Act III of _Die E major Opera," published _Lucrezia
Feen_. (unfinished). anonymously in the Borgia_. _Zeitung für die elegante 6th Jan. Finishes Welt_ of 10th June 1834. First number Overture to _Die of the Feen_. (Opera first Article "Pasticcio," _Neue Zeitschrift performed 29th June published in the _Neue für Musik_ 1888 at Munich.) Zeitschrift für Musik_, published 6-10th Nov. 1834 (signed Jan. Returns to "Canto Spianato"). Leipzig. Writes text of _Das Liebesverbot_.
July. Conductor at Magdeburg.
1835 _Columbus Overture_ Halévy's (performed at Kahnt, _La Juive_. 1835, in Riga, 19th March 1838, Donizetti's and at Paris, 4th _Lucia di Feb. 1841; Lammermoor_. published by Breitkopf & Härtel Grimm's "German in 1907). Mythology" published. Jan. New Year Cantata, "Beim Antritt des neuen Jahres" (published 1914).
1836 March. Finished _Das Liebesverbot_ Text of "Männerlist Meyerbeer's music of _Das (_The Novice of grösser als Frauenlist" _Les Huguenots_. Liebesverbot_. Palermo_), (music never written). performed in August. Settles Magdeburg, Article, "Aus Magdeburg" at Königsberg. under Wagner, (published anonymously 29th March. in the _Neue Zeitschrift 24th Nov. Marries für Musik_ for 19th Minna Planer. _"Rule, Britannia"_ April 1836). Overture (published by Breitkopf & Härtel in 1907).
_"Polonia" Overture_ (begun in 1832; published by Breitkopf & Härtel in 1907).
1837 May. Leaves Romance in "Die hohe Braut"(Opera Lortzing's Königsberg. G major, text, sketched in 1836 _Zar und "Sanfte Wehmut and sent to Scribe in Zimmermann_. August. Settles will sich regen," 1837. Offered to in Riga. (for insertion in Reissiger in 1842. Blum's Singspiel Versified by Wagner "Marie, Max in 1847, and composed by und Michel"). Johann Kittl under the title of "Bianca und Giuseppa, oder die Franzosen vor Nizza").
Articles "Der dramatische Gesang," and "Die _Norma_ von Bellini" (the latter lost).
Article, "Bellini, Ein Wort zu seiner Zeit," published in the _Rigaer Zuschauer_, 7-19th Dec. 1837.
1838 July. Begins "Der Tannenbaum" "Die glückliche Berlioz's _Rienzi_. (song). Bärenfamilie" (comic _Benvenuto opera in 2 Acts. Cellini_. Conceives idea of Text only). _Flying Dutchman_.
1839 May. Completes A _Faust Overture_ first two Acts of (finished Feb. 1840, _Rienzi_. rehearsed by Habeneck at Paris, July. Leaves Riga. but not performed).
September. At Paris. Songs:-- "Dors, mon Enfant." "Mignonne." "Attente." "Les deux Grenadiers."
1840 September. Schumann's Finishes _Rienzi_. _Myrthen,_ _Frauenliebe_ and Sketches _Flying _Dichterliebe_. Dutchman_. Donizetti's Meets Liszt for _Favorita_. first time. Tchaikovski Oct. Writes born. _Rienzi_ Overture.
Nov. Finishes scoring of _Rienzi_.
1840-42 Articles written in Paris: "The Nature of German Music" (_Gazette Musicale_, Nos. 44-6, 1840).
"Pergolesi's Stabat Mater" (_G. M._, No. 57. 1840).
"The Virtuoso and The Artist" (_G. M._, No. 58. 1840).
"A Pilgrimage to Beethoven" (_G. M._, Nos. 65, 66, 68, 69. 1840). "The Overture" (_G. M._, Nos. 3-5. 1841).
"An End in Paris" (_G. M._, Nos. 9, 11, 12. 1841). "Report" for the _Dresdener Abendzeitung_, (23rd Feb. 1841).
"The Artist and Publicity" (_G. M._, No. 26. 1841).
"Parisian Amusements" (_Europa_, April, 1841).
"Report" for the _Dresdener Abendzeitung_, 6th April, 1841.
"Report" for the _Dresdener Abendzeitung_, 5th May, 1841.
"Parisian Fatalities for Germans" (_Europa_, May 1841).
"Der Freischütz" (_G. M._, Nos. 34-5. 1841).
"Le Freischütz" (_Dresdener Abendzeitung_, 20th June 1841).
"Report" for the _Dresdener Abendzeitung_, 6th July 1841.
"Report" for the _Dresdener Abendzeitung_ ("Impressions of a Parisian Sunday," 1st Aug. 1841).
"Report" for the _Dresdener Abendzeitung_, 8th Sept. 1841.
"A Happy Evening" (_G. M._, Nos. 56-8. 1841).
"Report" for the _Dresdener Abendzeitung_, 5th Nov. 1841.
"Report" for the _Dresdener Abendzeitung_, 1st Dec. 1841.
"Rossini's Stabat Mater" (_Neue Zeitschrift für Abendzeitung_ 15th Dec. 1841).
"Report" for the _Dresdener Abendzeitung_ (Halévy's "La Reine de Chypre"), 23rd Dec. 1841.
"Report" for the _Dresdener Abendzeitung_ ("On a New Paris Opera"), 31st Dec. 1841.
"Halévy et La Reine de Chypre" (_G. M._, Nos. 9, 11, 17, 18. 1842).
1841 Engaged on the Feuerbach's _Wesen _Flying Dutchman_, des Christenthums_. music written in July and Aug.
1842 April. At 20th Oct. First _Die Bergwerke zu Falun_; Death of Cherubini. Dresden. Plans performance of opera in three Acts. _Tannhäuser_ _Rienzi_ at (Sketch only). ("Der Venusberg"). Dresden, under Reissiger. _Die Sarazenin_; Opera in five Acts (sketched in Paris in 1841; text finished in Dresden in 1843; music never written).
Nov. "Autobiographical Sketch."
1843 Feb. Becomes a 2nd Jan. First Schumann's _Paradise Court Kapellmeister performance of _The and the Peri_. at Dresden. Flying Dutchman_ at Dresden, under Robert Franz's May completes Wagner. first set of songs. _Tannhäuser poem_. May and June. _The Grieg born. July. Begins Love Feast of the composition of Apostles_. _Tannhäuser_. (Performed 6th July.)
"Festgesang" for male chorus (published 1914).
1844 Oct. Finishes Aug. "Gruss Account of the bringing Verdi's _Ernani_. Acts I and II seiner Treuen an home of Weber's remains of _Tannhäuser_. Friedrich den from London to Dresden. Geliebten" for male chorus.
Arrangement of the Triumphal March from Spontini's "La Vestale."
Dec. Funeral music at Weber's grave (published 1914).
1845 13th April. 19th Oct. First Completes performance of scoring of _Tannhäuser_ at _Tannhäuser_. Dresden under Wagner. July. Sketches poem of _Lohengrin_.
July. Idea of _Meistersinger_ and _Parsifal_ conceived but put aside.
Nov. Poem of _Lohengrin_ completed.
1846 Palm Sunday Various articles on Berlioz's _Faust_. (5th April). Beethoven's 9th Symphony, Produces the _à propos_ of his own Lortzing's Ninth Symphony performance of the work _Waffenschmied_. at Dresden. on 5th April. Mendelssohn's Sept. 1846 to "Concerning the Royal _Elijah_. March 1847. Kapelle." Writes 3rd Act of _Lohengrin_. "Artist and Critic, with respect to a particular case" (in _Dresdener Anzeiger_). 1847 May to June. Arrangement of Death of Writes 1st Act Gluck's _Iphigenia Mendelssohn. of _Lohengrin_. in Aulis_.
June to August. Writes 2nd Act of _Lohengrin_ and Prelude.
1848 9th Jan. His mother Feb. Revolution dies. in Paris.
March. Finishes March. Risings in scoring of Vienna and Berlin. _Lohengrin_
14th June. Makes political speech to the "Vaterlandsverein."
Nov. Writes poem Arrangement of (Summer.) "The Schumann's of _Siegfried's Palestrina's Wibelungen: _Faust_. Death_. "Stabat Mater." World-history from the Saga" (not published Schumann's Plans "Friedrich till 1850). _Manfred_. Barbarossa." (Autumn.) "The Nibelungen Myth as sketch of a Drama."
Speech at the 300th Anniversary of the Foundation of the Royal Musical Chapel in Dresden.
(December.) "Jesus von Nazareth."
"What is the relation of Republican efforts to the Monarchy?"
1849 16th Feb. Liszt "Theatrical Reform." May. Risings in produces Dresden. _Tannhäuser_ in "A Project for the Weimar. Organisation of a German Meyerbeer's National Theatre for _Le Prophète_. May. Wagner flees the Kingdom of Saxony" from Dresden to (presented to the Death of Chopin. Weimar and thence Ministry 16th May 1848). to Zürich. Later to Paris; then "Art and Revolution." returns to Zürich. (Jan.) "Edouard Devrient's Geschichte der deutschen Schauspielkunst."
(April.) "Man and Existing Society."
(April.) "The Revolution."
1850 Jan. Goes to Paris, 26th Aug. First "The Art-Work of the Schumann's hoping to get an performance of Future" (written Nov. _Genoveva_. opera produced. _Lohengrin_ at and Dec. 1849). Weimar under Liszt. Returns to "Wieland the Smith" Switzerland. (sketched as a drama end of 1849 or beginning of 1850; worked out more elaborately in 1850 in Paris).
"Art and Climate." "Judaism and Music" (a pseudonymous article in the _Neue Zeitschrift für Musik_; expanded and re-published under his own name in 1869).
1851 May-June. Writes "Opera and Drama" Schopenhauer's poem of _Young (written in winter _Parerga und Siegfried_. 1850-51). Paralipomena_.
"A Communication to my Verdi's Friends." _Rigoletto_.
"On the Goethe Death of Foundation." Spontini.
"A Letter to Franz Liszt."
"A Theatre in Zürich."
"Recollections of Spontini."
"Explanatory Programme to Beethoven's 'Eroica' Symphony."
1852 Meets the Wesendoncks.
Writes poems of "On Musical Criticism." _Valkyrie_ and _Rheingold_. Explanatory Programmes to the "Coriolan" Recasts _Young Overture; "Flying Siegfried_ and Dutchman" Overture; and _Siegfried's Death_, "Tannhäuser" Overture. calling the former _Siegfried_ and the "On the performing of latter _Die _Tannhäuser_." Götterdämmerung_.
The text was privately printed as _Der Ring des Nibelungen_ in 1853.
1853 Oct. Working at Album Sonata in "Remarks on performing 3rd Jan. Death music of the E flat major (for the _Flying Dutchman_." of Uhlig. _Rheingold_. Frau Wesendonck). Explanatory programme to Verdi's "Züricher the _Lohengrin_ Prelude. _Il Trovatore_. Vielliebchen" (Waltz in E flat Verdi's major). _Traviata_.
1854 Jan. Finishes "Gluck's Overture to Hanslick's _Vom _Rheingold_ music. _Iphigenia in Aulis_." Musikalisch-Schönen_.
May. Finishes the "A Letter to the Editor scoring. of _Neue Zeitschrift für Musik_." June to Dec. Writes music of the _Valkyrie_.
Autumn. Conceives idea of _Tristan_.
Reading Schopenhauer.
1855 In London and "A Faust Overture" Zürich. (second version).
Scoring the _Valkyrie_.
1856 April. Finishes May. _Die Sieger_ Death of scoring the (sketch for a Schumann. _Valkyrie_. Buddhistic drama).
Autumn. Working at music of _Siegfried_.
1857 March. Receives Elgar born. request for an opera for Rio de Janeiro.
April. Settles in the "Asyl" by Wesendonck's house.
July. Finishes 1st "On Franz Liszt's and part of 2nd Act Symphonic Poems." of _Siegfried_.
August. Makes prose sketch of _Tristan_.
18th Sept. Finishes poem of _Tristan_.
Idea of _Parsifal_ revives.
31st Dec. Completes music of 1st Act of _Tristan_, also Prelude.
1857-58 Five Songs:
1. The Angel. 2. Be still. 3. In the Hothouse. 4. Grief. 5. Dreams.
1858 In Paris and Cornelius's _Barber Switzerland. of Bagdad_.
April. Scores 1st Puccini born. Act of _Tristan_.
Summer. Writes 2nd Act of _Tristan_.
1859 9th April to 16th "Homage to Spohr and Gounod's _Faust_. July. Writes 3rd Fischer." Act of _Tristan_. Death of Spohr.
8th Aug. Scoring of _Tristan_ finished.
15th Sept. In Paris.
1860 At Brussels and "Letter to Hector Hugo Wolf born. Paris. Berlioz."
Makes Paris version "Zukunftsmusik." of _Tannhäuser_.
August. Amnestied, except in Saxony.
1861 13th, 18th, and 24th Albumblatt in "Account of the Production March, _Tannhäuser_ A flat major. of Tannhäuser in Paris." given in Paris. "Ankunft bei den Article "On Rota's _Gräfin May. Hears schwarze Schwänen." Egmont_," written for the _Lohengrin_ for the (An Albumblatt for _Vienna Oesterreichische first time, in Countess Zeitung_, and signed Vienna. Pourtalès), based "P. C." (Peter Cornelius). on Elisabeth's 10th July. Minna aria in Act 2 of leaves him finally, Tannhäuser. except for a visit to him in Biebrich Albumblatt in in 1862. C major (for Princess Dec. 1861 to Metternich). Jan. 1862. Writes _Meistersinger_ poem.
1862 Feb. At Biebrich. Liszt's Commences _St. Elisabeth_. composition of _Meistersinger_. Debussy born.
March. Amnestied in Saxony.
2nd June. _Meistersinger_ Overture given in Leipzig.
Nov. In Vienna.
1863 At St. Petersburg, "The Vienna Court Opera Moscow, &c., trying House." to raise money by concerts. "Nibelungen" Poem published with a preface. May. In Penzing (Vienna).
1864 10th March. Huldigungsmarsch. Poem: "To the Kingly Death of Ludwig II ascends Friend." Meyerbeer. the Bavarian throne.
23rd March. Wagner "State and Religion" Richard Strauss flies from his (not printed for public born. creditors to circulation till 1873). Mariafeld.
3rd May. Ludwig sends for him: Wagner settles at Starnberg. (In Munich Oct.)
1865 10th April. Isolde, 10th June, "What is German?" (not daughter of Wagner 1st performance published as a whole till and Cosima von of _Tristan_ at 1878). Bülow, born in Munich, under Munich. Von Bülow.
July. Resumes "Report to His Majesty composition of King Ludwig II of Bavaria _Siegfried_. upon a German Music-School to be founded in Munich." 27-30 Aug. Sketches _Parsifal_ for King Ludwig.
Dec. Leaves Munich; settles for a while in Switzerland.
1866 25th Jan. Death of Minna.
April. Settles at Tribschen (Lucerne).
May. Cosima von Bülow leaves her husband and goes to live with Wagner at Tribschen.
June. Composition of 1st Act of _Meistersinger_ finished.
Oct. Hans Richter sent to Wagner by Esser.
2nd Act of _Meistersinger_ completed.
1867 18th Feb. Eva, "Critiques"-- Gounod's daughter of Wagner 1. W. H. Riehl. _Romeo and Juliet._ and Cosima von 2. Ferdinand Hiller. Bülow, born in Tribschen. "German Art and German Policy" (reprinted in 20th Oct. Finishes book form in 1868). _Meistersinger_.
1868 Nov. Makes 21st June. 1st "Recollections of Ludwig Death of Rossini. Nietzsche's performance of Schnorr von Carolsfeld." acquaintance. _Meistersinger_ Brahms's _German at Munich, under "Critiques":-- Requiem_. Von Bülow. 3. Recollections of Rossini. Boïto's 4. Edward Devrient. _Mefistofele_. 5. Appendix to "Judaism in Music" (accompanying book-form edition).
1869 Feb. Finishes 2nd 22nd Sept. First "On Conducting." Death of Berlioz Act of _Siegfried_. performance of _Rheingold_ at 6th June. Siegfried Munich, under Wagner born. Wüllner.
Sept. Finishes 3rd Act of _Siegfried_.
Oct. Begins music of _Götterdämmerung_.
1870 11th Jan. Finishes 1st Act of _Götterdämmerung_.
5th July. Finishes 26 June. First 3 poems: "Rheingold" 2nd Act of performance of (1868); "On the _Götterdämmerung_. _Valkyrie_ at completion of Siegfried" Munich, under (1869); "25 Aug. 1870." 18 July. Cosima Wüllner. divorced by "Beethoven." Von Bülow. _Siegfried Idyll_ (given at 25 Aug. Wagner Tribschen, marries Cosima 25 Dec.). Von Bülow
"Open Letter to Dr. F. Stade."
"Mein Leben" (privately printed).
1871 Feb. Finishes Kaisermarsch. Poem: "To the German Death of Auber. scoring of Army before Paris." _Siegfried_. Verdi's _Aida_. "A Capitulation" (not May. Begins published until 1873). Death of Tausig. publication of his Collected "Recollections of Auber." Writings. "On the Destiny of June. Emil Heckel Opera." forms first Wagner Society at "Letter to an Italian Mannheim. Friend on the production of _Lohengrin_ at Bologna."
"On the production of the Stage-Festival-Drama _The Ring of the Nibelung_."
Preface to the Collected Edition of his Prose and Poetical Works.
"Report to the German Wagnerverein."
1872 Feb. Finishes 3rd Act of _Götterdämmerung_.
April. Settles in "Actors and Singers." Nietzsche's _Geburt Bayreuth. der Tragödie aus "To the Burgomaster of dem Geiste der Musik._ 22 May. Foundation Bologna." stone of the Bayreuth Theatre "To Friedrich Nietzsche." laid. "On the name Music Drama."
"Letter to an Actor."
"Epilogue to the Ring."
1873 Completes "A Glance at the German re-publication of Operatic Stage of to-day." nine volumes of works. "The rendering of Beethoven's 9th Symphony." 22 May. Begins building of "Prologue to a reading of "Wahnfried." the _Götterdämmerung_ before a select audience May. Begins scoring at Berlin." _Götterdämmerung_. "Bayreuth"--Final Report, 2 Aug. The Bayreuth &c. theatre finished in the rough. "The Festival Playhouse at Bayreuth."
1874 May. Enters into "On Spohr's _Jessonda_." Death of Peter residence at Cornelius. "Wahnfried." "On an Operatic Performance in Leipzig." 1875 Albumblatt in E Bizet's _Carmen_. flat major. Goldmark's _Queen of Sheba_.
1876 American Centennial Brahms's March. 1st Symphony.
Aug. 13-17. First performance of the _Ring_ at Bayreuth, under Richter.
1877 Jan.-April. Writes "To the Committee of Saint-Saëns' poem of _Parsifal_. the Wagnervereine." _Samson and Dalila_.
Dec. Poem published. "Sketch for a School Massenet's _Le Roi for Style." de Lahore_. Autumn. Begins the music.
7-29 May. Conducts eight concerts in Albert Hall, London.
1878 Jan. First number of "What is German?" "Bayreuther Blätter" issued. "Modern."
20 April. 1st Act of "Public and Popularity." _Parsifal_ finished. "The Public in Time and Oct. 2nd Act of Space." _Parsifal_ finished. "Retrospect of the Stage Dec. Begins scoring Festivals of 1876." of _Parsifal_. "Introduction to the 28 April. Angelo 'Bayreuther Blätter.'" Neumann gives (in Leipzig) first performance of Ring after Bayreuth.
1879 Jan.-April. Writes "Shall we Hope?" 3rd Act of _Parsifal_. "Open Letter to Herr E. von Weber."
"On Poetry and Composition."
"On Operatic Poetry and Composition."
"On the Application of Music to the Drama."
"The Work and Mission of my Life."
"Introductory Word" (to Hans von Wolzogen's "Über Errettung der deutschen Sprache.")
1880 In Italy. "Religion and Art."
"What boots this Knowledge?"
"Introduction to the year 1880." ("Bayreuther Blätter")
"Communication to the Patrons of the Stage Drama."
1881 Jan. Angelo "Introduction to a work of Neumann begins of Count Gobineau." (in Berlin) his European tour "Know Thyself." with the _Ring_. "Hero-dom and Christendom."
1882 13 Jan. Finishes 26 July. First "_Parsifal_ at Bayreuth." scoring of performance of _Parsifal_. _Parsifal_ at "On the Production of a Bayreuth youthful Symphony." Sept. Goes to under Levi. Venice. "Letter to Hans von Wolzogen." Dec. Conducts his youthful Symphony "Open Letter to Friedrich in C major in Schon." Venice.
1883 13 Feb. Dies at "On the Human Womanly" Saint-Saëns' Venice. (posthumous fragment). _Henry the Eighth_.
18 Feb. Buried at "Letter to Herr von Dvorak's Bayreuth. Stein." _Stabat Mater_.
INDEX
Adam, 153, 154 _n._
Adler, Guido, 227
Æschylus, 176, 351, 357
Agoult, Comtesse d', 130 _n._, 131
Alexander, 3
Altnikol, 349
Ander, 19
Anna (Wagner's servant), 113
Apel, Theodor, 25 ff., 62 ff., 69, 70
Aristotle, 194
Arnold, 206
Asquith, Mr., 330
Auber, 151
Avenarius, Cäcilie. _See_ Cäcilie Wagner
Bach, 83, 128, 147, 158 ff., 162 _n._, 212 ff., 218, 236, 239, 284, 301, 305, 307, 314, 321 ff., 335 ff., 348 ff.
Baden, Grand Duke of, 128
Bakunin, 47
Baumgartner, 8, 133
Beethoven, 29, 57 _n._, 146, 150, 155 ff., 160 ff., 164 ff., 172, 182, 189 ff., 200, 212 ff., 220 ff., 225 ff., 230 ff., 236, 238 ff., 272, 278, 301, 305, 321 ff., 329, 334 ff., 356
Bellini, 147, 149, 150, 152, 153, 243
Berlioz, 5 _n._, 33 _n._, 159, 166 _n._, 190, 230, 241, 308 ff.
Bertha (milliner), 122 ff., 125
Bissing, Henriette von, 116, 117, 124
Blake, 159, 320
Bonfantini, 333
Bournot, Otto, 331, 334
Boughton, Rutland, 357 _n._
Brahms, 159, 213, 221, 232, 301, 323, 326 ff.
Brockhaus, Luise. _See_ Luise Wagner
Browning, 159, 339
Bruch, Max, 329
Buddha, The, 316
Busoni, 214
Bülow, Cosima von. _See_ Cosima Wagner
Bülow, Hans von, 4, 24, 31, 38 _n._, 75, 114 ff., 126, 129, 130 _n._, 133, 139 ff., 332
Burrell, Mrs., 329 ff.
Calderon, 90
Calvin, 3
Carroll, 185
Cavalli, 227
Chamberlain, H. S., 45 _n._, 173
Charpentier, 345
Cherubini, 165, 188
Chorley, H. F., 33
Clough, 206
Columbus, 217
Cornelius, 4, 24, 66, 106, 110, 117 _n._, 119, 124, 128, 133, 134 ff., 140
Dannreuther, E., 149 _n._, 162 _n._
Davison, Henry, 33 _n._
-- J. W., 32, 33
Debussy, 172, 305, 322, 336, 345 ff.
Dietrich, 67, 68, 71
Dingelstedt, 13 ff.
Dorn, Heinrich, 153
Draeseke, 144
Dukas, 356
Dustmann, Frau, 20, 109 ff.
Ellis, W. A., 2 _n._, 12 _n._, 13 _n._, 32, 34. 36, 38 ff., 42 _n._, 52, 83 _n._, 85, 86 _n._, 87 _n._, 92 _n._, 93 _n._, 99 _n._, 112, 114 _n._
Erlanger, 10
Evans, Edwin, 200 _n._
Fétis, 5
Feuerbach, 82, 121, 176
Feustel, 329
Fips (dog), 38 ff.
Fischer, W., 17, 18
France, Anatole, 268, 319
Francis, St., 316
Franck, César, 233, 321, 323
Franz (Wagner's servant), 113
Frays, von, 15, 18
Frederick the Great, 82
Frommann, Alwine, 31, 45
Gaillard, 32
Galsworthy, John, 351
Gautier, Judith, 3 _n._
Geyer, Benjamin, 334
-- Ludwig, 326 ff.
Gladstone, 3
Glasenapp, 15 _n._, 37 _n._, 45 _n._, 56 _n._, 87 _n._, 110 _n._, 127, 133, 138, 236, 249, 331
Gluck, 149, 164 ff., 188, 191, 193, 198, 220, 222, 224, 225, 323
Goethe, 194, 199, 293
Gounod, 35
Greek Drama, 176 ff., 192 ff., 219, 351 ff.
Grieg, 329
Guiata, von, 110
Habeneck, 155
Hafiz, 121
Halévy, 12
Handel, 244
Hanslick, 19 ff., 54, 71 _n._, 112, 140, 143, 303, 304
Hardy, Thomas, 353, 357
Härtinger, 14
Haydn, 221, 323
Heine, 59, 244
Heinse, 59, 149
Herwegh, 133
-- Frau, 95, 97
Heubner, 47
Heyse, Paul, 7
Hofmannsthal, Hugo von, 345
Hoffmann, E. T. A., 146, 221 _n._
Hokusai, 293
Holtei, 153
Hornstein, Ferdinand von, 6, 12
-- Robert von, 6 ff., 23, 35, 54, 67 _n._, 82, 85
Hueffer, F., 123 _n._
Hugo, Victor, 23
Huneker, J. G., 316 ff., 327 ff.
Indy, Vincent d', 323
Julius Cæsar, 3
Kalergis, Mme., 81
Kapp, Julius, 12 _n._, 54 _n._, 62 _n._, 89, 91, 106, 109, 111, 113, 116, 118
Keats, 207
Kellermann, 129, 138
Kietz, 51, 53, 243
Kittl, 260
Köhler, 136
König, 260
Küstner, 12
Lablache, 243
Lachner, 12 ff., 54
Laube, H., 20, 33, 34, 149, 156, 172
Laussot, Eugène, 45 ff., 75
-- Jessie, 5, 31, 37, 44 ff., 58, 76 _n._, 84, 107, 133
Lear, 185
Leonardo, 293
Lessing, 192, 343 _n._
Levi, Hermann, 121 _n._, 249
Levy, Gustav, 173
Lichtenberger, H., 122 _n._
Lingg, Hermann, 7
Liszt, 3, 13, 18 _n._, 24, 50, 51, 73, 85 _n._, 86 _n._, 89, 90, 106, 120, 123, 129 ff., 133, 134, 140 ff., 174 _n._, 207, 208, 240, 324
Logier, 238
Ludwig, Emil, 122 _n._, 295, 320 _n._
-- King, 18 _n._, 19, 81, 110, 116 ff., 124, 133 ff., 144, 249
Lüttichau, 173
Maeterlinck, 353
Mahler, 329
Maier, Mathilde, 109, 111, 112, 117
Marie (Wagner's servant), 115 _n._, 116
Marschner, 241, 247
Mauro, Seraphine, 106, 134, 135
Méhul, 154, 188
_Mein Leben_, Untrustworthiness of, 4 ff., 39 ff., 50, 54, 62, 63 _n._, 88
Meissner, 33 ff.
Mendelssohn, 33, 186, 199, 214, 216 _n._, 240, 328
Meredith, G., 80
Metastasio, 187
Metternich, Princess, 10
Meyer, Friederike, 109 ff., 116, 117
Meyerbeer, 5 _n._, 23, 31, 33 _n._, 36, 173, 190, 191, 203
Milton, 159, 342, 343
Minnaphobia, Wagnerian, 36 ff., 42, 56
Monnaie, Ed., 12 _n._
Monteverdi, 213, 227, 323, 325
Morny, 10
Morris, Wm., 343
Mosel, 224
Mottl, 328, 332 ff.
Mozart, 147, 149, 152, 160, 162, 164 ff., 186, 188, 189, 191, 214, 220, 221, 225, 244, 312
Napoleon I, 3, 82, 162, 163, 195, 306
-- III, 10, 76 _n._
Nietzsche, 23, 27, 30, 36, 47, 67 _n._, 128, 141, 316 ff., 327 ff.
Ollivier, Blandine, 106, 116
Osenbrück, 34
Pachta, Count, 30, 34
Palestrina, 323, 325
Papo (parrot), 41
Payn, James, 208
Pecht, 26 _n._, 34
Peps (dog), 41
Peri, 227
Pforten, von der, 14
Phidias, 182
Planer, Minna. _See_ Minna Wagner
-- Natalie, 64 _n._, 111
Pleyel, 239
Pohlenz, 146, 155
Pope, 159
Porges, Fritz, 124, 135
-- Heinrich, 135, 136
Praeger, F., 56 _n._, 85
Puccini, 345
Pusinelli, 97 _n._, 104 _n._, 105, 109
_Putzmacherin, Die._ _See_ Bertha
Racine, 192
Rameau, 323
Renoir, 320 _n._
Ritter, Frau, 7 _n._, 31, 46, 49, 51 _n._
-- Karl, 8, 10 _n._, 31, 45, 53 ff., 99, 102, 133
Roeckel, August, 3, 47, 175, 186
Röckl, Sebastian, 14 ff.
Rose, Frau, 330, 332
Rossini, 122, 189, 190
Runciman, J. F., 259, 262, 268, 307, 308, 316 ff.
St. Georges, 12, 13
Schiller, 33, 158, 194, 200
Schlesinger, 12 _n._
Schmidt, G., 15
Schmitt, W., 14
Schmitz, Eugen, 224 _n._
Schnorr von Carolsfeld, 4, 139
Schönaich, G., 124
Schopenhauer, 7, 121, 122, 158 _n._, 352
Schott, 6, 137 _n._, 146
Schröder-Devrient, 149, 150, 152, 155, 208, 226
Schubert, 159, 218, 241, 307
Schumann, Clara, 214
-- Robert, 159, 214, 244, 245, 272, 323
Schuré, E., 138 ff.
Schwabe, 63, 65
Scribe, 13, 34, 191
Shakespeare, 58, 151, 159, 182, 192 ff., 203, 205, 249, 301, 303, 315
Shaw, G. B., 97 _n._, 304, 353
Sophocles, 176
Spencer, Herbert, 306
Spinoza, 342
Spitzer, D., 122
Spohr, 147
Spontini, 165, 186, 189
_Stabreim_, 197, 199, 200, 209, 210, 275
Standhartner, Dr., 20, 21 _n._, 106 ff., 136, 137 _n._
Stanford, Sir Charles, 326 ff.
Strauss, D. F., 82
-- Richard, 159, 172, 302 ff., 321 ff., 340 ff., 356
Strindberg, 133
Sulzer, 178
Swinburne, 159, 320, 353
Tappert, W., 20 _n._
Tausig, 4, 24, 127 ff., 135
Taylor, Mrs., 45, 51 _n._, 54, 55
Tchaikovski, 340, 356
Thespis, 182
Tieck, 193
Uhlig, 3, 31, 83 _n._, 179, 204, 209, 215, 244
Verdi, 227
Voltaire, 202
Wagner, Adolf, 330 ff.
-- Albert, 330 ff.
-- Cäcilie, 81 _n._, 331
-- Clara, 84, 85, 92, 94, 109
-- Cosima, 37, 38, 45, 81, 84, 109, 112, 114 ff., 125 _n._, 129, 130 _n._, 328, 332, 333
-- Eva, 37 _n._, 118
-- Franziska, 83
-- Isolde, 37 _n._, 118
-- Johanna, 326 ff.
-- Karl Friedrich Wilhelm, 326 ff.
-- Luise, 82, 110, 112
Wagner, Minna, 5, 6, 13, 22, 24, 30, 36 ff., 42 ff., 57 ff., 106 ff., 110 _n._, 111, 118, 133, 174
-- Richard: _Personal Characteristics_
Belief in himself, 2, 22, 24, 75, 77, 121 ff. Borrowing, habits of, 8 ff., 25, 26 ff., 65 Charm of personality, 3, 4, 28 Complexity of character, 1, 28 ff., 36, 43 ff., 99 ff., 116, 120 ff., 128 ff., 141 ff. Egoism, 2, 3, 4, 22, 66, 75, 94, 95, 97, 118, 128, 140 Epistolary skill, 22, 87, 104 Exacting with friends, 4, 128 ff. Excessive sensibility, 127, 133 ff. Extremes of nature, 138 ff. Extravagance, 106, 124 ff. Hatred of critics, 30 ff. -- of Jews, 32, 121 Indelicacy of soul, 23, 24, 29, 65 ff., 89 Ingratitude, 76 Irritability, 7 _n._, 28 ff., 33 ff., 61, 67, 97 _n._ Love of luxury, 122 ff. Passion for reading to friends, 137 ff. -- -- dominance, 3, 4, 21, 128, 143 -- -- self-justification, 23 Purity as an artist, 2, 72, 76 Unconscious actor, 23, 68, 94 ff. Vitality of temperament, 26 Women, susceptibility to, 43, 45, 58, 83 ff., 111, 112 ff., 269 Youthful wildness, 25 ff., 57 ff, 72
MUSICAL WORKS _Operas_
_Die Hochzeit_, 238, 241, 246 _Die Feen_, 26, 59, 147, 241, 246 ff., 249, 250, 251, 253, 254, 256 ff., 265, 307, 310 _Das Liebesverbot_, 26, 58, 59, 63, 151, 241, 249 ff., 258, 273 _Rienzi_, 17, 18, 102, 154, 155, 163, 173 _n._, 211, 212, 240, 242, 245, 249, 257 ff., 260, 273 ff., 329 _The Flying Dutchman_, 18, 32, 45, 71 n., 163, 168, 171, 174, 211, 212, 244, 245, 247, 249, 259, 260, 261 ff., 269 ff., 310, 319, 329 _Tannhäuser_, 5 _n._, 8, 9 _n._, 13, 14 ff., 18 _n._, 32, 35, 39 _n._, 76 _n._, 106, 119, 122, 169, 70 ff., 208 _n._, 229, 230, 241, 244, 245, 247, 253, 259, 263 ff., 270, 329, 341, 347, 348, 350 _Lohengrin_, 15, 18 _n._, 19, 50, 69, 79 _n._, 119, 122, 145, 168, 171 ff., 241, 243 ff., 247, 259, 263 ff., 270 ff., 292, 310, 319, 329 _The Ring of the Nibelung_, 77, 79 _n._, 122 _n._, 137, 186 _n._, 209, 212, 220, 245, 266 ff., 297 ff., 328, 352
(a) _The Rhinegold_, 74, 137, 171, 218, 233, 270 ff. (b) _The Valkyrie_, 35, 74, 85, 137, 171, 210, 271 ff. (c) _Siegfried_, 120, 138, 210, 269 ff. (d) _The Twilight of the Gods_, 120, 138, 234, 237, 270 ff.
_Tristan and Isolde_, 11, 17, 20, 35, 85, 88, 91, 94, 101, 106, 107, 109, 111, 125, 126, 139, 145, 171, 209, 220, 247, 257, 262, 266, 269 ff., 288 ff., 300, 310 ff., 321, 339 ff., 352, 355 ff. _Die Meistersinger_, 20, 21, 22, 107, 109, 111, 135, 137, 145, 169, 171, 209, 220, 230, 266, 270 ff., 288 ff., 310 ff., 329, 342, 350, 353 _Parsifal_, 107, 121 n., 171, 209, 266, 290 ff., 300, 312 ff., 315 ff., 343, 357
PIANOFORTE WORKS
Albumblatt for Betty Schott, 236 -- -- Princess Metternich, 237 -- in E major (for Kietz), 243 Album Sonata for Frau Wesendonck, 237 Ankunft bei den schwarzen Schwänen, 237 Fantasia in F sharp minor, 238 Polonaise in D major, 239 Sonata in A major, 239 -- in B flat major, 238
ORCHESTRAL WORKS
_Columbus_ Overture, 240, 249 _Faust_ Overture, 235, 239, 245, 265, 329 _King Enzio_ Overture, 146, 240, 249 _Polonia_ Overture, 240, 249 _Rule, Britannia_ Overture, 240, 249 Overture in D minor, 146 -- in B flat minor, 238 _Siegfried Idyl_, 235, 236, 237, 314 Symphony in C major, 146, 240, 329
CHORAL WORKS
_Greeting to Friedrich August the Beloved_, 245 _Hymn to the Czar Nicholas_, 242 _La Descente de la Courtille_, 242, 245 _Love-Feast of the Apostles, The_, 245 _New Year Cantata_, 241 _Re-Interment of Weber's Remains_, 245 _Weihegruss to King Friedrich August_, 245
SONGS AND ARIAS
Aria of Orovisto, 243 _Attente_, 243, 244 _Der Tannenbaum_, 242 _Dors, mon enfant_, 243 _Les Adieux de Marie Stuart_, 243, 245 _Les deux Grenadiers_, 244 _Mignonne_, 243 Romance of Max, 241, 242, 244 _Seven Compositions to Goethe's Faust_, 240, 242 _Tout n'est qu'images fugitives_, 243 _Vampyr_ Aria, 241
DRAMATIC WORKS AND SKETCHES
_Bianca und Giuseppe_, 260 _Die Bergwerke zu Falun_, 260 _Die Sarazenin_, 260 _Die glückliche Bärenfamilie_, 154 _n._, 260 _Friedrich Barbarossa_, 173, 205 _n._, 266 _Jesus of Nazareth_, 173, 266, 270, 319 _Siegfried's Tod_, 46, 173, 185, 266, 270 ff., 297 ff. _Young Siegfried_, 299 _The Victors_, 319 _Wieland der Schmied_, 46, 207, 269
PROSE WORKS
_Account of the Bringing Home of Weber's Remains_, 172 _Application of Music to the Drama, The_, 234 _Art and Revolution_, 176 ff., 185 _Art-Work of the Future, The_, 176, 180 ff., 185 _Autobiographical Sketch_, 156, 172 _Beethoven_, 158, 165 _n._ _Bellini_, 153 _Communication to my Friends, A_, 204, 211, 220 n., 261, 337, 338 _Dramatic Song_, 151 _End of a Musician in Paris, The_, 138 _Franz Liszt's Symphonic Poems, On_, 162, 166 _n._ _German Music, On_, 156 _German Opera, The_, 147 _Happy Evening, A_, 160, 162 _Man and Existing Society_, 175 _Opera and Drama_, 122, 137, 138, 181, 185 ff., 208, 209, 211, 215, 220 n., 272 _Operatic Poetry and Composition_, 209 _Overture, The_, 163 ff. _Pasticcio_, 148 _Pilgrimage to Beethoven, A_, 138, 156, 158 _Project for the Organisation of a German National Theatre_, 173, 175, 177 _n._ _Report upon a proposed German School of Music for Munich_, 152 _Revolution, The_, 175 _Royal Kapelle, The_, 174 _Speech at Weber's Grave_, 172 _Vaterlandsverein Speech_, 175 _Wibelungen, The_, 173
Wagner, Ottilie, 79, 332
-- Rosalie, 25, 154, 246
Wagner, Siegfried, 37, 118, 120, 133, 328
Wahnfried, editorial ways of, 36, 50, 86 _n._, 87 _n._, 90 _n._, 106 _n._, 131 _n._, 328, 333
Weber, 147, 150, 165, 168, 189, 220, 240, 245, 246, 247
Weingartner, 80 _n._
Weinlig, 238 ff.
Weissheimer, 126, 133, 140, 144
Weitzmann, 115
Werder, 45
Wesendonck, Mathilde, 2 _n._, 5, 6, 13, 16, 35, 37 ff., 43, 54, 56, 57, 69, 83 ff., 107, 108, 112, 114 ff., 120, 129, 131, 133, 237
Wesendonck, Otto, 24, 32, 33 _n._, 35, 39 _n._, 44, 47 _n._, 75, 81, 85 ff., 105, 107, 108, 133
Wilde, Oscar, 71, 208
Wille, Eliza, 81, 82, 99, 110, 116, 117
-- François, 24, 47 n., 82, 133
Winter, 154
Wittgenstein, Princess, 106 _n._, 129, 140, 207
Wolf, Hugo, 159, 308 ff., 310, 320 ff.
Wolfram, Clara. _See_ Clara Wagner
Wolzogen, Hans von, 42 _n._, 138
Zocher, Gustav, 330
THE END
Printed by BALLANTYNE, HANSON & CO. at Paul's Work, Edinburgh
* * * * *
TRANSCRIBER'S NOTES:
Italic text is denoted by _underscores_.
A number of words in this book have both hyphenated and non-hyphenated variants. For the words with both variants present the one more used has been kept.
Obvious punctuation and other printing errors have been corrected.
End of Project Gutenberg's Wagner as Man and Artist, by Ernest Newman