Vrouw Grobelaar and Her Leading Cases: Seventeen Short Stories
Chapter 3
"But Piet Naude and his Burghers trekked steadily on with the wagons and the cattle,--sometimes through a fine level country full of water and game, and sometimes through a savage wilderness of rocks and dangerous beasts. The sun scorched them by day and the mists froze them by night; some died by the way, and some were killed by lions, and some bitten by snakes. But month after month they held on, crawling slowly over the desolate face of that great new country, till at length the ragged weary men cried out and said they would go no farther.
"'Let us go back to the grass-lands and water,' they said, 'and let us live there, else we shall die, forgotten of God, in this inhospitable wilderness.' But Piet Naude wrought with them, saying, 'Let us keep good hearts and hold on. In time we shall surely come to the best place of all, where we shall gain cattle and sheep and prosper all our lives.' And after he had talked with them for a long time, and shamed them with their weakness, they were persuaded, and once again they faced the great unknown country and trekked on.
"But one hot day one of the Burghers who had ridden away to look for meat came galloping back. 'Over yonder,' he said, pointing with his hand, 'there is a wide kloof, with a stream in it. There is grass there as long and thick as the best pasture of our farms, with trees and wild fruit, and everything plentiful and beautiful. Without doubt it will lead us to such a place as we have been seeking.'
"So the wagons were turned aside, and they went forward to the kloof, all the Burghers uplifted with hope, and the very oxen pulling their best. But Piet Naude said nothing, for he had a strange doubt in his heart, and he rode on anxiously. And when they came to the kloof they saw that all the Burgher had said was even less than true. The veld underfoot was soft and tender as satin, and the grass was fresh and green. On each side the tall hills cast back the sun, so that the beautiful cool shade fell like a blessing on their scorched faces. There was wild hemp {dagga} for the Kafirs to smoke; and wild apricots running over the stones; water splashing, clear and fresh, beside the way; mimosa-trees to give wood for the fires; and everywhere they saw the spoor of every kind of buck. The Burghers were overwhelmed with gladness, and pushed on gaily.
"On the next day the kloof widened out, and they came forth into a most wonderful plain girt round with steep cliffs, and all overgrown with grass and trees. At a little distance they saw cattle grazing wild, and big herds of buck roaming in the open. Birds started without fear from under their feet, and in the streams fish swam plain to see.
"Then Piet Naude said, 'Brothers, let us go away from this place. I am afraid of all I see. God did not send all this wealth easy to our hands at no cost of labor. Let us go away lest we be entrapped into some devilishness.' But the others laughed him down and would not listen to him, saying his brain was rotten in his head with the long trek and the sun.
"So there they stayed and built themselves houses and kraals, and set about gathering the hay and catching cattle. But everything fell out so easily and all they needed came so plentifully that there grew over them a sort of sloth, and they slept without shame in the hours of work, and gave no attention to the future.
"Then by degrees it began to be noticed that they were growing fat. Soon they had bellies like sows, and their necks and their limbs became so great that they were obliged to go about without clothes, like the wild Kafirs and the brutes that perish. And when one of them would lie down, his fatness so burdened him that without help he could scarcely rise to his feet. None were spared: even the godly Piet Naude was as great as an ox; but the difference was, he felt shame for it all, whereas the others felt none.
"Many a time he implored them to inspan and leave the place; but each time they cried him down. And when he said he would go himself, they reminded him that it was he who had urged them to trek, and asked him if he would now desert them. So for a while he stayed.
"But at length he resolved he would no longer be bound, and he called to know who would go with him. But as he spoke a storm came up, and the wind screamed and the rain threshed, and the poor fat creatures waddled off to their houses, and of all that people only one stayed to go with Piet Naude. It was a young Burgher whose name was Hendrik Van der Merwe, a decent lad; and the two set off together.
"But when they came to the beautiful kloof they were amazed at the work of the storm. The wind had torn great boulders from the hills and rolled them down; and the rain had churned the earth into mud, and washed the roots of the trees loose; so that where everything had once been so fair and orderly there was now a crazy wilderness of rocks and thorns and mud.
"But they breasted the obstacles gallantly, those two alone; and at hazard of their lives they climbed over and under great rocking crags, cutting their hands and tearing their feet with the sharp stones and the thorns of the mimosas. But as they went they saw with delight that their fatness dwindled from them, and their limbs fell back to their old shapeliness, while the blubber on their cheeks retreated from their eyes and left them free as before.
"So after three days of climbing and slipping and scrambling, the rain and the wind ceased, and they came forth into the country beyond, tall and slender as they were before."
This, in reality, is the end of the story, but the children are wont to ask in chorus what the two heroes did next.
"They went back," says Vrouw Grobelaar, omitting all details of how the return was accomplished; "and when the Burghers went forth on the Great Trek, they went with them, and lived long, had many children, and then died happy and were buried."
"And what is the moral?" asked little Koos, who supplies the part of the Greek chorus.
"The moral," replies the old lady in her most impressive manner, "is that you should obey your elders, learn your psalms, get up early, shut the door after you, tell the truth, and blow your nose."
It will thus be seen that for a truly comprehensive parable the above would be hard to beat.
LIKE UNTO LIKE
For the most part the Vrouw Grobelaar's nephews and nieces were punctually obedient. Doubtless this was policy; for the old lady founded her authority on a generous complement of this world's goods. However, man is as the grass of the field (as she would constantly aver); and it fell that Frikkie Viljoen, otherwise a lad of promise, became enamored of a girl of lower caste than the Grobelaars and Viljoens, and this, mark you, with a serious eye to marriage. Even this, after a proper and orthodox reluctance on the part of his elders and betters, might have been condoned; for the Viljoens had multiplied exceedingly in the land, and the older sons were not yet married. But, as though to aggravate the business, Frikkie took a sort of glory in it, and openly belauded his lowly sweetheart.
"Mark you," said the Vrouw Grobelaar with tremendous solemnity, "this choice is your own. Take care you do not find a Leah in your Rachel."
Frikkie replied openly that he was sure enough about the girl.
The Vrouw Grobelaar shook a doubtful head. "Her grandfather was a bijwohner," she said. "Pas op! or she will one day go back to her own people and shame you."
The misguided Frikkie saw fit to laugh at this.
"Oh, you may laugh! You may laugh, and laugh, until your time comes for weeping. I tell you, she will one day return to her own people, bijwohners and rascals all of them, as Stoffel Mostert's wife did."
The old lady paused, and Frikkie defiantly demanded further particulars.
"Yes," continued the Vrouw Grobelaar, "I remember all the disgrace and shame of it to this day, and how poor Stoffel went about with his head bowed and looked no one in the face. He had a farm under the Hangklip, and a very nice farm it was, with two wells and a big dam right up above the lands, so that he had no need for a windmill to carry his water. If he had stuck to the farm Stoffel might have been a rich man; and perhaps, when he was old enough to be listened to, the Burghers might have made him a feldkornet.
"But no! He must needs cast his eyes about him till they fell on one Katrina Ruiter, the daughter, so please you, of a dirty takhaar bijwohner on his own farm. He went mad about the girl, and thought her quite different from all other girls, though she had a troop of untidy sisters like herself galloping wild about the place. I will own she was a well-grown slip of a lass, tall and straight, and all that; but she had a winding, bending way with her that struck me like something shameless. For the rest, she had a lot of coal-black hair that bunched round her face like the frame round a picture; but there was something in the color of her skin and the shaping of her lips and nostrils, that made me say to myself, 'Ah, somewhere and somewhen your people have been meddling with the Kafirs.'
"Black? No, of course she wasn't black. Nor yet yellow; but I tell you, the black blood showed through her white skin so clearly that I wonder Stoffel Mostert did not see it and drive her from his door with a sjambok.
"But the man was clean mad, and, spite of all we could do,-- spite of his uncle, the Predikant; spite of the ugly dirty family of the girl herself,--he rode her to the dorp and married her there; for the Predikant, godly man, would not turn a hand in the business.
"Now, just how they lived together I cannot tell you for sure; for you may be very certain I drank no coffee in the house of the bijwohner's daughter. But, by all hearings, they bore with one another very well; and I have even been told that Stoffel was much given to caressing the woman, and she would make out to love him very much indeed.
"Perhaps she really did? What nonsense! How can a bijwohner's baggage love a well-to-do Burgher? You are talking foolishness. But anyhow, if there was any trouble between them, they kept it to themselves for close upon a year.
"Then (this is how it has been told to me) one night Stoffel woke up in the dark, and his wife was not beside him.
"'Is it morning already?' he said, and looked through the window. But the stars were high and bright, and he saw it was scarcely midnight.
"He lay for a while, and then got up and drew on his clothes--doing everything slowly, hoping she would return. But when he was done she was not yet come, and he went out in the dark to the kitchen, and there he found the outer door unlocked and heard the dog whining in the yard.
"He took his gun from the beam where it hung and went forth. The dog barked and sprang to him, and together they went out to the veld, seeking Katrina Ruiter.
"The dog seemed to know what was wanted, and led Stoffel straight out towards the Kafir stad by the Blesbok Spruit. They did not go fast, and on the way Stoffel knelt down and prayed to God, and drew the cartridges from the gun. Then they went on.
"When they got to the spruit they could see there was a big fire in the stad and hear the Kafirs crying out and beating the drums. The dog ran straight to the edge of the water, and then turned and whined, for there was no more scent. But Stoffel walked straight in, over his knees and up to his waist, and climbed the bank to the wall of the stad.
"Inside the Kafirs were dancing. Some were tricked out with ornaments and skins and feathers; some were mother-naked and painted all over their bodies. And there was one, a gaunt figure of horror, with his face streaked to the likeness of a skull, and bones hanging clattering all about him. They capered and danced round the fire like devils in hell, and behind them the men with the drums kept up their noise and seemed to drive the dancers to madness.
"And suddenly the figures round the fire gave way, save the one with the painted face and the bones; for from the shadow of a hut at the back of the fire came another, who rushed into the light and swayed wildly to the barbarous music. The newcomer was naked as a babe new born; wild as a beast of the field; lithe as a serpent; and crazy to savageness with the fire and the drums.
"Madly she danced, bending forwards and backwards, casting her bare arms above her, while the horror who danced with her writhed and screamed like a soul in pain.
"Stoffel, behind the wall, stood stunned and bound--for here he saw his wife. He thought nothing, said nothing; but without an effort his hand ran a cartridge into the gun, and leveled it across the wall. He fired, and the lissome body dropped limp across the fire."
Frikkie Viljoen rose in great wrath.
"This is how you talk of my sweetheart, is it?" he cried. "Well, I will hear no more of your lies." And he forthwith walked out of the house.
"Look at that!" said the Vrouw Grobelaar. "I never said a word about his sweetheart."
COUNTING THE COLORS
THE horizon to the west was keen as the blade of a knife, and over it all the colors swam and blended in an ecstasy of sunset.
"There is more blood than peace in a sky like that," observed the Vrouw Grobelaar from her armchair on the stoop. "When I was a child, I never saw a mess of fire in the west but I thought it betokened the end of the world. Ah, well, one grows wiser!"
"Green is for love," said Katje. "Do you see any green in the sunset?" I saw a mile of it edging on a sea of orange and a mountain of azure.
"Where?" demanded the old lady. "Oh, that--that's almost blue, which means sin in marriage. But naming the colors in the sky is a wasteful foolishness, and the folk that are guided by them always tumble in the end. When Jan Uys was on his death-bed, he said Dia had always been counting the colors with the Irishman, and that's what caused all the trouble."
Katje sighed.
"He was a man of sixty," the unconscious Vrouw continued, "and a Boer of the best, with a farm below the Hangklip, where my cousin Barend's aunt is now. He was a rich and righteous man, too, and as upstanding and strong as any man of his age that I ever saw. He had buried four good wives, so nobody can say he wasn't a good husband, but he had a way with him--something heavy and ugly, like a beast or a Kafir--which many girls didn't like. His fifth wife was Dia, who came from Lord knows where, somewhere down south, and she was only sixteen.
"I believe in fitting a girl with a husband when she is ripe, and sixteen is old enough with any well-grown maid. But in the case of Dia, it is a pity somebody did not stop to think. She was more than half a child; just a slender, laughing, running thing that liked sweets and peaches better than coffee and meat, and used to throw stones. She threw one at my cart, with her arm low like a boy, and hit my Kafir on the neck, and then squeaked and ran to hide among the kraals. Yes, somebody should have stopped to think before they coupled her to big Jan Uys, with his scowl and his red eyes and white beard, and his sixty hard years behind him."
"I should think so, indeed," was Katje's comment.
"What you think is of no importance," retorted the old lady sharply. "I think so, and that settles it. Well, it did not take long for Dia to lose all the froth and foolishness that were in her. The child that was more than half of her nature was simply trampled to death, for Jan Uys had a short way of shaping his women-folk. She used to cry, they say, but never dared to rebel, which I can understand, knowing the man and the way he had of giving an order as though it were impossible for any one to disobey him. In particular, she could not learn to make cheese, and spoilt enough milk to feed a dorp on.
"'Very well,' he said, 'if you cannot make the cheese the Kafir woman shall do it. And you shall do her work at the churn-handle. I want no idlers in my house.'
"And there he had her at the churn, grinding like a Kafir, for three days in every week, a white woman and his wife. Once she came to him and held out her hands.
"'Look,' she said. That was all: 'look!'
"Her fingers and her palms were flayed and raw and oozed blood, but he simply glanced at them.
"'You should have learned to work before,' was all his answer. 'Every one pays for learning, and you pay late. Go back to the churn.'
"The next thing', of course, was that she was missing, but Jan Uys was not troubled. He mounted his horse and rode out along the Drifts Road, going quietly, with his pipe alight. It was the road by which he had brought her from her home, and he knew the girl would try to go to her mother. In a few miles he picked up her spoor, and found some of the sole of one of her shoes. A mimosa carried a shred of her dress, and in another place she had sat down. As he went farther, he found she had sat down in many places.
"'Good,' he said. 'She is tired, and soon I shall catch her.'
"He came up with her twenty miles along the road, sitting down again. Her hair was all about her shoulders, and her face was white, with the great eyes burning in it like those of a woman in a fever.
"'You are ready to come back?' he asked, sitting on his horse, smoking and scowling down on her.
"'What are you going to do with me?' she asked in a trembling voice.
"He laughed that short ugly laugh of his. 'You are a child,' he answered. 'I shall whip you.'
"Then she commenced to plead with him to let her go, to return without her, to spare her, to kill her. In the middle of it he leaned from the saddle, and caught hold of her arms and lifted her before him.
"'All this may stop,' he said, turning the horse. 'You have brought disgrace on me; you shall be punished.' And he carried her back.
"He did whip her--not brutally or terribly, I believe, as a man might do from wounded pride and revenge, but as a child is whipped, to warn it against future foolishness. And from the time of that beating the course of their life changed. She was no longer a child, but a very grave and silent woman, not prayerful at all, as might have been hoped, but just still and solemn. Dreadful, I call it. Then the young man Moore entered their lives.
"Jan Uys was making a dam right below the Hangklip. You know the dam: half of it is cut from the rock, and the water all comes into it from the end. It was not a matter of half a dozen Kafirs with spades, like most dams, but a business for dynamite and all kinds of ticklish and awkward work. So Jan wisely did not put his own fingers to it, but sent to the Rand for an Uitlander to come out and burst the rocks; and they sent him this young fellow, the Irishman Moore. He was a tall youth, with hair like some of the red in that sunset over yonder, and a most astonishing way of making you laugh only by talking about ordinary things. And when he joked anybody would laugh, even the Predikant, who was always preaching about the crackling of thorns under a pot. With him, in a black box like a little coffin, he had a machine he called a banjo, upon which he would play lewd and idolatrous music which was most pleasing to the ear; and he would sing songs while he played, which all ended with a yell. He was good at bursting the rocks, too. He would load holes full of dynamite in three or four places at once, and fetch tons of stone and earth out with each explosion. Jan Uys was pleased with him, for the young man cared nothing at all for his savage looks and ugly ways, and called him the Old Obadiah, who was a writer of the Bible.
"'My wife,' he told him, 'is a young woman, and sad. You must talk to her in the evenings and make her laugh.'
"The Irishman looked at him with a strange face. 'The poor creature needs a laugh,' he said.
"So he used to talk to her on the stoop in the evenings, while Jan sat within at his Bible, and heard the murmur of their talk without. More than once, too, he heard a sound that was no longer familiar to him--the sound of Dia's pleasant childish laughter, and he scowled at his book and told himself he was satisfied. I think, perhaps, he had sometimes seen himself as he was, an old hard man crushing the soul of a child. Vaguely, perhaps, and unwillingly, but still he saw it sometimes.
"This went on. The Irishman blew up his dynamite and talked with Dia and played with her. Jan, watching, saw the color had returned to her cheeks and the life to her eyes. He came into the kitchen once and she was singing. She stopped suddenly.
"'Why do you not go on?' he asked, with his little red eyes staring at her.
"She had nothing to say, and he went away, to go down to the dam. The Irishman was sitting on an ant-heap away in the sun, and Jan passed him without speaking, and walked down to the place of explosions. He was looking at the marks of fire on the rocks, when it seemed to him he heard a shout, and he saw, as he turned his head, that the Irishman was standing up. But he made no beck, and Jan walked along. When he looked again the young man had both hands to his head. Jan shaded his eyes to watch him.
"Moore walked a few paces to and fro, stood still, and then, with a start, commenced to run furiously down to where Jan was standing. He ran with long strides and very fast, and was soon beside the old man, and seized him by the arm.
"'Out of this!' he cried. 'Out of this! The holes are loaded, and ye've sixty seconds to save yer life.'
"Jan stood still. 'Why did you not tell me before?' he asked; but the other did not answer, but only dragged at his arm.
"Jan shook his hand off. 'I have a mind to stay,' he said in a calm voice. 'If Dia is made a widow, you will know how to look after her.'
"'And that's true!' cried the Irishman. 'But you shan't make a murderer of me.'
"And he drew back his fist and knocked the old man down. Catching him by the collar, he dragged him to the shelter of a big boulder, flung him close to it, and lay down on top of his body. In the next moment the blast went off, and the gust of fire and rocks and earth roared and whistled through the air above them. The sound struck them like a bludgeon, and they lay for a while, stunned and deafened, while pieces of stone slid and tinkled on the boulder that had sheltered them. At last they rose.
"'I made a mistake and I am glad,' said Jan.
"'Will you shake hands with me?'
"'I will not,' was the answer.
"'So be it. But there can be no need to tell Dia of this.'
"The Irishman nodded, and that afternoon, again, he and Dia were in the garden, throwing stones at a sardine-tin on a stick to see who could hit it first. Dia knocked it down easily, and Jan, sitting indoors with his coat off, heard them laughing.
"At supper that night he looked up to Dia.
"'This coffee has a sour taste,' he said.
"'Mine hasn't,' said the Irishman.
"'Try mine, then,' said Jan, and passed Dia his cup to hand to him. She fumbled in taking it and dropped it on the floor. The new cup that she poured out for him had no sour taste.
"For several days after that there was a sour taste in many things that he ate and drank, and he complained of it each time.
"'You must be getting ill,' Dia said.
"'It is possible,' he answered, watching her. 'I have felt very strange of late days.'
"He saw the color leave her cheeks, and a light come into her eyes.
"'What can it be?' he said. 'Should I have a doctor, do you think?'
"'I am afraid of doctors,' she answered. 'Let me give you some of my herb medicine.'
"He drank what she brought him and put the cup down.
"'I was hard to you once. Dia,' he said, 'I have been sorry since.'
"That night he sent a mounted Kafir for his brother, and when, at noon next day, that brother came, Dia and her Irishman were already gone. But Jan would not have them hunted.
"'I whipped her once,' he said, 'and I am paid for it.'
"His brother, a great simple soul, was dumbfounded.
"'Do you mean that she has poisoned you?' he demanded.
"The dying man shook his head.