Chapter 4

The road brought us by a lake which gave a chilly air to the landscape in the winter day, then past a strip of country meagrely wooded. We turned into a narrow road that struck the hills at once, skirting a sloping place covered with scrub and quite dark, like a black patch on the landscape. After that it was a barren pasture, prolific only in bleached boulders of rocks, of bracken that lay wasted, of broom that was sere. It was a very still afternoon, not a breath of wind stirring. Sheep looking bulky in their heavy fleeces lay about in the grass, so motionless that they might be the work of a vigorous sculptor. The branches of the trees were so still, so delicate in their outlines against the pale sky, that they made one uneasy; they seemed to have lost the art of waving, as if leaves should never again flutter upon them. A net-work of low stone walls put loosely together, marking off the absurdly small fields, straggled over the face of the landscape, looking in the curious evening light like a great grey web fantastically spun by some humorous spider. The brown figure of a shepherd with a sheep crook in his hand rose up on a distant hill. He might be a sacred figure in the red chancel of the western sky. In a moment he was gone, leaving one doubtful if he had not been an illusion. A long army of starlings trailed rapidly across the horizon, a wriggling motion marking their course like the motion in the body of a gigantic snake. Everything on the hills seemed, as the light reddened and failed, to grow vast, grotesque. The silence which reigned over it all was oppressive.

Stray cabins skirted the roadside. Some people moved about them, leaving one the impression of a remoteness that was melancholy. The women in their bare feet made little curtesies to the Friar. Children in long dresses ran into the cabins at sight of the strangers, like rabbits scuttling back to their burrows. Having found refuge they looked out over the half-doors as the car passed, their eyes sparkling, humorous, full of an alert inquisitiveness, their faces fresh as the wind.

A group of people swung along the road, speaking volubly in Irish, giving one the impression that they had made a great journey across the range of hills. They gave us a salutation that was also a blessing. We pulled up the car and they gathered about the Friar, looking up at him from under their broad-brimmed black hats, the countenances for the most part dark and primitive, the type more of Firbolg than Milesian origin.

When the Friar spoke to them they paused, shuffled, looked at each other, puzzled. Half unconsciously I repeated the priest's words for them.

"Oh, you are heading for the house where Kevin Hooban is lying sick?"

"Yes."

"The priest is going to read over him?"

"Yes."

"And maybe they are expecting him?"

"Yes."

"We heard it said he is very low, a strangeness coming over him."

"Is the house far?"

"No, not too far when you are once a-past the demesne wall, with the ivy upon it. Keep on the straight road. You will come to a stream and a gullet and a road clipping into the hills from it to the right; go past that road. West of that you will see two poplar trees. Beyond them you will come to a boreen. Turn down that boreen; it is very narrow, and you had best turn up one side of the car and both sit together, or maybe the thorny hedges would be slashing you on the face in the darkness of the place. At the end of the boreen you will come to a shallow river, and it having a shingle bottom. Put the mare to it and across with you. Will you be able to remember all that?"

"Yes, thanks."

"Very well. Listen now. When you are across the river with the shingly bottom draw up on the back meadow. You will see a light shining to the north. Let one bawl out of you and Patch Keetly will be at hand to take the mare by the head. He will bring you to the house where Kevin Hooban is lying in his trouble. And God grant, Father, that you will be able to reach out a helping hand to him, and to put your strength in holy words between him and them that has a hold of him; he is a fine young man without fault or blemish, and the grandest maker of music that ever put a lip to the fideóg. Keep an eye out for the poplar trees."

"Very good. God be with you."

"God speed you kindly."

We drove on. As we did so we tried to piece the directions together. The two poplar trees appeared to touch some curious strain of humour in the Spanish Friar. But it all came to pass as the prophet had spoken. We came to the ivy wall, to the stream, the gullet, the road that clipped into the hills to the right, and a long way beyond it the two poplar trees, tall, shadowy, great in their loneliness on the hills, sentinels that appeared to guard some mountain frontier. The light had rapidly gone. The whole landscape had swooned away into a vague, dark chaos. Overhead the stars began to show, the air was cutting; it bit with frost. And then we turned down the dark boreen, the mare venturing into it with some misgiving. I think the Friar was praying in an undertone in his native Basque as we passed through the narrow mountain boreen. At the end of it we came to the shallow river with the shingly bottom. Again the mare required some persuasion before she ventured in, the wheels crunching on the gravel, her fetlocks splashing the slow-moving, chocolate-coloured water. On the opposite bank we reached a sort of plateau, seen vaguely in the light. I "let a bawl out of me." It was like the cry of some lonely, lost bird on the wing. The Friar shook with laughter. I could feel the little rock of his body on the springs of the car. A figure came suddenly out of the darkness and silently took the mare by the head. The car moved on across the vague back meadow. Patch Keetly was piloting us to a light that shone in the north.

People were standing about the front of the long, low-thatched house. Lights shone in all the windows, the door stood open. The people did not speak or draw near as we got down from the car. There was a fearful silence about the place. The grouping of the people expressed mystery. They eyed us from their curiously aloof angles. They seemed as much a part of the atmosphere of the hills, as fixed in the landscape as the little clumps of furze or the two lonely poplars that mounted guard over the mouth of the boreen.

"Won't the holy Father be going into the house?" Patch Keetly asked. "I will unyoke the mare and give her a share of oats in the stable."

The Friar spoke to me in an undertone, and we crossed to the open door of the house.

The door led directly into the kitchen. Two women were standing well back from the door, something respectful, a little mysterious and a little fearful in their attitude. Their eyes were upon the Friar, and from their expressions they might have expected some sort of apparition to cross the threshold. They made a curtesy to him, dipping their bodies in a little sudden jerk. Nobody else was in the kitchen, and, despite the almost oppressive formality of their attitude, they somehow conveyed a sense of the power of women in the household in time of crisis. They were in supreme command, the men all outside, when a life had to be battled for. The elder of the women came forward and spoke to the priest, bidding him welcome. The reception looked as if it had been rehearsed, both women painfully anxious to do what was right.

There appeared some little misunderstanding, and I was too dazed with the cold--which I had only fully felt when I got off the car and found my legs cramped--to come to the rescue as interpreter. The Spanish Friar was accustomed to these little embarrassments, and he had a manner of meeting them with a smile. The misunderstanding and the embarrassment seemed to thaw the formality of the reception. The women looked relieved. They were obviously not expected to say anything, and they had no fear now that they would be put to the ordeal of meeting a possibly superior person, one who might patronise them, make a flutter in their home, appal them by expecting a great deal of attention, in short, be "very Englified." The Spanish Friar had very quick intuitions and some subtle way of his own for conveying his emotions and his requirements. He was in spirit nearer to the peasantry than many of the Friars who themselves came from the flesh of the peasantry. And these two peasant women, very quick in both their intuitions and their intelligence, seemed at the very moment of the breakdown of the first attempt at conversation to understand him and he to understand them. The elder of the women led the priest into a room off the kitchen where I knew Kevin Hooban lay ill.

The younger woman put a chair before the fire and invited me to sit there. While I sat before the fire I could hear the quick but quiet step of her feet about the kitchen, the little swish of her garments. Presently she drew near to the fire and held out a glass. It contained what looked like discoloured water, very like the water in the shallow river with the shingly bottom. I must have expressed some little surprise, even doubt, in my face, for she held the glass closer, as if reassuring me. There was something that inspired confidence in her manner. I took the glass and sipped the liquid. It left a half-burned, peaty taste in the mouth, and somehow smacked very native in its flavour. I thought of the hills, the lonely bushes, the slow movement of the chocolate-coloured river, the men with the primitive dark faces under the broad-brimmed hats, their mysterious, even dramatic way of grouping themselves around the lighted house. The peaty liquid seemed a brew out of the same atmosphere. I knew it was poteen. And in a moment I felt it coursing through my body, warming my blood. The young woman stood by the fire, half in shadow, half in the yellow flame of the turf fire, her attitude quiet but tense, very alert for any movement in the sick room.

The door of the room stood slightly open, and the low murmur of the Friar's voice reciting a prayer in Latin could be heard. The young woman sighed, her bosom rising and falling in a quick breath of pain. Then she made the sign of the Cross.

"My brother is very low," she said, sitting down by the fire after a time. Her eyes were upon the fire. Her face was less hard than the faces I had seen on the hills. She looked good-natured.

"Is he long ill?"

"This long while. But to look at him you would conceit he was as sound as a trout. First he was moody, moping about the place, and no way wishful for company. Hours he would spend below at the butt of the meadow, nearby the water, sitting under the thorn bush and he playing upon the fideóg. Then he began to lose the use of his limbs, and crying he used to be within in the room. Some of the people who have knowledge say he is lying under a certain influence. He cannot speak now. The holy Friar will know what is best to be done."

When the Friar came out of the room he was divesting himself of the embroidered stole he had put over his shoulders.

The white-capped old woman had excitement in her face as she followed him.

"Kevin spoke," she said to the other. "He looked up at the blessed man and he made an offer to cross himself. I could not hear the words he was speaking, that soft they come from his lips."

"Kevin will live," said the younger woman, catching some of the excitement of her mother. She stood tensely, drawn up near the fire, gazing vacantly but intently across the kitchen, as if she would will it so passionately that Kevin should live that he would live. She moved suddenly, swiftly, noiselessly across the floor and disappeared into the room.

The priest sat by the fire for some time, the old woman standing by, respectful, but her eyes riveted upon him as if she would pluck from him all the secrets of existence. The priest was conscious, a little uneasy, and a little amused, at this abnormal scrutiny. Some shuffling sounded outside the house as if a drove of shy animals had come down from the mountain and approached the dwelling. Presently the door creaked. I looked at it uneasily. The atmosphere of the place, the fumes of the poteen in my head, the heat of the fire, had given me a more powerful impression of the mysterious, the weird. Nothing showed at the door for some time, but I kept my eye upon it. I was rewarded. A cluster of heads and shoulders of men, swarthy, gloomy, some awful foreboding in the expression of their faces, hung round the door and peered silently down at the Friar seated at the fire. Again I had the sense that they would not be surprised to see any sort of apparition. The heads disappeared, and there was more shuffling outside the windows as if shy animals were hovering around the house. The door creaked again, and another bunch of heads and shoulders made a cluster about it. They looked, as far as I could see them, the same group of heads, but I had the feeling that they were fresh spectators. They were taking their view in turn.

The priest ventured some conversation with the woman of the house.

"Do you think will Kevin live, Father?"

"He should have more courage," the Friar said.

"We will all have more courage now that you have read over him."

"Keep the faith. It is all in the hands of God. It is only what is pleasing to Him that will come to pass."

"Blessed be His Holy Name." The woman inclined her head as she spoke the words. The priest rose to go.

The young girl came out of the room. "Kevin will live," she said. "He spoke to me." Her eyes were shining as she gazed at her mother.

"Could you tell what words he spoke?"

"I could. He said, 'In the month of April, when the water runs clear in the river, I will be playing the fideóg.' That is what Kevin said."

"When the river is clear--playing the fideóg," the elder woman repeated, some look of trouble, almost terror, in her face. "The cross of Christ between him and that fideóg!"

The priest was moving to the door and I followed. As I did so I got a glimpse, through the partly open room door, of the invalid. I saw the long, pallid, nervous-looking face of a young man on the pillow. A light fell on his brow, and I thought it had the height, and the arch, the good shape sloping backward to the long head, of a musician. The eyes were shining with an unnatural brightness. It was the face of an artist, an idealist, intensified, idealised, by illness, by suffering, by excitement, and I wondered if the vision which Kevin Hooban had of playing the fideóg by the river, when it ran clear in April, were a vision of his heaven or his earth.

We left the house. Patch Keetly was taking the loop from a trace as he harnessed the mare in the yellow light of a stable lantern. We mounted the car. The groups of men drew about us, their movements again sounding like the shuffling of shy animals on the sod, and they broke silence for the first time.

There was more said about Kevin Hooban. From various allusions, vague and unsubstantial, little touches in the kind, musical voices, I gathered that they believed him to be under the influence of the Good People. The sense of mystery and ill-omen came back to me, and I carried away a memory of the dark figures of the people grouped about the lonely lighted house, standing there in sorrow for the flute-player, the grass at their feet sparkling with frost.

THE SHOEMAKER

Obeying a domestic mandate, Padna wrapped a pair of boots in paper and took them to the shoemaker, who operated behind a window in a quiet street.

The shoemaker seemed to Padna a melancholy man. He wore great spectacles, had a white patch of forehead, and two great bumps upon it. Padna concluded that the bumps had been encouraged by the professional necessity of constantly hanging his head over his knees.

The shoemaker invited Padna to sit down in his workshop, which he did. Padna thought it must be very dreary to sit there all day among old and new boots, pieces of leather, boxes of brass eyelets, awls, knives, and punchers. No wonder the shoemaker was a melancholy-looking man.

Padna maintained a discreet silence while the shoemaker turned his critical glasses upon the boots he had brought him for repair. Suddenly the great glasses were turned upon Padna himself, and the shoemaker addressed him in a voice of amazing pleasantness.

"When did you hear the cuckoo?" he asked.

Padna, at first startled, pulled himself together. "Yesterday," he replied.

"Did you look at the sole of your boot when you heard him?" the shoemaker asked.

"No," said Padna.

"Well," said the shoemaker, "whenever you hear the cuckoo for the first time in the spring always look at the sole of your right boot. There you will find a hair. And that hair will tell you the kind of a wife you will get."

The shoemaker picked a long hair from the sole of Padna's boot and held it up in the light of the window.

"You'll be married to a brown-haired woman," he said. Padna looked at the hair without fear, favour, or affection, and said nothing.

The shoemaker took his place on his bench, selected a half-made shoe, got it between his knees, and began to stitch with great gusto. Padna admired the skilful manner in which he made the holes with his awl and drew the wax-end with rapid strokes. Padna abandoned the impression that the shoemaker was a melancholy man. He thought he never sat near a man so optimistic, so mentally emancipated, so detached from the indignity of his occupation.

"These are very small shoes you are stitching," said Padna, making himself agreeable.

"They are," said the shoemaker. "But do you know who makes the smallest shoes in the world? You don't? Well, well!... The smallest shoes in the world are made by the clurichaun, a cousin of the leprechaun. If you creep up on the west side of a fairy fort after the sun has set and put your ear to the grass you'll hear the tapping of his hammer. And do you know who the clurichaun makes shoes for? You don't? Well, well!... He makes shoes for the swallows. Oh, indeed they do, swallows wear shoes. Twice a year swallows wear shoes. They wear them in the spring, and again at the fall of the year. They wear them when they fly from one world to another. And they cross the Dead Sea. Did you ever hear tell of the Dead Sea? You did. Well, well!... No bird ever yet flew across the Dead Sea. Any of them that tried it dropped and sank like a stone. So the swallows, when they come to the Dead Sea, get down on the bank, and there the clurichauns have millions of shoes waiting for them. The swallows put on their shoes and walk across the Dead Sea, stepping on bright yellow and black stepping-stones that shine across the water like a lovely carpet. And do you know what the stepping-stones across the Dead Sea are? They are the backs of sleeping frogs. And when the swallows are all safe across the frogs waken up and begin to sing, for then it is known the summer will come. Did you never hear that before? No? Well, well!"

A cat, friendly as the shoemaker himself, leapt on to Padna's lap. The shoemaker shifted the shoe he was stitching between his knees, putting the heel where the toe had been.

"Do you know where they first discovered electricity?" he asked.

"In America," Padna ventured.

"No. In the back of a cat. He was a big buck Chinese cat. Every hair on him was seven inches long, in colour gold, and thick as copper wire. He was the only cat who ever looked on the face of the Empress of China without blinking, and when the Emperor saw that he called him over and stroked him on the back. No sooner did the Emperor of China stroke the buck cat than back he fell on his plush throne, as dead as his ancestors. So they called in seven wise doctors from the seven wise countries of the East to find out what it was killed the Emperor. And after seven years they discovered electricity in the backbone of the cat, and signed a proclamation that it was from the shock of it the Emperor had died. When the Americans read the proclamation they decided to do whatever killing had to be done as the cat had killed the Emperor of China. The Americans are like that--all for imitating royal families."

"Has this cat any electricity in her?" Padna asked.

"She has," said the shoemaker, drawing his wax-end. "But she's a civilised cat, not like the vulgar fellow in China, and civilised cats hide their electricity much as civilised people hide their feelings. But one day last summer I saw her showing her electricity. A monstrous black rat came prowling from the brewery, a bald patch on his head and a piece missing from his left haunch. To see that fellow coming up out of a gullet and stepping up the street, in the middle of the broad daylight, you'd imagine he was the county inspector of police."

"And did she fight the rat?" Padna asked.

The shoemaker put the shoe on a last and began to tap with his hammer. "She did fight him," he said. "She went out to him twirling her moustaches. He lay down on his back. She lay down on her side. They kept grinning and sparring at each other like that for half an hour. At last the monstrous rat got up in a fury and come at her, the fangs stripped. She swung round the yard, doubled in two, making circles like a Catherine-wheel about him until the old blackguard was mesmerised. And if you were to see the bulk of her tail then, all her electricity gone into it! She caught him with a blow of it under the jowl, and he fell in a swoon. She stood over him, her back like the bend of a hoop, the tail beating about her, and a smile on the side of her face. And that was the end of the monstrous brewery rat."

Padna said nothing, but put the cat down on the floor. When she made some effort to regain his lap he surreptitiously suggested, with the tip of his boot, that their entente was at an end.

A few drops of rain beat on the window, and the shoemaker looked up, his glasses shining, the bumps on his forehead gleaming. "Do you know the reason God makes it rain?" he asked.

Padna, who had been listening to the conversation of two farmers the evening before, replied, "I do. To make turnips grow."

"Nonsense!" said the shoemaker, reaching out for an awl. "God makes it rain to remind us of the Deluge. And I don't mean the Deluge that was at all at all. I mean the Deluge that is to come. The world will be drowned again. The belly-band of the sky will give, for that's what the rainbow is, and it only made of colours. Did you never know until now what the rainbow was? No? Well, well!... As I was saying, when the belly-band of the sky bursts the Deluge will come. In one minute all the valleys of the earth will be filled up. In the second minute the mountains will be topped. In the third minute the sky will be emptied and its skin gone, and the earth will be no more. There will be no ark, no Noah, and no dove. There will be nothing only one great waste of grey water and in the middle of it one green leaf. The green leaf will be a sign that God has gone to sleep, the trouble of the world banished from His mind. So whenever it rains remember my words."

Padna said he would, and then went home.

II

When Padna called on the shoemaker for the boots that had been left for repair they were almost ready. The tips only remained to be put on the heels. Padna sat down in the little workshop, and under the agreeable influence of the place he made bold to ask the shoemaker if he had grown up to be a shoemaker as the geranium had grown up to be a geranium in its pot on the window.

"What!" exclaimed the shoemaker. "Did you never hear tell that I was found in the country under a head of cabbage? No! Well, well! What do they talk to you at home about at all?"

"The most thing they tell me," said Padna, "is to go to bed and get up in the morning. What is the name of the place in the country where they found you?"