciously that he ran into these cul-de-sacs; on th...

7. Part 7

If we to-day glance back at Ibsen’s works, we can borrow the result of his quiet meditation and say: Henrik Ibsen is himself the little Eyolf of the middle class, begotten by th...

8. Part 8

Ibsen took Hedda Gabler, the daughter of an officer whom he describes with considerable humour, for the profession of commanding officer in Norway is the favourite resource of t...

9. Part 9

There are mornings in summer when the sunshine is radiant, and when the earth smells so fresh and sweet that body and soul expand in a feeling of exultant health and strength; a...

10. Part 10

I have often met Strindberg and have received the most contradictory impressions concerning him. But in one way he was always the same, and that was in his outward manner. He de...

11. Part 11

Strindberg is already to the fore in his first book, _The Red Room_. The hero, Arvid Falk, is himself. He is a man who has not yet found his own self, who does not venture to be...

12. Part 12

This _séance_ of hypnotic, magnetic experiments was given by a new literary and theosophical set of young Frenchmen, called “the Adepts”; the people who assembled to witness the...

13. Part 13

It may be that this young lady, now grown old, who nursed the man of seventy and eighty with a mixture of motherly love and hero-worship, who served and cheered him and now care...