Part 16

Higher than all souls that seem to theology to have found a final state, above good and evil, neither accused, nor yet accusing, live those, who have come to freedom, their senses sharpened by eternity, piping or dancing or "like the gay fishes on the wave when the moon sucks up the dew." Merlin, who in the verses of Chrétien de Troyes was laid in the one tomb with dead lovers, is very near and the saints are far away. Believing too that crucifixion and resurrection were the soul's diary and no mere historical events, which had been transacted in vain should a man come again from the womb and forget his salvation, he could cleave to the heroic doctrine the angel in the crystal made Sir Thomas Kelly renounce and have a "vague memory" of having been "with Christ and Socrates"; and stirred as deeply by hill and tree as by human beauty, he saw all Merlin's people, spirits "of vegetable nature" and fairies whom we "call accident and chance." He made possible a religious life to those who had seen the painters and poets of the romantic movement succeed to theology, but the shepherd and the midwife had they known him would have celebrated him in stories, and turned away from his thought, understanding that he was upon an errand to their masters. Like Swedenborg he believed that heaven came from "an improvement of sensual enjoyment," for sight and hearing, taste and touch grow with the angelic years, but unlike him he could convey to others "enlarged and numerous senses," and the mass of men know instinctively they are safer with an abstract and an index.

V

It was, I believe, the Frenchman Allen Cardec and an American shoemaker's clerk called Jackson Davis, who first adapted to the séance room the philosophy of Swedenborg. I find Davis whose style is vague, voluble, and pretentious, almost unreadable, and yet his books have gone to many editions and are full of stories that had been charming or exciting had he lived in Connaught or any place else, where the general mass of the people has an imaginative tongue. His mother was learned in country superstition, and had called in a knowledgeable man when she believed a neighbour had bewitched a cow, but it was not till his fifteenth year that he discovered his faculty, when his native village, Poughkeepsie, was visited by a travelling mesmerist. He was fascinated by the new marvel, and mesmerized by a neighbour he became clairvoyant, describing the diseases of those present and reading watches he could not see with his eyes. One night the neighbour failed to awake him completely from the trance and he stumbled out into the street and went to his bed ill and stupefied. In the middle of the night he heard a voice telling him to get up and dress himself and follow. He wandered for miles, now wondering at what seemed the unusual brightness of the stars and once passing a visionary shepherd and his flock of sheep, and then again stumbling in cold and darkness. He crossed the frozen Hudson and became unconscious. He awoke in a mountain valley to see once more the visionary shepherd and his flock, and a very little, handsome, old man who showed him a scroll and told him to write his name upon it.

A little later he passed, as he believed, from this mesmeric condition and found that he was among the Catskill Mountains and more than forty miles from home. Having crossed the Hudson again he felt the trance coming upon him and began to run. He ran, as he thought, many miles and as he ran became unconscious. When he awoke he was sitting upon a gravestone in a graveyard surrounded by a wood and a high wall. Many of the gravestones were old and broken. After much conversation with two stately phantoms, he went stumbling on his way. Presently he found himself at home again. It was evening and the mesmerist was questioning him as to where he had been since they lost him the night before. He was very hungry and had a vague memory of his return, of country roads passing before his eyes in brief moments of wakefulness. He now seemed to know that one of the phantoms with whom he had spoken in the graveyard was the physician Galen, and the other, Swedenborg.

From that hour the two phantoms came to him again and again, the one advising him in the diagnosis of disease, and the other in philosophy. He quoted a passage from Swedenborg, and it seemed impossible that any copy of the newly translated book that contained it could have come into his hands, for a Swedenborgian minister in New York traced every copy which had reached America.

Swedenborg himself had gone upon more than one somnambulistic journey, and they occur a number of times in Lady Gregory's stories, one woman saying that when she was among the faeries she was often glad to eat the food from the pigs' troughs.

Once in childhood, Davis, while hurrying home through a wood, heard footsteps behind him and began to run, but the footsteps, though they did not seem to come more quickly and were still the regular pace of a man walking, came nearer. Presently he saw an old, white-haired man beside him who said: "You cannot run away from life," and asked him where he was going. "I am going home," he said, and the phantom answered, "I also am going home," and then vanished. Twice in later childhood, and a third time when he had grown to be a young man, he was overtaken by the same phantom and the same words were spoken, but the last time he asked why it had vanished so suddenly. It said that it had not, but that he had supposed that "changes of state" in himself were "appearance and disappearance." It then touched him with one finger upon the side of his head, and the place where he was touched remained ever after without feeling, like those places always searched for at the witches' trials. One remembers "the touch" and "the stroke" in the Irish stories.

VI

Allen Cardec, whose books are much more readable than those of Davis, had himself no mediumistic gifts. He gathered the opinions, as he believed, of spirits speaking through a great number of automatists and trance speakers, and all the essential thought of Swedenborg remains, but like Davis, these spirits do not believe in an eternal Hell, and like Blake they describe unhuman races, powers of the elements, and declare that the soul is no creature of the womb, having lived many lives upon the earth. The sorrow of death, they tell us again and again, is not so bitter as the sorrow of birth, and had our ears the subtlety we could listen amid the joy of lovers and the pleasure that comes with sleep to the wailing of the spirit betrayed into a cradle. Who was it that wrote: "O Pythagoras, so good, so wise, so eloquent, upon my last voyage, I taught thee, a soft lad, to splice a rope"?

This belief, common among continental spiritists, is denied by those of England and America, and if one question the voices at a séance they take sides according to the medium's nationality. I have even heard what professed to be the shade of an old English naval officer denying it with a fine phrase: "I did not leave my oars crossed; I left them side by side."

VII

Much as a hashish eater will discover in the folds of a curtain a figure beautifully drawn and full of delicate detail all built up out of shadows that show to other eyes, or later to his own, a different form or none, Swedenborg discovered in the Bible the personal symbolism of his vision. If the Bible was upon his side, as it seemed, he had no need of other evidence, but had he lived when modern criticism had lessened its authority, even had he been compelled to say that the primitive beliefs of all peoples were as sacred, he could but have run to his own gift for evidence. He might even have held of some importance his powers of discovering the personal secrets of the dead and set up as medium. Yet it is more likely he had refused, for the medium has his gift from no heightening of all the emotions and intellectual faculties till they seem as it were to take fire, but commonly because they are altogether or in part extinguished while another mind controls his body. He is greatly subject to trance and awakes to remember nothing, whereas the mystic and the saint plead unbroken consciousness. Indeed the author of _Sidonia the Sorceress_, a really learned authority, considered this lack of memory a certain sign of possession by the devil, though this is too absolute. Only yesterday, while walking in a field, I made up a good sentence with an emotion of triumph, and half a minute after could not even remember what it was about, and several minutes had gone by before I as suddenly found it. For the most part, though not always, it is this unconscious condition of mediumship, a dangerous condition it may be, that seems to make possible "physical phenomena" and that overshadowing of the memory by some spirit memory, which Swedenborg thought an accident and unlawful.

In describing and explaining this mediumship and so making intelligible the stories of Aran and Galway I shall say very seldom, "it is said," or "Mr. So-and-So reports," or "it is claimed by the best authors." I shall write as if what I describe were everywhere established, everywhere accepted, and I had only to remind my reader of what he already knows. Even if incredulous he will give me his fancy for certain minutes, for at the worst I can show him a gorgon or chimera that has never lacked gazers, alleging nothing (and I do not write out of a little knowledge) that is not among the sober beliefs of many men, or obvious inference from those beliefs, and if he wants more--well, he will find it in the best authors.[2]

VIII

All spirits for some time after death, and the "earth-bound," as they are called, the larvæ, as Beaumont, the seventeenth-century Platonist, preferred to call them, those who cannot become disentangled from old habits and desires, for many years, it may be for centuries, keep the shape of their earthly bodies and carry on their old activities, wooing or quarrelling, or totting figures on a table, in a round of dull duties or passionate events. Today while the great battle in Northern France is still undecided, should I climb to the top of that old house in Soho where a medium is sitting among servant girls, some one would, it may be, ask for news of Gordon Highlander or Munster Fusilier, and the fat old woman would tell in Cockney language how the dead do not yet know they are dead, but stumble on amid visionary smoke and noise, and how angelic spirits seek to awaken them but still in vain.

Those who have attained to nobler form, when they appear in the séance room, create temporary bodies, commonly like to those they wore when living, through some unconscious constraint of memory, or deliberately, that they may be recognized. Davis, in his literal way, said the first sixty feet of the atmosphere was a reflector and that in almost every case it was mere images we spoke with in the séance room, the spirit itself being far away. The images are made of a substance drawn from the medium who loses weight, and in a less degree from all present, and for this light must be extinguished or dimmed or shaded with red as in a photographer's room. The image will begin outside the medium's body as a luminous cloud, or in a sort of luminous mud forced from the body, out of the mouth it may be, from the side or from the lower parts of the body.[3] One may see a vague cloud condense and diminish into a head or arm or a whole figure of a man, or to some animal shape.

I remember a story told me by a friend's steward in Galway of the faeries playing at hurley in a field and going in and out of the bodies of two men who stood at either goal. Out of the medium will come perhaps a cripple or a man bent with years and sometimes the apparition will explain that, but for some family portrait, or for what it lit on while rumaging in our memories, it had not remembered its customary clothes or features, or cough or limp or crutch. Sometimes, indeed, there is a strange regularity of feature and we suspect the presence of an image that may never have lived, an artificial beauty that may have shown itself in the Greek mysteries. Has some cast in the Vatican, or at Bloomsbury been the model? Or there may float before our eyes a mask as strange and powerful as the lineaments of the Servian's _Frowning Man_ or of Rodin's _Man with the Broken Nose_. And once a rumour ran among the séance rooms to the bewilderment of simple believers, that a heavy middle-aged man who took snuff, and wore the costume of a past time, had appeared while a French medium was in his trance, and somebody had recognized the Tartuffe of the Comédie Française. There will be few complete forms, for the dead are economical, and a head, or just enough of the body for recognition, may show itself above hanging folds of drapery that do not seem to cover solid limbs, or a hand or foot is lacking, or it may be that some _Revenant_ has seized the half-made image of another, and a young girl's arm will be thrust from the withered body of an old man. Nor is every form a breathing and pulsing thing, for some may have a distribution of light and shade not that of the séance room, flat pictures whose eyes gleam and move; and sometimes material objects are thrown together (drifted in from some neighbour's wardrobe, it may be, and drifted thither again) and an appearance kneaded up out of these and that luminous mud or vapour almost as vivid as are those pictures of Antonio Mancini which have fragments of his paint tubes embedded for the high lights into the heavy masses of the paint. Sometimes there are animals, bears frequently for some unknown reason, but most often birds and dogs. If an image speak it will seldom seem very able or alert, for they come for recognition only, and their minds are strained and fragmentary; and should the dogs bark, a man who knows the language of our dogs may not be able to say if they are hungry or afraid or glad to meet their master again. All may seem histrionic or a hollow show. We are the spectators of a phantasmagoria that affects the photographic plate or leaves its moulded image in a preparation of paraffin. We have come to understand why the Platonists of the sixteenth and seventeenth centuries, and visionaries like Boehme and Paracelsus confused imagination with magic, and why Boehme will have it that it "creates and substantiates as it goes."

Most commonly, however, especially of recent years, no form will show itself, or but vaguely and faintly and in no way ponderable, and instead there will be voices flitting here and there in darkness, or in the half-light, or it will be the medium himself fallen into trance who will speak, or without a trance write from a knowledge and intelligence not his own. Glanvil, the seventeenth-century Platonist, said that the higher spirits were those least capable of showing material effects, and it seems plain from certain Polish experiments that the intelligence of the communicators increases with their economy of substance and energy. Often now among these faint effects one will seem to speak with the very dead. They will speak or write some tongue that the medium does not know and give correctly their forgotten names, or describe events one only verifies after weeks of labour. Here and there amongst them one discovers a wise and benevolent mind that knows a little of the future and can give good advice. They have made, one imagines, from some finer substance than a phosphorescent mud, or cobweb vapour that we can see or handle, images not wholly different from themselves, figures in a galanty show not too strained or too extravagant to speak their very thought.

Yet we never long escape the phantasmagoria nor can long forget that we are among the shape-changers. Sometimes our own minds shape that mysterious substance, which may be life itself, according to desire or constrained by memory, and the dead no longer remembering their own names become the characters in the drama we ourselves have invented. John King, who has delighted melodramatic minds for hundreds of séances with his career on earth as Henry Morgan the buccaneer, will tell more scientific visitors that he is merely a force, while some phantom long accustomed to a decent name, questioned by some pious Catholic, will admit very cheerfully that he is the devil. Nor is it only present minds that perplex the shades with phantasy, for friends of Count Albert de Rochas once wrote out names and incidents but to discover that though the surname of the shade that spoke had been historical, Christian name and incidents were from a romance running at the time in some clerical newspaper no one there had ever opened.

All these shadows have drunk from the pool of blood and become delirious. Sometimes they will use the very word and say that we force delirium upon them because we do not still our minds, or that minds not stupefied with the body force them more subtly, for now and again one will withdraw what he has said, saying that he was constrained by the neighbourhood of some more powerful shade.

When I was a boy at Sligo, a stable boy met his late master going round the yard, and having told him to go and haunt the lighthouse, was dismissed by his mistress for sending her husband to haunt so inclement a spot. Ghosts, I was told, must go where they are bid, and all those threatenings by the old _grimoires_ to drown some disobedient spirit at the bottom of the Red Sea, and indeed all exorcism and conjuration affirm that our imagination is king. _Revenants_ are, to use the modern term, "suggestable," and may be studied in the "trance personalities" of hypnoses and in our dreams which are but hypnosis turned inside out, a modeller's clay for our suggestions, or, if we follow _The Spiritual Diary_, for those of invisible beings. Swedenborg has written that we are each in the midst of a group of associated spirits who sleep when we sleep and become the _dramatis personæ_ of our dreams, and are always the other will that wrestles with our thought, shaping it to our despite.

IX

We speak, it may be, of the Proteus of antiquity which has to be held or it will refuse its prophecy, and there are many warnings in our ears. "Stoop not down," says the Chaldæan Oracle, "to the darkly splendid world wherein continually lieth a faithless depth and Hades wrapped in cloud, delighting in unintelligible images," and amid that caprice, among those clouds, there is always legerdemain; we juggle, or lose our money with the same pack of cards that may reveal the future. The magicians who astonished the Middle Ages with power as incalculable as the fall of a meteor were not so numerous as the more amusing jugglers who could do their marvels at will; and in our own day the juggler Houdin, sent to Morocco by the French Government, was able to break the prestige of the dervishes whose fragile wonders were but worked by fasting and prayer.

Sometimes, indeed, a man would be magician, jester, and juggler. In an Irish story a stranger lays three rushes upon the flat of his hand and promises to blow away the inner and leave the others unmoved, and thereupon puts two fingers of his other hand upon the outer ones and blows. However, he will do a more wonderful trick. There are many who can wag both ears, but he can wag one and not the other, and thereafter, when he has everybody's attention, he takes one ear between finger and thumb. But now that the audience are friendly and laughing the moment of miracle has come. He takes out of a bag a skein of silk thread and throws it into the air, until it seems as though one end were made fast to a cloud. Then he takes out of his bag first a hare and then a dog and then a young man and then "a beautiful, well-dressed young woman" and sends them all running up the thread. Nor, the old writers tell us, does the association of juggler and magician cease after death, which only gives to legerdemain greater power and subtlety. Those who would live again in us, becoming a part of our thoughts and passion have, it seems, their sport to keep us in good humour, and a young girl who has astonished herself and her friends in some dark séance may, when we have persuaded her to become entranced in a lighted room, tell us that some shade is touching her face, while we can see her touching it with her own hand, or we may discover her, while her eyes are still closed, in some jugglery that implies an incredible mastery of muscular movement. Perhaps too in the fragmentary middle world there are souls that remain always upon the brink, always children. Dr. Ochorowicz finds his experiments upset by a naked girl, one foot one inch high, who is constantly visible to his medium and who claims never to have lived upon the earth. He has photographed her by leaving a camera in an empty room where she had promised to show herself, but is so doubtful of her honesty that he is not sure she did not hold up a print from an illustrated paper in front of the camera. In one of Lady Gregory's stories a countryman is given by a stranger he meets upon the road what seems wholesome and pleasant food, but a little later his stomach turns and he finds that he has eaten chopped grass, and one remembers Robin Goodfellow and his joint stool, and witches' gold that is but dried cow dung. It is only, one does not doubt, because of our preoccupation with a single problem, our survival of the body, and with the affection that binds us to the dead, that all the gnomes and nymphs of antiquity have not begun their tricks again.

X

Plutarch, in his essay on the dæmon, describes how the souls of enlightened men return to be the schoolmasters of the living, whom they influence unseen; and the mediums, should we ask how they escape the illusions of that world, claim the protection of their guides. One will tell you that when she was a little girl she was minding geese upon some American farm and an old man came towards her with a queer coat upon him, and how at first she took him for a living man. He said perhaps a few words of pious commonplace or practical advice and vanished. He had come again and again, and now that she has to earn her living by her gift, he warns her against deceiving spirits, or if she is working too hard, but sometimes she will not listen and gets into trouble. The old witch doctor of Lady Gregory's story learned his cures from his dead sister whom he met from time to time, but especially at Hallowe'en, at the end of the garden, but he had other helpers harsher than she, and once he was beaten for disobedience.

Reginald Scott gives a fine plan for picking a guide. You promise some dying man to pray for the repose of his soul if he will but come to you after death and give what help you need, while stories of mothers who come at night to be among their orphan children are as common among spiritists as in Galway or in Mayo. A French servant girl once said to a friend of mine who helped her in some love affair: "You have your studies, we have only our affections"; and this I think is why the walls are broken less often among us than among the poor. Yet according to the doctrine of Soho and Holloway and in Plutarch, those studies that have lessened in us the sap of the world may bring to us good, learned, masterful men who return to see their own or some like work carried to a finish. "I do think," wrote Sir Thomas Browne, "that many mysteries ascribed to our own invention have been the courteous revelations of spirits; for those noble essences in heaven bear a friendly regard unto their fellow creatures on earth."

XI