Part 4

Mr. Whitman might be able to control the use of brooms about his own premises, but his authority did not extend beyond. How the women of the locality learned of his antipathy to sweeping, either in or out of doors, is not known. Probably in some unguarded moment he had condemned it in their hearing. "He was extremely annoyed by the habit the women of his neighborhood had of coming out two or three times a day with their brooms, and stirring up the water in the gutter. He thought it caused malaria. If they would only let it alone!" (_Thomas Donaldson._)

It may be that the women made their brooms an excuse for tantalizing "The Poet." He was no less opposed to their sweeping in dry weather, and one morning when six or seven appeared simultaneously and set to sweeping with a will, he knew that it was nothing less than a concerted plan, and this he would not endure. Irritated beyond self-control, he let his indignation fly out of the window in passionate and pointed sentences, which the sweepers totally ignored.

In 1867, about four years after his general breakdown, he had commenced to give occasional lectures. This spring (1886) he delivered two, the first on March 1, in Morton Hall, Camden, the second on the afternoon of April 15, in the Chestnut Street Opera House, Philadelphia. Both lectures were upon the same subject, his favorite theme: Abraham Lincoln.

He was not an orator, and his audiences were at all times made up of people more curious perhaps to see than to hear him. This second lecture--his last appearance but one as a speaker in the "Quaker City"--was a greater strain than he had calculated upon, although the arrangements had been made for him by his friends, and he was conveyed from his own house direct to the back door of the theatre.

He always remained in his carriage while crossing the river.

Few people attended this lecture, and out of the $692 it netted him, only $78.25 was received at the door. The rest was made up by appreciative admirers. Two gentlemen gave each $100, four gave $50 each, eight gave $10, two $5, and a society--The Acharon--gave $45. The money was handed to Mr. Whitman in a large white envelope as he left the stage. It was not removed from the envelope until the next forenoon, when it was deposited unbroken in the bank.

During the summer Mr. Whitman sustained a sunstroke, fortunately not a serious one, but while suffering from the effects of it he was obliged to give up his jaunts and remain indoors. However, on pleasant evenings he could sit in a chair on the sidewalk, under his one cherished shade tree, into the bark of which he soon wore a hole with the restless movement of his right foot. Of the passers-by there were few who did not know him; many would pause for a moment's speech, others would occasionally get a chair and remain for an hour's chat. He soon recovered, but if the similar stroke he had suffered a few years before had served "to lower his fund of strength, weaken the springs of his constitution and almost wholly destroy his walking powers," (_Thomas Donaldson_), there was certainly little encouragement in store for him.

His housekeeper, too, had her physical troubles. She had visibly changed; how could it be otherwise? The back part of the house was gloomy, at times damp and unwholesome, and she had grappled with so many difficulties that she had lost strength and flesh, felt run down and nervous, while the "rosy cheeks" had faded forever.

This sickness not only made Mr. Whitman even more dependent upon her than usual, but it caused her great anxiety in another way. She realized the great risk she had taken and was taking, for on coming into the house she had relied upon verbal promises alone; no written contract or agreement had been entered into.

Now month had followed month and she had waited in vain for the old man to allude to living expenses or inquire as to her ability to meet them longer. Strange as it may seem, since being settled in his own house Walt had never mentioned money, or in any way broached the subject of his financial standing.

During the first year she had not been at all disturbed in mind; she had confidence in his integrity, and believed he had no means of meeting present embarrassments. The next summer she saw that money was coming in from a number of sources, but had no way of learning the amounts received or in what way they were disbursed. This sunstroke and the consequences that might have resulted from it were enough to arouse her thoroughly. Not that she had lost confidence in Mr. Whitman, but it came home to her that should he die she would be in no way secured. Before long the bequest left her by Captain Fritzinger would be following her own savings, which were rapidly dwindling away.

After thinking the matter over seriously, she resolved that as soon as the sick man had somewhat recuperated she would make an effort to have things put on a new and safer basis. She knew that from private donations, sale of books, government pension, receipts from lectures and so on, he had opened a bank account. She also knew he was paying one-half the expenses of Edward at a sanitarium and was sending a weekly remittance to his sister in Vermont,--and knowing all this, she felt that she was being treated with injustice. She had already spoken to Mrs. Whitman and to one or two others, and they had assured her that Walt was abundantly able to meet all household expenses, and would without doubt do so in his own good time.

She had never solicited his confidence, and yet while they were strangers, or comparative strangers,--long before she had entertained the slightest thought that she should one day exchange her home for his,--he had talked freely, even confidentially, to her; had voluntarily spoken of his money matters, his past disappointments and future expectations. But since she had come into the Mickle Street house he had never renewed these subjects, and his way of passing them over was inexplicable to her.

When the first repairs had been made in the house, she had taken the bill to him for approval and payment. He had simply glanced at it, and returned it with the words: "I think it must be all right." She had remained standing in the doorway until, silent, seemingly absorbed in his reading and oblivious of her presence, he had made her feel so uncomfortable that she had quietly glided away to pay the carpenter out of her own purse. This happened so early in their housekeeping together that she, so charitable by nature, had excused him on the ground that, having no money, he had disliked to talk further about the bill. But a year had passed, she understood his position better, and she could not excuse him again on this plea. She had mentioned the urgent need of further repairs (and when were they not needed in this little rookery?) and he had promptly replied: "Have it done; certainly, certainly; have everything done that is required." The result was still the same; although ordering the work, he was just as indifferent as before in regard to settling for it.

And so it had gone on in all cases where money had been needed, until Mrs. Davis, who was neither dull nor obtuse, saw that it was merely a matter of choice with him whether he paid for things promptly or not. The receipted bills she had carefully filed away, but what proof had she that they had been met with her own money?

At the expiration of the second year, Mr. Whitman at his own expense had the water carried upstairs and a bathtub put in. This was a blessing to both of them, and Mrs. Davis ungrudgingly saw a portion of her own room--the one little back chamber--sacrificed that it might be made possible.

Up to the time of the sunstroke she had made a number of futile attempts to introduce the subject of finances, but he had simply uttered "Ah!" (what a world of meaning he could put into that monosyllable!) and had silenced her with a look.

An observer says: "I found Whitman sitting on the front stoop talking with a negative pugnacious reformer. The poet entertained his ideas without a trace of impatience or severity of judgment, and yet he was capable of quietly chloroforming him if he became too disagreeable." Another writes: "This leading trait of his character lasted until life glimmered faintly." It was this "leading trait" that prevented Mrs. Davis from introducing any subject not pleasing to him. Again: "He has his stern as well as sad moods; in the former there is a look of power in his face that almost makes one tremble." Mrs. Davis had no fear of Mr. Whitman; he never gave her cause to tremble, but he quietly chloroformed her times without number.

The expenses of the house were not light; amongst other things, two coal fires in winter, and a wood fire much of the time. Wood was a luxury to him, but it was an expensive item to his housekeeper, and the little stove in his sleeping room devoured it like an insatiate monster. "He enjoyed a wood fire." Then she supplied his table and entertained his guests--his many guests. She never bothered him; was always on hand and ready to help him to mature his plans, however inexpedient or impracticable they might appear to her.

VIII

VISITING AND VISITORS

"_His haunt on 'Timber Creek' is one of the loveliest spots imaginable; no element lacking to make it an ideal ground for a poet, or study place for a lover of nature._"--WILLIAM SLOANE KENNEDY.

"_April 11, 1887. I expect to go to New York to speak my 'Death of Lincoln' piece Thursday afternoon next. Probably the shake up will do me good...._

"_Stood it well in New York. It was a good break from my monotonous days here, but if I had stayed longer, I should have been killed with kindness and attentions._"--WALT WHITMAN.

It was decided that Mr. Whitman should make one of his delightful visits to his friends, the Staffords, in their beautiful country home, "Timber Creek," just as soon as he was sufficiently recovered to take the trip, and Mrs. Davis thought best to defer talking with him or considering any definite step regarding home matters until he returned. She took pains to get him ready, and, as she had done before, persuaded him to purchase some new clothing and look his best. This visit, like previous ones, was charming to the poet, and he came home much benefited. While he was away Mrs. Davis rested and paid a short visit to the aged parents of Mrs. Fritzinger in Doylstown, Pennsylvania. In this breathing spell she had thought home matters over and had planned her mode of procedure; but alas! when the poet appeared upon the spot and she had welcomed him, the courage she had summoned up when he was out of sight deserted her. She threw out hints, then made attempts to speak, but to no avail; an understanding was not brought about and things went on in the old fashion.

Much as Mr. Whitman enjoyed his visits and jaunts, coming back to his own home was the one great joy of his life, and meeting his housekeeper after even a brief absence was always a pleasure to him.

It was quite late in the fall when he returned. He resumed his work at once, and the winter was not an unpleasant one to him; only somewhat tedious, because he was so closely confined to the house. In other ways it was made cheerful with social events and agreeable company, and it was brightened with anticipations of the delightful drives to be enjoyed in the spring. (It was about this time that Horace Traubel commenced to come to the house.)

Each season had added to his popularity, until he had attained the zenith of his most sanguine imaginations; his most potent daydreams had truly materialized; he was fully on the crest of the wave! His housekeeping had surpassed his fondest expectations, for to him his home was ideal. Deprivation was a thing of the past; there was no lack of means, as private contributions were sent to him amounting to many hundreds of dollars. That he was poor and needy, and "was supported in his final infirmities by the kind interest of his friends, who subscribed each his mite that the little old frame house in Camden might shelter the snowy head of the bard to the end," was the universal belief, and a kindly feeling was manifested towards him in his own home and in England. It is to be regretted that he was not better fitted physically to enjoy all his later blessings.

Out-of-doors life seemed essential to him, and after a number of outings he was able, as early as April 6, 1887, to read his Lincoln lecture--the last he gave in his own city. It was well attended, and listened to with deep attention. On the 12th of the same month he went to New York for the purpose of reading his lecture there. He was accompanied by William Duckett, a young friend who acted as valet and nurse, and it was on his arm the old man leaned as he came forward on the stage and stood a few minutes to acknowledge the applause of the audience. When the tumult had subsided, the poet sat down beside a stand, laid his cane on the floor, put on his glasses and proceeded to read from a little book, upon whose pages the manuscript and printed fragments were pasted.

"The lecturer was dressed in a dark sack coat, with dark gray waistcoat and trousers, low shoes, and gray woollen socks. The spotless linen of his ample cuffs and rolling collar was trimmed with a narrow band of edging, and the cuffs were turned up over the ends of his sleeves." Thus says the New York _Tribune_ of the next day, and it cannot be denied that his appearance did credit to his housekeeper's attention at this time, as it did on all other public occasions. The "spotless linen," however, was unbleached cotton, one of the six new shirts Mrs. Davis had made for him.

The lecture was very successful. At the close, a little girl, Laura Stedman, the five year old granddaughter of the "banker poet," walked out upon the stage and presented Mr. Whitman with a basket of lilac blossoms. The New York _Times_ had this account of the event the next morning:

"Forth on the stage came a beautiful basket of lilac blossoms, and behind it was a little bit of a maiden in a white Normandy cap and a little suit of Quaker gray, her eyes beaming, and her face deeply impressed with the gravity of the occasion. She walked to where he sat and held out her gift without a word. He started, took it and then took her.

"It was December frost and May-time blossom at their prettiest contrast, as the little pink cheek shone against the snow-white beard, for the old man told his appreciation mutely by kissing her and kissing her again, the audience meanwhile applauding sympathetically."

Mr. Whitman then recited his poem "O Captain!" and the curtain fell--fell to shut him from the sight of a New York audience forever.

Mrs. Davis always dreaded Mr. Whitman's New York visits, and this episode caused her extra anxiety. She knew that his many and influential friends would give him a warm welcome and a great reception, and she also knew how prone the poet was to go beyond the bounds of prudence. He could stand only a little fatigue and excitement now. He returned in good condition, however, and she flattered herself that a quiet summer was before them. He had told her that this lecture (which increased his bank account by six hundred dollars) was to be his last public function, but she had no knowledge of something else he had in near view; something he had already arranged for.

IX

A BUST AND A PAINTING

"_Sidney Morse has made a second big head (bust), an improvement, if I dare to say so, on the first. The second is the Modern Spirit Awake and Alert as well as Calm--contrasted with the antique and Egyptian calmness of the first._"--WALT WHITMAN.

"_Oh, that awful summer of 1887!_"--MARY DAVIS.

Early in the summer, when he had fully recovered from his exertions in New York, Mr. Whitman received a letter from a sculptor, Mr. Sidney Morse, requesting the privilege of coming to Camden at once, to make a plaster bust of him. The promise had been given to Mr. Morse for the summer, but the actual date had not been fixed upon.

Eleven years before this artist had made a very unsatisfactory bust of Walt, one he had always wished to improve upon. On the first occasion Walt had not entertained the thought of such an undertaking in his brother's house, but had gone to Philadelphia for the sittings. This time, as before, the choice of location had been left to him; and it seemed almost incredible that he, who had been initiated in this line of art, should have imposed upon his housekeeper to the extent of giving his own stuffy little house the preference over a more suitable place.

He had answered Mr. Morse's letter, telling him he would cheerfully put himself at his disposal; the summer was before them, and nothing else impending. In short, he would engage himself to him for the summer, and he was confident the result would be better this time.

About two weeks elapsed, and nothing had been said to Mrs. Davis on the subject when one morning to her surprise the artist arrived, prepared to go to work without delay. Had she been consulted, she could have made preliminary preparations; had she been better informed she would have persuaded Mr. Whitman to select a different place, and had she been fully enlightened she would have insisted upon it.

Mr. Morse writes: "I found Mr. Whitman more crippled and quieter in manner than when we met before. Eleven years had wrought their changes. He was however in a less perturbed frame of mind."

Naturally so; in his own home, contradicted in nothing, with his own carriage, and a devoted woman to wait upon him,--one who never intimated that there existed such exigencies as living expenses or household entanglements. It was left to the artist to tell Mrs. Davis the purpose for which he had come. He said that he was desirous of beginning his work as soon as was compatible with Mr. Whitman's convenience, and the poet seeing no obstacle in the way of an immediate commencement, it was decided that the first sitting should take place the following afternoon. Mrs. Davis was somewhat enlightened as to what the making of a bust implied when a load of mysterious and cumbersome articles drove up to the door in the morning. Puzzled both as to their use and where they could be housed, she had them delivered at the back gate and piled up in the yard.

Mr. Morse kept his appointment with promptitude, and after a few minutes' conversation with his subject, he summoned the housekeeper, and then, "the litter of everything under heaven was poked aside" to make a clearing by the window. Mrs. Davis assisted him in bringing some of the articles from the yard, such as boards and boxes upon which to fashion the clay; then when the necessity came for something in which to mix it, her wash tubs were at once appropriated, and as smaller vessels were from time to time required, many of her dishes and kitchen utensils were one by one pressed into service.

During the first afternoon the work was put well in progress, and what a time was thus inaugurated! Before the week ended there was clay and plaster on all sides. The two men, interested in the bust alone, were oblivious to everything else, and passed the time chatting in a lively strain. The artist was satisfied with his work and delighted with the prospect of being undisturbed until its completion. He writes: "My deep satisfaction overflowed to the housekeeper, who admonished me that there was an element of uncertainty in Mr. Whitman's programme nowadays"--and sooner than he had counted upon, her words were verified, for on the morning following her mild warning a telegram came and "the damper fell," as Mr. Morse says. This was the telegram: "Am in New York and may arrive in Camden at any moment. Herbert Gilchrist."

"He's coming to paint me," said Mr. Whitman on reading the message; "I had forgotten about him. We will put him over there somewhere; I don't see what I can do to stop it; he has come all the way from England--from England, Sidney, to paint me. Make the best of it, share the crust with him." "The damper fell" for Mrs. Davis as well, when Mr. Whitman in his usual off-hand manner announced the news to her. Another artist coming! a portrait painter! And Mr. Whitman who had known of this for an indefinite time had given her no warning, had taken her unaware. She was completely overcome, and not a little indignant. Had he really forgotten it, or had he thought it a matter of too little importance to mention? It was not often that Mrs. Davis shed tears in self-pity, but now they were her only relief. It was not the extra work and expense that troubled her most; it was Mr. Whitman's indifference towards her.

Mr. Morse was also touched, and confesses that in his disappointment he was half inclined to pack his traps and go. For a moment the housekeeper's mind tended in the same direction. "But," continues Mr. Morse, "when the young man appeared on the scene in person, I was calm once more and ready to be pacified." Mrs. Davis also calmed herself and, as was her disposition, concealed her feelings and roused herself to meet the emergency. "The litter of everything under heaven" was poked still further aside, the stove was taken down and put into the cellar, things heaped and packed higher in the corners or carried out of the room, and a place made for the newcomer.

Mr. Gilchrist proved to be an agreeable, enthusiastic young man, and one never to get into another's way. Mr. Morse could keep his place at the window, and Mr. Gilchrist could place his easel a little way back, so that the sitter didn't need to change his position to be in a good light for both. But what of Mrs. Davis when paint and oil were added to plaster and the other refuse pervading the parlors? Had the confusion been confined to these rooms alone it could have been held in check, but for lack of room the kitchen soon became an auxiliary to the improvised studio. Again quoting Mr. Morse: "For a week we kept it up, working some, talking more, Mr. Whitman's wistful eye on us both."

This favorable state of affairs was, however, of short duration, for after the first week the progress of the artists was unsatisfactory; they were hindered by constant interruptions, and as company began to pour in upon them, some days would pass and find little accomplished by either. It seemed a fatality that so many people should have chosen this very time to make their visits, especially people from abroad. Before long the strain of it told visibly on Mr. Whitman. Mr. Morse observed not only this, but the anxious look on Mrs. Davis's face as well, and on consulting her found she was much alarmed, and feared that their subject would give out unless some change could be made. The change was made when early the next morning the sculptor betook himself with his effects to the yard. This arrangement not merely gave additional space in the parlors where two or three spectators could sit or stand, but it also removed from them their chief attraction.

Some of Mr. Whitman's friends called daily, several twice or even three times in a single day.

Mr. Morse was satisfied with the new order of things and says: "In the cool shadow of the house, under a propitious sky (when it was propitious), with high boarded fence, and a grape vine wreathing itself into a pear tree for a background, my work proceeded. Occasional excursions to the studio in front for memory sketches seemed to be serving me all right."